Showing posts with label Stanley "Artgerm" Lau. Show all posts
Showing posts with label Stanley "Artgerm" Lau. Show all posts

Tuesday, February 13, 2024

#IReadsYou Review: CONAN THE BARBARIAN #1

CONAN THE BARBARIAN #1 (2023)
TITAN COMICS/Heroic Signatures

STORY: Jim Zub
ART: Roberto de la Torre
COLORS: José Villarrubia
LETTERS: Richard Starkings of Comicraft
EDITOR: Phoebe Hedges
COVER: Dan Panosian
VARIANT COVER ARTISTS: Roberto de la Torre; Artgerm; Patch Zircher; Mike Mignola; E.M. Gist, Dan Panosian; Jae Lee; Colleen Doran; Chris Jones; Dave Wilkins; Mark Schultz; Junggeon Yoon; Ian Nicholls; Eric Ray; Jay Anacleto; Chris Ehnot
32pp, Color, $3.99 U.S. (August 2023)

Suggested for mature readers

“Bound in Black Stone” Part I: “Scourge of the Dead”

Conan the Cimmerian was born in the pulp fiction of Robert E. Howard (REH), first appearing in the magazine, Weird Tales (1932).  In 1970, Marvel Comics brought Conan to the world of comic books via the title, Conan the Barbarian. With only a few pauses, Conan comic books have been published for the better part of five decades.

Titan Comics and Heroic Signatures are the new producers of Conan comic books, and they start with a new Conan the Barbarian series.  It is written by Jim Zub; drawn by Roberto de la Torre; colored by José Villarrubia; and lettered by Richard Starkings.  The new series finds Conan returned to his homeland of Cimmeria just when it faces a terrible new threat.

Conan the Barbarian #1 (“Scourge of the Dead”) opens in Northern Aquilonia, specifically at the outpost known as “Hauler's Roam.”  Recently arrived, Conan the Cimmerian is the closest that he has been to his homeland of Cimmeria in eight years.  But first, he must extricate himself from “the Bleeders,” the band of mercenaries of which he has been a part.

A weary Conan has returned to his homeland to seek rest and solitude, but a mysterious scout, Brissa, rides into Haurler's Roam” with a warning of an imminent threat on the march from the Pictish wilderness.  Will Conan and his new ally be able to hold off this new horde of invaders?

THE LOWDOWN:  Titan Comics has been providing me with PDF copies of their publications for review for several years now.  Their debut Conan title, Conan the Barbarian #1, is the latest.

When Marvel Comics resumed publishing Conan the Barbarian comic books in 2019 – for the first time since the late 1990s – I was somewhat exited.  I read a few issue, and while they did recall some of the best of classic Marvel Conan for me, I saw no reason to keep reading past the first six months of the revival.

Titan Comics and Heroic Signatures' debut Conan the Barbarian #1 seems a bit edgier than Marvel Comics' 2019 Conan the Barbarian... at least, in hindsight to me.  Part of it may be that writer Jim Zub's introductory story fits itself in with some of the literary Conan chronologies.  For instance, “Scourge of the Dead” references the “Sack of Venarium,” also known as the “Battle of Venarium,” which is depicted in the 2003 Conan novel, Conan of Venarium, written by Harry Turtledove.

Conan is apparently 14 or 15 at the time of the battle, but Zub may be setting his age at 16.  Eight years later, this story, “Scourge of the Dead” begins, and Zub references Conan's “twenty-four summers.”  In an interview, Zub said that this story takes place after the original Robert E. Howard Conan short story, “The Frost-Giant's Daughter.”  In some Conan chronologies, Conan is almost 30 at this point.

That said, by firmly planting Conan in a literary tradition, Zub makes this story feel like something substantial in the catalog of Conan fiction and storytelling.  This is something more than just another licensed comic book tie-in.  Also, having Conan face a seemingly unstoppable horde of ravenous killers also gives the story a kick.

The art and storytelling by artist Roberto de la Torre is what really sells Zub's script.  De la Torre's art here resembles of mix of the late John Buscema's Conan the Barbarian comic books and the late Joe Kubert's Tor comics.  De la Torre makes me feel the blood, violence, and the heat of bone-breaking, and he creates a sense of foreboding and then, terror when the horde strikes.

The art looks even more gorgeous under the colors of José Villarubia, one of the best and most skilled comic book colorists working in American comic books over the last three decades.  Richard Starkings' lettering is the cherry on top of this excellent graphics package.

Will I lose interest in this new series?  There is a good chance that I will, eventually, but I may stick around for longer than I did with the Marvel relaunch.  This new series is not standard Conan the Barbarian, and I like Conan enough to have watched three Conan films:  Conan the Barbarian (1982), Conan the Destroyer (1984), and Conan the Barbarian (2011), many times.

I READS YOU RECOMMENDS:  Fans of Conan comic books will want to try Titan Comics and Heroic Signatures' Conan the Barbarian.

[This comic book includes the essay, “Robert E. Howard and His Ages Undreamed Of,” by Jeffrey Shanks.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://titan-comics.com/
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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, August 1, 2023

Titan Comics Returns "CONAN THE BARBARIAN" to Comic Books Shops on August 2nd


"Conan the Barbarian #1 COVER D." "Retro Theme" variant cover art by Patch Zircher.

ROBERT E. HOWARD'S LEGENDARY CONAN IS BACK IN A NEW TALE OF BRAVERY AND HEROISM! CONAN THE BARBARIAN FCBD EDITION LEADS INTO THE DEBUT ISSUE

Years after the battle of Venarium, a weary CONAN returns to his homeland to seek rest and solitude. However, a mysterious scout rides in to warn the Cimmerians of an imminent threat on the march from the Pictish wilderness. Will CONAN and his new ally be able to hold off this new horde of invaders?

CONAN THE BARBARIAN #1 (ONGOING):
Writer: JIM ZUB
Artist: ROBERTO DE LA TORRE
Colorist: JOSÉ VILLARRUBIA
Letterer: RICHARD STARKINGS OF COMICRAFT
Publishers: HEROIC SIGNATURES & TITAN COMICS
FC, 32pp, $3.99, On sale: August 2, 2023

Issue #1 covers:
MAY231133 COVER A: DAN PANOSIAN
MAY231134 COVER B: ROBERTO DE LA TORRE
MAY231135 COVER C: ARTGERM
MAY231136 COVER D: PATCH ZIRCHER RETRO THEME
MAY231137 COVER E: MIKE MIGNOLA
MAY231138 COVER F: E.M. GIST
MAY231139 COVER G: WRAPAROUND HYBORIAN AGE MAP
MAY231140 COVER H: COLORED BLANK SKETCH
MAY231141 COVER I: FOIL CONAN MOVIE NOVEL REPLICA VIRGIN 
MAY231142 COVER J: 1:10 INCENTIVE: ROBERTO DE LA TORRE VIRGIN B&W INKS
MAY231143 COVER K: 1:25 INCENTIVE: DAN PANOSIAN VIRGIN B&W INKS
MAY231144 COVER L: 1:50 INCENTIVE: MIKE MIGNOLA VIRGIN B&W INKS
MAY231145 COVER M: 1:100 INCENTIVE: ARTGERM VIRGIN B&W INKS
APR238820 FOC JAE LEE VIRGIN
APR238821 FOC MIKE MIGNOLA VIRGIN

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Monday, September 14, 2020

Marvel Comics from Diamond Distributors for September 16, 2020

MARVEL COMICS

MAR201054    AERO #11    $3.99
JUL200606    AMAZING SPIDER-MAN SINS OF NORMAN OSBORN #1    $4.99
JUL200607    AMAZING SPIDER-MAN SINS OF NORMAN OSBORN #1 CASANOVAS VAR    $4.99
APR201102    AVENGERS OF THE WASTELANDS TP    $15.99
APR201029    CAPTAIN AMERICA #23    $3.99
JUL200666    CAPTAIN AMERICA #23 ALEX ROSS CAPTAIN AMERICA TIMELESS VAR    $3.99
JUN209040    CAPTAIN AMERICA #23 GURIHIRU HEROES AT HOME VAR    $3.99
JUL208171    CAPTAIN MARVEL #19 2ND PTG SMITH VAR EMP    $3.99
APR201046    CONAN BATTLE FOR SERPENT CROWN #5 (OF 5)    $3.99
APR201048    CONAN BATTLE FOR SERPENT CROWN #5 (OF 5) MCKONE VAR    $3.99
JUN209248    EMPYRE #4 (OF 6) 2ND PTG MCKELVIE VAR    $4.99
APR200907    EXCALIBUR #12 XOSP    $3.99
APR200900    GIANT SIZE X-MEN STORM #1    $4.99
JUL200664    GIANT SIZE X-MEN STORM #1 ALEX ROSS STORM TIMELESS VAR    $4.99
APR200901    GIANT SIZE X-MEN STORM #1 BARTEL VAR    $4.99
APR200897    HELLIONS #4    $3.99
JUL208169    HELLIONS #4 GOMEZ VAR    $3.99
JUL200662    IMMORTAL HULK #0    $4.99
APR201027    IMMORTAL HULK #37    $3.99
JUL200663    IMMORTAL HULK #37 ALEX ROSS HULK TIMELESS VAR    $3.99
JUN209042    IMMORTAL HULK #37 GURIHIRU HEROES AT HOME VAR    $3.99
JUL200595    IRON MAN #1    $4.99
JUL200599    IRON MAN #1 ALEX ROSS IRON MAN TIMELESS VAR    $4.99
JUL200604    IRON MAN #1 BLANK VAR    $4.99
JUL200601    IRON MAN #1 TENJIN VAR    $4.99
JUL200602    IRON MAN #1 WEAVER VAR    $4.99
DEC190979    MARVEL PORTFOLIO HC STANLEY ARTGERM LAU    $50.00
APR201105    MARVELS SPIDER-MAN TP BLACK CAT STRIKES    $15.99
JAN201044    MMW AMAZING SPIDER-MAN HC VOL 22    $100.00
JAN201045    MMW AMAZING SPIDER-MAN HC VOL 22 DM VAR ED 293    $100.00
APR201118    SPIDER-MAN SPIDER-VERSE GN TP SPIDER-WOMEN    $9.99
MAR201070    STAR WARS #6    $3.99
MAR201071    STAR WARS #6 SPROUSE EMPIRE STRIKES BACK VAR    $3.99
APR201051    STAR WARS DARTH VADER #5    $3.99
APR201052    STAR WARS DARTH VADER #5 SPROUSE EMPIRE STRIKES BACK VAR    $3.99
FEB201059    STAR WARS JEDI FALLEN ORDER DARK TEMPLE TP    $15.99
MAR201114    STAR WARS LEGENDS EPIC COLLECTION EMPIRE TP VOL 06    $44.99
APR201008    THOR #7    $3.99
APR201009    THOR #7 KLEIN VAR    $3.99
APR200914    TRUE BELIEVERS X-MEN CYPHER #1    $1.00
APR200913    TRUE BELIEVERS X-MEN HAVOK #1    $1.00
APR200917    TRUE BELIEVERS X-MEN MAGIK #1    $1.00
APR200891    X-MEN #12 EMP XOSP    $3.99
MAR201094    X-MEN FANTASTIC FOUR TP 4X    $15.99
JAN201043    X-MEN GRAND DESIGN OMNIBUS HC    $100.00
FEB200902    X-MEN MARVELS SNAPSHOT #1    $4.99
FEB200903    X-MEN MARVELS SNAPSHOT #1 REILLY VAR    $4.99
MAR201117    X-MEN MILESTONES TP SECOND COMING    $34.99
FEB201065    X-MEN TP RELOAD    $39.99

Tuesday, June 16, 2020

#IReadsYou Review: YEAR OF THE VILLAIN SPECIAL #1

DC'S YEAR OF THE VILLAIN SPECIAL No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

EDITOR: Mike Cotton; Marie Javins
COVER: Greg Capullo and FCO
VARIANT COVER ARTISTS: Jim Cheung with Tomeu Morey; Alex Maleev; Stanley “Artgerm” Lau
32pp, Color, 0.25¢ U.S. (July 2019)

Rated “T” for “Teen”

DC Comics' “Year of the Villain” is a crossover comic book event that officially kicks off in July 2019 with Year of the Villain: The Offer.  Although the beginnings of the event have already been hinted at in regular DC Comics titles like Action Comics, on May 1st, 2019, readers got a first look at “Year of the Villain” a specially priced comic book.

DC's Year of the Villain Special #1 is a .25¢ special preview comic book.  It contains what are essentially the three opening or prologue chapters of “Year of the Villain.”  They are “Doom,” “Leviathan,” and “Justice.”  The final eight pages of this comic book comprise an article that offers text pieces, art, sketches, and a list of 20 individual comic book issues that lead up to the official beginning of “Year of the Villain.”

The following paragraphs include a brief synopsis and review of each of the three chapters offered in DC's Year of the Villain Special #1:

Doom

STORY: Scott Snyder
ART: Jim Cheung
COLOR: Tomeu Morey
LETTERS: Tom Napolitano
EDITOR: Marie Javins

Amanda Blake Waller, the leader of multiple clandestine agencies, including “Task Force X” (a.k.a. The Suicide Squad), has arrived at the White House for a meeting with the President of the United States.  What she finds instead is Lex Luthor and the Legion of Doom.  Luthor has an offer to make Waller and every supervillain on Earth.

I wasn't planning on reading “Year of the Villain,” but this tense, exciting, eight-page piece got me interested in this event.  I generally don't like comic book events, but...  Plus, there is a shocking ending, and I rarely can resist the lovely art of Jim Cheung, in this case, expertly colored by the great Tomeu Morey.

Leviathan

STORY: Brian Michael Bendis
ART: Alex Maleev
COLORS: Alex Maleev
LETTERS: Josh Reed
EDITOR: Mike Cotton

Batgirl has arrived in Seattle to join Green Arrow in battling Merlyn.  However, Merlyn is desperate to tell them something... until Leviathan arrives.  Later, Robin (Damian Wayne) has a shocking question to ask his father, Batman.

This chapter does not start off that strongly; then, it explodes.  Plus, the last panel with Damian offers an explosive surprise.  Oh, and I can't resist the team of Brian Michael Bendis and Alex Maleev.

Justice

STORY: James Tynion IV
ART: Francis Manapul
COLOR: Francis Manapul
LETTERS: Tom Napolitano
EDITOR: Marie Javins

The Justice League is at the “Universe's End,” trying to save the Gorathian System from the void.  With so much mind-bending rescues to make, Superman announces that it is time to make the League grow.  Which heroes will get the call?  Batman has a simple answer.

If you are still in doubt about “Year of the Villain,” this eight-page treat will put those doubts to rest.  I think you will want to at least sample some more.  Plus, this story offers lovely Francis Manapul art.

DC Insider: Year of the Villain

WRITER: Andrew Serwin
EDITOR: Mike Cotton

There is a lot of information here.  The lists of pertinent comic books that readers will need to fully enjoy the beginnings of “Year of the Villain” will make preview comic book a must-have.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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Wednesday, March 25, 2020

#IReadsYou Review: NEW MUTANTS #1

NEW MUTANTS No. 1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Ed Brisson and Jonathan Hickman
ART: Rod Reis
COLORS: Rod Reis
LETTERS: VC's Travis Lanham
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Rod Reis
VARIANT COVER ARTISTS: Nick Bradshaw with Morry Hollowell; Stanley “Artgerm” Lau; Mark Bagley and John Dell with Israel Silva; Tom Muller
44pp, Color, $4.99 U.S. (January 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby; New Mutants created by Chris Claremont and Bob McLeod

“The Sextant”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  The X-Men #1 (cover dated: September 1963) introduced readers to a professor and his students, all of whom had unique powers and abilities because they were “mutants.”

The New Mutants #1 (cover date:  March 1983) was the launch of the first ongoing spin-off series of the X-Men.  The New Mutants was a group of teenage mutants who were both students at Xavier's School for Gifted Children and superheroes-in-training.  The original team of New Mutants first appeared in Marvel Graphic Novel #4: The New Mutants (cover date:  December 1982).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series were Excalibur, Fallen Angels, Marauders, X-Force, X-Men and the subject of this review, New Mutants.

New Mutants 2020 is written by Ed Brisson and Jonathan Hickman; drawn and colored by Rod Reis; and lettered by Travis Lanham.  This relaunch of the New Mutants goes in a science fiction direction and features classic New Mutants and new characters on an adventure in the deep reaches of space.

As New Mutants #1 (“The Sextant”) opens, Professor X and Storm welcome Rahne Sinclair, the mutant codenamed “Wolfsbane,” back into the world... into their new world:  Krakoa, the living island and mutant nation-state.  Rahne is reunited with a mixture of familiar New Mutants teammates (Sunspot, Mirage, Karma, Magik, and Cypher) and some new friends (Chamber and Mondo) for a new kind of adventure.

One original family member is missing, Sam Guthrie a.k.a. “Cannonball,” who is with his family in the outer space territory of the Shi'ar Empire.  Well, these New Mutants want their teammate back, so fortunately (or unfortunately) they are going to get a ride to somewhere near Shi'ar space aboard the space ship, “The Starjammer.”  However, its crew of pirates, “The Starjammers,” especially their captain, Corsair, is an unsavory group.  And a mission in space alongside the Starjammers is often bad news... the fact of which these young mutants seem oblivious.

What writers Ed Brisson and Jonathan Hickman offer in New Mutants #1 could develop into something quite entertaining.  Still, much of this first issue made me say, “meh.”

On the other hand, the art and coloring by Rod Reis, which recalls the work of classic New Mutants artist, Bill Sienkiewicz, made me want to keep reading.  It is beautiful enough to encourage me to come back for more... maybe.

I can say that the ending of New Mutants #1 is a good cliffhanger, so I raised my final grade from the grade (a “C”) that I was originally going to give this issue.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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Thursday, February 13, 2020

#IReadsYou Review: X-MEN #1 (2019)

X-MEN No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jonathan Hickman
PENCILS: Leinil Francis Yu
INKS: Gerry Alanguilan
COLORS: Sunny Gho
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Mark Brooks; Tom Muller; Whilce Portacio with Chris Sotomayor; Leinil Francis Yu; Chris Bachalo with Edgar Delgado; Artgerm; Marco Checchetto; Russell Dauterman
44pp, Color, $4.99 U.S. (December 2019)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

“Pax Krakoa”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a professor and team-leader and his students who had unique powers and abilities because they were “mutants.”  The leader was Professor Charles Xavier a/k/a “Professor X.”  His students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one bore titles that have been previously used.  The new series were Excalibur, Fallen Angels, Marauders, New Mutants, X-Force, and the subject of this review, X-Men.

X-Men 2019 is written by Jonathan Hickman; drawn by Leinil Franics Yu (pencils) and the recently-deceased Gerry Alanguilan (inks); colored by Sunny Gho, and lettered by Clayton Cowles.  The series will apparently focus on Cyclops and his hand-picked team of mutant powerhouses who will stand between the mutants' sacred land (the island of Krakoa) and the threat of the human world.

X-Men #1 (Pax Krakoa) finds the X-Men engaged in a mop-up operation, destroying the last stronghold of Orchis, the organization that was attempting to build a more powerful generation of the mutant-hunting robots, the Sentinels.  Cyclops, Storm, Magneto, and Polaris find little real resistance from the minions of Orchis.  However, they do find a “posthuman” and a large group of mutant children in need of rescuing... and in need of a home.

So it's back to Krakoa, the living island and mutant nation-state.  Many are still adjusting to this new home and the new state of mutant affairs.  Meanwhile, their enemies are not going quietly into the night, nor is their evil science.

For the first two decades of its existence, the X-Men comic book series (later titled Uncanny X-Men) had an intimate feel to it.  The series basically focused on a small band of heroes and adventures who (1) had few allies and (2) fought “evil mutants” in order to protect the larger world of humanity.  Even when the team line-ups changed or when a second group of “New Mutants” entered the picture, the X-Men comics felt like an intimate affair with its tales of the mutant-us against the world.

From the mid-1980s on, Marvel Comics published an increasing number of X-Men and X-Men related ongoing series, finite series, graphic novels, and assorted one-off publications.  Then, the hit film, X-Men (2000), presented the X-Men's home and base, “Xavier School for Gifted Youngsters” (Xavier Institute for Higher Learning), as an actual school, packed with minor children who were mutants.  Marvel Comics followed suit, and suddenly Professor Charles Xavier a.k.a. Professor X's mansion went from half a dozen or so inhabitants to housing untold dozens of students, in addition to members of the X-Men who were suddenly being depicted as teachers and counselors.

So during the past two decades of X-Men comic books, the X-Men titles have stopped being superhero comic books and have become mutant soap opera, dystopian, science fiction, serial dramas.  That would not be a problem except there are too many characters, too many plots, and too many comic books.  No matter how many Spider-Man, Superman, or Batman comic books there are, those titles still focus only on Spider-Man, Superman, or Batman.  There is still an intimacy between the reader and a single character.  Too many Avengers or Justice League comic books become redundant, like an over-supply of superhero characters.  That's the problem with the X-Men... still... even after the latest spiffy, new reboot.

Jonathan Hickman's House of X and Powers of X were finite series with a purpose, a goal, and (more or less) an endgame.  Each series had a beginning, a middle, and an end – even during the moments when that was presented in a non-linear fashion.  Both of these comic books were wonderful, satisfying, complete reads.

But we seem to be back to the status quo that was not supposed to be, at least, post-Hickman revolution.  X-Men 2019 is the start of a wave of new X-Men titles, “Dawn of X,” soon to be followed by more waves.  Well, maybe Hickman will continue to surprise us and later issues of X-Men 2019 won't feel like padded story the way this X-Men #1 does.  One can hope, even a former X-Men fan like myself.  But I have a feeling that sales on the “Dawn of X” titles will have plummeted so much by the end of 2020 that Marvel Comics will already be planning the next relaunch.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.


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Tuesday, February 11, 2020

#IReadsYou Review: AERO #1

AERO No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Zhou Liefen; Greg Pak
ART: Keng; Pop Mhan
COLORS: Keng; Federico Blee
LETTERS: VC's Joe Caramagna
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Keng
VARIANT COVER ARTISTS: Artgerm; Mirka Andolfo; John Tyler Christopher
36pp, Color, $4.99 U.S. (September 2019)

Rated “T+”

Aero created by Zhou Liefen and Keng

“Protector of the City” and “Aero & Wave: Origins & Destinies”

Last year came news that Marvel Entertainment had created two Chinese superheroes.  They made their debut in webcomics that were published online on the website, NetEase (specifically 163.com), one of China's leading Internet technology companies.

According to reports, Marvel created the two heroes, “Aero” and “Sword Master,” to attract fans in China and across East Asia.  Both heroes exist in the modern world, but their stories are also influenced by Chinese culture.  Marvel was responsible for the character design and comics story lines, but the comic book art, environments, and adventures were conceived and produced by Chinese artists.

The hero Aero, who is a young woman named Lei Ling, lives in Shanghai.  Ling is a “brilliant architect” and a “rising young elite.”  As Aero, she has the ability to harness the power of the air, a power she uses to protect her city from enemies, including supernatural ones.  She makes her U.S. debut in the new Marvel Comics title, Aero.

Aero #1 contains two stories.  The first is the original Chinese comics story, “Protector of the City.”  It is written by Zhou Liefen and drawn by artist Keng; the English adaptation is written by Greg Pak.  “Protector of the City” opens with Aero on patrol in the sky above Shanghai.  She discovers that one of the buildings she designed (as Lei Ling) is turning into a giant rock monster.  Although she manages to defeat it, this is not the last such occurrence.

The second story is “Aero & Wave: Origins & Destines” Part One.  It is an original English story written by Greg Pak; drawn by Pop Mhan; colored Federico Blee; and lettered by Joe Caramagna.  The story opens on an island in the Philippine Sea.  There, Aero finds Filipino superhero, “Wave,” a young woman named Pearl Pangan, in a state of distress.  An outsider her entire life, Pearl, fought her way to the top and is now a member of the superhero collective, “Triumph Division.”  However, she believes she has drawn her compatriots ire, so can Aero help the young hero before trouble arrives?

The few times that I have read Chinese comics (called “manhua”), I have liked them.  I like them especially when they are published in color and printed on slick paper.  [I also love to see manga (Japanese comics) and manhwa (Korean comics) in color on slick paper.]  So I like seeing Aero in full-color.  The story is not great, but it has an engaging vibe.  “Protector of the City” has an odd quality, and I think it would seem less odd to me if I could read more than the 22 pages we get in this first issue.  I am curious to read more.

“Aero & Wave: Origins & Destines” Part One is a traditional American comic book story, in rhythm and page design and in story, art, and graphical storytelling.  I must admit to being intrigued by Wave and her problems.  I look forward to more of this character.  Generally, I have liked the work of both writer Greg Pak and artist Pop Mhan, and although I am not a super-fan of either one.  Here, their professionalism and skills make good showings.

Colorist Federico Blee does really good work on “Aero & Wave: Origins & Destines.”  His coloring, especially the blue and green hues, captures the sense of how much water and related themes play a part in this story.  Joe Caramagna's traditional lettering style strikes the right tone for both stories because Caramagna's lettering is different for each story.  The lettering is more traditional and sparse for “Protector of the City” and a bit more modern and crowded for “Aero & Wave: Origins & Destines.”  So, overall, the production values of this comic book are good.

I don't think that Aero will catch on with American comic book readers, in general, but Aero #1 will catch the attention of readers open to different things.  I am interested in this, and I will recommend that readers try Aero #1 to see if it is their cup of tea.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------


Saturday, November 16, 2019

Review: SYMBIOTE SPIDER-MAN #1

SYMBIOTE SPIDER-MAN No. 1 (OF 5)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Peter David
PENCILS: Greg Land
INKS: Jay Leisten
COLORS: Frank D'Armata
LETTERS: VC's Joe Sabino
MISC. ART. Iban Coella with Frank D'Armata (flashback sequence)
EDITOR: Devin Lewis
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Greg Land with Frank D'Armata
VARIANT COVER ARTISTS: Artgerm; Ron Lim with Israel Silva; Nick Bradshaw with John Rauch; Skottie Young; Todd McFarlane with Jesus Aburtov; Alex Saviuk with Chris Sotomayor
36pp, Color, $4.99 U.S. (May 2019)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

Spider-Man is the classic Marvel Comics superhero that readers first met in Amazing Fantasy #15 (cover dated: August 1962).  High school student Peter Parker was bitten by a radioactive spider, which gave him the proportional speed and strength of a spider and other strangers powers, including a spider-sense that acted as a kind of internal warning beacon.  Parker donned what would become his trademark red and blue costume that he made himself, so he became the crime-fighting superhero, The Amazing Spider-Man.

In The Amazing Spider-Man #252 (cover dated: May 1984), Peter donned a new costume.  A sleek, all-black suit, except for the white spider design, the costume seemed to have a life of its own.  With a thought, the costume would slide onto Peter's body and it could also transform (or morph) into other clothing, including shoes.

In The Amazing Spider-Man #258 (November 1984), readers learned that Spider-Man's black costume was actually an “alien symbiote.”  It had an amorphous, liquid-like form, and it had also bonded with Spider-Man's body.  It turns out that Spider-Man had received the costume on an alien world, as seen in Marvel Super Heroes Secret Wars #8 (cover dated: December 1984).

The five-issue miniseries Symbiote Spider-Man is set during the time period before Spider-Man discovered that his black costume was an alien entity.  The series is written by Peter David; drawn by Greg Land (pencils) and Jay Leisten (inks); colored by Frank D'Armata; and lettered by Joe Sabino.  The story pits Spider-Man against a classic villain, Mysterio.  [Mysterio actually did not meet Spider-Man in any of the comic books published during the 1984 to1988 original period of the black costume.]

Symbiote Spider-Man #1 opens at the end of an intense battle between Spider-Man and Mysterio.  Via flashback, we learn that Quentin Beck a.k.a. Mysterio has been looking to commit one big criminal score before retiring.  However, while robbing a bank, Mysterio witness a tragic outcome he did not expect.  Returning to the battle, Mysterio is seemingly defeated, but he has witnessed something that may finally give him an edge over Spider-Man.

I decided to try Symbiote Spider-Man #1 because I generally like the art of Greg Land.  In fact, as inked by Jay Leisten, Land's art in this first issue looks like the work of Terry Dodson.  Frank D'Armata heavily lays on his colors; it all looks a little too thick, except for the flashback drawn by Iban Coello where the colors look sharp.  Joe Sabino's lettering is nicely professional, so, in general this first issue is a good-looking comic book.

I have also enjoyed the work of writer Peter David, mostly because he is good at character drama.  Symbiote Spider-Man #1 strikes an odd note.  It is surprisingly melancholy, and a sense of grief hangs over the story.  The themes of loss – loss of life, losses in one's professional life, loss of respect, etc. – do not dominate this first issue, but they do seem as if they will be the dominate themes of this series.

I think Marvel Comics decided to release Symbiote Spider-Man because it was looking for a way to capitalize on Mysterio being the villain in Sony Pictures/Marvel Studios' summer film, Spider-Man: Far From Home.  Although this first issue is a nice read, I don't feel compelled to read the rest of the series, but the last page of this first issue does pique my interest.  I can say that Spider-Man comic book fans may want to try at least the first issue.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------


Monday, October 14, 2019

Dynamite Entertainment from Diamond Distributors for October 16, 2019

DYNAMITE

JUN191103    BETTIE PAGE UNBOUND #5 CVR A ROYLE    $3.99
JUN191104    BETTIE PAGE UNBOUND #5 CVR B CHANTLER    $3.99
JUN191105    BETTIE PAGE UNBOUND #5 CVR C FEDERICI    $3.99
JUN191106    BETTIE PAGE UNBOUND #5 CVR D OHTA    $3.99
JUN191107    BETTIE PAGE UNBOUND #5 CVR E PHOTO    $3.99
AUG191274    CHASTITY #2 CVR A NODET (MR)    $3.99
AUG191275    CHASTITY #2 CVR B GARZA (MR)    $3.99
AUG191276    CHASTITY #2 CVR C ANACLETO (MR)    $3.99
AUG191282    DEATH-DEFYING DEVIL #3 CVR A LEE    $3.99
AUG191283    DEATH-DEFYING DEVIL #3 CVR B PARRILLO    $3.99
AUG191284    DEATH-DEFYING DEVIL #3 CVR C FEDERICI    $3.99
DEC181255    DEJAH THORIS TRADING CARDS BOX (12 PACKS)    $PI
APR191134    ROBOTS AND PRINCESSES TP VOL 01    $14.99
AUG191258    SAVAGE TALES HALLOWEEN SPECIAL ONE SHOT #0 CVR A DURSO    $4.99
AUG191353    VAMPIRELLA #1 1969 REPLICA ED LTD BLUE FOIL CVR    $75.00
AUG191354    VAMPIRELLA #1 1969 REPLICA ED LTD PLATINUM FOIL CVR    $100.00
AUG191352    VAMPIRELLA #1 1969 REPLICA ED LTD RED FOIL CVR    $50.00
AUG191325    VAMPIRELLA #4 CVR A LAU    $3.99
AUG191326    VAMPIRELLA #4 CVR B MARCH    $3.99
AUG191327    VAMPIRELLA #4 CVR C DALTON    $3.99
AUG191328    VAMPIRELLA #4 CVR D GUNDUZ    $3.99
AUG191329    VAMPIRELLA #4 CVR E COSPLAY    $3.99
MAY191154    VAMPIRELLA ROSES FOR DEAD HC SGN ED    $39.99

Thursday, September 5, 2019

Review: CATWOMAN #1 (2018)

CATWOMAN No. 1 (2018)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Joelle Jones
ART: Joelle Jones
COLORS: Laura Allred
LETTERS: Josh Reed
EDITOR: Jamie S. Rich
COVER: Joelle Jones with Laura Allred
VARIANT COVER: Stanley “Artgerm” Lau
32pp, Color, $2.99 U.S. (November 2016)

Rated “T” for “Teen”

Batman created by Bill Finger and Bob Kane

“Copycats” Part 1

I will start off with a spoiler.  In case you, dear reader, did not know, Catwoman and Batman did not get married.  After 25 issues of filler stories about the complexities and weirdness of their engagement, Catwoman realized that if she married Bruce Wayne, he would stop being Batman.  And the world needs Batman.

Now, Catwoman has a new ongoing comic book series, and yes, dear reader, the first issue is worth your time and money.

Catwoman is a DC Comics villain/anti-heroine most commonly associated with the DC Comics superhero, Batman (in case you, dear reader, did not know). Catwoman was created by Batman's creators, writer Bill Finger and artist Bob Kane.  Catwoman made her debut under the name, “the Cat” in Batman #1 (cover dated: June 1940).  “The Cat” was really Selina Kyle, a Gotham City burglar, and she would go on to be Batman/Bruce Wayne's most enduring love interest.

The new Catwoman comic book is written and drawn by Joëlle Jones.  The creative team is filled out be colorist, Laura Allred, and letterer, Josh Reed.

Catwoman #1 opens with Selina Kyle enjoying time at the gambling table, while Catwoman shoots two police officers to death!  Suddenly a hunted woman, Selina discovers that she is wanted as both Catwoman and in her civilian identity.  Who is behind this?  Well, it isn't just one person...

I was cynical about Catwoman #1.  I have mixed feelings about Joëlle Jones.  I like some of her art.  I have no feelings about some of it.  And I think the rest is ugly.

However, I feel invigorated after reading Catwoman #1.  The story really takes off, and Jones tells a it in a graphical language that is like a cat bounding from one hot tin roof to another.  Jones plays off Catwoman's natural sultriness and sexiness, but presents her as a character always in motion.  The story moves in that manner.

Laura Allred's almost-flat coloring gives the illustrations a visual appearance that blends art deco and an urban grittiness that is not quite Film-Noir.  Josh Reed's lettering is solid, but not spectacular, which is a good thing.  He should not get in the way of these killer creative ladies, Jones and Allred.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------


Wednesday, July 17, 2019

Review: BLACK PANTHER #1

BLACK PANTHER No. 1 (2018) (Legacy #173)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Ta-Nehisi Coates
ART: Daniel Acuna
COLORS: Daniel Acuna
LETTERS: VC's Joe Sabino
EDITOR: Wil Moss
COVER: Daniel Acuna (based on the work of Brian Stelfreeze)
VARIANT COVERS: Artgerm; Tom Beland with Jordie Bellaire; Jamal Campbell; Olivier Coipel; Jack Kirby; Michael Kelleher with Paul Mounts; Pepe Larraz with Marte Gracia; In-Hyuk Lee; Yasmine Putri
36pp, Color, $4.99 U.S. (July 2018)

Black Panther created by Stan Lee and Jack Kirby

Rated “T”

“The Intergalactic Empire of Wakanda” Book 1: “Many Thousands Gone”

Black Panther is a Marvel Comics superhero created by Stan Lee and Jack Kirby.  The character first appeared in Fantastic Four #52 (cover dated: July 1966).  Black Panther was T'Challa, the king and protector of the (fictional) African nation of Wakanda.  Black Panther was also the first Black superhero in mainstream American comic books.

Ta-Nehisi Coates is an African-American writer, journalist, and commentator.  Coastes is also a national correspondent for The Atlantic, where he writes about cultural, political, and social issues, particularly as they regard to Black people in America.  Coates' second book, Between the World and Me (released in July 2015), won the 2015 National Book Award for Nonfiction.  In 2015, he was the recipient of a “Genius Grant” from the John D. and Catherine T. MacArthur Foundation.

Black Panther and Ta-Nehisi Coates (with artist and designer Brian Stelfreeze) came together two years ago in a relaunch of the Black Panther comic book series.  Now, Coates is taking Black Panther in a new direction again, “The Intergalactic Empire of Wakanda,” and a fresh series start.  Coates writes this new Black Panther with Daniel Acuna as series artist and colorist and Joe Sabino as the letterer.

Black Panther #1 (Legacy #173) opens by recounting the story of how a detachment of Wakandans founded a “small, desolate colony on the outer edges of the cosmos,” two thousands years ago.  Eventually this colony became its own empire, an oppressive empire.  Now, a miner a.k.a. “Nameless,” a slave on the mining planet, “Gorée,” rises to lead a rebellion.  And a legend is reborn.

In previous reviews of Ta-Nehisi Coates Black Panther, I have favorably compared what Coates is doing with the character to what British comic book writer, Alan Moore, did on his legendary tenure on DC Comics' Swamp Thing.  I wrote that Moore created a personality for the title character and built a world of supporting characters, bit players, and an intriguing fictional mythology that allowed him to explore Swamp Thing's character and motivations.  I said that the result of Moore's efforts was once-in-a-generation comic book storytelling.

Coates has taken what Black Panther writers and artists did before him and is doing what Alan Moore did with Swamp Thing – create a fictional comic book world that is wealthy with possibilities and does not really need the main universe.  Coates' Black Panther is also once in a generation comic book storytelling.  Now, Coates is taking Black Panther to somewhere the character has never gone – as far as I know.  In the far reaches of outer space, Coates will prove whether or not he belongs in the upper echelons of comic book creators.  With Black Panther #1 2018, Coates offers intriguing possibilities via interesting characters and provocative concepts.

Daniel Acuna seems to be the perfect collaborator for this new Black Panther.  His art is at once classic comic book space opera in terms of compositions and colors.  However, he makes his space faring tale look different with striking character and costume design.  Acuna is also pushing himself up the latter of recognition as a comic book storyteller.

In an unobtrusive manner, letter Joe Sabino picks his spots to convey the drama and evoke emotions in this story.  In many ways, Sabino is the gatekeeper who lets us into this far-flung world of story.  He is part of creative team that seems destined to take Black Panther to infinity and beyond.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------


Monday, June 24, 2019

DC Comics from Diamond Distributors for June 26, 2019

DC COMICS

APR190436    ACTION COMICS #1012    $3.99
APR190437    ACTION COMICS #1012 VAR ED    $3.99
APR190444    BATMAN BEYOND #33    $3.99
APR190445    BATMAN BEYOND #33 VAR ED    $3.99
MAR190493    BATMAN DAMNED #3 (OF 3) (RES) (MR)    $6.99
MAR190494    BATMAN DAMNED #3 (OF 3) VAR ED (RES) (MR)    $6.99
APR198794    BATMAN LAST KNIGHT ON EARTH #1 (OF 3) 2ND PTG (MR)    $5.99
APR190456    BOOKS OF MAGIC #9 (MR)    $3.99
NOV180596    DARK KNIGHTS METAL BATMAN THE MERCILESS STATUE    $85.00
NOV180595    DC DESIGNER SER SUPERGIRL BY STANLEY LAU STATUE    $150.00
MAY190003    DC PREVIEWS #15 JULY 2019 EXTRAS    $PI
APR190466    DETECTIVE COMICS #1006    $3.99
APR190467    DETECTIVE COMICS #1006 VAR ED    $3.99
APR190463    DIAL H FOR HERO #4 (OF 6)    $3.99
APR190472    FLASH #73    $3.99
APR190473    FLASH #73 VAR ED    $3.99
APR190480    HIGH LEVEL #5 (MR)    $3.99
APR190482    JUSTICE LEAGUE DARK #12    $3.99
APR190483    JUSTICE LEAGUE DARK #12 VAR ED    $3.99
MAR190586    MAN OF STEEL BY BRIAN MICHAEL BENDIS TP    $17.99
APR190491    MARTIAN MANHUNTER #6 (OF 12)    $3.99
APR190492    MARTIAN MANHUNTER #6 (OF 12) VAR ED    $3.99
MAR190590    OLD LADY HARLEY TP    $16.99
MAR190598    SANDMAN TP VOL 09 THE KINDLY ONE 30TH ANNIV ED (MR)    $19.99
APR190503    SILENCER #18    $3.99
APR198795    SUPERMAN LEVIATHAN RISING SPECIAL #1 2ND PTG    $9.99
FEB190469    TEEN TITANS RAVEN TP DC INK    $16.99
APR190510    TERRIFICS #17    $3.99
APR190516    WONDER WOMAN #73    $3.99
APR190517    WONDER WOMAN #73 VAR ED    $3.99

Monday, June 10, 2019

DC Comics from Diamond Distributors for June 12, 2019

DC COMICS
APR190450    BATMAN AND THE OUTSIDERS #2 (RES)    $3.99
APR190451    BATMAN AND THE OUTSIDERS #2 VAR ED (RES)    $3.99
OCT180558    BATMAN THE GOLDEN AGE OMNIBUS HC VOL 07    $125.00
APR190454    BATMAN WHO LAUGHS #6 (OF 6)    $4.99
APR190455    BATMAN WHO LAUGHS #6 (OF 6) VAR ED    $4.99
APR190457    CATWOMAN #12    $3.99
APR190458    CATWOMAN #12 VAR ED    $3.99
OCT180551    DC POSTER PORTFOLIO STANLEY ARTGERM LAU TP    $24.99
MAR190576    DETECTIVE COMICS #1000 DELUXE ED HC    $19.99
APR190464    DETECTIVE COMICS #1005    $3.99
APR190465    DETECTIVE COMICS #1005 VAR ED    $3.99
APR190430    EVENT LEVIATHAN #1 (OF 6)    $3.99
APR190431    EVENT LEVIATHAN #1 (OF 6) VAR ED    $3.99
APR190470    FLASH #72    $3.99
APR190471    FLASH #72 VAR ED    $3.99
APR190478    HAWKMAN #13    $3.99
APR190479    HAWKMAN #13 VAR ED    $3.99
MAR190578    HAWKMAN TP VOL 01 AWAKENING    $16.99
APR190481    HOUSE OF WHISPERS #10 (MR)    $3.99
APR190488    JUSTICE LEAGUE ODYSSEY #10    $3.99
APR190489    JUSTICE LEAGUE ODYSSEY #10 VAR ED    $3.99
APR190498    RED HOOD OUTLAW #35    $3.99
APR190499    RED HOOD OUTLAW #35 VAR ED    $3.99
APR190504    SUPERGIRL #31    $3.99
APR190505    SUPERGIRL #31 VAR ED    $3.99
APR190506    SUPERMAN #12    $3.99
APR190507    SUPERMAN #12 VAR ED    $3.99
MAR190599    SUPERMAN ACTION COMICS THE OZ EFFECT TP    $19.99
MAR190602    TERRIFICS TP VOL 02 TOM STRONG AND THE TERRIFICS TP    $16.99
MAR190607    UNITED STATES VS MURDER INC TP VOL 01 (MR)    $16.99
APR190512    WONDER TWINS #5 (OF 6)    $3.99
APR190513    WONDER TWINS #5 (OF 6) VAR ED    $3.99
APR190514    WONDER WOMAN #72    $3.99
APR190515    WONDER WOMAN #72 VAR ED    $3.99

Monday, October 2, 2017

DC Comics from Diamond Distributors for October 4, 2017

DC COMICS

JUL170331    ALL STAR BATMAN #14    $4.99
JUL170332    ALL STAR BATMAN #14 ALBUQUERQUE VAR ED    $4.99
JUL170333    ALL STAR BATMAN #14 FIUMARA VAR ED    $4.99
AUG170288    BANE CONQUEST #6 (OF 12)    $3.99
AUG170197    BATMAN #32    $2.99
AUG170198    BATMAN #32 VAR ED    $2.99
JUL170458    BATMAN DETECTIVE TP VOL 03 LEAGUE (REBIRTH)    $19.99
JUL170310    BATMAN THE DAWNBREAKER #1 (METAL)    $3.99
JUN178006    BATMAN THE DAWNBREAKER PROMO PINS (BAG OF 25) (NET)    $PI
AUG170269    BATMAN WHITE KNIGHT #1 (OF 7)    $3.99
AUG170270    BATMAN WHITE KNIGHT #1 (OF 7) VAR ED    $3.99
AUG170207    CYBORG #17    $3.99
AUG170208    CYBORG #17 VAR ED    $3.99
AUG170301    DASTARDLY AND MUTTLEY #2 (OF 6)    $3.99
AUG170302    DASTARDLY AND MUTTLEY #2 (OF 6) VAR ED    $3.99
APR170468    DC COVER GIRLS DEATH STATUE BY STANLEY LAU    $100.00
MAY170378    DC ICONS BATMAN REBIRTH AF    $28.00
MAY170379    DC ICONS SUPERMAN REBIRTH AF    $28.00
AUG170209    DEATHSTROKE #24    $3.99
AUG170210    DEATHSTROKE #24 VAR ED    $3.99
JUL170475    FLINTSTONES TP VOL 02    $16.99
AUG170174    GREEN ARROW #32 (METAL)    $2.99
AUG170175    GREEN ARROW #32 VAR ED (METAL)    $2.99
JUL170476    GREEN LANTERN KYLE RAYNER TP VOL 01    $29.99
AUG170215    GREEN LANTERNS #32    $2.99
AUG170216    GREEN LANTERNS #32 VAR ED    $2.99
AUG170278    HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6)    $3.99
AUG170280    HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6) BLANK VAR ED    $3.99
AUG170279    HARLEY & IVY MEET BETTY & VERONICA #1 (OF 6) VAR ED    $3.99
AUG170223    HARLEY QUINN #29    $2.99
AUG170224    HARLEY QUINN #29 VAR ED    $2.99
AUG170289    INJUSTICE 2 #11    $2.99
AUG170229    JUSTICE LEAGUE #30    $2.99
AUG170230    JUSTICE LEAGUE #30 VAR ED    $2.99
APR170429    JUSTICE LEAGUE BY GEOFF JOHNS BOX SET VOL 01    $49.99
APR170461    JUSTICE LEAGUE MOVIE THE FLASH STATUE    $150.00
JUL170482    JUSTICE LEAGUE THEIR GREATEST TRIUMPHS TP    $9.99
JUL170460    NEW SUPER MAN TP VOL 02 COMING TO AMERICA (REBIRTH)    $16.99
AUG170239    NIGHTWING #30    $2.99
AUG170240    NIGHTWING #30 VAR ED    $2.99
JUL170462    RED HOOD & THE OUTLAWS TP VOL 02 WHO IS ARTEMIS (REBIRTH)    $14.99
AUG170354    SAVAGE THINGS #8 (OF 8) (MR)    $3.99
JUL170484    SUPERGIRL BY PETER DAVID TP BOOK 03    $29.99
AUG170251    SUPERMAN #32    $2.99
AUG170252    SUPERMAN #32 VAR ED    $2.99
MAY170351    SWAMP THING THE BRONZE AGE OMNIBUS HC    $99.99
JUL170488    WONDER WOMAN & THE JUSTICE LEAGUE AMERICA TP VOL 02    $24.99
JUL170466    WONDER WOMAN REBIRTH DLX COLL HC BOOK 01    $34.99

Friday, September 1, 2017

Review: ROBOTECH #1

ROBOTECH No. 1 (2017)
TITAN COMICS – @ComicsTitan

[This review was originally posted on Patreon.]

STORY: Brian Wood
ART: Marco Turini
COLORS: Marco Lesko
LETTERS: John Workman
COVER: Stanley “Artgerm” Lau
VARIANT COVER ARTISTS: Stanley “Artgerm” Lau; Karl Kerschl; Blair Shedo; Michael Dialynas; The Waltrip Brothers; Andrew Leung; Luis Guerrero; Francisco de la Fuente; Miguel Mercado; Rachel Stott; Alex Ronald; Andre Lima Arajuo; Caspar Wijngaard; Mariano Laclaustra; Antonio Fuso; Douglas Franchin; Andy Cotnam; Pasquale Qualano
28pp, Color, $3.99 U.S. (August 2017)

In the 1980s, production company and film distributor, Harmony Gold USA, had the U.S. syndication rights to broadcast the Japanese animated (or anime) television series, “Macross.”  They hired producer, story editor, and developer, Carl Macek, to adapt the series for American audiences.

To meet television syndication requirements, Macek took “Macross” (full title, “Super Dimension Fortress Macross”) and two other anime series, “Super Dimension Cavalry Southern Cross” and “Genesis Climber Mospeada” and edited them together by using the concept of “Robo-technology” as the unifying element.  Thus, Macek created the 85-episode American animated TV series, “Robotech.”

Over a three-decade period, several entities have published comics based on the Robotech franchise, including the defunct Comico the Comic Company and DC Comics' imprint, WildStorm Productions.  Titan Comics brings the franchise back to comic books with the new series, Robotech.  It is written by Brian Wood; drawn by Marco Turini; colored by Marco Lesko, and lettered by John Workman.

Robotech #1 begins with a brief description of the arrival of the giant extraterrestrial vehicle that would come to be known as the Super Dimension Fortress or SDF-1.  It lands on Macross Island, and a decade later, the vehicle is the epicenter of “The Robotech Project” and Macross City has been built around the SDF-1.

Talented but cocky pilot, Rick Hunter, has arrived at SDF-1 to visit his “big brother,” Lt. Commander Roy Fokker, Veritech pilot and legendary leader of the “Skull Squadron” of the Robotech Defense Force.  This reunion is put on hold when multiple extraterrestrial vehicles arrive near Earth and some begin to enter the planet's atmosphere.  And SDF-1 springs into action on its own.

First, let me say that Robotech #1 is a fantastic first issue.  I love it, and I highly recommend it to Robotech fans.  Probably the first thing that this comic book does right is to use the first page to present the cast of characters with a brief description of each character and what he or she does.

Back in 2013, Dark Horse Comics launched a new Star Wars comic book, simply titled Star Wars.  Its story was set immediately after the events depicted in the original, 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope).  Brian Woods was the series writer, and he fashioned a Star Wars comic book that felt like an authentic, accurate, and canonical continuation of A New Hope.  Now, at least with this first issue, Woods makes Robotech seem like a reboot that will be genuine Robotech.  To me, Robotech #1 feels like the “Robotech” anime that I first encountered on those long-ago Saturday mornings via the recently launched Channel 15 in Lafayette, Louisiana.

I find myself really liking the art by Marco Turini and colors by Marco Lesko; it feels like authentic Robotech.  Turini's compositions clearly and ably translate Woods' concise and efficient script writing into clean sequences that introduce the conflict and tease the villains of this reboot without overwhelming the first issue with too much information.

In fact, this debut issue is good enough to tease readers back for a second issue of Titan Comics' Robotech.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

-------------------------

Monday, July 31, 2017

DC Comics from Diamond Distributors for August 2, 2017

DC COMICS

JUN170343    BANE CONQUEST #4 (OF 12)    $3.99
JUN170252    BATMAN #28    $2.99
JUN170253    BATMAN #28 VAR ED    $2.99
MAY178717    BATMAN ELMER FUDD SPECIAL #1 2ND PTG    $4.99
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JUN170347    DC COMICS BOMBSHELLS #32    $3.99
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JUN170262    DEATHSTROKE #22    $3.99
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JUN170417    EVERAFTER FROM THE PAGES OF FABLES #12 (MR)    $3.99
JUN170272    GREEN ARROW #28    $2.99
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MAY170324    GREEN ARROW TP VOL 03 EMERALD OUTLAW (REBIRTH)    $16.99
JUN170277    GREEN LANTERNS #28    $2.99
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MAY170341    HARLEYS LITTLE BLACK BOOK HC    $29.99
JUN170349    INJUSTICE 2 #7    $2.99
JUN170291    JUSTICE LEAGUE #26    $2.99
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MAR170429    LEGION OF SUPER HEROES SILVER AGE OMNIBUS HC VOL 01    $75.00
JUN170370    NEW GODS SPECIAL #1    $4.99
MAY170347    NEWSBOY LEGION BY SIMON AND KIRBY HC VOL 02    $49.99
JUN170301    NIGHTWING #26    $2.99
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JUN170315    SUPERMAN #28    $2.99
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MAY170363    UNFOLLOW TP VOL 03 TURN IT OFF (MR)    $16.99

Wednesday, October 24, 2012

Albert Avilla Reviews: Birds of Prey #0

Birds of Prey #0
DC Comics

Reviewed by Albert Avilla

Writer: Duane Swierczynski
Pencils: Romano Molenaar
Inks: Vicente Cifuentes
Cover: Stanley "Artgerm" Lau

“First Flight” (Spoiler Alert)
The story opens up with action, and that’s always a good point to start on. Black Canary is kick-ass to another level. She is trying to infiltrate the Penguin's organization to try and stop Basilisk from getting the components to create a mutation bomb. When the deal is going down, Batgirl shows up. Of course, Black Canary and Batgirl have to throw down. Canary lets Batgirl know that she's undercover. Canary takes charge of the situation and the Birds of Prey are born.

If you like female-on-female action, then this is the story for you. Black Canary is the total package as a super-heroine. She has the hand-to-hand skills and a cool meta-power, and she's a natural leader. In this incarnation, she also has the covert operative skills. With Batgirl and her skill-set, the two make a formative team. There is a rotating cast that allows the team to change to meet the challenge. There are a lot of bad B's in the DC Universe that need a place to shine. Birds of Prey will only be limited by the reins put on them. It's the New 52 letting the Birds soar to new heights.

The writing job was solid; Swierczynski handles the character of Black Canary well and the action flows smoothly. He did not let the one issue format restrict his storytelling. The whole creative team gave us more than what they were paid to give us. The art only heightened the pleasure of reading the story. The action scenes were bloody. The characters combat movement was natural. Black Canary was quite pleasing to the eye.

I rate Birds of Prey #0 Buy Your Own Copy.

Monday, October 3, 2011

The New 52 Review: CAPTAIN ATOM #1

"Chase Manhattan"

CAPTAIN ATOM #1
DC COMICS

WRITER: J.T. Krul
ARTIST: Freddie Williams II
COLORS: Jose Villarrubia
LETTERS: Rob Leigh
COVER: Stanley “Artgerm” Lau
32pp, Color, $2.99

Captain Atom is a comic book superhero created by writer Joe Gill and artist/co-writer Steve Ditko. Captain Atom first appeared in Space Adventures #33 (March 1960) from Charlton Comics. He was Allen Adam, a military official caught in a scientific experiment and “atomized.” Allen acquired superhuman strength and endurance and the ability to fly and to project energy blasts, and he could also reform his body.

The character was later acquired by DC Comics and inserted into the DC Universe that came into being after Crisis on Infinite Earths. His civilian identity became Air Force pilot Nathaniel Adam, who had the same powers as the earlier Captain Atom. With the re-launch of the DC Comics’ superhero line, “The New 52,” Captain Atom is back in a new comic book series.

As Captain Atom #1 (“Evolution of the Species”) opens, Captain Atom is in Chicago taking on what looks to be a four-story tall suit of battle armor. Suddenly, his powers do something quite shocking – something that shocks even the good Captain. Back at the Kansas-based Continuum, Atom learns some surprising/troubling news about himself and his new powers. Captain Atom is not, however, the only thing evolving.

Readers who dig into details and study comic book history know that Alan Moore and Dave Gibbon’s classic comic book series, Watchmen, began as a project to revive some of the Charlton Comics characters to which DC Comics had then recently obtained ownership. Eventually, the main cast of Watchmen was based upon some Charlton superheroes. Watchmen’s usually-naked, blue-skinned, godlike Dr. Manhattan was based upon Captain Atom.

The bosses at DC Comics really haven’t made it a secret that they want sequels and prequels to Watchmen. Captain Atom, with his blue-skin and Ken® doll anatomically incomplete nakedness, is now like a version of Dr. Manhattan that DC can more freely play with for the time being. And the way writer J.T. Krul plays with Captain Atom, judging by the first issue, could be interesting, and I’m certainly curious about the direction of this series.

Meanwhile, the art by Freddie Williams II (pencils/inks) and the always-interesting Jose Villarrubia (colors) has an odd, but catchy quality. I’d like to see this book continue just to get more of their art… or they could get another assignment.

B

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
BIRDS OF PREY #1
http://ireadsyou.blogspot.com/2011/10/birds-of-prey-1.html
BLUE BEETLE #1
http://ireadsyou.blogspot.com/2011/10/blue-beetle-1.html
CATWOMAN #1
http://ireadsyou.blogspot.com/2011/09/catwoman-1.html
DC UNIVERSE PRESENTS #1
http://ireadsyou.blogspot.com/2011/10/dc-comics-presents-1.html
GREEN LANTERN CORPS #1
http://ireadsyou.blogspot.com/2011/10/green-lantern-corps-1.html
LEGION OF SUPER HEROES #1
http://ireadsyou.blogspot.com/2011/10/legion-of-super-heroes-1.html
NIGHTWING #1
http://ireadsyou.blogspot.com/2011/09/nightwing-1.html
RED HOOD AND THE OUTLAWS #1
http://ireadsyou.blogspot.com/2011/09/red-hood-and-outlaws-1.html
SUPERGIRL #1
http://ireadsyou.blogspot.com/2011/10/supergirl-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html