#IReadsYou Review: X-FORCE #1

X-FORCE No. 1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Benjamin Percy
ART: Joshua Cassara
COLORS: Dean White
LETTERS: VC's Joe Caramagna
EDITORS: Chris Robinson and Lauren Amaro
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Dustin Weaver
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Russell Dauterman with Matthew Wilson; Juan Jose Ryp with Jesus Aburtov; Adi Granov; Tom Muller; Todd McFarlane with Jason Keith
44pp, Color, $4.99 U.S. (January 2020)

Parental Advisory

X-Men created by Jack Kirby and Stan Lee; X-Force created by Rob Liefeld and Fabian Nicieza

“Hunting Ground”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a group of characters that had unique powers and abilities because they were “mutants.”

Summer 2019, Marvel published writer Jonathan Hickman's revamp, reboot, and re-imagining of the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one, bore titles that have been previously used.  The new series were Excalibur, Fallen Angels, Marauders, New Mutants, X-Men, and the subject of this review, X-Force.

This new X-Force comic book is written by Benjamin Percy; drawn by Joshua Cassara; colored by Dean White; and lettered by Joe Caramagna.  According to Marvel, the new X-Force team is the Central Intelligence Agency (CIA) of the mutant world.  One-half is the “intelligence branch;” that would be the group of Beast, Jean Grey, and Sage.  The other half is “special ops,” with a unit composed of Wolverine, Kid Omega and Domino.

X-Force #1 (“Hunting Ground”) opens with a question.  What happened to Domino?  Meanwhile on Krakoa, the living island and mutant nation-state that is a home for all mutants, Wolverine is hunting for predators on an island where there should be none.  As he says, however, there is always a predator, and “...when you're safe, you're soft.”  Black Tom Cassidy feels something bad coming, even if Professor X says otherwise.  But this new mutant world would not need an “X-Force” in a perfect world, and this is not a perfect world...

The original X-Force team first appeared in New Mutants #100 (cover dated: April 1991) and was the creation of writer-illustrator Rob Liefeld and writer Fabian Nicieza.  The team's first leader was the mutant, Cable, and X-Force took a more militant and aggressive approach towards its enemies than did the X-Men did as a team.

In this first issue, writer Benjamin Percy takes that to heart, and his story makes X-Force #1 a potboiler from page one to the last.  I don't want to spoil anything, although as I write this review, X-Force #1 is about two months old.  Still, I do want to say that “Hunting Ground” offers surprises and thrills throughout.  Of the four “Dawn of X” first issues that I have read thus far, this one is easily the best.

Joshua Cassara's art is gritty and dark and his graphical storytelling has that sinister edge that reminds me of Grant Morrison's lovely science fiction-conspiracy comic book series, The Invisibles (DC Comics/Vertigo).  Dean White's coloring is correctly garish and gives this story a nightmarish and apocalyptic feel.  There is a disquieting mood in letterer Joe Caramagna's mostly quiet lettering for this first issue, which is just right.

I definitely plan to read more of this new X-Force, even if its just the first trade paperback collection.  I feel safe in recommending it to you, dear readers.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.


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#IReadsYou Review: MARAUDERS #1

MARAUDERS No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Gerry Duggan
ART: Matteo Lolli
COLORS: Federico Blee
LETTERS: VC's Cory Petit
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: Russell Dauterman with Matthew Wilson
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Aaron Kuder with Jordie Bellaire; Rick Leonardi with Richard Isanove; Tom Muller; Todd Nauck with Rachelle Rosenberg; Philip Tan with Jay David Ramos; Russell Dauterman with Federico Blee
44pp, Color, $4.99 U.S. (December 2019)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

“I'm on a Boat”

The X-Men are a Marvel Comics superhero team comprised of individuals with unique powers and abilities granted to them because they are “mutants.”  Created by editor-writer Stan Lee and artist Jack Kirby, the X-Men debuted in the comic book, The X-Men #1 (cover dated: September 1963).

Over its six decades of existence, the X-Men comic book franchise has been revived, revamped, relaunched, and re-imagined.  The latest remodeling came via a pair of six-issue miniseries, House of X and Powers of X (pronounced “Powers of 10”), which were written by Jonathan Hickman.  Afterwards, October welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one bore titles that had been previously used.  The new series are Excalibur, Fallen Angels, New Mutants, X-Force, X-Men, and the subject of this review, Marauders.

Marauders is written by Gerry Duggan; drawn by Matteo Lolli; colored by Federico Blee, and lettered by Cory Petit.  Previously, “the Marauders” was the name of a group of assassins employed by the X-Men's adversary, Mister Sinister (now an ally).  As a team, the Marauders' purpose was to assassinate other mutants and to act as a commando strike-force to carry out acts of mass murder.  The new Marauders have been formed to protect and help mutants around the world.

Marauders #1 (“I'm on a Boat”) opens in this glorious new dawn for “Mutantkind.”  Around the world, mutants are entering gateways that take them to Krakoa, the living island and mutant nation-state.  But not everyone can enter those gateways... for various reasons.  One of the most famous members of the X-Men, Katherine “Kate” Pryde (formerly known as “Kitty Pryde”), cannot pass through a Krakoan gateway; for her, it's like walking into a wall.

However, around the world, there are mutants living in countries that do not have diplomatic relations with Krakoa, nor do they recognize mutant sovereignty.  Countries like Russia and Taiwan use various means to block their mutant citizens' access to the gateways.  Aboard a specially-fitted sailing vessel funded by Emma Frost and the Hellfire Trading Company, Captain Kate Pryde leads fellow mutants:  Storm, Bishop, Iceman, and Pyro, with Lockheed the dragon, on a mission to sail the seas of the world in order to protect those most hated and feared!

I was not impressed by the first “Dawn of X” title, X-Men, but I like this second one.  It's not that writer Gerry Duggan offers an exceptional first-issue script; it is good enough.  It's that Marauders has a lot of potential to address current issues and geopolitical affairs using the X-Men as allegory or metaphor.  Also, a sailing vessel promises some quasi-pirate fun.

The illustrations by Matteo Lolli are nice, and his graphical storytelling is clean, if not dynamic.  Federico Blee's coloring seems a little too thick and has what looks like smearing in several places.  Cory Petit's lettering is good, but a bit tame for a concept that demands boldness.  Truthfully, Marauders #1 could be the start of something daring or it could be simply the first issue of just-another-X-Men comic book.  So far, I suspect that it will be the latter, which will probably be the case for most (if not all) the“Dawn of X” titles.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.


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#IReadsYou Review: FALLEN ANGELS #1

FALLEN ANGELS #1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Bryan Hill
ART: Szymon Kudranski
COLORS: Frank D'Armata
LETTERS: VC's Joe Sabino
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Ashley Witter
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Gabriele Dell'Otto; Greg Land with Frank D'Armata; Pepe Larraz with David Curiel; Rob Liefeld with Romul Fajardo, Jr.; and Tom Muller
44pp, Color, $4.99 U.S. (January 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby; Fallen Angels created by Jo Duffy and Kerry Gammill

“Bushido”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  The X-Men #1 (cover dated: September 1963) introduced readers to a professor and his students who had unique powers and abilities because they were “mutants.”

One of the X-Men spin-off titles was Fallen Angels.  Created by writer Jo Duffy and artist Kerry Gammill, Fallen Angels was more accurately a spin-off of the X-Men spin-off, The New Mutants.  The Fallen Angels was a team that featured two New Mutants, Sunspot and Warlock, and Boom-Boom of X-Factor.  The team's only appearance was in the eight-issue miniseries, Fallen Angels (cover dated:  April to November 1987).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series are Excalibur, Marauders, New Mutants, X-Force, X-Men, and the subject of this review, Fallen Angels.

Fallen Angels 2020 is written by Bryan Hill; drawn by Szymon Kudranski; colored by Frank D'Armata, and lettered by Joe Sabino.  Fallen Angels focuses on the outsiders of Krakoa, mutants who don't belong in paradise because of their anti-heroic pasts.

Fallen Angels #1 (“Bushido”) opens as Kwannon does something bad.  Meanwhile, on Krakoa, the living island and mutant nation-state, Psylocke is in a state of meditation, in this new world of “Mutantkind,” unsure of her place in it.  But she gets a warning, a demand that she face a new threat, a god named “Apoth,” and it seems as if Psylocke's past is starting to come back to her.  Seeking the aid of Mr. Sinister and gathering the mutant warriors, Cable and X-23, to her side, Psylocke begins her personal mission of revenge.

I have come across commentary on the inter-webs that Fallen Angels is the best of the first wave of “Dawn of X” titles.  I am sorely disappointed to say that I have practically nothing to say about it.  The first issue barely registers with me, which is surprising.  I am a fan of Bryan Hill's writing, and his potent, forceful storytelling always moves something in me.  I'll check in on Fallen Angels later, but I still think that fans of this new X-Men direction should check out at least the first issue of all six titles.  In the meantime, I don't have a grade for Fallen Angels #1.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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#IReadsYou Review: EXCALIBUR #1

EXCALIBUR No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Tini Howard
ART: Marcus To
COLORS: Erick Arciniega
LETTERS: VC's Cory Petit
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: Mahmud Asrar with Matthew Wilson
VARIANT COVER ARTISTS: Kris Anka; Mark Bagley and John Dell with Israel Silva; Tom Muller
44pp, Color, $4.99 U.S. (December 2019)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

“The Accolade of Betsy Braddock”

The X-Men are a Marvel Comics superhero team comprised of individuals with unique powers and abilities granted to them because they are “mutants.”  Created by artist Jack Kirby and writer-editor Stan Lee, the X-Men debuted in the comic book, The X-Men #1 (cover dated: September 1963).

Since the mid-1980s, there have been numerous X-Men spin-off comic book series.  One of them is Excalibur, which featured an off-shoot of the X-Men based in the United Kingdom.  The series was created by writer Chris Claremont and writer-artist Alan Davis, and it debuted in Excalibur Special Edition #1 (1987), also known as Excalibur: The Sword is Drawn.  The ongoing series, Excalibur, debuted in 1988 and ran for 125 issues, ending in 1998.

Over its six decades of existence, the X-Men comic book franchise has been revived, revamped, relaunched, and re-imagined.  The latest remodeling came via a pair of six-issue miniseries, House of X and Powers of X (pronounced “Powers of 10”), which were written by Jonathan Hickman.  Afterwards, October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one bore titles that had been previously used.  The new series are Fallen Angels, Maruaders, New Mutants, X-Force, X-Men, and the subject of this review, a new version of Excalibur.

Excalibur (2019) is written by Tini Howard; drawn by Marcus To; colored by Erick Arciniega; and lettered by Cory Petit.  The new series will feature a new Captain Britain, along with team members:  Rogue, Gambit, Jubilee, Rictor... and Apocalypse.

Excalibur #1 (“The Accolade of Betsy Braddock”) opens in “The Otherworld,” specifically “Camelot.”  The Otherworld is being rocked by war, and Arthur Pendragon is missing.  Arthur's half-sister, the sorceress Morgan Le Fay, has named herself “Queen Regent,” because of Arthur's status and the state of the rest of the royal family.  Le Fay is also incensed that a gateway to Krakoa, the living island and mutant nation-state, has polluted her scrying pool.

Meanwhile, Betsy Braddock is leaving her brother, Brian Braddock a.k.a. “Captain Britain,” and Braddock Academy in Maldon, England, for the mutant paradise of Krakoa.  However, there, she is about to be reunited with an unpleasant family member who has been revived in “The Hatchery.”  Plus, the war in Otherworld is about to force huge changes in Betsy's status quo.

Apparently, Excalibur will focus on the magic angle in the new mutant status quo.  I am interested, but not $3.99 or $4.99 cover price-interested.  There were a few things caught my notice, but half of this comic book was a chore to read.  Honestly, there is nothing about Excalibur #1 that says this series will run longer than twelve issues.  Writer Tini Howard offers a script that seems more like a stumbling of scenes clumsily stuck together.

Artist Marcus To offers pretty if not exceptional art, but his storytelling is clear... or at least clearer than Tini Howard's.  Erick Arciniega slathers on the colors like a drunk trying to paint all the china in a china shop.  Cory Petit's lettering is pretty much a single font that, if read it long enough, could cause the comic book reading equivalent of snow blindness.

Yeah, Excalibur #2 better throw it down for real...

3.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.


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#IReadsYou Review: NEW MUTANTS #1

NEW MUTANTS No. 1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Ed Brisson and Jonathan Hickman
ART: Rod Reis
COLORS: Rod Reis
LETTERS: VC's Travis Lanham
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Rod Reis
VARIANT COVER ARTISTS: Nick Bradshaw with Morry Hollowell; Stanley “Artgerm” Lau; Mark Bagley and John Dell with Israel Silva; Tom Muller
44pp, Color, $4.99 U.S. (January 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby; New Mutants created by Chris Claremont and Bob McLeod

“The Sextant”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  The X-Men #1 (cover dated: September 1963) introduced readers to a professor and his students, all of whom had unique powers and abilities because they were “mutants.”

The New Mutants #1 (cover date:  March 1983) was the launch of the first ongoing spin-off series of the X-Men.  The New Mutants was a group of teenage mutants who were both students at Xavier's School for Gifted Children and superheroes-in-training.  The original team of New Mutants first appeared in Marvel Graphic Novel #4: The New Mutants (cover date:  December 1982).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series were Excalibur, Fallen Angels, Marauders, X-Force, X-Men and the subject of this review, New Mutants.

New Mutants 2020 is written by Ed Brisson and Jonathan Hickman; drawn and colored by Rod Reis; and lettered by Travis Lanham.  This relaunch of the New Mutants goes in a science fiction direction and features classic New Mutants and new characters on an adventure in the deep reaches of space.

As New Mutants #1 (“The Sextant”) opens, Professor X and Storm welcome Rahne Sinclair, the mutant codenamed “Wolfsbane,” back into the world... into their new world:  Krakoa, the living island and mutant nation-state.  Rahne is reunited with a mixture of familiar New Mutants teammates (Sunspot, Mirage, Karma, Magik, and Cypher) and some new friends (Chamber and Mondo) for a new kind of adventure.

One original family member is missing, Sam Guthrie a.k.a. “Cannonball,” who is with his family in the outer space territory of the Shi'ar Empire.  Well, these New Mutants want their teammate back, so fortunately (or unfortunately) they are going to get a ride to somewhere near Shi'ar space aboard the space ship, “The Starjammer.”  However, its crew of pirates, “The Starjammers,” especially their captain, Corsair, is an unsavory group.  And a mission in space alongside the Starjammers is often bad news... the fact of which these young mutants seem oblivious.

What writers Ed Brisson and Jonathan Hickman offer in New Mutants #1 could develop into something quite entertaining.  Still, much of this first issue made me say, “meh.”

On the other hand, the art and coloring by Rod Reis, which recalls the work of classic New Mutants artist, Bill Sienkiewicz, made me want to keep reading.  It is beautiful enough to encourage me to come back for more... maybe.

I can say that the ending of New Mutants #1 is a good cliffhanger, so I raised my final grade from the grade (a “C”) that I was originally going to give this issue.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

-------------------------

#IReadsYou Review: X-MEN #1 (2019)

X-MEN No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jonathan Hickman
PENCILS: Leinil Francis Yu
INKS: Gerry Alanguilan
COLORS: Sunny Gho
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Mark Bagley and John Dell with Israel Silva; Mark Brooks; Tom Muller; Whilce Portacio with Chris Sotomayor; Leinil Francis Yu; Chris Bachalo with Edgar Delgado; Artgerm; Marco Checchetto; Russell Dauterman
44pp, Color, $4.99 U.S. (December 2019)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

“Pax Krakoa”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a professor and team-leader and his students who had unique powers and abilities because they were “mutants.”  The leader was Professor Charles Xavier a/k/a “Professor X.”  His students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October welcomed “Dawn of X,” the launch of six new X-Men titles, although all except one bore titles that have been previously used.  The new series were Excalibur, Fallen Angels, Marauders, New Mutants, X-Force, and the subject of this review, X-Men.

X-Men 2019 is written by Jonathan Hickman; drawn by Leinil Franics Yu (pencils) and the recently-deceased Gerry Alanguilan (inks); colored by Sunny Gho, and lettered by Clayton Cowles.  The series will apparently focus on Cyclops and his hand-picked team of mutant powerhouses who will stand between the mutants' sacred land (the island of Krakoa) and the threat of the human world.

X-Men #1 (Pax Krakoa) finds the X-Men engaged in a mop-up operation, destroying the last stronghold of Orchis, the organization that was attempting to build a more powerful generation of the mutant-hunting robots, the Sentinels.  Cyclops, Storm, Magneto, and Polaris find little real resistance from the minions of Orchis.  However, they do find a “posthuman” and a large group of mutant children in need of rescuing... and in need of a home.

So it's back to Krakoa, the living island and mutant nation-state.  Many are still adjusting to this new home and the new state of mutant affairs.  Meanwhile, their enemies are not going quietly into the night, nor is their evil science.

For the first two decades of its existence, the X-Men comic book series (later titled Uncanny X-Men) had an intimate feel to it.  The series basically focused on a small band of heroes and adventures who (1) had few allies and (2) fought “evil mutants” in order to protect the larger world of humanity.  Even when the team line-ups changed or when a second group of “New Mutants” entered the picture, the X-Men comics felt like an intimate affair with its tales of the mutant-us against the world.

From the mid-1980s on, Marvel Comics published an increasing number of X-Men and X-Men related ongoing series, finite series, graphic novels, and assorted one-off publications.  Then, the hit film, X-Men (2000), presented the X-Men's home and base, “Xavier School for Gifted Youngsters” (Xavier Institute for Higher Learning), as an actual school, packed with minor children who were mutants.  Marvel Comics followed suit, and suddenly Professor Charles Xavier a.k.a. Professor X's mansion went from half a dozen or so inhabitants to housing untold dozens of students, in addition to members of the X-Men who were suddenly being depicted as teachers and counselors.

So during the past two decades of X-Men comic books, the X-Men titles have stopped being superhero comic books and have become mutant soap opera, dystopian, science fiction, serial dramas.  That would not be a problem except there are too many characters, too many plots, and too many comic books.  No matter how many Spider-Man, Superman, or Batman comic books there are, those titles still focus only on Spider-Man, Superman, or Batman.  There is still an intimacy between the reader and a single character.  Too many Avengers or Justice League comic books become redundant, like an over-supply of superhero characters.  That's the problem with the X-Men... still... even after the latest spiffy, new reboot.

Jonathan Hickman's House of X and Powers of X were finite series with a purpose, a goal, and (more or less) an endgame.  Each series had a beginning, a middle, and an end – even during the moments when that was presented in a non-linear fashion.  Both of these comic books were wonderful, satisfying, complete reads.

But we seem to be back to the status quo that was not supposed to be, at least, post-Hickman revolution.  X-Men 2019 is the start of a wave of new X-Men titles, “Dawn of X,” soon to be followed by more waves.  Well, maybe Hickman will continue to surprise us and later issues of X-Men 2019 won't feel like padded story the way this X-Men #1 does.  One can hope, even a former X-Men fan like myself.  But I have a feeling that sales on the “Dawn of X” titles will have plummeted so much by the end of 2020 that Marvel Comics will already be planning the next relaunch.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.


--------------------------

Review: SPIDER-MAN: Life Story #1

SPIDER-MAN: LIFE STORY No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Chip Zdarsky
PENCILS: Mark Bagley
INKS: John Dell
COLORS: Frank D'Armata
LETTERS: Travis Lanham
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Chip Zdarsky
VARIANT COVER ARTISTS: Marcos Martin; Greg Smallwood; Skottie Young
36pp, Color, $4.99 U.S. (May 2019)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

Spider-Man is the classic Marvel Comics superhero that readers first met in Amazing Fantasy #15 (cover dated: August 1962).  The Amazing Spider-Man #1 (cover date: March 1963) was the beginning of the first Spider-Man title, as we followed his adventures and his secret life as a teenager and high school student named Peter Parker.  Over the years, a legion of Spider-Man writers depicted Peter Parker graduating from high school, going to college, becoming a college graduate student, a working stiff, a freelancer, an employee, etc.

Spider-Man: Life Story is a new comic book miniseries tells the story of Peter Parker and Spider-Man in real time, depicting his life from beginning to end.  Spider-Man: Life Story is written by Chip Zdarsky; drawn by Mark Bagley (pencils) and John Dell (inker); colored by Frank D'Armata; and letterer Travis Lanham.  “Life Story” is set against the events of the decades through which Spider-Man has lived.  The conceit of this series is as follows (as described by Marvel Comics:

In 1962, in Amazing Fantasy #15, 15-year-old Peter Parker was bitten by a radioactive spider and became the Amazing Spider-Man! Fifty-seven years have passed in the real world since that event - so what would have happened if the same amount of time passed for Peter as well?

Spider-Man: Life Story #1 opens in 1966, four years after the events depicted in Amazing Fantasy #15.  Peter has one left year in college, but that is not all that is on his mind.  He has money woes, and as more young men his age are drafted to serve in the Vietnam War, Peter starts to wonder if Spider-Man should also serve in the conflict.  As his old rival, Flash Thompson, prepares to leave for Vietnam, Peter really starts to weigh the question of where his responsibility truly lies.  Meanwhile, a dangerous foe reappears, threatening Spider-Man's secrets.

Spider-Man: Life Story #1 is just the kind of first issue with which a prestige or “high-end” miniseries should open.  This is the kind of wonderful read that will make readers come back for the second issue.  Simply put, it is quite well written by Chip Zdarsky, who is proving to be a writer with classic storytelling chops.  What I mean by that is that Zdarsky focuses on spinning comic book yarns (1) that are true to the core of the characters, (2) that have successful superhero action scenes, and (3) that also have a modern sensibility.  In this way, Zdarsky's Spider-Man: Life Story #1 reminds me of Brian Michael Bendis' Ultimate Spider-Man #1 (cover dated:  October 2000), a modern take on Spider-Man that had a classic Spider-Man sensibility.

Another reason that I am reminded of Ultimate Spider-Man is that the penciler of Spider-Man: Life Story #1 is Mark Bagley, who was the long-time artist on Ultimate Spider-Man, drawing just under 120 issues.  Bagley is a consummate superhero comic book artist, whose storytelling is straightforward.  His graphic style is not overly stylish, but, once again, his art looks like classic superhero comic book art from the 1960s and 1970s.

I thought I might like Spider-Man: Life Story #1, but I often only read the first issue of a miniseries even when I like it enough to be interested in future issues.  I plan to read more Spider-Man: Life Story, and I am eagerly awaiting that second issue.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: THE AMAZING SPIDER-MAN #789

THE AMAZING SPIDER-MAN No. 789
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Dan Slott
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Alex Ross (based on art by John Romita); Steve Ditko with Michael Kelleher
32pp, Color, $9.99 U.S. (December 2017)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

“Fall of Parker” Part 1 – “Top to Bottom”

In a previous review, I stated that there were were three comic book series to start with the title and issue number, The Amazing Spider-Man #1, beginning with the original in 1962.  I wrote that as I began my review of the fourth regular comic book to have that title and issue number – the third in 16 years and the second in three years.  Two years later, facing reportedly plummeting sales, Marvel Comics has launched its “Legacy” initiative, which would bring Marvel titles back to their original issue numbering.

So we come to The Amazing Spider-Man #789 (“Top to Bottom”) and the beginning of a “back to basics” story arc, entitled “Fall of Parker.”  It is written by Dan Slott; drawn by Stuart Immonen (pencils) and Wade von Grawbadger (inks); colored by Marte Gracia; and lettered by Joe Caramagna; with cover art by Alex Ross.  Before we move on with this review, I don't think The Amazing Spider-Man #789 is any different from what The Amazing Spider-Man #33 (2015) would have been.

The Amazing Spider-Man #789 opens in the aftermath of the fall of Spider-Man/Peter Parker's behemoth tech company, Parker Industries.  Parker is basically living on a couch in the apartment of Bobbi Morse, who is the superhero, Mockingbird.  Everyone, mainly the general public and customers of Parker Industries tech and software, hates Peter Parker.  Then, Parker decides that being the friendly neighborhood Spider-Man will cure his ills, but nothing every really works out perfectly for puny Parker and Spidey.

The recent movie Spider-Man: Homecoming makes it clear that high school Peter Parker/Spider-Man is such an attracting and lovable character.  After all, that is the original version of the character that creators Steve Ditko and Stan Lee gave us back in 1962.  Post-high school Spider-Man is also immensely likable, but, over the decades, that Peter Parker has been such a mixed bag, entirely the fault of various writers.

Adult Peter Parker, as depicted by writer Dan Slott, has been interesting, mostly.  However, the last two years, Slott has played Peter Parker as less the lovable loser, hard-luck guy and more like Tony Stark.  That, in turn, has made Spider-Man a kind of tech-driven, Iron Man-like hero.  Stark-ish Parker is cute as a novelty.  Spider-Man as a jet-setting, international hero is also nice – as a novelty.

Spider-Man is a regular guy superhero.  Yes, the character has extraordinary and weird powers, but the civilian Peter Parker is the guy who looks out for his family and protects and serves his family.  While Parker has always been depicted as a scientific genius, playing hero-by-gadget isn't Spider-Man, who has always seemed to be about service and personal sacrifice.

So, what about The Amazing Spider-Man #789?  It's just a run-of-the-mill story which suggests or hints at nothing but the status quo.  More accurately, it is just another first chapter in an eventual trade paperback collection.  While “Fall of Parker” could turn out to be an exceptional story arc (which I doubt), the first chapter in The Amazing Spider-Man #789 represents the mediocrity that has unfortunately also been part of the Marvel recent “Legacy.”

[This comic book includes a Spider-Man “Legacy” overview short story written by Robbie Thompson; drawn by Mark Bagley (pencils) and John Dell (inker); colored by Dan Brown; and lettered by VC's Joe Caramagna.]

C
4 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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I Reads You Review: AVX: VERSUS #2

AVX: VERSUS #2 (OF 6)
MARVEL COMICS

WRITERS: Steve McNiven, Kieron Gillen
PENCILS: Steve McNiven, Salvador Larroca
INKS: John Dell, Salvador Larroca
COLORS: Morry Hollowell, Jim Charalampidis
LETTERS: VC’s Joe Caramagna
COVER: Salvador Larroca
32pp, Color, $3.99 U.S.

Rated: T+

Avengers Vs. X-Men was Marvel Comics’ most recent, big event, crossover series. The final issue was just released, but I mostly ignored the entire thing except for reading the #0 and #1 issues. However, I was recently going through a box of comic books given to me by fellow comics aficionado and comic book reviewer, Albert Avilla, when I came across AVX: VS #2.

I was confused by the title. Was this Avengers Vs. X-Men? But the first page of this comic book explains it all. This is Avengers versus the X-Men, but instead of big, sprawling team brawls, AVX: VS features one-on-one battles between individual members of the Avengers and the X-Men. To paraphrase the introduction: it’s not about plot, but about two superheroes pounding the snot out of each other. AVX: VS is a six-issue, tie-in miniseries to the main event, but even more than the main series, AVX: VS is pure fight comics.

AVX: VS #2 has two heavyweight bouts – Match 3 and 4 of this series. First, Avenger Captain America takes on X-Man, Gambit, in a story written and penciled by Steve McNiven with inks by John Dell. Then, Avenger, the Amazing Spider-Man, takes on a Juggernaut-enhanced Colossus of the X-Men in a story written by Kieron Gillen and drawn by Salvador Larroca.

I thought that Steven McNiven’s delicate line work and intricate cross-hatching would not work when trying to depict a fight between two superheroes that seem to be in constant motion. However, refined lines and precise cross-hatching are perfect for capturing combatants in static images with grace and beauty. When the panels are connected in the way that comics are read, this gracefully rendered artwork creates the illusion that these two characters are in motion and are fighting.

Salvador Larroca is quite good at drawing the exaggerated anatomy that has practically been the standard over the better part of the last three decades. It’s usually a mixed bag with Larroca. Sometimes, his superhero figure drawing looks ugly or even anal in its delineation of every nook and cranny of bulging muscles. Other times, Larroca gets it just right, as he does here.

He captures the inherent gangly nature of Spider-Man’s physique while giving him the grace of a dancer and the precise skill of an acrobat. Larroca turns Colossus into a body-building mass of destruction and transforms his body into a force of nature driven by muscle power. The second and third pages of the Spider-Man/Colossus bout form a double-page spread that encapsulates how fittingly Larroca depicts the two characters.

Story? Who needs story with fight comic book art like this?

B

Reviewed by Leroy Douresseaux

Albert Avilla Reviews: Avengers Vs. X-Men Round 12

Avengers Vs. X-Men Round 12
Marvel Comics

Reviewed by Albert Avilla

Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman
Script: Jason Aaron
Pencils: Adam Kubert
Inks: John Dell, Mark Morales, Adam Kubert

(Possible spoilers)
There is no title to this story; it's Round 12. This is the battle of the year. If you read one comic this year, then you need to get a better job, get better friends, or hang around the comic shop a little longer. This is definitely the best one that I've read this month. A great balance of action and drama; I'm more of an aficionado of the action. We get the good old fisticuffs that we enjoy along with the heroic saving of human lives. The heroes use every ounce of their intestinal fortitude to defeat a powerful enemy. Finally, the Scarlet Witch and Hope knock the Phoenix out of Cyclops.

Interspersed with this beautiful action, we get the drama. A warrior who has fought for the light since his days as an adolescent is seduced by the darkness into believing that destruction is the path to his most lofty goals. Fighting to stop him: the mutant messiah and the destroyer of the mutant race. We have the fall of a great hero and the rise of another. Hope Summers just wants what we all want – to be our best self. She takes the Phoenix force and saves the Earth and the mutant race. The road we have traveled; Cyclops is a prisoner and Wolverine is the headmaster of his own school. Cap decides to take up the mutant cause. This event will have repercussions that will be felt across the Marvel Universe. The House of Ideas is still alive and flexing its muscles.

The series has been a showcase for Marvel's artists, and this round continues to give us the best of Marvel. Kubert and the crew are fantastic. From the temples of K'un Lun to every corner of the globe we get a celebration for the eyes.

You guessed it I rate Round 12 Recommend It To A Friend.