#IReadsYou Review: BATMAN CONFIDENTIAL #43

BATMAN CONFIDENTIAL #43
DC COMICS

WRITER/ARTIST: Sam Keith
COLORIST: Jose Villarrubia and Sam Keith
LETTERS: Sam Cipriano
32pp, Color, $2.99 U.S.

Batman Confidential was a comic book series published by DC Comics from 2006 to 2011. Like Batman: Legends of the Dark Knight, Batman Confidential featured rotating creative teams, but while I read LotDK for many years, I only read a few issues of Batman Confidential.

A few months ago, I was visiting a favorite comic book haunt and the owner gave me a freebie, Batman Confidential #43. It was the final issue of a five-issue story arc from Sam Keith (Batman Confidential #40-43), and although I hadn’t read the other issues, I was able to follow the story (“Ghosts: The Conclusion”).

The story involves a young woman named Callie who is being stalked by some kind of ghost or monster or monstrous ghost. Batman is trying to protect her, but there is the added complication that Batman has feelings for Callie. Why? It is because her tragedy is like the childhood tragedy that set Bruce Wayne’s life as Batman in motion or is it just love?

Once upon a time, I was a huge Sam Keith fan. I think that I stopped following Keith’s work after his work in Marvel Comics Presents and after the first few issues of The Maxx, which debuted in 1993 from Image Comics. My favorite work of Keith’s remains I Before E, a collection of Keith’s early work, which Fantagraphics Books published in two issues back in the 1980s.

Although known for his quirky storytelling and still quirkier drawing style, Keith is capable of evocative and poignant work. Ghosts is a Batman story, but at its heart, it is about people who are like lost souls, which both Batman and Callie are, trying to find safe harbor. This is one of those last issues that makes me want to go back to the beginning of the story.

-------------------

I Reads You Review: AKIRA, VOL. 3

Creator: Katsuhiro Otomo; Yoko Umezawa, Linda M. York, Jo Duffy (translation and adaptation)
Publishing Information: Kodansha Comics, paperback, 288 pages, $24.99 (US), $28.99 CAN
Ordering Numbers: ISBN: 978-1-935-42904-3 (ISBN-13)

Kodansha Comics (through Del Rey Manga, apparently) recently released the third volume in their current English-language republication of Katsuhiro Otomo’s legendary manga, Akira. Just as the first two volumes did, Vol. 3 had me racing through nearly 300 pages of comics as if my life depended on it.

Originally published in the Japanese manga periodical, Young Magazine (from December 1982 to June 1990), Akira takes place in the year 2030 A.D. and is set Neo-Tokyo, the new city built upon the ashes of Tokyo. 38 years earlier, Tokyo was destroyed by a monstrous psychokinetic power known as Akira in a nuclear-like blast that also started World War III. Tetsuo Shima, a juvenile delinquent, begins to exhibit paranormal abilities, which brings him to the attention of The Colonel, the head of a covert government program that studies children with telekinetic powers. Tetsuo’s kidnapping thrusts his friend Shotaro Kaneda into this conspiracy.

As Akira, Vol. 3 opens, Akira, who actually a boy, is awake and is now the pawn in a deadly game of take-away. Kaneda, Rei the young resistance member and her associate, Chiyoko, rescue the boy from the clutches of Tetsuo, who awakened Akira in hopes of challenging his powers. Soon, however, other competing forces attain, lose, and regain the boy in a chase that culminates in a quite neighborhood, where a small war breaks out.

On the back cover of this third volume of Akira, there is a quote from comic book writer Warren Ellis (Red) that says, “Utterly unlike anything you’ve experience before.” A short sentence that speaks volumes of truth, that’s what it is. Praise Ellis! Testify!

There have been science fiction comic books with majestic art (like the works of French cartoonist/illustrator Moebius). There have been dystopian comics that are both great reads, highly acclaimed, and hugely influential (like American Flagg!, Batman: The Dark Knight Returns, and Watchmen). They live in Akira’s shadow. The entirety of Vol. 3 is fantastic, but the last 60 pages have a visual power unparalleled in comic books. I think we would have to reference motion pictures in order to quantify Akira’s visual power. Right now, I’m thinking that this is the greatest comic book ever.

A+

----------------------

I Reads You Review: LOST IN THE WASH “THE FIRST HALF”

Creators: John Ira Thomas (writer) and Will Grant (artist)
Publishing Information: Candle Light Press, B&W, paperback, 72pp












Ordering information: http://www.candlelightpress.com/

Lost in the Wash: “The First Half” contains the first two chapters of Lost in the Wash, “Presoak” and “Agitate.” LitW is a graphic novel from writer John Ira Thomas (Zoo Force) and artist Will Grant (The Scrounge Was Here!). I first read and reviewed this book for the Comic Book Bin: (http://www.comicbookbin.com/lostinthewash001.html) back in September 2007. I just read it again in preparation for reading the latest installment, Lost in the Wash: 2010 Lint Trap Edition. Reading it again allowed me to catch some things I missed the first time around, and now, I must admit to liking it even more.

Lost in the Wash is set in the town of Isco (formerly Francisco until “patriotic” locals removed the “France” from the name). The story focuses on Darin, a down and out 20 or 30-something who works at his uncle’s Laundromat. Darin comes across as a loser, but his uncle IS an asshole. The Laundromat’s customers tend to be white trash jerk-offs who give Darin a hard time. Then, one day, something wet, wicked, and monstrous pops out of a washer and devours a tiresome customer. Darin decides that a monster in the washers is a good thing, especially if it will rid him of his main problem – rude customers.

This water, elemental thing isn’t the only thing haunting Darin. Terisa Salazar, a local motel proprietress, operates a haunted tour called, Gothic Colorado, for the tourists/suckers that pass through Isco. Terisa is also a figure from Darin’s past, and meeting her again leads to Darin wanting to know the truth about his parents and about a childhood accident, although he may not like how ugly this truth gets.

Lost in the Wash: “The First Half,” for me at least, recalls the spirit of the horror comics published by EC Comics in the 1950s and by Warren Publishing from the 1960s to the 70s. It’s as if EC artist Graham “Ghastly” Ingels’ tortured spirit inhabits the imagination and drawing hand of Will Grant. Grant can draw horror comic books with the best of ‘em – even those pros drawing for Vertigo, IDW and whatever publishers still doing scary books.

John Ira Thomas’ clever script always keeps the reader guessing, and his dialogue, with its layers and subtexts, adds richness to this raw tale. Thomas, through his narrative, tends to promise more to come with each page, and Lost in the Wash: “The First Half” is promising some good stuff to come.

A-

-------------------

#IReadsYou Review: NEMESIS #1

NEMESIS #1

MARVEL COMICS/ICON

WRITER: Mark Millar

ARTIST: Steve McNiven

COLORS: Dave McCaig

LETTERS: Chris Eliopoulos

COVERS: Steve McNiven and Leinil Francis Yu

Nemesis is the new comic book miniseries from the team of writer Mark Millar and artist Steve McNiven. The duo produced the hugely popular Marvel event series, Civil War, and the graphic novel, Wolverine: Old Man Logan (originally serialized in Wolverine 66-72). Nemesis is a planned four-issue series that is being published under Marvel Comics’ Icon imprint.

As Millar has stated in press coverage for this comic book, Nemesis #1 introduces a Batman-like character, called “Nemesis,” who uses his skill, resources, and whatever super powers and abilities he has for evil rather than for good. What if this cool billionaire with all those planes, cars and gadgets, put on a mask and waged war on the forces of law and order, Millar asks. The story begins with Nemesis dispatching a famous police chief in Tokyo. Afterwards, Nemesis heads to Washington D.C. to engage his next opponent, Chief Blake Morrow, the Chief of Police of the nation’s capitol.

The cover of Nemesis #1 carries a large caption that reads “MAKES KICK-ASS LOOK LIKE $#IT.” I don’t know about that. Kick-Ass, Mark Millar’s previous Icon comic book which recently concluded, is some pretty deranged $#it AND very entertaining, but I am already a fan of this new comic book. I rooted for Heath Ledger’s Joker in The Dark Knight and I love a great villain, especially one who has the pigs… I mean, law enforcement quaking in their boots.

It’s a fun read. Millar paints the characters in broad strokes, and in police Chief Blake Morrow, Millar has created a Clint Eastwood-Dirty Harry type who deserves to be taken down a peg or two or ten. Steve McNiven’s art is acceptable, though it makes me wonder why he is so acclaimed. Dave McCaig’s coloring is horrid. Still, I really like this comic book and can’t wait for the next issue.

B+

------------------------------