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Welcome to the I Reads You blog. It's May 2017. This post and its updates will offer news and blurb reviews.
From BleedingCool: Spawn creator Todd McFarlane crashes a DC Comics panel at Megacon to confront an old Spawn cohort.
From TheComicsReporter: 2017 Reuben Award and NCS Divisional winners have been announced.
From ComicBookBin: Johnny Bullet Episode #119.
From ComicBookBin: Johnny Bullet Episode #119 in French.
From ComicBastards: A review of "Samaritan Veritas #1" (Image Comics).
From BleedingCool: Jae Lee announces his new creator owned series, "Fey," at Phoenix Comic Con.
From BleedingCool: Some news on the firing of X-Men editor Daniel Ketchum at Marvel Comics.
From BleedingCool: Bryan Hitch will write and draw Justice League beginning with issue #32 after writing and drawing an extra-sized #25.
From BleedingCool: DC Comics "Dark Nights: Metal" gets the front cover of upcoming "Diamond Previews."
From BleedingCool: Rich Johnston offers the history of a book currently called "Monsters" by Barry Windsor-Smith.
------------------------
BLURB REVIEW:
Spawn #273 (Image Comics – May 2017) by Todd McFarlane and Szymon Kudranski with Fco Plascencia
I have not read a new issue of Spawn since Bill Clinton was president, but I have wanted to and just kept putting it off. On a recent visit to a “local” comic book shop, I spied a single copy of Spawn #273 sitting on the shelf. I swear that thing was calling to me.
I read Spawn for years, although I thought it was a mediocre comic book. I kept reading it in hopes that it would get better, which it never did, although I always enjoyed the art of Greg Capullo, who drew Spawn during most of the time I read it.
I still find all of McFarlane's exposition in panels to be stiff and stilted, but the dialogue deserves at least a grade of “B.” The story is about a mysterious vigilante called “The Soul Crusher” and also concerns Cyan Fitzgerald, the daughter of Spawn/Al Simmons ex-wife, Wanda, and her husband, Al's best friend, Terry Fitzgerald. I have to say that those two story lines intrigue me enough to make me want to buy another issue. [My regular shop generally does not carry McFarlane publications, which will hamper my efforts.]
So all this time later, I find that Spawn is actually a good read. Who knew? People who read it, I guess!
Posted: Monday, May 22, 2017
------------------------
From CBR: The "Batman and Justice League" manga will launch June 19th, 2017 in Japan's "Champion RED" magazine.
-------------------------
BLURB REVIEW:
Weapon X #1 (Marvel Comics – June 2017) by Greg Pak, Greg Land, and Jay Leisten with Frank D'Armata
Although this is only first issue, I can tentatively say that the latest incarnation of the “Weapon X” comic book is probably the second really good X-Men comic book to come out of Marvel's current X-Men franchise revival. The series premise seems to be that original Wolverine, now known as “Old Man Logan,” will lead a team to investigate the clandestine military project, known as “Weapon X,” which was thought to be disbanded.
In the first issue, Wolverine... oops... Logan (can't help myself) gets sliced-and-diced pretty badly, but he does notice that the slicers are using bladed weapons similar to that of Lady Deathstrike. Logan figures that if he can find Deathstrike, then he can find his assailants, but first he has to convince an old buddy to join him on this hunt.
So I'm really intrigued by Greg Pak's story, and I have finally figured out that I usually like what Pak writes. Greg Land and inker Jay Leisten are a good comic book art team, and well, their storytelling makes me want to come back for more.
Posted: Thursday, May 18, 2017
--------------------------------
From BleedingCool: R.I.P. - British comic book creator, Edmund Bagwell, has died at the age of 50.
From Bleeding Cool: Geoff John reveals "Doomsday Clock," a miniseries pitting Superman vs. Dr. Manhattan of "Watchmen."
From icv2: R.I.P. - The "Golden Age" horror artist, Jay Disbrow, died on May 2, 2017 at the age of 91. He was a prolific artist drawing pre-Code horror comics. Fantagraphics Books published his "The Flames of Gyro" in 1979. And from 2000 to 2005, he published his Flash Gordon-like adventure strip, "Aroc of Zenith," on the Internet.
From BleedingCool: Scott Snyder will leave All-Star Batman sometimes next year.
-------------------------------------
BLURB X-MEN REVIEWS:
X-MEN: GOLD #1 (Marvel Comics – June 2017) by Marc Guggenheim, Ardian Syaf, and Jay Leisten with Frank Martin
“Back to Basics” Part 1: On the Interwebs, I have come across people saying that X-Men: Gold is writer Marc Guggenheim's return to the halcyon days of the X-Men when Chris Claremont wrote Uncanny X-Men. Claremont wrote X-Men/Uncanny X-Men beginning with X-Men #94 in 1975 until the early 1991 when he quit the franchise. Not all of those days were gold. Quite frankly, after John Byrne left as co-plotter/penciller with Uncanny X-Men #143, Claremont long run, as basically the solo writer, was inconsistent. There were some good stories, but also a surprising amount of mediocrity and redundancy, with only a few high points, high mostly because of artists like Paul Smith, Barry Windsor-Smith, and Alan Davis.
Judging only by this first issue, Guggenheim seems to be summoning the average days of Claremont. But hey, this is only the first issue; still, I don't hold out hope. I think that it will be obvious by the third issue if X-Men: Gold will be exceptional or be what most recent X-Men comic books have been, average at best.
On the other hand...
X-MEN: BLUE #1 (Marvel Comics – June 2017) by Cullen Bunn, Jorge Molina and Matteo Buffagni with Matt Milla
Now, this is an X-Men comic book in the best sense of that description. It has the original X-Men fighting an early X-Men adversary, and I am a total sucka for Juggernaut. Writer Cullen Bunn gets it where Marc Guggenheim in X-Men: Gold doesn't get it – or at least not yet. When you can't be imaginative, inventive, and original when it comes to writing the X-Men, be shocking and surprising. And Bunn delivers shocks and surprises here that are sweet, and he made invent later.
This first issue is simply a joy to read and it has a snazzy cover by Art Adams (who delivers good comic book cover art about 9 out of 10 times). I am not crazy about the art team of Molina & Buffagni, but I'll tolerate them if the upcoming issues deliver on the last page of the main story; deliver on the back-up story; and deliver on “More Things to Come in X-Men Blue.”
Posted: Wednesday, May 10, 2017
-----------------------------------------
From ComicsBeat: Heidi MacDonald on the recent DC Comics editorial alignment.
From BleedingCool: Updates on the Ardian Syaf controversy regarding hidden messages he placed in his art for "X-Men: Gold #1."
From YahooMovies: Robert Kirkman, creator of "The Walking Dead," apologizes for a death in issue #167 of the comic book.
From DCComics: Read the press release: "DC Entertainment Expands Editorial Leadership Team."
From BleedingCool: Take a look inside "Dark Days: The Forge," the prequel to DC Comics' event "Dark Nights: Metal."
From TheBristolBoard: An online portfolio of unusual John Buscema art, unusual for the late artist who was known for his long association with Marvel's "Conan the Barbarian" and short stint as the first artist on the first "Wolverine" solo comic book series.
From Kickstarter: Cartoonist Shaenon K. Garrity has a Kickstarter. (from "The Comics Reporter)
From BleedingCool: Apparently, Marvel destroys Las Vegas in "Secret Empire #2.
From BleedingCool: This Jim Lee cover art for "Dark Nights: Metal" will be on a metallic cover.
From BleedingCool: The "Love is Love" anthology added to list of 2017 Eisner Award nominees.
From YahooTV: Marvel Comics, in a statement to ABC News, says that it hears fans' concerns about the Hydra-Captain America.
From TIME: If you are wondering about Marvel Comics' "Black Panther and the Crew," here is an interview "Time Magazine" did with series writer, Ta-Nihisi Coastes.
From ComicCon: The 2017 Eisner Award nominations have been announced.
From BleedingCool: Writer Matthew Rosenberg wanted Eisner props for Khary Randolph for his "Black" covers.
From StarTribune: Neil Gaiman says "American Gods" rooted in Wisconsin-Minnesota weirdness.
From BleedingCool: Greg Capullo offers a pencil sketch of Wonder Woman from the upcoming "Dark Nights: Metal."
From GoFundMe: Writer James Hudnall really needs your help. [Thanks to "The Comics Reporter" for the heads up.]
From PeterDavid: Another comic book creator/writer is in distress, Peter David. [Thanks again to "The Comics Reporter."]
From YahooTV: Did you like Starz's "American Gods" TV series' debut? Here, is a recap from the site.
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Showing posts with label Ardian Syaf. Show all posts
Showing posts with label Ardian Syaf. Show all posts
Tuesday, May 30, 2017
I Reads You Juniors May 2017 - Update #35
Labels:
Ardian Syaf,
Barry Windsor Smith,
Blurb Reviews,
Bryan Hitch,
comics news,
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Eisner Awards,
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Jae Lee,
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Friday, November 13, 2015
Review: BATMAN/SUPERMAN #21
BATMAN/SUPERMAN No. 21
DC COMICS – @DCComics
[This review originally appeared on Patreon.]
WRITER: Greg Pak
PENCILS: Ardian Syaf
INKS: Vicente Cifuentes
COLORS: Ulises Arreola
LETTERS: Rob Leigh
COVER: Ardian Syaf and Danny Miki with Ulises Arreola
VARIANT COVERS: Jock (Joker 75th Anniversary variant)
32pp, Color, $3.99 U.S. (August 2015)
Rated “T” for “Teen”
“Truth Hurts” Part One
Superman and Batman have been teaming up in various comic books for decades. The best known Superman/Batman team-up series was the long-running World's Finest Comics (1941 to 1986). The current incarnation of a Dark Knight/Man of Steel team-up comic book is Batman/Superman, which is currently written by Greg Pak; penciled Ardian Syaf, inked by Vicente Cifuentes; colored by Ulises Arreola; and lettered by Rob Leigh.
Batman/Superman #21 (Truth Hurts” Part One) is essentially the first DCYou issue of the series. As the story begins, Superman is fighting for his life, when he shouldn't. You see, Superman has lost his powers (as seen in Gene Luen Yang and John Romita, Jr.'s run on Superman, beginning with issue #41), and the world knows that he is also Clark Kent. A visit to Lex Luthor pays off in information. The source of the thugs that are plaguing Superman seems to be located in Gotham City. But Superman does not know about the current Batman...
I would normally not spend a dime on Batman/Superman. If I want to read about Batman and Superman partnering up, I will read a Justice League comic book or find a back issue of World's Finest. However, I decided “what the heck?” because I want to read as many DCYou first issues and first chapters as I can.
This actually is not bad. Ardian Syaf's art, which is awkward like a teen boy struggling through puberty, and Greg Pak's functional storytelling capture the struggles of this “new era” in both Superman and Batman titles. This comic book is worth reading just to see how the new status quo works out for DC Comics' “Big Two” characters as a unit, at least for the time being. In fact, I'm curious enough to read a few more issues of (DCYou) Batman/Superman.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
DC COMICS – @DCComics
[This review originally appeared on Patreon.]
WRITER: Greg Pak
PENCILS: Ardian Syaf
INKS: Vicente Cifuentes
COLORS: Ulises Arreola
LETTERS: Rob Leigh
COVER: Ardian Syaf and Danny Miki with Ulises Arreola
VARIANT COVERS: Jock (Joker 75th Anniversary variant)
32pp, Color, $3.99 U.S. (August 2015)
Rated “T” for “Teen”
“Truth Hurts” Part One
Superman and Batman have been teaming up in various comic books for decades. The best known Superman/Batman team-up series was the long-running World's Finest Comics (1941 to 1986). The current incarnation of a Dark Knight/Man of Steel team-up comic book is Batman/Superman, which is currently written by Greg Pak; penciled Ardian Syaf, inked by Vicente Cifuentes; colored by Ulises Arreola; and lettered by Rob Leigh.
Batman/Superman #21 (Truth Hurts” Part One) is essentially the first DCYou issue of the series. As the story begins, Superman is fighting for his life, when he shouldn't. You see, Superman has lost his powers (as seen in Gene Luen Yang and John Romita, Jr.'s run on Superman, beginning with issue #41), and the world knows that he is also Clark Kent. A visit to Lex Luthor pays off in information. The source of the thugs that are plaguing Superman seems to be located in Gotham City. But Superman does not know about the current Batman...
I would normally not spend a dime on Batman/Superman. If I want to read about Batman and Superman partnering up, I will read a Justice League comic book or find a back issue of World's Finest. However, I decided “what the heck?” because I want to read as many DCYou first issues and first chapters as I can.
This actually is not bad. Ardian Syaf's art, which is awkward like a teen boy struggling through puberty, and Greg Pak's functional storytelling capture the struggles of this “new era” in both Superman and Batman titles. This comic book is worth reading just to see how the new status quo works out for DC Comics' “Big Two” characters as a unit, at least for the time being. In fact, I'm curious enough to read a few more issues of (DCYou) Batman/Superman.
B
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
Labels:
Ardian Syaf,
Batman,
Danny Miki,
DC Comics,
Greg Pak,
Jock,
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Ulises Arreola,
Vicente Cifuentes
Tuesday, February 3, 2015
DC Comics from Diamond Distributors for February 4, 2015
DC COMICS
DEC140312 ACTION COMICS #39 $3.99
OCT140366 AME COMI GIRLS TP VOL 03 EARTH IN CRISIS $14.99
JUL140268 AMERICAN VAMPIRE SECOND CYCLE #6 (MR) $2.99
DEC140272 AQUAMAN AND THE OTHERS #10 $2.99
NOV140286 BATMAN 66 #19 $2.99
NOV140307 BATMAN ARKHAM UNHINGED TP VOL 04 $14.99
DEC140321 BATMAN ETERNAL #44 $2.99
NOV148199 DEATHSTROKE #1 2ND PTG $2.99
DEC140342 DETECTIVE COMICS #39 $3.99
DEC140345 DETECTIVE COMICS #39 COMBO PACK $4.99
DEC140278 EARTH 2 #31 $2.99
DEC140274 EARTH 2 WORLDS END #18 $2.99
DEC140370 FLASH SEASON ZERO #5 $2.99
DEC140340 GRAYSON #7 $2.99
DEC140286 GREEN ARROW #39 $2.99
DEC140356 GREEN LANTERN #39 $2.99
DEC140358 GREEN LANTERN #39 COMBO PACK $3.99
DEC140417 HINTERKIND #15 (MR) $2.99
NOV140290 INJUSTICE GODS AMONG US YEAR THREE #8 $2.99
OCT140400 INVISIBLES HC BOOK 03 DELUXE EDITION (MR) $29.99
DEC140291 LOBO #5 $2.99
DEC140402 LOONEY TUNES #223 $2.99
DEC140419 NAMES #6 (MR) $2.99
DEC140294 NEW 52 FUTURES END #40 (WEEKLY) $2.99
NOV140223 SUPERMAN #38 $4.99
NOV140227 SUPERMAN #38 COMBO PACK $5.99
OCT140340 SUPERMAN EARTH ONE HC VOL 03 $22.99
OCT140360 SUPERMAN HC VOL 05 UNDER FIRE (N52) $24.99
NOV140301 SUPERMAN TP VOL 04 PSIWAR (N52) $16.99
DEC140365 SWAMP THING #39 $2.99
NOV140302 TEEN TITANS TP VOL 05 THE TRIAL OF KID FLASH (N52) $17.99
DEC140422 WOLF MOON #3 (MR) $3.99
DC COMICS/DC COLLECTIBLES
JUN140331 RED LANTERN 1:1 SCALE POWER BATTERY PROP W RING $199.95
AUG140373 THRONE OF ATLANTIS AQUAMAN AF $19.95
AUG140374 THRONE OF ATLANTIS BLACK MANTA AF $19.95
AUG140375 THRONE OF ATLANTIS MERA AF $19.95
AUG140372 THRONE OF ATLANTIS OCEAN MASTER AF $19.95
DEC140312 ACTION COMICS #39 $3.99
OCT140366 AME COMI GIRLS TP VOL 03 EARTH IN CRISIS $14.99
JUL140268 AMERICAN VAMPIRE SECOND CYCLE #6 (MR) $2.99
DEC140272 AQUAMAN AND THE OTHERS #10 $2.99
NOV140286 BATMAN 66 #19 $2.99
NOV140307 BATMAN ARKHAM UNHINGED TP VOL 04 $14.99
DEC140321 BATMAN ETERNAL #44 $2.99
NOV148199 DEATHSTROKE #1 2ND PTG $2.99
DEC140342 DETECTIVE COMICS #39 $3.99
DEC140345 DETECTIVE COMICS #39 COMBO PACK $4.99
DEC140278 EARTH 2 #31 $2.99
DEC140274 EARTH 2 WORLDS END #18 $2.99
DEC140370 FLASH SEASON ZERO #5 $2.99
DEC140340 GRAYSON #7 $2.99
DEC140286 GREEN ARROW #39 $2.99
DEC140356 GREEN LANTERN #39 $2.99
DEC140358 GREEN LANTERN #39 COMBO PACK $3.99
DEC140417 HINTERKIND #15 (MR) $2.99
NOV140290 INJUSTICE GODS AMONG US YEAR THREE #8 $2.99
OCT140400 INVISIBLES HC BOOK 03 DELUXE EDITION (MR) $29.99
DEC140291 LOBO #5 $2.99
DEC140402 LOONEY TUNES #223 $2.99
DEC140419 NAMES #6 (MR) $2.99
DEC140294 NEW 52 FUTURES END #40 (WEEKLY) $2.99
NOV140223 SUPERMAN #38 $4.99
NOV140227 SUPERMAN #38 COMBO PACK $5.99
OCT140340 SUPERMAN EARTH ONE HC VOL 03 $22.99
OCT140360 SUPERMAN HC VOL 05 UNDER FIRE (N52) $24.99
NOV140301 SUPERMAN TP VOL 04 PSIWAR (N52) $16.99
DEC140365 SWAMP THING #39 $2.99
NOV140302 TEEN TITANS TP VOL 05 THE TRIAL OF KID FLASH (N52) $17.99
DEC140422 WOLF MOON #3 (MR) $3.99
DC COMICS/DC COLLECTIBLES
JUN140331 RED LANTERN 1:1 SCALE POWER BATTERY PROP W RING $199.95
AUG140373 THRONE OF ATLANTIS AQUAMAN AF $19.95
AUG140374 THRONE OF ATLANTIS BLACK MANTA AF $19.95
AUG140375 THRONE OF ATLANTIS MERA AF $19.95
AUG140372 THRONE OF ATLANTIS OCEAN MASTER AF $19.95
Labels:
Ardian Syaf,
Batman,
comics news,
DC Comics News,
DC Direct,
Diamond Distributors,
Flash,
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J. Michael Straczynski,
Superman,
Teen Titans,
Toy News,
Vertigo
Sunday, July 21, 2013
Review: STAN LEE'S How to Draw Superheroes
STAN LEE’S HOW TO DRAW SUPERHEROES
WATSON-GUPTILL PUBLICATIONS/Dynamite Entertainment – @CrownPublishing and @dynamitecomics
WRITERS: Stan Lee with Danny Fingeroth, Keith Dallas, and Robert Sodaro
COVER: Ardian Syaf; back cover by Alex Ross
ISBN: 978-0-8230-9845-3; paperback (July 9, 2013)
224pp, Color, $24.99 U.S., $28.99 CAN
Excelsior! Stan Lee’s back! And he is here to teach us about comic books – this time focusing on superheroes. That is the case in the recently released Stan Lee’s How to Draw Superheroes.
This paperback book is the third in a series “how-to” books published under Stan Lee’s name by Watson-Guptill Publications (a division of the Crown Publishing Group). Under a cover by Ardian Syaf, this 2013 book is co-written by Danny Fingeroth, Keith Dallas, and Robert Sodaro. Stan Lee’s How to Draw Superheroes is a follow-up to Stan Lee’s How to Draw Comics and Stan Lee’s How to Write Comics.
The stated purpose of Stan Lee’s How to Draw Superheroes is to give aspiring superhero creators information on just about everything related to the comic book superhero genre: from sidekicks and secret hideouts to super-villains and monsters. The book also has 24 step-by-step exercises designed to help readers learn how to draw a variety of superhero types – from poses and powers to secret identities and secret bases.
I did not have to peruse through too many chapters of Stan Lee’s How to Draw Superheroes before I began to think that the book was about superheroes as much as it was a “how-to” art book, if not more so. There are 13 chapters in this book, and all of them are basically written surveys of superheroes, costumed heroes, and super-powered humans and heroes, from Gilgamesh all the way to the new superheroes being introduced by Dynamite Entertainment.
With chapters devoted to “Sidekicks and Teen Heroes” and “Robots, Androids, and Cyborgs,” Stan Lee’s How to Draw Superheroes is a broad overview of the elements that make up and the ideas that shape and structure superhero comic books. This book can either be a refresher course for those familiar with superheroes or a guide for those unfamiliar who want to enter the unique world of reading that is American superhero comic books.
As a book about superheroes, Stan Lee’s How to Draw Superheroes is good. As a how-to art book: well, there are better, and that includes Lee’s own How to Draw Comics the Marvel Way (1978), produced with the late John Buscema. In fact, the earlier Watson-Guptill book, Stan Lee’s How to Draw Comics, offers more about drawing theory and procedure than Stan Lee’s How to Draw Superheroes. So buy this book for what it is (about superheroes) and not for what it is advertised as (a how to draw book).
B
www.crownpublishing.com
www.watsonguptill.com
Contributing artists: Vinicius Andrande, Javier Aranda, Mark Bagley, Ed Benes, John Byrne, Tim Bradstreet, John Buscema, J. Scott Campbell, Jim Cheung, Chris Caniano, Will Eisner, David Enebral, Francesco Francavilla, Ale Garza, Phil Hester, Joe Jusco, Jack Kirby, Jim Lee, Adriano Lucas, Steve McNiven, Frank Miller, Ivan Nunes, Lucio Parillo, Paul Renaud, John Romita, Jr., Alex Ross, Tim Seeley, Joe Shuster
Labels:
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Saturday, June 22, 2013
Review: The Black Bat #2
BLACK BAT #2
DYNAMITE ENTERTAINMENT – @dynamitecomics
WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: Jae Lee (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.
Rated T+
“The Black Bat” was a character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on The Batman, either through Bob Kane (the man solely credited with creating Batman) or Bill Finger (the first Batman writer and essentially the co-creator of the character) or both. There was also a second version of The Black Bat, influenced by the first.
Dynamite Entertainment recently returned this pulp hero from the 1930s to comics. Dynamite’s The Black Bat comic book stars Tony Quinn, a brash defense attorney for the mob who compromises his ethics for financial gain. When Tony refuses to commit murder, his gangster employers torture and blind him. It is a covert agency that rescues and gives Quinn a chance to make amends. Tony dons a cape and cowl and becomes the Black Bat in a quest of redemption to right the wrongs of his past
The Black Bat #2 opens with Tony as the Black Bat about to break up a drug shipment for the city’s drug lord, Oliver Snate. Tony’s baptism in fire becomes literal when a moral dilemma complicates the mission. Meanwhile, anger in the city continues to rise over the unsolved case of the missing policemen.
The first time I saw images of the cover art for The Black Bat #2, I was struck by how much it all looked similar to various Batman images and graphics. [I wonder how many times you can poke the lion that is DC Comics’ legal department?] Actually, instead of Batman, The Black Bat #2 reads like a blending of Doug Moench’s Moon Knight and Mike Baron’s The Punisher, and I rather enjoyed it.
Writer Brian Buccellato is more than competent, offering familiar “street level” comic book tales, with a character made interesting because his determination is matched by his ignorance. Ronan Cliquet is also more than competent as a graphical storyteller, and his composition and page design is nice. Cliquet’s art improves Buccellato’s script in terms of storytelling.
I liked The Black Bat #2. I might read future issues, but as I have access to digital review copies from Dynamite Entertainment, that declaration might be something of a cheat. Still, The Black Bat has promise.
B
Reviewed by Leroy Douresseaux
DYNAMITE ENTERTAINMENT – @dynamitecomics
WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: Jae Lee (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.
Rated T+
“The Black Bat” was a character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on The Batman, either through Bob Kane (the man solely credited with creating Batman) or Bill Finger (the first Batman writer and essentially the co-creator of the character) or both. There was also a second version of The Black Bat, influenced by the first.
Dynamite Entertainment recently returned this pulp hero from the 1930s to comics. Dynamite’s The Black Bat comic book stars Tony Quinn, a brash defense attorney for the mob who compromises his ethics for financial gain. When Tony refuses to commit murder, his gangster employers torture and blind him. It is a covert agency that rescues and gives Quinn a chance to make amends. Tony dons a cape and cowl and becomes the Black Bat in a quest of redemption to right the wrongs of his past
The Black Bat #2 opens with Tony as the Black Bat about to break up a drug shipment for the city’s drug lord, Oliver Snate. Tony’s baptism in fire becomes literal when a moral dilemma complicates the mission. Meanwhile, anger in the city continues to rise over the unsolved case of the missing policemen.
The first time I saw images of the cover art for The Black Bat #2, I was struck by how much it all looked similar to various Batman images and graphics. [I wonder how many times you can poke the lion that is DC Comics’ legal department?] Actually, instead of Batman, The Black Bat #2 reads like a blending of Doug Moench’s Moon Knight and Mike Baron’s The Punisher, and I rather enjoyed it.
Writer Brian Buccellato is more than competent, offering familiar “street level” comic book tales, with a character made interesting because his determination is matched by his ignorance. Ronan Cliquet is also more than competent as a graphical storyteller, and his composition and page design is nice. Cliquet’s art improves Buccellato’s script in terms of storytelling.
I liked The Black Bat #2. I might read future issues, but as I have access to digital review copies from Dynamite Entertainment, that declaration might be something of a cheat. Still, The Black Bat has promise.
B
Reviewed by Leroy Douresseaux
Labels:
Ardian Syaf,
Billy Tan,
Brian Buccellato,
Dynamite Entertainment,
Jae Lee,
Joe Benitez,
Marcos Martin,
Mat Lopes,
Review
Review: The Black Bat #1
BLACK BAT #1
DYNAMITE ENTERTAINMENT – @dynamitecomics
WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: J. Scott Campbell (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.
Rated T+
Dynamite Entertainment has brought The Black Bat back from the public domain comic book graveyard in a new comic book series. The character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on the creation of The Batman.
The Black Bat #1 opens with the Black Bat kicking ass. He’s looking for Silk, a police snitch who will become his assistant. The story also goes into flashback mode in order to take a look at the man who would become the Black Bat, Tony Quinn. He was a brash defense attorney for the mob who compromised his ethics for financial gain. It cost him a lot, but now as the Black Bat he can seek redemption… or vengeance?
Images and graphics in The Black Bat resemble image and graphics in and perhaps the spirit of Batman comic books. However, what writer Brian Buccellato offers is closer to “street level” comic books that Marvel Comics has produced over the years, featuring characters like Daredevil, Moon Knight, and The Punisher. It’s vigilante vs. organized crime, and the superhero costume seems extraneous in the moody, urban fiction edge of Buccellato’s script.
Artist Ronan Cliquet has a graphic style and visual sense that is perfect for the comics yarn Buccellato spins. Cliquet’s compositions and designs are flashy in a Batman mode, but a bit earthier. Once again, crime fiction edges out costumes. Dynamite Entertainment’s The Black Bat does have potential.
B+
Reviewed by Leroy Douresseaux
DYNAMITE ENTERTAINMENT – @dynamitecomics
WRITER: Brian Buccellato
ARTIST: Ronan Cliquet
COLORS: Mat Lopes
LETTERS: Rob Steen
COVERS: J. Scott Campbell (A), Joe Benitez (B), Ardian Syaf (C), Billy Tan (D), Marcos Martin (subscription cover)
28pp, Color, $3.99 U.S.
Rated T+
Dynamite Entertainment has brought The Black Bat back from the public domain comic book graveyard in a new comic book series. The character that appeared in Black Bat Detective Mysteries, a short-lived, 1930s pulp magazine, published for six issues. The first Black Bat is thought to have had an influence on the creation of The Batman.
The Black Bat #1 opens with the Black Bat kicking ass. He’s looking for Silk, a police snitch who will become his assistant. The story also goes into flashback mode in order to take a look at the man who would become the Black Bat, Tony Quinn. He was a brash defense attorney for the mob who compromised his ethics for financial gain. It cost him a lot, but now as the Black Bat he can seek redemption… or vengeance?
Images and graphics in The Black Bat resemble image and graphics in and perhaps the spirit of Batman comic books. However, what writer Brian Buccellato offers is closer to “street level” comic books that Marvel Comics has produced over the years, featuring characters like Daredevil, Moon Knight, and The Punisher. It’s vigilante vs. organized crime, and the superhero costume seems extraneous in the moody, urban fiction edge of Buccellato’s script.
Artist Ronan Cliquet has a graphic style and visual sense that is perfect for the comics yarn Buccellato spins. Cliquet’s compositions and designs are flashy in a Batman mode, but a bit earthier. Once again, crime fiction edges out costumes. Dynamite Entertainment’s The Black Bat does have potential.
B+
Reviewed by Leroy Douresseaux
Labels:
Ardian Syaf,
Billy Tan,
Brian Buccellato,
Dynamite Entertainment,
J. Scott Campbell,
Joe Benitez,
Marcos Martin,
Mat Lopes,
Review
Thursday, September 15, 2011
The New 52 Review: BATGIRL #1
BATGIRL #1
DC COMICS
WRITER: Gail Simone
PENCILS: Ardian Syaf
INKS: Vicente Cifuentes
COLORS: Ulises Arreola
LETTERS: Dave Sharpe
COVER: Adam Hughes
32pp, Color, $2.99 U.S.
There have been several incarnations of the character Batgirl, but the best known and most popular is Barbara Gordon as Batgirl. Gordon, the daughter of Gotham City Police Commissioner James Gordon, first appeared in 1966, introduced in Detective Comics #359 (entitled “The Million Dollar Debut of Batgirl”), in a story written by Gardner Fox and drawn by Carmine Infantino.
Batgirl #1 (“Shattered”) returns Barbara Gordon as Batgirl, but after being paralyzed and in a wheelchair for a time, Barbara is struggling to adjust to being on her feet again. How tough? She discovers that physically she is just a touch slow when she faces the Brisby Killers. It is the villain Mirror, however, who will be her toughest challenge.
I have not read much by writer Gail Simone, but what I have read I’ve enjoyed. Her lively characters are easy to like, and her sparkling dialogue makes even the slow scenes perk up. The most surprising thing that Simone does here is how much she delves into Barbara Gordon’s struggle to be Batgirl-walking-again.
Also, the pencil art by Ardian Syaf is so pretty, with its details and textures brought out by intricate line work, which the inks by Vicente Cifuentes lovingly highlight. Syaf’s storytelling is solidly built on his drawing skills, and he and Simone make an excellent creative team. I’m going to keep reading, and you should to because I’m highly recommending Batgirl.
A-
August 31st
FLASHPOINT #5
http://ireadsyou.blogspot.com/2011/09/flashpoint-5.html
JUSTICE LEAGUE #1
http://ireadsyou.blogspot.com/2011/09/justice-league-1.html
September 7th
ACTION COMICS #1
http://ireadsyou.blogspot.com/2011/09/action-comics-1.html
BATWING #1
http://ireadsyou.blogspot.com/2011/09/batwing-1.html
DETECTIVE COMICS #1
http://ireadsyou.blogspot.com/2011/09/detective-comics-1-2011.html
HAWK AND DOVE #1
http://ireadsyou.blogspot.com/2011/09/hawk-dove-1.html
JUSTICE LEAGUE INTERNATIONAL #1
http://ireadsyou.blogspot.com/2011/09/justice-league-international-1.html
MEN OF WAR #1
http://ireadsyou.blogspot.com/2011/09/men-of-war-1.html
STORMWATCH #1
http://ireadsyou.blogspot.com/2011/09/stormwatch-1.html
DC COMICS
WRITER: Gail Simone
PENCILS: Ardian Syaf
INKS: Vicente Cifuentes
COLORS: Ulises Arreola
LETTERS: Dave Sharpe
COVER: Adam Hughes
32pp, Color, $2.99 U.S.
There have been several incarnations of the character Batgirl, but the best known and most popular is Barbara Gordon as Batgirl. Gordon, the daughter of Gotham City Police Commissioner James Gordon, first appeared in 1966, introduced in Detective Comics #359 (entitled “The Million Dollar Debut of Batgirl”), in a story written by Gardner Fox and drawn by Carmine Infantino.
Batgirl #1 (“Shattered”) returns Barbara Gordon as Batgirl, but after being paralyzed and in a wheelchair for a time, Barbara is struggling to adjust to being on her feet again. How tough? She discovers that physically she is just a touch slow when she faces the Brisby Killers. It is the villain Mirror, however, who will be her toughest challenge.
I have not read much by writer Gail Simone, but what I have read I’ve enjoyed. Her lively characters are easy to like, and her sparkling dialogue makes even the slow scenes perk up. The most surprising thing that Simone does here is how much she delves into Barbara Gordon’s struggle to be Batgirl-walking-again.
Also, the pencil art by Ardian Syaf is so pretty, with its details and textures brought out by intricate line work, which the inks by Vicente Cifuentes lovingly highlight. Syaf’s storytelling is solidly built on his drawing skills, and he and Simone make an excellent creative team. I’m going to keep reading, and you should to because I’m highly recommending Batgirl.
A-
August 31st
FLASHPOINT #5
http://ireadsyou.blogspot.com/2011/09/flashpoint-5.html
JUSTICE LEAGUE #1
http://ireadsyou.blogspot.com/2011/09/justice-league-1.html
September 7th
ACTION COMICS #1
http://ireadsyou.blogspot.com/2011/09/action-comics-1.html
BATWING #1
http://ireadsyou.blogspot.com/2011/09/batwing-1.html
DETECTIVE COMICS #1
http://ireadsyou.blogspot.com/2011/09/detective-comics-1-2011.html
HAWK AND DOVE #1
http://ireadsyou.blogspot.com/2011/09/hawk-dove-1.html
JUSTICE LEAGUE INTERNATIONAL #1
http://ireadsyou.blogspot.com/2011/09/justice-league-international-1.html
MEN OF WAR #1
http://ireadsyou.blogspot.com/2011/09/men-of-war-1.html
STORMWATCH #1
http://ireadsyou.blogspot.com/2011/09/stormwatch-1.html
Labels:
Adam Hughes,
Ardian Syaf,
DC Comics,
Gail Simone,
Review,
The New 52,
Ulises Arreola,
Vicente Cifuentes
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