#IReadsYou Review: NEW MUTANTS #1

NEW MUTANTS No. 1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Ed Brisson and Jonathan Hickman
ART: Rod Reis
COLORS: Rod Reis
LETTERS: VC's Travis Lanham
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebulski”
COVER: Rod Reis
VARIANT COVER ARTISTS: Nick Bradshaw with Morry Hollowell; Stanley “Artgerm” Lau; Mark Bagley and John Dell with Israel Silva; Tom Muller
44pp, Color, $4.99 U.S. (January 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby; New Mutants created by Chris Claremont and Bob McLeod

“The Sextant”

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  The X-Men #1 (cover dated: September 1963) introduced readers to a professor and his students, all of whom had unique powers and abilities because they were “mutants.”

The New Mutants #1 (cover date:  March 1983) was the launch of the first ongoing spin-off series of the X-Men.  The New Mutants was a group of teenage mutants who were both students at Xavier's School for Gifted Children and superheroes-in-training.  The original team of New Mutants first appeared in Marvel Graphic Novel #4: The New Mutants (cover date:  December 1982).

This past summer (2019), writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series were Excalibur, Fallen Angels, Marauders, X-Force, X-Men and the subject of this review, New Mutants.

New Mutants 2020 is written by Ed Brisson and Jonathan Hickman; drawn and colored by Rod Reis; and lettered by Travis Lanham.  This relaunch of the New Mutants goes in a science fiction direction and features classic New Mutants and new characters on an adventure in the deep reaches of space.

As New Mutants #1 (“The Sextant”) opens, Professor X and Storm welcome Rahne Sinclair, the mutant codenamed “Wolfsbane,” back into the world... into their new world:  Krakoa, the living island and mutant nation-state.  Rahne is reunited with a mixture of familiar New Mutants teammates (Sunspot, Mirage, Karma, Magik, and Cypher) and some new friends (Chamber and Mondo) for a new kind of adventure.

One original family member is missing, Sam Guthrie a.k.a. “Cannonball,” who is with his family in the outer space territory of the Shi'ar Empire.  Well, these New Mutants want their teammate back, so fortunately (or unfortunately) they are going to get a ride to somewhere near Shi'ar space aboard the space ship, “The Starjammer.”  However, its crew of pirates, “The Starjammers,” especially their captain, Corsair, is an unsavory group.  And a mission in space alongside the Starjammers is often bad news... the fact of which these young mutants seem oblivious.

What writers Ed Brisson and Jonathan Hickman offer in New Mutants #1 could develop into something quite entertaining.  Still, much of this first issue made me say, “meh.”

On the other hand, the art and coloring by Rod Reis, which recalls the work of classic New Mutants artist, Bill Sienkiewicz, made me want to keep reading.  It is beautiful enough to encourage me to come back for more... maybe.

I can say that the ending of New Mutants #1 is a good cliffhanger, so I raised my final grade from the grade (a “C”) that I was originally going to give this issue.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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I Reads You Review: UNCANNY X-MEN #5

UNCANNY X-MEN #5
MARVEL COMICS

WRITER: Brian Michael Bendis
ARTIST/COVER: Frazer Irving
LETTERS: VC’s Joe Caramagna
VARIANT COVER: Ed McGuiness and Morry Hollowell
32pp, Colors, $3.99 U.S. (June 2013)

Rated T+

As part of the Marvel NOW initiative, Marvel Comics re-launched their longest running X-Men comic book series, Uncanny X-Men.  The new series is written by Brian Michael Bendis (who is also writing All-New X-Men).  The series artist is Chris Bachalo and various inkers, especially longtime Bachalo collaborator, Tim Townsend.  The roster of this incarnation of the Uncanny X-Men includes Cyclops, Magneto, Emma Frost the White Queen, and Magik, along with some recently recruited new mutants.

Uncanny X-Men #5 is the start of a new storyline and the arrival a new artist, Frazer Irving.  This fifth issue opens on the S.H.I.E.L.D. Helicarrier, in a meeting in which Cyclops’ “mutant revolution” activities are the hot topic.  Meanwhile, at the New Xavier School for the Gifted, Magik is the hot topic.  She’s called back to her abandoned kingdom, Limbo, by an unexpected guest/interloper.

I had not planned on writing about this fifth issue of Uncanny X-Men.  In fact, after reviewing the first issue, I didn’t plan on again reviewing the series for a long time (if ever).  Frazer Irving, however, proved to be a delightful surprise for me.  His art for this issue reminds me of David Lloyd’s art for V for Vendetta (written by Alan Moore).  His pop art graphic style, with its velvet texture and photographic effects-like color, is perfect for this story of Magik’s misadventure in Limbo.

This is the kind of art that draws your attention.  In my review of Uncanny X-Men #1, I ended the review with, “Thank God for Bendis.”  Now, I am also thankful for Frazer Irving.  He made reading this particular comic book a joy for me.

A-

Reviewed by Leroy Douresseaux

I Reads You Review: AVX: VERSUS #2

AVX: VERSUS #2 (OF 6)
MARVEL COMICS

WRITERS: Steve McNiven, Kieron Gillen
PENCILS: Steve McNiven, Salvador Larroca
INKS: John Dell, Salvador Larroca
COLORS: Morry Hollowell, Jim Charalampidis
LETTERS: VC’s Joe Caramagna
COVER: Salvador Larroca
32pp, Color, $3.99 U.S.

Rated: T+

Avengers Vs. X-Men was Marvel Comics’ most recent, big event, crossover series. The final issue was just released, but I mostly ignored the entire thing except for reading the #0 and #1 issues. However, I was recently going through a box of comic books given to me by fellow comics aficionado and comic book reviewer, Albert Avilla, when I came across AVX: VS #2.

I was confused by the title. Was this Avengers Vs. X-Men? But the first page of this comic book explains it all. This is Avengers versus the X-Men, but instead of big, sprawling team brawls, AVX: VS features one-on-one battles between individual members of the Avengers and the X-Men. To paraphrase the introduction: it’s not about plot, but about two superheroes pounding the snot out of each other. AVX: VS is a six-issue, tie-in miniseries to the main event, but even more than the main series, AVX: VS is pure fight comics.

AVX: VS #2 has two heavyweight bouts – Match 3 and 4 of this series. First, Avenger Captain America takes on X-Man, Gambit, in a story written and penciled by Steve McNiven with inks by John Dell. Then, Avenger, the Amazing Spider-Man, takes on a Juggernaut-enhanced Colossus of the X-Men in a story written by Kieron Gillen and drawn by Salvador Larroca.

I thought that Steven McNiven’s delicate line work and intricate cross-hatching would not work when trying to depict a fight between two superheroes that seem to be in constant motion. However, refined lines and precise cross-hatching are perfect for capturing combatants in static images with grace and beauty. When the panels are connected in the way that comics are read, this gracefully rendered artwork creates the illusion that these two characters are in motion and are fighting.

Salvador Larroca is quite good at drawing the exaggerated anatomy that has practically been the standard over the better part of the last three decades. It’s usually a mixed bag with Larroca. Sometimes, his superhero figure drawing looks ugly or even anal in its delineation of every nook and cranny of bulging muscles. Other times, Larroca gets it just right, as he does here.

He captures the inherent gangly nature of Spider-Man’s physique while giving him the grace of a dancer and the precise skill of an acrobat. Larroca turns Colossus into a body-building mass of destruction and transforms his body into a force of nature driven by muscle power. The second and third pages of the Spider-Man/Colossus bout form a double-page spread that encapsulates how fittingly Larroca depicts the two characters.

Story? Who needs story with fight comic book art like this?

B

Reviewed by Leroy Douresseaux