X-FORCE No. 1 (2020)
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Benjamin Percy
ART: Joshua Cassara
COLORS: Dean White
LETTERS: VC's Joe Caramagna
EDITORS: Chris Robinson and Lauren Amaro
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Dustin Weaver
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Russell Dauterman with Matthew Wilson; Juan Jose Ryp with Jesus Aburtov; Adi Granov; Tom Muller; Todd McFarlane with Jason Keith
44pp, Color, $4.99 U.S. (January 2020)
Parental Advisory
X-Men created by Jack Kirby and Stan Lee; X-Force created by Rob Liefeld and Fabian Nicieza
“Hunting Ground”
The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby. In The X-Men #1 (cover dated: September 1963), readers were introduced to a group of characters that had unique powers and abilities because they were “mutants.”
Summer 2019, Marvel published writer Jonathan Hickman's revamp, reboot, and re-imagining of the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”). October welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one, bore titles that have been previously used. The new series were Excalibur, Fallen Angels, Marauders, New Mutants, X-Men, and the subject of this review, X-Force.
This new X-Force comic book is written by Benjamin Percy; drawn by Joshua Cassara; colored by Dean White; and lettered by Joe Caramagna. According to Marvel, the new X-Force team is the Central Intelligence Agency (CIA) of the mutant world. One-half is the “intelligence branch;” that would be the group of Beast, Jean Grey, and Sage. The other half is “special ops,” with a unit composed of Wolverine, Kid Omega and Domino.
X-Force #1 (“Hunting Ground”) opens with a question. What happened to Domino? Meanwhile on Krakoa, the living island and mutant nation-state that is a home for all mutants, Wolverine is hunting for predators on an island where there should be none. As he says, however, there is always a predator, and “...when you're safe, you're soft.” Black Tom Cassidy feels something bad coming, even if Professor X says otherwise. But this new mutant world would not need an “X-Force” in a perfect world, and this is not a perfect world...
The original X-Force team first appeared in New Mutants #100 (cover dated: April 1991) and was the creation of writer-illustrator Rob Liefeld and writer Fabian Nicieza. The team's first leader was the mutant, Cable, and X-Force took a more militant and aggressive approach towards its enemies than did the X-Men did as a team.
In this first issue, writer Benjamin Percy takes that to heart, and his story makes X-Force #1 a potboiler from page one to the last. I don't want to spoil anything, although as I write this review, X-Force #1 is about two months old. Still, I do want to say that “Hunting Ground” offers surprises and thrills throughout. Of the four “Dawn of X” first issues that I have read thus far, this one is easily the best.
Joshua Cassara's art is gritty and dark and his graphical storytelling has that sinister edge that reminds me of Grant Morrison's lovely science fiction-conspiracy comic book series, The Invisibles (DC Comics/Vertigo). Dean White's coloring is correctly garish and gives this story a nightmarish and apocalyptic feel. There is a disquieting mood in letterer Joe Caramagna's mostly quiet lettering for this first issue, which is just right.
I definitely plan to read more of this new X-Force, even if its just the first trade paperback collection. I feel safe in recommending it to you, dear readers.
7.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Showing posts with label Dustin Weaver. Show all posts
Showing posts with label Dustin Weaver. Show all posts
Thursday, September 17, 2020
#IReadsYou Review: X-FORCE #1
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Thursday, December 12, 2019
Review: POWERS OF X #1
POWERS OF X No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Jonathan Hickman
PENCILS: R.B. Silva
INKS: R.B. Silva and Adriana Di Benedetto
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: R.B. Silva with Marte Gracia
VARIANT COVER ARTISTS: Mark Brooks; Joshua Cassara with Rachelle Rosenberg; John Tyler Christopher; Stephanie Hans; Jack Kirby with Edgar Delgado; Mike Huddleston; George Perez with Jason Keith; Dustin Weaver; Skottie Young
56pp, Color, $5.99 U.S. (September 2019)
Rated T+
The X-Men created by Stan Lee and Jack Kirby
“The Last Dream of Professor X”
The X-Men are a Marvel Comics superhero team. Created by editor Stan Lee and artist Jack Kirby, the X-Men debuted in the comic book The X-Men #1 (cover dated: September 1963). The focus of that comic book was Professor Charles Xavier a/k/a “Professor X” and his small circle of students. Each student had a unique power or ability granted to them because each student was a mutant, and each had a code name. The students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).
From time to time the X-Men concept is changed in some way via a relaunch or revamp. The most famous revamp was and still is the “new X-Men,” which debuted in Giant-Size X-Men #1 (cover dated: May 1975). Once consistently among the bestselling comic books in the United States (and often the bestselling comic book), the X-Men have fallen on hard times. The editorial powers that be at Marvel Comics have spent much of the last two decades revamping, relaunching, and remaking the X-Men.
The latest remodeling comes via a pair of six-issue miniseries written by Jonathan Hickman. The first is House of X, and the second and the subject of this review is Powers of X; they are being published biweekly on an alternating schedule. Powers of X is written by written Jonathan Hickman; drawn by R.B. Silva (pencils) and Silva and Adriana Di Benedetto (inks); colored by Marte Gracia; and lettered by Clayton Cowles.
Powers of X #1 (“The Last Dream of Professor X”) takes place in four time periods. The title, “Powers of X,” means “Powers of Ten” – 1; 10 x 1 is 10; 10 x 10 is 100; 10 x 100 is 1000.
X0 is The X-Men, Year One, “The Dream.” X1 is The X-Men, Year Ten, “The World.” X2 is The X-Men, Year One Hundred, “The War.” X3 is The X-Men, Year One Thousand, “Ascension.”
In X0, Charles Xavier meets Moira MacTaggert, who has a history to share with Xavier. In X1, on the mutant sanctuary homeland of Krakoa, Professor X obtains the data Mystique and Sabertooth stole (as seen in House of X #1). In X2, Rasputin and Cardinal find their teammate, Cylobel, in trouble, so Rasputin launches a one-woman rescue operation to keep her friend from falling into the clutches of Nimrod. In X3, humanity, mutant-kind, who is left?
That Powers of X #1 takes place in four time periods is not confusing. That each time period can only tease the story to come is irritating. I found writer Jonathan Hickman's work in House of X #1 quite intriguing, and I find his offerings in Powers of X #1 intriguing, but a less satisfying read than House of X #1.
The work of colorist Marte Gracia and letterer Clayton Cowles turns out to be just as stellar in Powers of X #1 as it was in the first issue of House of X. The art of R.B. Silva and Adriano Di Benedetto, with its clear storytelling, is pretty, especially the illustrations for the last two chapters. When combined with Gracia colors, Silva and Di Benedetto's Powers of X art is flat-out gorgeous.
So I assume the second issue will justify Hickman's approach to Powers of X #1. I know, however, that good ideas for stories can lose their luster because of poor execution in the storytelling. We'll see.
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Jonathan Hickman
PENCILS: R.B. Silva
INKS: R.B. Silva and Adriana Di Benedetto
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: R.B. Silva with Marte Gracia
VARIANT COVER ARTISTS: Mark Brooks; Joshua Cassara with Rachelle Rosenberg; John Tyler Christopher; Stephanie Hans; Jack Kirby with Edgar Delgado; Mike Huddleston; George Perez with Jason Keith; Dustin Weaver; Skottie Young
56pp, Color, $5.99 U.S. (September 2019)
Rated T+
The X-Men created by Stan Lee and Jack Kirby
“The Last Dream of Professor X”
The X-Men are a Marvel Comics superhero team. Created by editor Stan Lee and artist Jack Kirby, the X-Men debuted in the comic book The X-Men #1 (cover dated: September 1963). The focus of that comic book was Professor Charles Xavier a/k/a “Professor X” and his small circle of students. Each student had a unique power or ability granted to them because each student was a mutant, and each had a code name. The students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).
From time to time the X-Men concept is changed in some way via a relaunch or revamp. The most famous revamp was and still is the “new X-Men,” which debuted in Giant-Size X-Men #1 (cover dated: May 1975). Once consistently among the bestselling comic books in the United States (and often the bestselling comic book), the X-Men have fallen on hard times. The editorial powers that be at Marvel Comics have spent much of the last two decades revamping, relaunching, and remaking the X-Men.
The latest remodeling comes via a pair of six-issue miniseries written by Jonathan Hickman. The first is House of X, and the second and the subject of this review is Powers of X; they are being published biweekly on an alternating schedule. Powers of X is written by written Jonathan Hickman; drawn by R.B. Silva (pencils) and Silva and Adriana Di Benedetto (inks); colored by Marte Gracia; and lettered by Clayton Cowles.
Powers of X #1 (“The Last Dream of Professor X”) takes place in four time periods. The title, “Powers of X,” means “Powers of Ten” – 1; 10 x 1 is 10; 10 x 10 is 100; 10 x 100 is 1000.
X0 is The X-Men, Year One, “The Dream.” X1 is The X-Men, Year Ten, “The World.” X2 is The X-Men, Year One Hundred, “The War.” X3 is The X-Men, Year One Thousand, “Ascension.”
In X0, Charles Xavier meets Moira MacTaggert, who has a history to share with Xavier. In X1, on the mutant sanctuary homeland of Krakoa, Professor X obtains the data Mystique and Sabertooth stole (as seen in House of X #1). In X2, Rasputin and Cardinal find their teammate, Cylobel, in trouble, so Rasputin launches a one-woman rescue operation to keep her friend from falling into the clutches of Nimrod. In X3, humanity, mutant-kind, who is left?
That Powers of X #1 takes place in four time periods is not confusing. That each time period can only tease the story to come is irritating. I found writer Jonathan Hickman's work in House of X #1 quite intriguing, and I find his offerings in Powers of X #1 intriguing, but a less satisfying read than House of X #1.
The work of colorist Marte Gracia and letterer Clayton Cowles turns out to be just as stellar in Powers of X #1 as it was in the first issue of House of X. The art of R.B. Silva and Adriano Di Benedetto, with its clear storytelling, is pretty, especially the illustrations for the last two chapters. When combined with Gracia colors, Silva and Di Benedetto's Powers of X art is flat-out gorgeous.
So I assume the second issue will justify Hickman's approach to Powers of X #1. I know, however, that good ideas for stories can lose their luster because of poor execution in the storytelling. We'll see.
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------------
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Saturday, February 2, 2013
Albert Avilla Reviews: Avengers #2
Avengers #2
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver & Justin Ponsor
Variant Covers: Esad Ribic; John Romita Jr., Klaus Janson, and Dean White
“We Were Avengers” (Spoilers)
I lamented Bendis leaving the Avengers, but do not worry. Marvel’s greatest heroes have been put in capable hands. Hickman has won me over with a simple roll call story. You know: a story that comes around every so often when the Avengers lineup is changing.
First, we have the core group, the movie Avengers. If you don’t know who they are, then, I suggest that you go watch the DVD; I think it’s out. Next, we have the super popular Wolverine and Spider-man; two characters who have that never-stop-until-you-die fighting spirit. The two characters that I’m glad they have a spot on the team are Captain Marvel and Spider-Woman, no relation to Spider-Man. The Falcon is on the team; as Cap’s partner, this should be his home. It would be cool if Tony would give him an upgrade. What ever happened to Redwing?
The best hand-to hand-fighter in the Marvel Universe is on the team, The Master of Kung Fu, Shang Chi. Bringing youth to the team are Sunspot and Cannonball, the team supreme within the team. Manifold will make anywhere possible; I want to go on vacation with the dude. I want to see the pyramids when they where being built. Smasher puts the Avengers on a level with the Imperial Guard; I can’t wait for an Avengers-in-space story. Captain Universe brings awesome power to the team. The final player in the game is Superman, Oh, sorry! I mean Hyperion. Come on, we know that Hyperion is Marvel’s Superman. Think about it, Superman in the Avengers; get ready for some big time throwing down.
I enjoyed the humor. It is a good idea to keep the past lives of Smasher, Captain Marvel, and Hyperion under wraps for now; I’m expecting some good future stories. The Avengers have definitely gotten bigger. The villainous forces of Marveldom better step up their plotting and scheming.
The rest of the story gives the origin of Ex Nihilo and Abyss. They begin their transformation of Earth, and Cap marshals the new team for their attack on Ex Nihilo. It’s going to be on.
The art is unique in the good way; Opena’s style is beautiful. The coloring is detailed without giving the art that puzzle piece look. The character’s expressions are appropriate and related to the character’s emotions.
I rate Avengers #2 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver & Justin Ponsor
Variant Covers: Esad Ribic; John Romita Jr., Klaus Janson, and Dean White
“We Were Avengers” (Spoilers)
I lamented Bendis leaving the Avengers, but do not worry. Marvel’s greatest heroes have been put in capable hands. Hickman has won me over with a simple roll call story. You know: a story that comes around every so often when the Avengers lineup is changing.
First, we have the core group, the movie Avengers. If you don’t know who they are, then, I suggest that you go watch the DVD; I think it’s out. Next, we have the super popular Wolverine and Spider-man; two characters who have that never-stop-until-you-die fighting spirit. The two characters that I’m glad they have a spot on the team are Captain Marvel and Spider-Woman, no relation to Spider-Man. The Falcon is on the team; as Cap’s partner, this should be his home. It would be cool if Tony would give him an upgrade. What ever happened to Redwing?
The best hand-to hand-fighter in the Marvel Universe is on the team, The Master of Kung Fu, Shang Chi. Bringing youth to the team are Sunspot and Cannonball, the team supreme within the team. Manifold will make anywhere possible; I want to go on vacation with the dude. I want to see the pyramids when they where being built. Smasher puts the Avengers on a level with the Imperial Guard; I can’t wait for an Avengers-in-space story. Captain Universe brings awesome power to the team. The final player in the game is Superman, Oh, sorry! I mean Hyperion. Come on, we know that Hyperion is Marvel’s Superman. Think about it, Superman in the Avengers; get ready for some big time throwing down.
I enjoyed the humor. It is a good idea to keep the past lives of Smasher, Captain Marvel, and Hyperion under wraps for now; I’m expecting some good future stories. The Avengers have definitely gotten bigger. The villainous forces of Marveldom better step up their plotting and scheming.
The rest of the story gives the origin of Ex Nihilo and Abyss. They begin their transformation of Earth, and Cap marshals the new team for their attack on Ex Nihilo. It’s going to be on.
The art is unique in the good way; Opena’s style is beautiful. The coloring is detailed without giving the art that puzzle piece look. The character’s expressions are appropriate and related to the character’s emotions.
I rate Avengers #2 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
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Saturday, December 29, 2012
Albert Avilla Reviews: Avengers #1
Avengers #1
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic
“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.
The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.
The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.
Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.
I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
Marvel Comics
Reviewed by Albert Avilla
Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic
“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.
The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.
The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.
Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.
I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.
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