#IReadsYou Movie Review: VENOM: THE LAST DANCE

Venom: The Last Dance (2024)

Running time:  110 minutes (1 hour, 50 minutes)

MPA – PG-13 for intense sequences of violence and action, bloody images and strong language

DIRECTOR:  Kelly Marcel

WRITERS:  Kelly Marcel; from a story by Kelly Marcel and Tom Hardy (based on the Marvel Comics)

PRODUCERS:  Avi Arad, Amy Pascal, Matt Tolmach, Tom Hardy, Kelly Marcel, and Hutch Parker

CINEMATOGRAPHER:  Fabian Wagner (D.o.P.)

EDITOR:  Mark Sanger

COMPOSER:  Dan Deacon

SUPERHERO/FANTASY/ACTION

Starring:  Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Hala Finley, Dash McCloud, Cristo Fernandez, Jared Abrahamson, Jack Brady, Reid Scott, and Andy Serkis

Venom: The Last Dance is a 2024 superhero fantasy-action film directed by Kelly Marcel.  The film is based on the Marvel Comics super-villain/anti-hero characters, Eddie Brock/Venom.  Several comic book writers, artists, and editors contributed in the development of this duo, and artist Todd McFarlane and writer David Michelinie are the creators of Venom.  This is also the third entry in the Venom film series.  In Venom: The Last Dance, Eddie Brock and Venom are on the run from both an alien monster and a mysterious military officer, and they may be forced to break up their symbiotic partnership.

Venom: The Last Dance opens on Klyntar, the home world of the symbiotes.  Knull (Andy Serkis), the creator of the symbiotes, seeks a way to escape the prison made for him by his rebellious creations.  To that end, he has discovered a key – some thing called a “Codex” – that will free him.  What and where is the codex?

Well, it is on Earth, and the Codex exists because of the relationship between the symbiote, Venom, and his human host, the former investigative reporter, Eddie Brock (Tom Hardy).  They have just returned to Earth after their short stay in the multiverse (as seen in 2021's Spider-Man: No Way Home) and has landed in the Mexico of their own Earth.  While there, Eddie and Venom learn that Eddie is being blamed for the death of Detective Patrick Mulligan (Stephen Graham).

Mulligan is not dead.  He was infected by a symbiote (as seen in 2021's Venom: Let There Be Carnage).  He has been imprisoned in an underground facility at “Area 55” (which is beneath “Area 51”), and is being held in captivity by the “Imperium Program.”  There, Mulligan and his symbiote are under the watchful gazes of Imperium scientist, Dr. Teddy Paine (Juno Temple), and the Imperium's military commander, General Rex Strickland (Chiwetel Ejiofor).

Eddie and Venom are headed for New York City in a bid to clear Eddie's name, unaware that General Strickland is hunting them.  The duo, however, is soon made aware of an even more dangerous hunter.  Knull has sent a creature known as a “Xenophage” to capture the Codex within Eddie and Venom.  Now, a year into their symbiotic relationship, Eddie Brock and Venom may have to make a most devastating and heart-wrenching decision in order to save the Earth and at least one of their lives.

Venom: The Last Dance is the fifth film in “Sony's Spider-Man Universe” line of films.  It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), and Madame Web (2024).  The Last Dance arrived in movie theaters a little more than a month before the series' sixth film, Kraven the Hunter (2024).  This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man.  Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe.

Anyway, just before the halfway mark in Venom: The Last Dance, the Venom symbiote enters a horse, and “venomizes” it, creating a “Venom horse.”  The sequence featuring Venom as a horse, which becomes a wild ride across the desert with Eddie on its back, is probably the liveliest moment in this movie.  Venom does not venomize any more animals the rest of the way, but strangely, the beginning of the film's end-credits is a montage of venomized animals, everything from insects and birds to mammals and amphibians.  A Venom movie featuring the Venom symbiote venomizing countless different insects and animals?! – now, that would be a Venom movie I'd love and a lot of people would watch.  Sadly, that is what we get in Venom: The Last Dance.

Yes, there are some genuine character moments – such as Eddie/Venom's relationship with the Moon family – but even that is overwhelmed by Venom: The Last Dance's need to end.  Yes, this isn't so much a movie as it is an execution or suicide pact.  Venom is a trilogy and Venom: The Last Dance must be the end of it:  that's what this movie feels like – a race to the end.

I found myself unable to really enjoy this movie.  I really didn't connect with the film's best action scenes, and there were a few really good ones.  Also, I feel like the Knull subplot was woefully underutilized.  There are some good moments here, and by the end of the film, I thought the good things had been downplayed in favor of this movie's fatalistic mood.  Ultimately, I think Venom: The Last Dance is only for fans of the series who will want to see it through to the end.

C+

★★½ out of 4 stars

[This film has one mid-credits scene and one scene that occurs at the end of the credits.]

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: CAPTAIN AMERICA: BRAVE NEW WORLD

Captain America: Brave New World (2025)

Running time:  118 minutes (1 hour, 58 minutes)

MPA – PG-13 for intense sequences of violence and action, and some strong language

DIRECTOR:  Julius Onah

WRITERS:  Rob Edwards, Malcolm Spellman & Dalan Musson, and Julius Onah & Peter Glanz; from a story by Rob Edwards and Malcolm Spellman & Dalan Musson (based on the Marvel Comics)

PRODUCERS:  Kevin Feige and Nate Moore

CINEMATOGRAPHER:  Kramer Morgenthau (D.o.P.)

EDITORS:  Madeleine Gavin and Matthew Schmidt

COMPOSER:  Laura Karpman

SUPERHERO/FANTASY/DRAMA and SCI-FI/ACTION/THRILLER

Starring:  Anthony Mackie, Harrison Ford, Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, Xosha Roquemore, Johannes Haukur Johannesson, William Mark McCullough, and Takehiro Hira with Liv Tyler and Sebastian Stan

Captain America: Brave New World is a 2025 superhero and action film from Marvel Studios and directed by Julius Onah.  The film focuses on the character, “Sam Wilson,” as the superhero, “Captain America.”  Sam Wilson is a Marvel Comics character that was created by writer Stan Lee and artist Gene Colan and that first appeared in Captain America #117 (cover dated: September 1969).  Captain America is a Marvel Comics character that was created by Joe Simon and Jack Kirby and that first appeared in Captain America Comics #1 (December 1940).

This film is the fourth film in the Captain America film series and also the 35th entry in the Marvel Cinematic Universe (MCU).  In Captain America: Brave New World, Captain America must discover the identity of the mastermind behind a plan to launch the United States into a global war over access to an amazing new metal alloy.

Captain America: Brave New World focuses on Sam Wilson (Anthony Mackie), who is still early in his tenure as the superhero, Captain America, replacing his friend, the original Captain America, Steve Rogers.  Wilson was once the superhero, “The Falcon,” and now, that mantle belongs to his partner, U.S. Air Force First Lt. Joaquin Torres (Danny Ramirez).  Captain America and the Falcon begin the film on a mission in Oaxaca, Mexico where they take on the “Serpent Society” and its leader, Sidewinder (Giancarlo Esposito), in a bid to intercept the sale of a canister of “Adamantium.”

Adamantium is the new metal alloy that was discovered on the “Celestial Island,” located in the Indian Ocean.  Celestial Island is really the gigantic carcass of the “Celestial Tiamut,” whose emergence was stopped by the Eternals (as seen in the 2021 film, Eternals).  The U.S., Japan, and India are vying to mine adamantium, and to that end, the three countries are working on a treaty that would create the infrastructure in which the three nations would share control of the island.

The current President of the United States, Thaddeus Ross (Harrison Ford), formerly known as General “Thunderbolt” Ross, asks Sam to be the face of the adamantium treaty as Captain America.  President Ross also wants Sam to join him in a plan to reform the superhero group, “The Avengers.”  However, the announcement of the treaty is interrupted by an assassination attempt.  Now, Sam's friend and mentor, Isaiah Bradley (Carl Lumbly), the Korean War veteran and once-imprisoned “super soldier,” is once again imprisoned because of the incident.

Despite a growing rift with President Ross, Sam decides to investigate the assassination attempt, and Joaquin joins him.  Shadowing them is a former “Black Widow,” the Israeli Ruth Bat-Seraph (Shira Haas), but even she can't stop Captain America and the Falcon from discovering the mystery of a man named Samuel Sterns (Tim Blake Nelson).  Can Sam Wilson stop a global war, and can Captain America really take on the creature known as the “Red Hulk.”

Captain America: Brave New World is the subject of an intense online and social media smear campaign.  When you, dear readers, come across someone using the word, “woke,” to describe it, you should know that in the context of this film, “woke” is Confederate pig Latin for the name “Anthony Mackie.”  People who complain that the story and/or the script are not good are against the film because of their grievances concerning an African-American actor, Antony Mackie, taking on the role of Captain America.  With that said...

Captain America: Brave New World ties into some other Marvel Studios productions.  Obviously, this film's “Celestial Island” subplot is related to events depicted in the 2021 film, Eternals.  The Disney+/Marvel Studios series, “The Falcon and the Winter Soldier” (2021) is a prologue to Brave New World.  Surprisingly, Brave New World acts as a sort of sequel to the second film in the MCU, 2008's The Incredible Hulk.  There are also references to numerous other MCU films.

Captain America: Brave New World is a superb superhero movie and great action film.  Director Julius Onah has helmed a film that is a rampaging good time at the movies, doing this in spite of delays and reshoots.  He should take pride in making a Captain America film that is as good as or better than the previous three films in the series.  The action is great, and the conspiracy at the heart of the story is intense and shockingly personal.  The character drama is surprisingly potent and is both complex and complicated.  Plus, the Captain America vs. Red Hulk battle in the film's last act fell on me like a tree; it is so intense that for a moment I wished I was wearing an adult diaper while watching it.

With Captain America: Brave New World, Anthony Mackie not only proves that he is a true Marvel leading man who can carry a MCU film, but he also proves that he is a Hollywood leading man.  In subtle ways, his performance and speeches clearly define that which Mackie fights in the real world and Sam Wilson fights in his world.  Watching Mackie chop up this movie with his dramatic chops, I realized that it was long overdue that he lead a Marvel film.

I must also admit that Harrison Ford brings down the thunder in his role as President Thaddeus Ross, a.k.a. “Thunderbolt” Ross.  Ford dominates his scenes so much that only Mackie can really match him in Captain America: Brave New World.  Seeing Ford here reminds me of what a find dramatic actor he is and how he has always been fun in action movies.

Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, and Xosha Roquemore also deliver solid turns in their respective supporting roles.  They deserve to pop up in the MCU again, many more times.  I guess it is obvious that I am still buzzing from seeing Captain America: Brave New World last night (Thursday, February 13th).  I had not expected much from this film because I had listened to too much of the propaganda.  I love being wrong in these instance.  Captain America: Brave New World is going to be my favorite film of 2025 for awhile, dear readers, and I heartily recommend it to you.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint or syndication rights and fees.

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#IReadsYou Review: X-MEN: FIRST CLASS - Tomorrow's Brightest

X-MEN: FIRST CLASS – TOMORROW’S BRIGHTEST

MARVEL COMICS

STORY: Jeff Parker

PENCILS: Roger Cruz with Paul Smith

INKS: Victor Olazaba & Roger Cruz with Paul Smith

COLORS: Val Staples

LETTERS: Nate Piekos

COVER: Marko Djurdjevic

ISBN: 978-0-7851-2426-8; hardcover (January 1, 2007)

192pp, Color, $24.99 U.S.

Recently, I posted a review of Zootopia Volume 1 #1, the first issue of Dynamite Entertainment's new comic book series based on Disney's Oscar-winning, animated film, Zootopia (2016).  The comic book is written by Jeff Parker, and because I enjoyed the first issue, I started thinking about other comics by Parker that I have read and reviewed.

One of them is the hardcover trade collection of Marvel Comic's 2006 miniseries, X-Men: First Class.  I wrote a review of it back in 2007 or 2008 for a website run by an ungrateful asshole.  So I'm reclaiming the review for my own blog, “I Reads You.”

Here, it is with some recent edits. - Leroy Douresseaux:

When I first started reading the 2007 Marvel Comics hardcover collection, X-Men: First Class – Tomorrow’s Brightest, I initially thought, “Marvel doesn’t make comics like this anymore.”  Then, I realized that they do – under the “Marvel Adventures” line for young readers – and if you like that line, then, this fantastic, old school-style X-Men comic book collection is just for you.

X-Men: First Class – Tomorrow's Brightest collects X-Men: First Class #1-8, an eight-issue miniseries originally published in 2006.  The series is set during the early years of the X-Men when the team still consisted on the original X-Men: Cyclops (Scott Summers), Marvel Girl (Jean Grey), Angel (Warren Worthington, III), Beast (Hank McCoy), and Iceman (Bobby Drake).  These young people are mutants, genetic anomalies born with superhuman abilities that usually manifest themselves at puberty.

This quintet attended Professor Xavier’s School for Gifted Youngsters, where Professor Charles Xavier a.k.a. “Professor X” taught them to use their powers.  However, this school is also something of a military academy, as the students are taught to use their powers to protect humans from evil mutants and other forces that seek to harm humanity.  Like superheroes, the X-Men wear special costumes and masks (to hide their identities).

In X-Men: First Class, the X-Men seem to be college age.  In Marvel Comics continuity, these stories apparently take place after X-Men #18 (cover date: March 1966) when Magneto was spirited off-world by a mysterious character knows as “The Stranger.”  [This incident is mentioned in X-Men: First Class #7, which is reprinted as “Chapter 7” in this collection.]

X-Men: First Class is basically a modernization of stories and plots found in the run of X-Men comic books published in the 1960s.  Writer Jeff Parker takes the same characters, stories, and concepts and sets them in the 21st century.  Like the original X-Men comics, X-Men: First Class is basically a comic book series meant for young readers – especially ‘tweens (8 to 12-years-old or 9 to 14).  X-Men: First Class is nothing like the main X-Men comics, especially the flagship Uncanny X-Men, which are much darker, even fatalistic in tone, and have been for some time.  These stories tend towards science fiction, and are like a mix of juvenile sci-fi and fantasy.

These stories feature guest appearances by a number of Marvel Comics characters, including The Lizard (a Spider-Man villain), Doctor Strange, Thor, and a young team of Skrulls (an adversarial race from the Fantastic Four comics).  There are also appearances by Quicksilver and the Scarlet Witch (brother and sister mutants who were once X-Men adversaries) and Gorilla-Man (an obscure Silver Age character).

THE LOWDOWN:  While Jeff Parker’s writing will not shatter or transform the X-Men the way Grant Morrison did in New X-Men about 8 earlier, it is closer in spirit to the X-Men stories that provided the foundation for writers like Morrison to come along and do their trashing, rebuilding, and/or re-imagining.  These X-Men” First Class comic books feature the kind of highly enjoyable stories that once served the industry well – superhero comics that could be casually read.

Now, it seems that to read any one Marvel or DC Comics’ series requires a sizable investment of time and money and a major investment in either of these publishers’ labyrinthine continuities and myriad universes and timelines.  We also may not mistake Jeff Parker's comic book writing for that of Alan Moore, whose shadow has loomed large over American comic book writing, beginning with his landmark work on DC’s Swamp Thing series.  Then again, no one will mistake Moore for Parker.  Parker tells the kind of imaginative and luminous stories that not only capture the spirit of what made and what still makes the X-Men attractive to readers, but also, he can capture our sense of wonder by transporting us to incredible adventures in far away places.

POSSIBLE AUDIENCE:  For any readers who yearn for the X-Men comic books of the 1960s and 70s or for anyone who wants to introduce the X-Men to new readers, X-Men: First Class: Tomorrow's Brightest is for them.

A

★★★★ out of 4 stars

EDITED:  Wednesday, January 8, 2025

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://x.com/Marvel

https://www.marvel.com/

https://www.marvel.com/comics

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: KRAVEN THE HUNTER

Kraven the Hunter (2024)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence, and language

DIRECTOR:  J.C. Chandor

WRITERS:  Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)

PRODUCERS:  Avi Arad, David B. Householter, and Matt Tolmach

CINEMATOGRAPHER:  Ben Davis (D.o.P.)

EDITORS:  Chris Lebenzon and Craig Wood

COMPOSERS:  Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor.  The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964).  This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series.  The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison.  Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.”  Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe).  Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana.  A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.”  His activities as “The Hunter” have earned him the ire of many criminals.  Kraven has a kill-list, and once someone is on it, they don't get off until he kills them.  Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier.  Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted.  Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey.  Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films.  It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024).  This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man.  Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated.  If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior.  Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film.  The screenplay, regardless of whatever number of writers contributed to it, intrigued me.  Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies.  Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film.  As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star.  As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent.  Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him.  Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so.  Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance.  Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL & WOLVERINE

Deadpool & Wolverine (2024)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence and language throughout, gore and sexual references

DIRECTOR:  Shawn Levy

WRITERS:  Rhett Reese & Paul Wernick, Ryan Reynolds, Shawn Levy, and Zeb Wells (based on Marvel Comics characters)

PRODUCERS:  Kevin Feige, Shawn Levy, Ryan Reynolds, and Lauren Shuler Donner

CINEMATOGRAPHER:  George Richmond (D.o.P.)

EDITORS:  Shawn Reid and Dean Zimmerman

COMPOSER:  Rob Simonsen

SUPERHERO/COMEDY/ACTION

Starring:  Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfayden, Jon Favreau, Rob Delaney, Morena Baccarin, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Aaron Stanford, and Leslie Uggams with Chris Evans, Jennifer Garner, Dafne Keen, Ray Parks, Channing Tatum, Blake Lively, Matthew McConaughey, and Wesley Snipes

Deadpool & Wolverine is a 2024 American superhero film and action-comedy directed by Shawn Levy and produced by Marvel Studios.  It is the 34th entry in the Marvel Cinematic Universe.  It is also the third entry in the Deadpool movie franchise.

The film is based on two Marvel Comics characters.  The first is Deadpool, a character created by artist Rob Liefeld and writer Fabian Nicieza, and that first appeared in New Mutants #98 (cover dated: December 1990).  The second is Wolverine, a character created by writer Len Wein and artists John Romita and Herb Trimpe and that first fully appeared in the comic book, The Incredible Hulk #181 (cover dated: November 1974).  In Deadpool & Wolverine the movie, a space-time organization has set Deadpool on a mission to save his own universe, so he brings in Wolverine to help him.

Deadpool & Wolverine basically begins on March 14, 2018.  That is the day that Wade Wilson/Deadpool (Ryan Reynolds), the smart-mouthed mutant mercenary, approaches the Avengers organization about becoming a member of the Avengers.  It doesn't work, and Wade falls into a deep depression that takes a toll on his relationship with his beloved Vanessa Carlysle (Morena Baccarin).  It's also time to celebrate Wade's birthday, and his friends gather at the apartment he shares with Blind Al (Leslie Uggams).

In the middle of the revelry, agents of the “Time Variance Authority” (TVA) arrive to take Wade into custody.  At TVA headquarters, project head, Mr. Paradox (Matthew Macfayden), informs Deadpool that his own Earth/universe, Earth-10005, is scheduled for destruction, but that he can live in another universe.  Determined to save his world, Deadpool rejects the offer and goes rogue.  He travels throughout the multiverse searching for a version of Wolverine that can help him save his Earth.  Eventually, Deadpool finds a variant of Wolverine (Hugh Jackman) with a tragic past.

Deadpool and Wolverine spend more time cursing, fighting, and stabbing each other than they do world-saving.  However, they end up in a place called the “Void,” where they face its leader, the murderous and ultra-powerful mutant, Cassandra Nova (Emma Corrin).  Now,  Deadpool and Wolverine are forced together to save a universe, but luckily, they will find themselves joined by an unexpected, but familiar quartet of heroes.

In preparation for Deadpool & Wolverine, I decided to watch the earlier films:  Deadpool (2016), Logan (2017), and Deadpool 2 (2018), that lead up to the new film, to one extent or another.  However, viewers may find such films as Blade (1998), X-Men (2000), Elektra (2005), and Fantastic Four (2005) to be of most use, although Deadpool & Wolverine also references other films and television series based on Marvel Comics characters.

Deadpool & Wolverine is very much an R-rated comedy like the earlier Deadpool films, but there is more harshly explicit language and profanity galore.  There seems to be more gross sexual language in Deadpool & Wolverine than there has been in any other film ever distributed by the Walt Disney Company.  At times, it is a bit too much, but only a bit.

As he does in the other Deadpool films, Ryan Reynolds makes the comedy in Deadpool & Wolverine work, via his schtick.  Still, one must say that Reynolds' repertoire of clowning, buffoonery, and jestering have become a refined work of comic performance art.  I can honestly say that I never feel as if I have had too much of Reynolds as Deadpool.

On the other hand, in Deadpool & Wolverine, Hugh Jackman as Wolverine is the dramatic balance to Ryan as Deadpool.  Without spoiling anything, Jackman has some deep, emotional moments that require tears in his eyes.  Jackman also gets to be powerful, dark, edgy, and grieving as Wolverine without treading on the mournful Logan/Wolverine he gave us in the film, Logan.

There are some excellent supporting performances in Deadpool & Wolverine.  Emma Corrin is maniacally, gleefully wicked and evil as Cassandra Nova, and Matthew Macfayden is perfectly sleazy as the sinfully ambitious TVA functionary, Mr. Paradox.  The actors that comprise the quartet which assists Deadpool and Wolverine in their crucial assault on Nova's base are a delight, and one of them proves that his is the defining version of the superhero for whom he is most famous.  Many of us want to see him again, Disney.

Deadpool & Wolverine is Marvel Studios' funniest “Multiverse Saga” entry.  It is not without its faults, and it isn't the best Marvel multiverse film because that belongs to Spider-Man: No Way Home (2021).  However, Marvel does with Deadpool & Wolverine what it should have done with some of its post-pandemic films:  have more substantial guest appearances from classic MCU characters and stars.  Most of the heroic things that Ryan Reynolds and Hugh Jackman do in Deadpool & Wolverine are done better with friends. 

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL 2

Deadpool 2 (2018)

Running time:  119 minutes (1 hour, 59 minutes)

MPAA – R for strong violence and language throughout, sexual references and brief drug material

DIRECTOR:  David Leitch

WRITERS:  Rhett Reese & Paul Wernick and Ryan Reynolds (based on Marvel Comics characters)

PRODUCERS:  Ryan Reynolds, Simon Kinberg, and Lauren Shuler Donner

CINEMATOGRAPHER:  Jonathan Sela (D.o.P.)

EDITORS:  Craig Alpert, Elisabet Ronaldsdottir, and Dirk Westervelt

COMPOSER:  Tyler Bates

SUPERHERO/COMEDY/ACTION

Starring:  Ryan Reynolds, Josh Brolin, Julian Dennison, Morena Baccarin, Zazie Beetz, T.J. Miller, Karan Soni, Brianna Hildebrand, Leslie Uggams, Eddie Marsan, Shioli Kutsuna, Jack Kesy, Michasha Armstrong, and Stefan Kapicic

Deadpool 2 is a 2018 American superhero film and action-comedy from director David Leitch.  It is a spin-off film in 20th Century Fox’s X-Men film series and is the eleventh film overall in the series.  It is a direct sequel to Deadpool (2016) and is also the second entry in the Deadpool movie franchise.  The film is based on the Marvel Comics character, Deadpool, that was created by artist Rob Liefeld and writer Fabian Nicieza, and first appeared in New Mutants #98 (cover dated: December 1990).  Deadpool 2 finds the wisecracking Deadpool trying to protect a fiery young mutant from a time-traveling cyborg.

Deadpool 2 finds Wade Wilson/Deadpool (Ryan Reynolds), the smart-mouthed mutant mercenary, doing what he likes to do – brutally slaughter bad guys.  However, his violent activities catch up with him at home, and tragedy befalls his beloved Vanessa Carlysle (Morena Baccarin).  Deep in grief and depression, Deadpool tries to kill himself, but is rescued by Colossus (voice of Stefan Kapicic), the giant mutant who has a body of organic steel.  Colossus still wants Deadpool to changes his ways and also wants him to join the X-Men – as a trainee.

On his first mission as a trainee, Deadpool and the X-Men, which includes Negasonic Teenage Warhead (Brianna Hildebrand) and her girlfriend, Yukio (Shioli Kutsuna), travel to the “Essex House for Mutant Rehabilitation.”  There, they find one angry teenager, Russell Collins (Julian Dennison), in crisis.  He is a young mutant with pyrokinetic power, and he has given himself the unfortunate code name of “Fire Fist.”  Deadpool's attempt to save the young man has disastrous results, and now, Deadpool has to save Russell from Cable (Josh Brolin), a time-traveling cyborg who has arrived in the present determined to kill the teen.  So Deadpool forms his own X-team, called “X-Force,” with tragically hilarious and hilariously tragic results.

We are nearing the release of the latest Disney/Marvel Studios blockbuster movie, Deadpool & Wolverine (2024).  I decided to watch and review the previous X-Men films:  Deadpool, Logan (2017), and Deadpool 2, that lead up to the new film.

Deadpool is humorous and silly, but it was primarily an action movie with drama and humor.  It heavily leans into brutally strong violence, frequent profane language, and explicit sexual references.  Deadpool 2 also has brutally strong violence, constant profane language, and some explicit sexual references.  However, Deadpool is a comedy, and everything serves the comedy, including the drama, superhero action, and even much of the killing.

As he does for Deadpool, Ryan Reynolds makes Deadpool, a film that could not exist without his schtick.  He is the spine of this film's comedy and is the reason so much of it works when it would be disastrous for other performers.  The supporting cast is good, but not great.  Josh Brolin has his moments as Cable, but the Cable is more of a prop than a persona.  Zazie Beetz creates moments for Domino to shine which otherwise wouldn't be there.  Julian Dennison is mostly convincing as the angry young mutant, Russell Collins, especially in the second half of the film.

I find Deadpool 2 a definite, delightful surprise. I never expected much of it because I really did not care for what I had previously seen.  Now, a full and patient viewing makes me think that Deadpool 2 is an occasion when the sequel surpasses the original.

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL

Deadpool (2016)

Running time:  108 minutes

MPAA – R for strong violence and language throughout, sexual content and graphic nudity

DIRECTOR:  Tim Miller

WRITERS:  Rhett Reese and Paul Wernick (based on Marvel Comics characters)

PRODUCERS:  Ryan Reynolds, Simon Kinberg, and Lauren Shuler Donner

CINEMATOGRAPHER:  Ken Seng (D.o.P.)

EDITOR:  Julian Clark

COMPOSER:  Tom Holkenborg

SUPERHERO/ACTION/COMEDY

Starring:  Ryan Reynolds, Monica Baccarin, T.J. Miller, Ed Skrein, Karan Soni, Brianna Hildebrand, Gina Carano, Leslie Uggams, Stan Lee, and Stefan Kapicic (voice)

Deadpool is a 2016 American superhero film and action-comedy from director Tim Miller.  It is a spin-off film in 20th Century Fox’s X-Men film series and is the eighth film overall in the series.  It is also the first entry in what would become the Deadpool movie franchise.  The film is based on the Marvel Comics character, Deadpool, that was created by artist Rob Liefeld and writer Fabian Nicieza, and first appeared in New Mutants #98 (cover dated: December 1990).  Deadpool the movie focuses on a wisecracking costumed antihero who seeks revenge against the man who left him hideously scarred after a series of experiments.

Deadpool introduces Wade Wilson (Ryan Reynolds), a smart-mouthed mercenary and former special forces operative (“the merc with a mouth”).  Wade's life takes a dramatic turn when he meets and falls in love with Vanessa Carlysle (Monica Baccarin), a prostitute.  However, after a whirlwind romance, Wade discovers that he has terminal cancer, but as he is preparing to accept death, he learns of a lab run by the mysterious Ajax (Ed Skrein).  Ajax promises to not only cure Wade's cancer, but to also give him powers and make him a superhero.  Unfortunately, Ajax is a lying monster.

Although the experiments leave his face and body hideously disfigured, Wade is rendered virtually immortal when his mutant power activates and gives him incredibly accelerated healing powers.  Taking the name, “Deadpool,” Wade goes on a mission of revenge.  On the other hand, Colossus, the mutant who has a giant organic steel body, wants Deadpool to join the X-Men and become a superhero.  Will Deadpool become a good guy, or will he simply keep piling up dismembered and bullet-riddled bodies on the way to his reunion with Ajax?

We are nearing the release of the latest Disney/Marvel Studios blockbuster movie, Deadpool & Wolverine (2024).  I had seen Deadpool and Deadpool 2, previously, but I had never reviewed them.  I decided that now is the time to foist my opinions upon you, dear readers.  I'm also going to watch and review, Logan (2017), the one X-Men movie I have been unable to finish. 

Gleefully profane in language and sexual content, Deadpool was a surprise to movie audiences upon its February 2016 original theatrical release.  It was an R-rated superhero movie, and it was proud of it.  At the time, movie audiences had seen plenty of movies featuring superheroes, ordinary heroes, and anti-heroes, in which the lead character brutally kills his adversaries.  None of those films had done it like Deadpool, although 2013's The Wolverine, had tried.

The foul language is in such abundance in Deadpool that there are moments when it all seems like too much, but even in those moments, I started laughing after being repulsed for a few seconds.  I think a movie has to be doing something right when it has even Emmy and Tony-winning actress, Leslie Uggams (as Blind Al), dropping F-bombs.

For all the credit I give director Tim Miller and film editor, Julian Clark, for this film's fast action and eye-popping dances of violence, actor Ryan Reynolds makes Deadpool work.  Yeah, the sex scenes are a bit too long and too over-the-top, but it never seems as if Wade Wilson/Deadpool is talking too much.  Reynolds makes Deadpool different and unique; he makes it work.  Eight years after its original theatrical release, Deadpool and its superhero cinema blasphemy still seem fresh.

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: THE MARVELS

The Marvels (2023)

Running time:  105 minutes (1 hour, 45 minutes)

MPAA – PG-13 for action/violence and brief language

DIRECTOR:  Nia DaCosta

WRITERS:  Nia DaCosta, Megan McDonnell, and Elissa Karasik

PRODUCER:  Kevin Feige

CINEMATOGRAPHER:  Sean Bobbitt (BSC)

EDITORS:  Catrin Hedström and Evan Schiff

COMPOSER:  Laura Karpman

SUPERHERO/SCI-FI/ACTION with elements of comedy

Starring:  Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park See-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Leila Farzad, Abraham Popoola, Lashana Lynch, and Samuel L. Jackson, Tessa Thompson, Hailee Steinfeld, and Kelsey Grammer

The Marvels is a 2023 superhero film directed by Nia DaCosta and produced by Marvel Studios.  The film is the 33rd entry in the Marvel Cinematic Universe (MCU) and is also a direct sequel to 2019's Captain Marvel.  The Marvels is also a continuation of the Disney+/Marvel Studios television miniseries, "Ms. Marvel" (2022).

The film is headlined by the Marvel Comics character, Carol Danvers, who first appeared in the comic book, Marvel Super-Heroes #13 (cover dated: March 1968), and who later became Captain Marvel.  In The Marvels, Captain Marvel gets her powers entangled with two other similarly-powered individuals, forcing the trio to work together to save the universe.

The Marvels opens with a focus on Hala, the capital planet of the Kree Empire.  The collapse of the empire's “Supreme Intelligence” leads to a civil war among the Kree on their home world of Hala.  The result is that the planet is becoming barren as it loses its natural resources and its sun is rapidly going dark.  Dar-Benn (Zawe Ashton), the new leader of the Kree, retrieves one of two “Quantum Bands.”  She hopes to harness its power and to pair it with her staff, “the Universal Weapon,” as part of her scheme to save Hala.

On Earth, specifically in a home in Jersey City, New Jersey, teenager Kamala Khan (Iman Vellani), who is also the superhero, “Ms. Marvel,” is dealing with teenage and family issues.  Kamala also happens to possess the other half of the Quantum Bands.

Meanwhile, above the Earth, Nick Fury (Samuel L. Jackson), now residing at the S.A.B.E.R. space station, has detected a “jump point” (which allows for hyperspace travel) anomaly caused by Dar-Benn.  Nick Fury calls in Carol Danvers/Captain Marvel (Brie Larson) and Monica Rambeau (Teyonah Parris), an astronaut who has the ability to manipulate all wavelengths of the electromagnetic spectrum, to investigate the jump point anomaly near S.A.B.E.R.

When Monica touches the jump point at the same time as Captain Marvel, it causes a reaction in which Monica, Carol, and Kamala switch places through teleportation.  Now, this reaction brings the three young women together in order to stop Dar-Benn from destroying several worlds in order to save her home world, Hala.  And Kamala thinks that she, Carol, and Monica can best do this as a team, a super-team she names “The Marvels.

In addition to being a sequel to the 2019 film, Captain Marvel, and being a continuation of the Ms. Marvel TV series, The Marvels includes story elements that appear in the Disney+ Marvel Studios miniseries, “WandaVision” (2021) and “Secret Invasion” (2023).  There are also elements from Avengers: Infinity War (2018) and Avengers: Endgame (2019).  At this point, I wonder if watching Marvel movies means having to be familiar with what has happened in too many previous films and television series.  There is also a scene that runs in the middle of the end credits that references other movies based on Marvel Comics characters.

Still, I love The Marvels.  I have not subscribed to Disney+, and I only saw the fifth and sixth episodes of the Ms. Marvels miniseries when it was aired on the ABC broadcast network in early September (2023).  I love The Marvels because I can figure out what is going on without having seen everything else it references.  If I really want to know more, I can read Wikipedia summaries of the Disney+ series that I have not seen.

The Marvels is marvelously enjoyable.  It is a science fiction adventure comedy that makes a comedy of physical errors out of every fight.  It's more like Guardians of the Galaxy (2014) and Thor: Ragnarok (2017) than it is like any other Marvel film.  Director Nia DaCosta and her co-writers take time to develop the relationship between Carol Danvers/Captain Marvel, Monica Rambeau, and Kamala Khan/Ms. Marvel.  Also, giving so much time to Kamala family:  her mother, Muneeba Khan (Zenobia Shroff); her father, Yusuf Khan (Mohan Kapur); and her older brother, Aamir Khan (Saagar Shaikh), gives the film a human element that keeps the sci-fi, outer space weirdness of The Marvels from entirely taking over the narrative.  Yes, the plot is a bit scattershot, but The Marvels is kinetic and packs a lot energy in its fight and action scenes.

The Marvels also gives us a lighter, funnier side of Nick Fury, and, the delights of Goose, the cat-like “Flerken” alien is multiplied this time.  Dar-Benn turns out to be one of the more ruthless and interesting of the MCU's recent villains.  And if that isn't enough, The Marvels has one of the MCU's best (if not the best) extra credit scenes.  The Marvels is refreshingly short, and while it is more loose than cohesive, it does remind me of one thing.  Every trip to the world of Marvel Studios' films is an out of this world experience.

[The film includes one extra-credits scenes that takes place during the middle of the credits (mid-credits).]

A

★★★★ out of 4 stars

Friday, November 10, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: "GUARDIANS OF THE GALAXY VOL. 3"

Guardians of the Galaxy Vol. 3 (2023)

Running time:  150 minutes (2 hours, 30 minutes)

MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements

DIRECTOR:  James Gunn

WRITER:  James Gunn (based on the Marvel Comics characters)

PRODUCER:  Kevin Feige

CINEMATOGRAPHER:  Henry Braham (D.o.P.)

EDITORS:  Fred Raskin and Greg D'Auria

COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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#IReadsYou Review: X-MEN GOD LOVES, MAN KILLS Extended Cut #1

X-MEN: GOD LOVES, MAN KILLS EXTENDED CUT #1 (OF 2)
MARVEL COMICS

STORY: Christopher Claremont
ART: Brent Eric Anderson
COLORS: Steve Oliff
LETTERS: Tom Orzechowski
EDITOR: Louise Jones (original); Jennifer Grunwald (extended cut)
EiC: Jim Shooter (original); Akira Yoshida a.k.a. C.B. Cebulski (extended cut)
COVER: Salvador Larroca with Guru-eFX
VARIANT COVER ARTISTS: Brent Anderson; Rod Reis; Giuseppe Camuncoli and Erick Arciniega
44pp, Color, $4.99 U.S. (June 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a professor who was also team-leader to his students.  Each student had unique powers and abilities because he or she was a “mutant.”

X-Men: God Loves, Man Kills (Marvel Graphic Novel #5) was an original graphic novel published in 1982 by Marvel Comics.  It was written by Christopher Claremont and illustrated by Brent Eric Anderson.  Colorist Steve Oliff and letterer Tom Orzechowski completed the graphic novel's creative team.  The story pits the X-Men and their longtime enemy, Magneto, against a fanatical religious leader bent on exterminating “mutantkind.”  The graphic novel went on to become one of the most popular and beloved X-Men stories of all time.  Elements of the God Loves, Man Kills were used in the 2003 X-Men, film, X2: X-Men United.

Back in 2020, Marvel republished X-Men: God Loves, Man Kills as a two-issue miniseries, entitled X-Men: God Loves, Man Kills Extended Cut.  The series divides the story in two parts and brackets it with a new ten-page framing sequence or story produced by the original story's creating team.  The first issue of this “extended cut” opens with five pages of the framing sequence and the second issue ends with the other five pages.

In this new sequence, the member of the X-Men known as Kitty Pryde and her pet dragon, Lockheed, are in southwest Texas.  There, Kitty visits a young woman named Kate who met Erik Lehnsherr a.k.a. “Magneto.”  Kitty has decided to tell the young woman the story that is X-Men: God Loves, Man Kills.

X-Men: God Loves, Man Kills Extended Cut #1 opens in the “Gold Star Cafe,” somewhere in southwest Texas.  There, Kitty Pryde of the X-Men meets Kate, a friend of Magneto, and decides to tell her the story of a time when Kitty was new to the X-Men and was known by the code name, Ariel.

Once upon a time, there was a popular and fanatical religious leader named William Stryker who led a religious organization called the “Stryker Crusade.”  Under the guise of evangelical Christianity, Stryker hatched a plot to destroy all mutants on Earth.  To begin, Stryker targeted Charles Xavier a.k.a. Professor X, the lynch pin to his plot.

To get to Xavier, Stryker will have to go through the X-Men:  Cyclops, Storm, Wolverine, Colossus, Nightcrawler, and Kitty Pryde/Ariel.  To fight the X-Men, Stryker had a strike force, a form of armor-wearing men he called the “Purifiers.”

Professor X and his X-Men were unaware of the danger to their lives.  Colossus' younger sister, Illyana, was also living with the team.  After Professor X and two of his X-Men are captured, the X-Men begin to fight back, but they will find themselves needing help from the greatest enemy, Magneto.

THE LOWDOWN:  I read X-Men: God Loves, Man Kills several times in my youth, but prior to reading this reprint series, I don't think that I had read it in decades.  I didn't read the sequel to it that Chris Claremont wrote for his former X-Men comic book series, X-Treme X-Men (2001-04).  Entitled “God Love, Man Kills Part II, it ran from X-Treme X-Men #25 (July 2003) to X-Treme X-Men #30 (October 2003).  The entire story line was collected in the trade paperback, X-Treme X-Men Vol. 5: God Love, Man Kills (October 2003).

It turns out that I had forgotten quite a bit of “God Loves, Man Kills.”  That includes the action-packed final battle against the Purifiers and that final debate with William Stryker at the “Stryker Building.”  I also had forgotten that Claremont has Kitty Pryde use the term “nigger-lover” in anger at Stevie Hunter.  An African-America woman, Stevie was a recurring, non-mutant character, who mostly appeared in The Uncanny X-Men and New Mutants in the early 1980s.  Four decades later, I have to say that I don't like that scene very much and I'm not happy about the use of that term.  I'm not surprised that Marvel did not remove it, but I am sure that it would not be used today in a scene of a similar context.

X-Men: God Loves, Man Kills is a pivotal point in the publication history of the X-Men.  I believe that the X-Men began as a group of costume adventurers and superheroes who were defined by the fact that they were mutants and who faced prejudice because of it.  However, the original X-Men comic book series also focused on the action and was essentially an adventure serial.

After the debut of the “new X-Men” in 1974, writer Chris Claremont wrote the X-Men comic book as a serialized soap opera, although the X-Men team of the time traveled around the world having adventures and facing one peril after another.  Under Claremont, the X-Men and mutants, in general, became outcasts because of their mutant status.  No matter what they did as superheroes, being a mutant overshadowed or defined their actions.

Eventually, the X-Men, which was eventually re-titled “Uncanny X-Men,” became a comic book in which the narrative focused on prejudice, bigotry, racism, and hate.  The X-Men's struggles were a metaphor for the struggles of persecuted and hated minority groups fighting to be accepted by the wider society.  What made them different did not make them “less human” was a recurring theme, even as the traveled around the world and off it.

X-Men: God Loves, Man Kills was the point of no return.  Never again would the The Uncanny X-Men and its various spin-off series really be about adventure.  Past, present, and future – even future-past – would be about the mutant struggle and what forms the struggle would take.  Eventually, the X-Men would become a franchise that was insular and redundant.  I think that is why over time the Uncanny X-Men went from being a bestselling comic book franchise to being in the shadow of titles like Avengers, Batman, and Justice League, to name a few.

The mutant struggle became repetitive and tired and it began with a really memorable story, X-Men: God Loves, Man Kills.  The X-Men were once mutants who really wanted to prove that they could be the kind of superheroes who protected both mutants and humans and fought to save a world upon which both shared.  Then, the X-Men became just mutants.

Apparently, individual issues of comic books that are reprints of other individual comic books have been popular with buyers for more than a decade.  That is the only reason to reprint X-Men: God Loves, Man Kills Extended Cut.  The X-Men are not as relevant as they once were, and the original X-Men: God Loves, Man Kills was rendered irrelevant by repetition of its themes long ago.

As for the new framing sequence:  there is a kernel of something relevant in Claremont's scenario.  And Brent Anderson's art reminds us that he is still an important artist in the history of X-Men publications despite his small output in the franchise.  If one of the themes of X-Men: God Loves, Man Kills was and still is “hope,” then, X-Men: God Loves, Man Kills Extended Cut, at least for me, suggests that there is hope for the X-Men  It is hope that the franchise can be more than what it is now – a consumer product, an intellectual property (IP), and for some, a fetish.

I READS YOU RECOMMENDS:  Fans of the original X-Men: God Loves, Man Kills will want to give X-Men: God Loves, Man Kills Extended Cut a try.

[This comic book includes two interviews, one with Chris Claremont and one with Brent Anderson.]

A-
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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#IReadsYou Movie Review: Ant-Man and the Wasp: Quantumania

Ant-Man and the Wasp: Quantumania (2023)

Running time:  125 minutes (2 hours, 5 minutes)

MPAA – PG-13 for violence/action, and language

DIRECTOR:  Peyton Reed

WRITER:  Jeff Loveness (based on the Marvel Comics characters)

PRODUCERS:  Kevin Feige and Stephen Broussard

CINEMATOGRAPHER:  Bill Pope

EDITORS:  Adam Gerstel and Laura Jennings

COMPOSER:  Christophe Beck

SUPERHERO/SCI-FI and ACTION/ADVENTURE/COMEDY

Starring:  Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Jonathan Majors, Kathryn Newton, Bill Murray, Katy M. O'Brian, William Jackson Harper, James Cutler, David Dastmalchian, Randall Park, and Corey Stoll

Ant-Man and the Wasp: Quantumania is a 2023 superhero and sci-fi action film directed by Peyton Reed and produced by Marvel Studios.  It is the 31st film in the Marvel Cinematic Universe (MCU) and is also the third entry in the Ant-Man film series.  The film and the series are based on the Marvel Comics character, Ant-Man, who first appeared in Tales to Astonish #27 (cover date: September 1962) and was created by Stan Lee, Larry Lieber, and Jack Kirby.  Quantumania finds Ant-Man and the Wasp on an incredible adventure in a strange universe where they face a dangerous new foe.

Ant-Man and the Wasp: Quantumania finds Scott Lang/Ant-Man (Paul Rudd) living his best life after his most recent adventures with the Avengers (as seen in Avengers: Endgame).  He is a successful author and is happily living with his girlfriend, Hope van Dyne/The Wasp (Evangeline Lilly).  However, there is some trouble at home.  Scott's daughter, Cassie (Kathryn Newton), has become an activist and has been recently arrested during a protest.

While they are visiting Hope's parents, her father, Hank Pym (Michael Douglas), the scientist who was the original Ant-Man; and her mother, Janet van Dyne (Michelle Pfeiffer), who was the original Wasp, Cassie reveals that she has created a device that can map the “Quantum Realm,” a subatomic dimension of the Multiverse.   However, the device can also send messages to the Quantum Realm, which freaks out Janet, who was trapped there for 30 years.  Before Janet can do shut it down, a portal appears and pulls Scott, Hope, Cassie, Hank, and Janet into the Quantum Realm, separating Scott and Cassie from Hope, Hank, and Janet.

Once the two groups begin to explore the Quantum Realm, they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible.  There is also a dark side.  Janet fears they are all headed for an encounter with someone she met when she was first trapped in the Quantum Realm – a despot named “Kang” (Jonathan Majors).

Ant-Man was a D-list character as far as Marvel Comics superheroes go, especially where familiarity with the general entertainment-consuming public was concerned.  Marvel Studios chose the right actor to play Ant-Man, the irresistibly likable, Paul Rudd.  The addition of Hollywood legends like Michael Douglas and Michelle Pfeiffer and television star Evangeline Lilly as a new female superhero made Ant-Man A-list box office.  The result was two lovable, loopy, and imaginative superhero films, Ant-Man (2015) and Ant-Man and the Wasp (2018), that seemed aimed at young viewers even more so than adult audiences.

Ant-Man and the Wasp: Quantumania is just as loopy, but is bigger than the previous two films.  If French film director, Luc Besson (The Fifth Element), made a Star Wars film, it would probably look like Quantumania.  This film's menagerie of people, beings, creatures, machines, tech, etc. are almost on the level of Avatar: The Way of Water.  Quantumania is a dazzling spectacle, and it is nothing like what I expected based on the earlier films.  Everyone from director Peyton Reed and writer Jeff Loveness to the craft and visual effects people did the damn thing and the results are mind-blowing.

The performances are excellent.  As usual, Paul Rudd comes across as the actor most perfect to be Scott Lang and Ant-Man.  Michael Douglas plays Hank Pym with a mix of spry comedy and pitch-perfect drama.  However, I must make way for the women in this film.  Quantumania allows Michelle Pfeiffer to let the dog in her out to play Janet van Dyne, in a way that she probably has not done since White Oleander (2002).  She left me wanting more of Janet.

Evangeline Lilly is once again great as The Wasp, and in Quantumania, she makes me believe that it is time for the Wasp to have a solo outing.  Also, Kathryn Newton makes it impossible to leave Cassie down on the superhero farm (so to speak).  Katy O'Brian also gives a fierce turn as the Quantum Realm freedom fighter, Jentorra.

Finally, I'm not sure that I have words to quite describe Jonathan Major's brilliant turn as Kang.  It is as if Majors has given flesh to James Earl Jones' Darth Vader voice.  He makes Kang own Quantumania, and I think it will be a blast going forward to watch Majors play this character.

You may have heard bad things about Quantumania, from film critics and reviewers and others.  But fuck 'em.  Quantumania is one of Marvel Studios' best films of the past few years, and I heartily recommend it to you, dear readers.  With its sense of the unexpected and of the future known, Ant-Man and the Wasp: Quantumania is the perfect start to what is called “Phase 5” of the MCU.

A+

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint syndication rights and fees.

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#IReadsYou Review: FANTASTIC FOUR: Full Circle

FANTASTIC FOUR: FULL CIRCLE
ABRAMS COMICARTS

STORY: Alex Ross
ART: Alex Ross
COLORS: Alex Ross and Josh Johnson
LETTERS: Ariana Maher
EDITORS: Charles Kochman and Tom Brevoort
COVER: Alex Ross and Josh Johnson
ISBN: 978-1-4197-6167-6; hardcover with dust jacket (also an eBook); 8 1/2 x 11 (September 6, 2022)
64pp, Color, $24.95 U.S., $31.99 CAN, £17.99 U.K.

Fantastic Four created by Jack Kirby and Stan Lee

The Fantastic Four #1 (cover dated: November 1961) is the comic book that basically started what we know of today as Marvel Comics and the “Marvel Universe” of superheroes.  The Fantastic Four was created by writer Stan Lee and artist Jack Kirby, with Lee writing the story for the first issue and Jack Kirby drawing that first issue.

Returning to the Lee-Kirby era, Fantastic Four: Full Circle is a new original graphic novel from writer-artist Alex Ross.  Published in an oversize format, 8½ x 11, Full Circle features the Fantastic Four (FF):  Mister Fantastic (Reed Richards), the Invisible Woman (Susan Storm Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm).  In a story that is a sequel of sorts to a classic issue of the Fantastic Four, the members of the team find themselves fighting for survival in the Negative Zone, an alien universe composed entirely of anti-matter.  The rest of Full Circle's creative team is comprised of Josh Johnson, who colors this comic book with Ross, and letterer Ariana Maher.

Fantastic Four: Full Circle opens on a rainy night in the Baxter Building, the Manhattan home of the FF.  Ben is making himself a sandwich when an intruder suddenly appears in the team's living quarters.  Upon investigation, they discover that the intruder is a man who once masqueraded as Ben Grimm.  They soon discover that the man is a human host, used to deliver a swarm of invading parasites – carrion creatures composed of “Negative Energy.”

What is the purpose behind this invasion, and who is behind it?  Now, the Fantastic Four have no choice but to journey into the heart of the Negative Zone, an alien universe that is parallel to Earth's universe and is composed entirely of anti-matter.  They not only risk their own lives, but also the fate of the cosmos?  Is there any hope for this journey, or will they discover hope?

THE LOWDOWN:  I like that Fantastic Four: Full Circle has a direct connection to the Fantastic Four's vintage era (as I call it) when it was produced by Stan Lee and Jack Kirby.  Full Circle directly connects to and is a resolution of Fantastic Four #51 (cover dated: June 1966).  Entitled “This Man... This Monster!,” the story pit Reed Richards against an unnamed scientist who gives himself the powers and appearance of The Thing.  The scientist's plan is to kill Richards, but those plans ultimately force him to save Reed's life while condemning himself to a sorry fate.

Full Circle returns to “This Man... This Monster!” in a deeply intimate way, or, at least, that is the way it comes across to me.  In terms of graphics, illustrations, and colors, Full Circle is a direct descendant of the Lee-Kirby Fantastic Four.  If Fantastic Four #51 is the parent, then, Full Circle is the child.  Jack Kirby's dynamic, cosmic infused compositions are newly infused with the modern flourishes of the techno-marvels of software graphics and colors.  Alex Ross even gives Stan Lee's chatterbox expositions new life simply by multiplying them in Full Circle, and Ross' take feels authentic.  When one of the Fantastic Four speaks, their dialogue reads as if it were written by Stan the Man himself.

Alex Ross’s art in Full Circle is a combination of impressive line work and layers of brushwork that seems to sway like drapery.  Ross and Josh Johnson color Full Circle in fluorescent shades: blues, greens, oranges, and purples.  Their color choices also recalls the visuals and graphics of the “Pop Art” comic book movement (or moment) of the 1960s, somewhat similar to writer-artist Jim Steranko's work for Marvel, such as Nick Fury: Agent of S.H.I.E.L.D., in the late 1960s.

For a long time, I have described the comic books published in the 1960s by DC Comics and Marvel Comics, especially Marvel, as having a sense of wonder and mystery, of science/magic and hope, and of discovery and exploration.  The modern comic book series that best exemplifies that is the late Darwyn Cooke's 2004 comic book miniseries, DC: The New Frontier.

Fantastic Four: Full Circle is both an homage and a return to a time when Marvel's comic book titles were about discovering the new.  [Now, they are about IP maintenance and continuity, which is mostly fractured.]  I love Ariana Maher vintage-styled lettering and the throbbing coloring that Josh Johnson commits with Alex Ross.  All of it connects past and present.

I love that Alex Ross has presented Fantastic Four in this larger than usual format.  Here, Ross' big, almost widescreen art both captures and replicates the big spirit and cosmic yearnings of Jack Kirby's best work on the Fantastic Four.  I want to avoid spoilers, but I love Full Circle's ending, with its emphasis on hope, reconciliation, and peace.

Fantastic Four: Full Circle is published as the launch of “MarvelArts,” a new collaborative line of books between Marvel Comics and Abrams ComicArts.  Abrams tells us that in MarvelArts “nothing is impossible and anything can happen.”  I hope that this means that Abrams ComicArts will not just publish anything.  Future publications should be as ambitious and as classically Marvel as this debut.

I READS YOU RECOMMENDS:  Fans of the Fantastic Four and of Silver Age Marvel Comics will want Fantastic Four: Full Circle.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: BLACK PANTHER: Wakanda Forever

Black Panther: Wakanda Forever (2022)

Running time:  161 minutes (2 hours, 41 minutes)
MPA – PG-13 for sequences of strong violence, action and some language
DIRECTOR:  Ryan Coogler
WRITERS:  Ryan Coogler and Joe Robert Cole; from a story by Ryan Coogler (based on the Marvel Comics)
PRODUCERS: Kevin Feige and Nate Moore
CINEMATOGRAPHER:  Autumn Durald Arkapaw (D.o.P.)
EDITORS:  Kelley Dixon, Jennifer Lame, and Michael P. Shawver
COMPOSER:  Ludwig Göransson

SUPERHERO/ACTION/SCI-FI/DRAMA

Starring:  Letitia Wright, Lupita Nyong'o, Danai Gurira, Tenoch Huerta, Winston Duke, Angela Bassett, Martin Freeman, Dominique Thorne, Florence Kasumba, Michaela Cole, Alex Livinalli, Mabel Cadena, Richard Schiff, Robert John Burke, Lake Bell, Manuel Chavez, Maria Mercedes Coroy, Divine Love Konadu-Sun, Trevor Noah (voice), Julia Louis-Dreyfus, and Michael B. Jordan

Black Panther: Wakanda Forever is a 2022 superhero, fantasy-drama, science fiction, and action movie directed by Ryan Coogler and produced by Marvel Studios.  The film is a direct sequel to the 2018 film, Black Panther, and is the 30th film in the Marvel Cinematic Universe.  It is based on the Marvel Comics character, Black Panther, that first appeared in Fantastic Four #52 (cover dated: July 1966) and was created by writer Stan Lee and artist Jack Kirby.  Wakanda Forever finds Wakanda in mourning following the death of its king while also facing a threatening world and a mysterious new adversary.

Black Panther: Wakanda Forever opens in the African nation of Wakanda as King T'Challa/Black Panther (Chadwick Boseman) dies from a mysterious illness.  One year later, his mother, Queen Ramonda (Angela Bassett), must face the United Nations, as world powers demand access to Wakanda's most precious resource, the metal Vibranium.  One particular nation even hires mercenaries to invade a Wakandan outpost in order to steal its vibranium, but they are foiled by Okoye (Danai Gurira) and the Dora Milaje, the King of Wakanda's personal guard.

However, the American CIA's attempt to find vibranium on its own draws the attention of a mysterious new adversary, known by many names, but is called “Namor” (Tenoch Huerta) by his enemies.  Namor leads the forces of his kingdom, Talokan, in a strike against the Americans.  He confronts Ramonda and Shuri (Letitia Wright), Ramonda's daughter and T'Challa's younger sister, as they grieve.  He demands that they find the scientist who created the Americans' vibranium detecting device and kill him.  The him turns out to be a her, a Chicago-based teen named Riri Williams (Dominique Thorne).  Now, Shuri and Ramonda must gather allies, including T'Challa's ex-lover, Nakia (Lupita Nyong'o), and M'Baku (Winston Duke), leader of the Wakandan border tribe, the Jibari, in order to fight off the forces of Namor, which are more than capable of destroying Wakanda and perhaps, the world.  Can Wakanda survive without its champion, the Black Panther, or must another arise?...

Black Panther: Wakanda Forever is a triumphant – a poignant triumphant and a superhero action movie triumph.  It is much better than I expected and that I could have hoped for.  Wakanda Forever is the most emotionally honest, genuine, and heartfelt Marvel Studios film since Avengers: Infinity War and Avengers: Endgame.  The fight scenes are some of the best outside of martial arts films, and the action and battles scenes are Avengers-level.

Angela Bassett stands astride this film, which is both a eulogy to Chadwick Boseman's T'Challa/Black Panther and also a powerful and successful attempt to forge ahead with the franchise.  Bassett, as regal and as dramatically potent as she has ever been, is glorious, and it time for her to receive the Oscar win she should have had ages ago.  She exemplifies the grief in the film for half its narrative.

Letitia Wright exemplifies that grief the rest of the way.  Wright also shows impressive range – playing Shuri as obstinate and angry in the face of her brother's death.  [That death is depicted in Wakanda Forever's opening moments, and the audience with which I saw this film was stunned into silence.]  Wright plays Shuri's turn to the “dark side” with the depth of performance that usually earns actors some award season notice.  She is truly the lead in Wakanda Forever, and she carries it with the flair of a veteran, accomplished actor.

I also had high hopes for Tenoch Huerta as Namor, and he easily surpasses them.  Huerta makes Namor seem so real that his murderous inclinations come across as entirely appropriate for that which Namor is fighting and defending.  Huerta's performance also works to uplift the other actors playing denizens of the kingdom of Talokan.

Black Panther: Wakanda Forever is filled so much good stuff.  The costumes, art direction, make-up and hair, cinematography, and editing are all … well, Oscar-worthy.  Ludwig Göransson's score is a masterpiece of tones both subtle and tremendous and is easily on the level of Hans Zimmer's award-winning score for Dune: Part One (2021).

I don't want this review to run-on too long...  If I could speak to Ryan Coogler, I would tell him that already loved him for his film, Fruitvale Station, and that he made me love him even more after the first Black Panther.  I don't have the words to describe how great an accomplishment Black Panther: Wakanda Forever is.  Coogler honored his friend and partner, Chadwick Boseman, as well as he could, and he made a truly great and magnificent film.  It honors Boseman and reveals how much respect Coogler has for his audience via the film art he creates.  I am giving Black Panther: Wakanda Forever my highest recommendation.

10 of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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