DC COMICS
MAR200645 GREEN LANTERN 80 YEARS OF THE EMERALD KNIGHT HC $29.99
JAN200694 JUSTICE LEAGUE ANIMATED AQUAMAN AF (Net) $28.00
JAN200687 JUSTICE LEAGUE ANIMATED BATMAN AF (Net) $28.00
JAN200692 JUSTICE LEAGUE ANIMATED GL JOHN STEWART AF (Net) $28.00
JAN200693 JUSTICE LEAGUE ANIMATED HAWKGIRL AF (Net) $28.00
JAN200690 JUSTICE LEAGUE ANIMATED MARTIAN MANHUNTER AF $28.00
JAN200688 JUSTICE LEAGUE ANIMATED SUPERMAN AF (Net) $28.00
JAN200691 JUSTICE LEAGUE ANIMATED THE FLASH AF (Net) $28.00
JAN200689 JUSTICE LEAGUE ANIMATED WONDER WOMAN AF (Net) $28.00
NOV190557 PREACHER 25TH ANNIVERSARY OMNIBUS HC VOL 01 (MR) $125.00
FEB200585 WONDER WOMAN THROUGH THE YEARS HC $39.99
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Showing posts with label Glenn Fabry. Show all posts
Showing posts with label Glenn Fabry. Show all posts
Monday, July 13, 2020
DC Comics from Diamond Distributors for July 15, 2020
Labels:
Art Book,
comics news,
DC Comics News,
DC Direct,
Diamond Distributors,
Garth Ennis,
Glenn Fabry,
Green Lantern,
Steve Dillon,
Toy News,
Wonder Woman
Tuesday, June 9, 2020
#IReadsYou Review: AMERICAN GODS: The Moment of the Storm #1
AMERICAN GODS: THE MOMENT OF THE STORM No. 1
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton and Jennifer T. Lange
LETTERS: Rick Parker
EDITOR: Daniel Chabon
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (April 2019)
American Gods is a fantasy novel first published in 2001 and written by Neil Gaiman. The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
American Gods is currently being adapted as a comic book series by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book adaptation. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the artist. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
This comic book adaptation will yield 27 issues over three nine-issue series (or story arcs). American Gods, the first series, ended late in 2017. The second series, American Gods: My Ainsel, concluded at the end of 2018. The final series is American Gods: The Moment of the Storm.
American Gods: The Moment of the Storm #1 opens in Minneapolis. There, Shadow Moon, Czernobog, and Mr. Nancy meet Alviss, a dwarf, who provides them with a new mode of transportation. The trio heads for “the Center” of the United States, near Lebanon, Kansas. There, they will meet the people who killed Mr. Wednesday, and who now want to surrender his corpse. The battle's just begun.
In my previous reviews of the American Gods comic book series, I have informed you, dear reader, that I am a big fan of American Gods the novel, although I did not read it upon its original release in 2001. I read the American Gods: Tenth Anniversary Edition (June 2011, William Morrow) which features a longer text and is the author, Neil Gaiman's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.
P. Craig Russell continues his excellent work, capturing both the details and spirit of American God's narrative through balance, knowing what text to retain and what to translate into illustrations. He makes Shadow Moon really stand out and evolve. He makes American Gods: The Moment of the Storm #1 as much a joy to read as the opening issues of the previous series.
Scott Hampton drawings and colors are more eccentric and ethereal than ever, but also quite solid in storytelling. Still, Hampton infuses his art and storytelling with a sense of magic. Letterer Rick Parker hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.
As before, I implore you, dear readers, to set aside your four dollars each month so that you can buy this lovely comic book. I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton and Jennifer T. Lange
LETTERS: Rick Parker
EDITOR: Daniel Chabon
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (April 2019)
American Gods is a fantasy novel first published in 2001 and written by Neil Gaiman. The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
American Gods is currently being adapted as a comic book series by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book adaptation. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the artist. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
This comic book adaptation will yield 27 issues over three nine-issue series (or story arcs). American Gods, the first series, ended late in 2017. The second series, American Gods: My Ainsel, concluded at the end of 2018. The final series is American Gods: The Moment of the Storm.
American Gods: The Moment of the Storm #1 opens in Minneapolis. There, Shadow Moon, Czernobog, and Mr. Nancy meet Alviss, a dwarf, who provides them with a new mode of transportation. The trio heads for “the Center” of the United States, near Lebanon, Kansas. There, they will meet the people who killed Mr. Wednesday, and who now want to surrender his corpse. The battle's just begun.
In my previous reviews of the American Gods comic book series, I have informed you, dear reader, that I am a big fan of American Gods the novel, although I did not read it upon its original release in 2001. I read the American Gods: Tenth Anniversary Edition (June 2011, William Morrow) which features a longer text and is the author, Neil Gaiman's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.
P. Craig Russell continues his excellent work, capturing both the details and spirit of American God's narrative through balance, knowing what text to retain and what to translate into illustrations. He makes Shadow Moon really stand out and evolve. He makes American Gods: The Moment of the Storm #1 as much a joy to read as the opening issues of the previous series.
Scott Hampton drawings and colors are more eccentric and ethereal than ever, but also quite solid in storytelling. Still, Hampton infuses his art and storytelling with a sense of magic. Letterer Rick Parker hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.
As before, I implore you, dear readers, to set aside your four dollars each month so that you can buy this lovely comic book. I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------------------
Labels:
Book Adaptation,
Dark Horse,
David Mack,
Glenn Fabry,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Wednesday, April 3, 2019
Review: AMERICAN GODS: My Ainsel #1
AMERICAN GODS: MY AINSEL No. 1
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (March 2018)
American Gods, written by Neil Gaiman, is a fantasy novel first published in 2001. The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
American Gods is currently being adapted into a comic book by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
This comic book adaptation will yield 27 issues of three nine-issue arcs. The first arc ended late in 2017, and the first issue of the second arc, American Gods: My Ainsel, recently debuted.
American Gods: My Ainsel #1 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday reunited after Shadow's time in Cairo, Illinois with Jacquel and Ibis. Once again, Shadow is playing driver for Mr. Wednesday, and on Christmas Day, the duo stops in a small town for holiday meal at “Gus's Family Restaurant.” Wednesday gives Shadow a new name, Mike Ainsel, but a new name is not the only new thing Shadow... er... Mike will experience.
In my review of previous issues of this series, I always inform you, dear reader that I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.
With that out of the way, I can say that I continue to enjoy this series. I admire the patient way in which P. Craig Russell adapts the novel. He captures both the details and spirit of this narrative through balance, knowing what text to retain and what to translate into illustrations. Scott Hampton drawings and colors are eccentric and ethereal, but also quite solid in storytelling. Letterer Rick Parker hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.
So again, I implore you readers to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (March 2018)
American Gods, written by Neil Gaiman, is a fantasy novel first published in 2001. The novel won several fantasy-literary awards and has been developed into the current hit television series for the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
American Gods is currently being adapted into a comic book by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
This comic book adaptation will yield 27 issues of three nine-issue arcs. The first arc ended late in 2017, and the first issue of the second arc, American Gods: My Ainsel, recently debuted.
American Gods: My Ainsel #1 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday reunited after Shadow's time in Cairo, Illinois with Jacquel and Ibis. Once again, Shadow is playing driver for Mr. Wednesday, and on Christmas Day, the duo stops in a small town for holiday meal at “Gus's Family Restaurant.” Wednesday gives Shadow a new name, Mike Ainsel, but a new name is not the only new thing Shadow... er... Mike will experience.
In my review of previous issues of this series, I always inform you, dear reader that I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading of that edition of American Gods to be a life-changing event for me in terms of my life as a writer.
With that out of the way, I can say that I continue to enjoy this series. I admire the patient way in which P. Craig Russell adapts the novel. He captures both the details and spirit of this narrative through balance, knowing what text to retain and what to translate into illustrations. Scott Hampton drawings and colors are eccentric and ethereal, but also quite solid in storytelling. Letterer Rick Parker hums along, capturing the magic with his stylish fonts and with the deftness in where he places exposition and word balloons.
So again, I implore you readers to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. I still think that American Gods may end up being on the short list of great comic book adaptations of a prose novel.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-----------------------
Labels:
Book Adaptation,
Dark Horse,
David Mack,
Glenn Fabry,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Thursday, October 18, 2018
Review: AMERICAN GODS #5
AMERICAN GODS No. 5
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (July 2017)
American Gods, written by Neil Gaiman, is an award-winning, fantasy novel first published in 2001. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
It is currently being adapted into a comic book by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #5 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday departing Chicago, leaving behind Czernobog and his eccentric family (with whom they stayed as guests). Shadow still has the gift, a silver dollar, given to him by Zorya Polunochnaya. They need money for traveling, and Wednesday comes up with a rather novel plan to get it. Then, it is on to Wisconsin and “The House on the Rock.”
I will inform you again, dear reader: I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer.
This adaptation begins its move into the central plot of the overall narrative. That is good, because the longer it takes to get to the central action, more of the story starts to look like padding. A reader can take American Gods the novel and read the entire story at his or her own pace. American Gods the comic book is a monthly release, so readers have to take the narrative in small chucks and cannot tackle its entirety at once the way they could with a novel. It's about time; as good as this comic book has been, it is also time to get to the “nitty gritty.”
So for the fifth time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (July 2017)
American Gods, written by Neil Gaiman, is an award-winning, fantasy novel first published in 2001. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
It is currently being adapted into a comic book by frequent Gaiman collaborator, P. Craig Russell, and publisher, Dark Horse Comics. Russell is the guiding hand behind the American Gods comic book. Russell writes the script adaptation of Gaiman's novel and provides the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #5 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday departing Chicago, leaving behind Czernobog and his eccentric family (with whom they stayed as guests). Shadow still has the gift, a silver dollar, given to him by Zorya Polunochnaya. They need money for traveling, and Wednesday comes up with a rather novel plan to get it. Then, it is on to Wisconsin and “The House on the Rock.”
I will inform you again, dear reader: I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer.
This adaptation begins its move into the central plot of the overall narrative. That is good, because the longer it takes to get to the central action, more of the story starts to look like padding. A reader can take American Gods the novel and read the entire story at his or her own pace. American Gods the comic book is a monthly release, so readers have to take the narrative in small chucks and cannot tackle its entirety at once the way they could with a novel. It's about time; as good as this comic book has been, it is also time to get to the “nitty gritty.”
So for the fifth time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
---------------------------
Labels:
Book Adaptation,
Dark Horse,
David Mack,
Glenn Fabry,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Sunday, September 30, 2018
I Reads You Juniors September 2018 - Update #66
Support Leroy on Patreon.
Leroy's Amazon Comics and Graphic Novels Page:
From UndeadWalking: "The Walking Dead" comic books are very profitable for Robert Kirkman.
From BleedingCool: Comic book painter and cover artist Glenn Fabry talks about being diagnosed with lung cancer.
From BleedingCool: "Diversity & Comics" guy, Richard Meyer (who hates diversity in comic books) is suing Mark Waid.
From BleedingCool: Marvel to publish a giveaway volume with "Secrets of the X-Men," in conjunction with the "Uncanny X-Men" relaunch.
MEMORIAM - From BleedingCool: The comic book artist Norm Breyfogle died at the age of 58, Monday, September 24, 2018. He was best known his extensive relationship with Batman, drawing Batman comic books form 1987 to 1195. He also drew the comic book "Whisper" (First Comics), written by Steven Grant, in the mid 1980s.
From THR: BOOM! Studios has acquired the license to produce comic books and graphic novels based on Lev Grossman's novel, "The Magicians."
From FortressofSolitude: There was a "Comic Con Africa" in South Africa.
From ComicBook: Dark Horse announces a deluxe edition of "Beserk," the manga it has been publishing in English for over a decade.
From MangaTokyo: Seven Seas Entertainment announces three more manga licenses for Summer 2019 release: "Creature Girls: A Field Journal in Another World," "My Next Life As a Villainess: All Routes Lead to Doom!" and "Blank Canvas: My so-called Artist’s Journey."
From BleedingCool: AfterShock Comics announces its plans for New York Comic Con 2018.
MEMORIAM - From AnimeMojo: Manga creator Yasuyuki Kunimoto died September 20th, 2018. He was known for such manga as "10 Billion Men" and "Junk Boy."
From Newsarama: A list of films based on comic books and manga scheduled for release from 2018 to 2022, with an emphasis on Marvel and DC Comics movies.
From Newsarama: As were await the release of DC Comics' "Heroes in Crisis," here, is a look back at "Identity Crisis."
From Newsarama: DC Comics will reprint Walter Simonson's 2000s era "Orion" comic book series.
From Newsarama: "Death of Daredevil" starts in October. This will be writer Charles Soule's final story arc for the "Daredevil" ongoing comic book.
From BleedingCool: Ed Brubaker and Sean Phillips "Criminal" returns in January 2018.
From TheDailyBeast: As her comic book, Man-Eaters, prepares to hit store shelves, Chelsea Cain rips into Marvel Comics and the comics industry.
From BleedingCool: "Superman vs. Muhammad Ali is one of DC Comics' best-selling comics. It was originally published in 1978.
From TCJ: There is a defamation lawsuit roiling around the small press comics community. Keep up with it at this link.
From BleedingCool: "Jesusfreak" is a graphic novel from writer Joe Casey and artist Benjamin Marra that is due from Image Comics in 2019.
From BleedingCool: Marvel Comics will adapt the hit film, "Avengers: Infinity War" into a comic book.
From Marvel: Erik Killmonger, the villain in Marvel Studios' "Black Panther" film, gets his own miniseries from Marvel Comics, starting in December 2018.
From ComicBookBin: New webcomic Johnny Bullet "Epilogue" in English.
From ComicBookBin: New webcomic Johnny Bullet "Epilogue" in French.
From TheStarCalgary: Calgary (Canada)-based millennial cartoonist, Eman Elkadri, uses her comics to combat racism.
From TheOuthousers: Martian Manhunter gets a new solo comic book series from DC Comics.
From BleedingCool: It's "Batman Day 2018."
From TechCrunch: The new streaming service, "DC Universe Online" debuts tomorrow, Sat., Sept. 15th.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in English.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in French.
From ComicBookMovie: The CW's "The Flash" television series starts off Season 5 with a new costume for the title character.
From AnimeMojo: "The Promised Neverland" manga is coming to an end soon... in Japan.
From MyArkLaMiss: There is a new comic book shop, "Villains Comics & Collectibles," in Monroe, Louisiana.
From BleedingCool: Horror show U.S. President Trump will appear in Todd McFarlane's long-running comic book, "Spawn."
From ComicBookBin: New webcomic Johnny Bullet episode #176 in English.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in French.
From CBCBooks: CBC (Canadian Broadcasting Corporation) Books website talks to Georgia Webber about her graphic novel, "Dumb Living Without a Voice (Fantagraphics).
From DarkHorizons: A live-action series based on "Swamp Thing" will be part of the "DC Universe" streaming package. Apparently, the series will offer "graphic violence" and will emphasize the use of practical effects over computer-generated effects.
From QVoiceNews: Prism Comics promotes queer comic visibility.
From CNET: Skin or CGI? Alita: Battle Angel takes manga to photorealistic levels
From TheAVClub: The Incredibles didn't need comic-book source material (or origin stories) to do superheroes right
From BleedingCool: "Superior Spider-Man" is returning, and Doctor Octopus is returning as the series star, "the Superior Spider-Man."
From Newsarama: Valiant outlines its plans for the 2019 Baltimore Comic-Con.
From BleedingCool: Diamond Comics Distributors will hold its 2019 Retailer Summit in Las Vegas.
From BleedingCool: Marvel Comics abandons its pursuit of a "Monster Unleashed" trademark
From BleedingCool: The streaming service, "DC Universe" has revealed its panels schedule for New York Comic Con 2018.
From BleedingCool: One of the comic book's greatest writers, Roy Thomas, speaks on the passing of Marie Severin, Gary Friedrich, Steve Ditko, and Russ Heath.
From BleedingCool: DC "Black Label" imprint will apparent offer up obscure characters and obscure corners of the DC Universe and not just focus on the big three: Superman, Batman, and Wonder Woman.
From BleedingCool: DC Comics to give Nightwing (Dick Grayson) a new direction.
From BleedingCool: There will apparently be a Canadian version of the "DC Universe" streaming service.
From ANN: Haruichi Furudate's volleyball manga, "Haikyu!!" will be adapted an a claymation short for an anime event.
From CBR: Christina Merkler is the Comic Book Legal Defense Fund's new president.
From BleedingCool: Bill Jemas and Axel Alonso are talent hunting for new comics publishing venture.
From BleedingCool: Jock, Scott Snyder, Greg Capullo, Tom King, and Jason Fabok to be among the contributors to "Detective Comics #1000."
From TheAtlantic: Remembering the woman, Marie Severin, who changed Marvel Comics.
From Newsarama: Eminem teases a song for the "Venom" soundtrack.
From PasteMagazine: An interview of Inio Asano, the creator of "Goodnight Punpun" and "Dead Dead Demon’s Dededede Destruction."
From SmallPressExpo: The 2018 SPX Ignatz Award nominations have been announced.
-------------------------------------
OCTOBER 2018 COMICS SOLICITATIONS:
From Newsarama: AfterShock Comics for October 2018
From Newsarama: BOOM! Studios for October 2018
From BleedingCool: Caliber Press for October 2018
From BleedingCool: Dark Horse Comics for October 2018
From Newsarama: DC Comics for October 2018
From TheOuthousers: Dynamite Entertainment for 2018
From BleedingCool: Fantagraphics Books for October 2018.
From Newsarama: Image Comics for October 2018
From CBR: Marvel Comics for October 2018.
From Newsarama: Rebellion for October 2018
From Newsarama: Scout Comics for October 2018
From Newsarama: Valiant Entertaiment solicitations for October 2018.
NOVEMBER 2018 COMICS SOLICITATIONS:
From Newsarama: BOOM! Studios for November 2018
From Newsarama: Dark Horse Comics for November 2018
From Newsarama: DC Comics for November 2018
From Newsarama: Dynamite Entertainment for November 2018
From TheOuthousers: Fantagraphics Books for November 2018
From Newsarama: IDW Publishing for November 2018
From BleedingCool: Image Comics for November 2018
From BleedingCool: Lion Forge solicitations for November 2018
From Newsarama: Marvel Comics solicitations for November 2018
From BleedingCool: Rebellion 2000AD for November 2018
From BleedingCool: Titan Comics for November 2018
DECEMBER 2018 COMICS SOLICITATIONS:
From BleedingCool: AfterShock Comics for December 2018
From Newsarama: DC Comics for December 2018
From BleedingCool: Image Comics for December 2018
From BleedingCool: Marvel Comics for December 2018
From BleedingCool: Titan Comics for December 2018
Leroy's Amazon Comics and Graphic Novels Page:
From UndeadWalking: "The Walking Dead" comic books are very profitable for Robert Kirkman.
From BleedingCool: Comic book painter and cover artist Glenn Fabry talks about being diagnosed with lung cancer.
From BleedingCool: "Diversity & Comics" guy, Richard Meyer (who hates diversity in comic books) is suing Mark Waid.
From BleedingCool: Marvel to publish a giveaway volume with "Secrets of the X-Men," in conjunction with the "Uncanny X-Men" relaunch.
MEMORIAM - From BleedingCool: The comic book artist Norm Breyfogle died at the age of 58, Monday, September 24, 2018. He was best known his extensive relationship with Batman, drawing Batman comic books form 1987 to 1195. He also drew the comic book "Whisper" (First Comics), written by Steven Grant, in the mid 1980s.
From THR: BOOM! Studios has acquired the license to produce comic books and graphic novels based on Lev Grossman's novel, "The Magicians."
From FortressofSolitude: There was a "Comic Con Africa" in South Africa.
From ComicBook: Dark Horse announces a deluxe edition of "Beserk," the manga it has been publishing in English for over a decade.
From MangaTokyo: Seven Seas Entertainment announces three more manga licenses for Summer 2019 release: "Creature Girls: A Field Journal in Another World," "My Next Life As a Villainess: All Routes Lead to Doom!" and "Blank Canvas: My so-called Artist’s Journey."
From BleedingCool: AfterShock Comics announces its plans for New York Comic Con 2018.
MEMORIAM - From AnimeMojo: Manga creator Yasuyuki Kunimoto died September 20th, 2018. He was known for such manga as "10 Billion Men" and "Junk Boy."
From Newsarama: A list of films based on comic books and manga scheduled for release from 2018 to 2022, with an emphasis on Marvel and DC Comics movies.
From Newsarama: As were await the release of DC Comics' "Heroes in Crisis," here, is a look back at "Identity Crisis."
From Newsarama: DC Comics will reprint Walter Simonson's 2000s era "Orion" comic book series.
From Newsarama: "Death of Daredevil" starts in October. This will be writer Charles Soule's final story arc for the "Daredevil" ongoing comic book.
From BleedingCool: Ed Brubaker and Sean Phillips "Criminal" returns in January 2018.
From TheDailyBeast: As her comic book, Man-Eaters, prepares to hit store shelves, Chelsea Cain rips into Marvel Comics and the comics industry.
From BleedingCool: "Superman vs. Muhammad Ali is one of DC Comics' best-selling comics. It was originally published in 1978.
From TCJ: There is a defamation lawsuit roiling around the small press comics community. Keep up with it at this link.
From BleedingCool: "Jesusfreak" is a graphic novel from writer Joe Casey and artist Benjamin Marra that is due from Image Comics in 2019.
From BleedingCool: Marvel Comics will adapt the hit film, "Avengers: Infinity War" into a comic book.
From Marvel: Erik Killmonger, the villain in Marvel Studios' "Black Panther" film, gets his own miniseries from Marvel Comics, starting in December 2018.
From ComicBookBin: New webcomic Johnny Bullet "Epilogue" in English.
From ComicBookBin: New webcomic Johnny Bullet "Epilogue" in French.
From TheStarCalgary: Calgary (Canada)-based millennial cartoonist, Eman Elkadri, uses her comics to combat racism.
From TheOuthousers: Martian Manhunter gets a new solo comic book series from DC Comics.
From BleedingCool: It's "Batman Day 2018."
From TechCrunch: The new streaming service, "DC Universe Online" debuts tomorrow, Sat., Sept. 15th.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in English.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in French.
From ComicBookMovie: The CW's "The Flash" television series starts off Season 5 with a new costume for the title character.
From AnimeMojo: "The Promised Neverland" manga is coming to an end soon... in Japan.
From MyArkLaMiss: There is a new comic book shop, "Villains Comics & Collectibles," in Monroe, Louisiana.
From BleedingCool: Horror show U.S. President Trump will appear in Todd McFarlane's long-running comic book, "Spawn."
From ComicBookBin: New webcomic Johnny Bullet episode #176 in English.
From ComicBookBin: New webcomic Johnny Bullet episode #176 in French.
From CBCBooks: CBC (Canadian Broadcasting Corporation) Books website talks to Georgia Webber about her graphic novel, "Dumb Living Without a Voice (Fantagraphics).
From DarkHorizons: A live-action series based on "Swamp Thing" will be part of the "DC Universe" streaming package. Apparently, the series will offer "graphic violence" and will emphasize the use of practical effects over computer-generated effects.
From QVoiceNews: Prism Comics promotes queer comic visibility.
From CNET: Skin or CGI? Alita: Battle Angel takes manga to photorealistic levels
From TheAVClub: The Incredibles didn't need comic-book source material (or origin stories) to do superheroes right
From BleedingCool: "Superior Spider-Man" is returning, and Doctor Octopus is returning as the series star, "the Superior Spider-Man."
From Newsarama: Valiant outlines its plans for the 2019 Baltimore Comic-Con.
From BleedingCool: Diamond Comics Distributors will hold its 2019 Retailer Summit in Las Vegas.
From BleedingCool: Marvel Comics abandons its pursuit of a "Monster Unleashed" trademark
From BleedingCool: The streaming service, "DC Universe" has revealed its panels schedule for New York Comic Con 2018.
From BleedingCool: One of the comic book's greatest writers, Roy Thomas, speaks on the passing of Marie Severin, Gary Friedrich, Steve Ditko, and Russ Heath.
From BleedingCool: DC "Black Label" imprint will apparent offer up obscure characters and obscure corners of the DC Universe and not just focus on the big three: Superman, Batman, and Wonder Woman.
From BleedingCool: DC Comics to give Nightwing (Dick Grayson) a new direction.
From BleedingCool: There will apparently be a Canadian version of the "DC Universe" streaming service.
From ANN: Haruichi Furudate's volleyball manga, "Haikyu!!" will be adapted an a claymation short for an anime event.
From CBR: Christina Merkler is the Comic Book Legal Defense Fund's new president.
From BleedingCool: Bill Jemas and Axel Alonso are talent hunting for new comics publishing venture.
From BleedingCool: Jock, Scott Snyder, Greg Capullo, Tom King, and Jason Fabok to be among the contributors to "Detective Comics #1000."
From TheAtlantic: Remembering the woman, Marie Severin, who changed Marvel Comics.
From Newsarama: Eminem teases a song for the "Venom" soundtrack.
From PasteMagazine: An interview of Inio Asano, the creator of "Goodnight Punpun" and "Dead Dead Demon’s Dededede Destruction."
From SmallPressExpo: The 2018 SPX Ignatz Award nominations have been announced.
-------------------------------------
OCTOBER 2018 COMICS SOLICITATIONS:
From Newsarama: AfterShock Comics for October 2018
From Newsarama: BOOM! Studios for October 2018
From BleedingCool: Caliber Press for October 2018
From BleedingCool: Dark Horse Comics for October 2018
From Newsarama: DC Comics for October 2018
From TheOuthousers: Dynamite Entertainment for 2018
From BleedingCool: Fantagraphics Books for October 2018.
From Newsarama: Image Comics for October 2018
From CBR: Marvel Comics for October 2018.
From Newsarama: Rebellion for October 2018
From Newsarama: Scout Comics for October 2018
From Newsarama: Valiant Entertaiment solicitations for October 2018.
NOVEMBER 2018 COMICS SOLICITATIONS:
From Newsarama: BOOM! Studios for November 2018
From Newsarama: Dark Horse Comics for November 2018
From Newsarama: DC Comics for November 2018
From Newsarama: Dynamite Entertainment for November 2018
From TheOuthousers: Fantagraphics Books for November 2018
From Newsarama: IDW Publishing for November 2018
From BleedingCool: Image Comics for November 2018
From BleedingCool: Lion Forge solicitations for November 2018
From Newsarama: Marvel Comics solicitations for November 2018
From BleedingCool: Rebellion 2000AD for November 2018
From BleedingCool: Titan Comics for November 2018
DECEMBER 2018 COMICS SOLICITATIONS:
From BleedingCool: AfterShock Comics for December 2018
From Newsarama: DC Comics for December 2018
From BleedingCool: Image Comics for December 2018
From BleedingCool: Marvel Comics for December 2018
From BleedingCool: Titan Comics for December 2018
Labels:
Ed Brubaker,
Glenn Fabry,
Inio Asano,
Joe Casey,
Juniors,
Mark Waid,
memoriam,
Robert Kirkman,
Roy Thomas,
Sean Phillips
Friday, September 7, 2018
Review: AMERICAN GODS #4
AMERICAN GODS No. 4
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; Colleen Doran
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (June 2017)
Written by Neil Gaiman and first published in 2001, American Gods is an award-winning, fantasy novel. It is currently being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
Frequent Gaiman collaborator, P. Craig Russell, is the guiding hand behind the American Gods comic book. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #4 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday in Chicago. There, they meet an eccentric family tied to Wednesday's plans. One of them, an elderly man named Czernobog, wants to play chess with Shadow, although the consequences for a loss by Shadow are dire. There are also three sisters in the apartment, and one of them, Zorya Polunochnaya, has a gift for Shadow. Plus, Mr. Ibis tells the “coming-to-America” story of Essie Tregowan – from the shores of Cornwall and the streets of London to early 18th century colonial Virginia.
Once again, dear reader, a reminder: I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer. True stuff, swear to an American god.
The main story by Russell and Hampton is, as usual, quite good, capturing the magic of Gaiman's book. This time, however, the main feature is outshone by the back-up feature, the story of Essie Tregowan. Drawn and colored by the incomparable Colleen Doran (who has previously collaborated with Neil Gaiman), the story reads like a fairy tale, the kind with the melancholy ending.
Doran is a respected comic book artist, but is perhaps under-appreciated as a comic book creator and publisher. This story reminds us of her skills as a storyteller and perhaps, reveals to some and reminds others of the remarkable beauty of her comic book art and illustrations. In the world of American comic books, Colleen Doran should be an American god.
So for the fourth time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You'
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; Colleen Doran
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (June 2017)
Written by Neil Gaiman and first published in 2001, American Gods is an award-winning, fantasy novel. It is currently being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
Frequent Gaiman collaborator, P. Craig Russell, is the guiding hand behind the American Gods comic book. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #4 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday in Chicago. There, they meet an eccentric family tied to Wednesday's plans. One of them, an elderly man named Czernobog, wants to play chess with Shadow, although the consequences for a loss by Shadow are dire. There are also three sisters in the apartment, and one of them, Zorya Polunochnaya, has a gift for Shadow. Plus, Mr. Ibis tells the “coming-to-America” story of Essie Tregowan – from the shores of Cornwall and the streets of London to early 18th century colonial Virginia.
Once again, dear reader, a reminder: I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer. True stuff, swear to an American god.
The main story by Russell and Hampton is, as usual, quite good, capturing the magic of Gaiman's book. This time, however, the main feature is outshone by the back-up feature, the story of Essie Tregowan. Drawn and colored by the incomparable Colleen Doran (who has previously collaborated with Neil Gaiman), the story reads like a fairy tale, the kind with the melancholy ending.
Doran is a respected comic book artist, but is perhaps under-appreciated as a comic book creator and publisher. This story reminds us of her skills as a storyteller and perhaps, reveals to some and reminds others of the remarkable beauty of her comic book art and illustrations. In the world of American comic books, Colleen Doran should be an American god.
So for the fourth time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You'
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
-------------------------------
Labels:
Book Adaptation,
Colleen Doran,
Dark Horse,
David Mack,
Glenn Fabry,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Thursday, June 7, 2018
Review: AMERICAN GODS #3
AMERICAN GODS No. 3
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; Walter Simonson
COLORS: Scott Hampton; Laura Martin
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (May 2017)
American Gods is the award-winning, 2001 novel from author Neil Gaiman. It is now being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
The guiding hand behind the American Gods comic book is frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #3 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday, still in Indiana where Shadow attended the funeral of his wife, Laura. The duo prepares to leave for Chicago the following day, but that night, Shadow has strange, troubling dreams. Then, he gets a visit from Laura. Plus, meet the strange fortune tellers of Chicago.
I always feel or think that I have to let you know, dear reader, that I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer. True, swear to an American god.
Dark Horse Comics, over their three decades-plus of publishing comic books adapted from other media, has produced countless high-quality “media-tie” comic book and adaptations, and American Gods is one of their best. Even into this third issue, P. Craig Russell and Scott Hampton's American Gods feels true to Neil Gaiman's storytelling and text.
Russell is patient and allows his script adaptation of Gaiman's expansive novel to breath, rather than forcing the pace to squeeze the narrative into a miniseries. Hampton's naturalistic art captures the supernatural aura surrounding American Gods' narrative, while fashioning a world that is both natural and supernatural. I wondered how they could pull off Laura's return, which is one of the more troubling sequences in the novel. They got it right; the comics vision of that event is also quite eerie.
So for a third time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; Walter Simonson
COLORS: Scott Hampton; Laura Martin
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack
28pp, Color, $3.99 U.S. (May 2017)
American Gods is the award-winning, 2001 novel from author Neil Gaiman. It is now being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards, and there is currently a hit television series adapted from the novel and televised on the cable network, Starz Media. American Gods blends Americana and also ancient and modern mythology to tell the story of a man caught in a war between the gods of the Old World and the new American gods.
The guiding hand behind the American Gods comic book is frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #3 finds the protagonist, Shadow Moon, and his mysterious employer, Mr. Wednesday, still in Indiana where Shadow attended the funeral of his wife, Laura. The duo prepares to leave for Chicago the following day, but that night, Shadow has strange, troubling dreams. Then, he gets a visit from Laura. Plus, meet the strange fortune tellers of Chicago.
I always feel or think that I have to let you know, dear reader, that I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I also feel that I must admit that I loved that book, and that “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer. True, swear to an American god.
Dark Horse Comics, over their three decades-plus of publishing comic books adapted from other media, has produced countless high-quality “media-tie” comic book and adaptations, and American Gods is one of their best. Even into this third issue, P. Craig Russell and Scott Hampton's American Gods feels true to Neil Gaiman's storytelling and text.
Russell is patient and allows his script adaptation of Gaiman's expansive novel to breath, rather than forcing the pace to squeeze the narrative into a miniseries. Hampton's naturalistic art captures the supernatural aura surrounding American Gods' narrative, while fashioning a world that is both natural and supernatural. I wondered how they could pull off Laura's return, which is one of the more troubling sequences in the novel. They got it right; the comics vision of that event is also quite eerie.
So for a third time, I implore you to set aside your four dollars each month so that you can buy this lovely comic book, dear reader. American Gods may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
Labels:
Book Adaptation,
Dark Horse,
David Mack,
Glenn Fabry,
Laura Martin,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton,
Walter Simonson
Friday, April 27, 2018
Review: AMERICAN GODS #2
AMERICAN GODS No. 2
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack; Bill Sienkiewicz
28pp, Color, $3.99 U.S. (April 2017)
American Gods, the award-winning, 2001 novel from author Neil Gaiman, is now being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards and is currently the subject of a television adaptation by Starz Media. This fantasy novel blends ancient and modern mythology with Americana to tell the tale a man caught in a war between the gods of the Old World and the new American gods.
The guiding hand behind the American Gods comic book is frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #2 finds the protagonist, Shadow Moon, in a predicament. Shadow was recently paroled after serving three years of his six-year prison sentence. As his day of release approached, Shadow was anxious, strongly believing that something bad was coming towards him. He planned on returning to Eagle Point, Indiana and his wife, Laura, but he discovered that she had only recently been killed in a car crash. What to do, now?
Now, Shadow is deciding if he should take a job offer from the mysterious Mr. Wednesday, and he is also about to meet the first of his potential employer's weird friends. Bigger shocks are to come when Shadow learns more details about his wife's untimely death and also about the people who don't want him to take that job.
I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I loved it, but “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer.
Dark Horse Comics, over their three decades-plus of publishing comic books adapted from other media, has produced countless high-quality “media-tie” comic book and adaptations. Why stop now? Well, I am not disappointed.
So far, I like P. Craig Russell and Scott Hampton's American Gods because it feels true to Neil Gaiman's storytelling and text. Russell is patient and allows his script adaptation of Gaiman's expansive novel to breath, rather than forcing the pace to squeeze the narrative into a miniseries. Hampton's naturalistic art captures the supernatural aura surrounding American Gods' narrative, while fashioning a world that is both natural and supernatural.
Once again, I implore you to set aside your four bucks for each issue. We have in American Gods a comics adaptation of a novel that may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
--------------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton
COLORS: Scott Hampton
LETTERS: Rick Parker
COVER: Glenn Fabry with Adam Brown
VARIANT COVER: David Mack; Bill Sienkiewicz
28pp, Color, $3.99 U.S. (April 2017)
American Gods, the award-winning, 2001 novel from author Neil Gaiman, is now being adapted into a comic book series, published by Dark Horse Comics. The novel won several fantasy-literary awards and is currently the subject of a television adaptation by Starz Media. This fantasy novel blends ancient and modern mythology with Americana to tell the tale a man caught in a war between the gods of the Old World and the new American gods.
The guiding hand behind the American Gods comic book is frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker.
American Gods #2 finds the protagonist, Shadow Moon, in a predicament. Shadow was recently paroled after serving three years of his six-year prison sentence. As his day of release approached, Shadow was anxious, strongly believing that something bad was coming towards him. He planned on returning to Eagle Point, Indiana and his wife, Laura, but he discovered that she had only recently been killed in a car crash. What to do, now?
Now, Shadow is deciding if he should take a job offer from the mysterious Mr. Wednesday, and he is also about to meet the first of his potential employer's weird friends. Bigger shocks are to come when Shadow learns more details about his wife's untimely death and also about the people who don't want him to take that job.
I am a big fan of American Gods, although I did not read it upon its original release in 2001. I read the tenth anniversary edition which featured a longer text – the author's preferred edition. I loved it, but “love” is not a strong enough word in this case. American Gods: The Tenth Anniversary Edition is one of my favorite books, and I consider the reading that edition of American Gods to be life-changing event for me in terms of my life as a writer.
Dark Horse Comics, over their three decades-plus of publishing comic books adapted from other media, has produced countless high-quality “media-tie” comic book and adaptations. Why stop now? Well, I am not disappointed.
So far, I like P. Craig Russell and Scott Hampton's American Gods because it feels true to Neil Gaiman's storytelling and text. Russell is patient and allows his script adaptation of Gaiman's expansive novel to breath, rather than forcing the pace to squeeze the narrative into a miniseries. Hampton's naturalistic art captures the supernatural aura surrounding American Gods' narrative, while fashioning a world that is both natural and supernatural.
Once again, I implore you to set aside your four bucks for each issue. We have in American Gods a comics adaptation of a novel that may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
--------------------------------
Labels:
Bill Sienkiewicz,
Book Adaptation,
Dark Horse,
David Mack,
Glenn Fabry,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Monday, March 12, 2018
Dark Horse Comics from Diamond Distributors for March 14, 2018
DARK HORSE COMICS
NOV170030 BADLANDS TP 2ND ED $17.99
NOV170053 BLADE OF IMMORTAL OMNIBUS TP VOL 05 (MR) $21.99
JAN180114 GIANTS #4 (OF 5) $3.99
JAN180097 NEIL GAIMAN AMERICAN GODS MY AINSEL #1 $3.99
JAN180098 NEIL GAIMAN AMERICAN GODS MY AINSEL #1 VAR CVR $3.99
NOV170030 BADLANDS TP 2ND ED $17.99
NOV170053 BLADE OF IMMORTAL OMNIBUS TP VOL 05 (MR) $21.99
JAN180114 GIANTS #4 (OF 5) $3.99
JAN180097 NEIL GAIMAN AMERICAN GODS MY AINSEL #1 $3.99
JAN180098 NEIL GAIMAN AMERICAN GODS MY AINSEL #1 VAR CVR $3.99
Labels:
comics news,
Dark Horse,
David Mack,
Diamond Distributors,
Glenn Fabry,
manga news,
Neil Gaiman,
P. Craig Russell
Tuesday, March 6, 2018
Review: AMERICAN GODS #1
AMERICAN GODS No. 1
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; P. Craig Russell
COLORS: Scott Hampton; P. Craig Russell
LETTERS: Rick Parker; Lovern Kindzierski
COVER: Glenn Fabry
VARIANT COVERS: David Mack; Dave McKean
28pp, Color, $3.99 U.S. (March 2017)
American Gods is a 2001 novel from author Neil Gaiman. The novel won several fantasy-literary awards and is currently the subject of a television adaptation by Starz Media. This fantasy novel blends ancient and modern mythology with Americana to tell the tale a man caught in a war between the gods of the Old World and the new American gods.
American Gods is also a comic book thanks to an adaptation by frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker. The first issue of American Gods also includes a four-page back story that is an adaptation of particular sequence (involving the succubus, Bilquis) from American Gods that is written, drawn, and colored by Russell and lettered by Lovern Kindzierski.
American Gods #1 opens in an unnamed prison where we meet the protagonist, Shadow Moon. Shadow is in the third year of his six-year prison sentence and is nearing parole. Being so close to getting out of prison has made Shadow anxious, and he feels that something bad is coming towards him. Everyday he thinks of returning to Eagle Point, Indiana and his wife, Laura. However, the world of the supernatural is what actually awaits Shadow... and a man calling himself Mr. Wednesday.
I did not read American Gods upon its original release in 2001, but five years ago, I did read the tenth anniversary edition which featured a longer text – the author's preferred edition. I loved it; well, I don't think “love” is a strong enough word. I consider that edition of American Gods to be life-changing in terms of my life as a writer.
I was happy to hear that Dark Horse Comics would be publishing a comic book adaptation, because I believed that, as they have always done, the people of Dark Horse take their comic book adaptations of other media seriously (Alien, Predator, and “Buffy the Vampire Slayer” to name a few). They always seem determined to produce something of high quality, and I knew they would not want to fuck up Neil Gaiman's storytelling.
So far, I like P. Craig Russell and Scott Hampton's American Gods because it feels true to Neil Gaiman's storytelling and text. The only thing that I don't like is waiting a month for the next issue. It's that simple: Russell and Hampton done good. Plus, I have to say I wondered if anyone could visualize the part of the novel in which Gaiman introduces Bilquis, and Russell, one of the great visualists in the history of comic books, pulls that off. [By the way, David Mack's variant cover for the first issue is also quite visually striking.]
So set aside your four bucks for each issue. We have in American Gods a comics adaptation of a novel that may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------
DARK HORSE COMICS – @DarkHorseComics
[This review was originally posted on Patreon.]
STORY: Neil Gaiman
SCRIPT: P. Craig Russell
LAYOUTS: P. Craig Russell
ART: Scott Hampton; P. Craig Russell
COLORS: Scott Hampton; P. Craig Russell
LETTERS: Rick Parker; Lovern Kindzierski
COVER: Glenn Fabry
VARIANT COVERS: David Mack; Dave McKean
28pp, Color, $3.99 U.S. (March 2017)
American Gods is a 2001 novel from author Neil Gaiman. The novel won several fantasy-literary awards and is currently the subject of a television adaptation by Starz Media. This fantasy novel blends ancient and modern mythology with Americana to tell the tale a man caught in a war between the gods of the Old World and the new American gods.
American Gods is also a comic book thanks to an adaptation by frequent Gaiman collaborator, P. Craig Russell. Russell wrote the script adaptation of Gaiman's novel and provided the layouts for the art. American Gods the comic book is drawn and colored by Scott Hampton and lettered by Rick Parker. The first issue of American Gods also includes a four-page back story that is an adaptation of particular sequence (involving the succubus, Bilquis) from American Gods that is written, drawn, and colored by Russell and lettered by Lovern Kindzierski.
American Gods #1 opens in an unnamed prison where we meet the protagonist, Shadow Moon. Shadow is in the third year of his six-year prison sentence and is nearing parole. Being so close to getting out of prison has made Shadow anxious, and he feels that something bad is coming towards him. Everyday he thinks of returning to Eagle Point, Indiana and his wife, Laura. However, the world of the supernatural is what actually awaits Shadow... and a man calling himself Mr. Wednesday.
I did not read American Gods upon its original release in 2001, but five years ago, I did read the tenth anniversary edition which featured a longer text – the author's preferred edition. I loved it; well, I don't think “love” is a strong enough word. I consider that edition of American Gods to be life-changing in terms of my life as a writer.
I was happy to hear that Dark Horse Comics would be publishing a comic book adaptation, because I believed that, as they have always done, the people of Dark Horse take their comic book adaptations of other media seriously (Alien, Predator, and “Buffy the Vampire Slayer” to name a few). They always seem determined to produce something of high quality, and I knew they would not want to fuck up Neil Gaiman's storytelling.
So far, I like P. Craig Russell and Scott Hampton's American Gods because it feels true to Neil Gaiman's storytelling and text. The only thing that I don't like is waiting a month for the next issue. It's that simple: Russell and Hampton done good. Plus, I have to say I wondered if anyone could visualize the part of the novel in which Gaiman introduces Bilquis, and Russell, one of the great visualists in the history of comic books, pulls that off. [By the way, David Mack's variant cover for the first issue is also quite visually striking.]
So set aside your four bucks for each issue. We have in American Gods a comics adaptation of a novel that may end up being on the short list of great comic book adaptations of a prose novel.
A
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------
Labels:
Book Adaptation,
Dark Horse,
Dave McKean,
David Mack,
Glenn Fabry,
Lovern Kindzierski,
Neil Gaiman,
P. Craig Russell,
Review,
Scott Hampton
Wednesday, February 10, 2016
Review: JAMES BOND Volume 1 #1
JAMES BOND, VOL. 1 No. 1
DYNAMITE ENTERTAINMENT – @dynamitecomics
[This review was originally posted on Patreon.]
WRITER: Warren Ellis
ART: Jason Masters
COLORS: Guy Major
LETTERS: Simon Bowland
COVER: Dom Reardon
VARIANT COVER ARTISTS: Francesco Francavilla; Steven Mooney; Dan Panosian; Gabriel Hardman with Jordan Boyd; Glenn Fabry; Jock; Gabriel Hardman; Joe Jusko; Aaron Campbell; Timothy Lim; Dennis Calero; Robert Hack; Ben Oliver; Jason Masters
32pp, Color, $3.99 U.S.
Rated T+
“Vargr”
“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist. Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections. Of course, most people know Bond because of the long-running James Bond-007 film series, which began with the 1962 film, Dr. No.
After Fleming's death, a number of authors continued to produce James Bond novels, including the recently released Trigger Warning from author Anthony Horowitz. Over the past 50+ years, Bond has made sporadic appearances in comic books. The latest James Bond comic book appears courtesy of Dynamite Entertainment.
James Bond, Volume 1 is written by Warren Ellis, drawn by Jason Masters, colored by Guy Major, and lettered by Simon Bowland. The first story arc is entitled is entitled “Vargr.” According to Ellis, this James Bond comic book series will feature a James Bond that skews closer to the character that appeared in Ian Fleming's writing than in the film series.
James Bond, Volume 1, #1 opens in Helsinki, Finland. There, James Bond-007 is settling a matter concerning 008. Back in London at MI6 headquarters, M (Bond's immediate superior) informs Bond that he must take on a larger workload. That will take him to Berlin and into danger.
When actor Daniel Craig was cast as James Bond around a decade ago, it was announced that the James Bond film series would return to the idea that 007 was a blunt instrument used by the British Secret Service. That was evident in most of Craig's first outing as Bond, 2006's Casino Royale, although the film ultimately returned to the action movie theatrics that have defined the series for most of its existence.
In 22 pages, writer Warren Ellis makes it clear that the James Bond of “Vargr” is not only a blunt instrument, but also is a man who can be both suave and ordinary-like, as necessary. This Bond is also classic and cool, like Sean Connery operating with a jazzy soundtrack in the background. There is, however, also a touch of the edginess found in Richard Stark's Parker.
Jason Masters' art and graphical storytelling deglazes any cinematic sheen from both the subject and the story. With Guy Major's colors, Masters' art does not seek to make this a matter-of-fact Bond, but rather it emphasizes the story and genre as much as it does the famous character.
I highly recommend this to fans of James Bond and to those who have been waiting for a James Bond comic book. I must also note that not only is Moneypenny a Black character (as she is in the current films), but so is M. I'll be waiting in Berlin...
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
DYNAMITE ENTERTAINMENT – @dynamitecomics
[This review was originally posted on Patreon.]
WRITER: Warren Ellis
ART: Jason Masters
COLORS: Guy Major
LETTERS: Simon Bowland
COVER: Dom Reardon
VARIANT COVER ARTISTS: Francesco Francavilla; Steven Mooney; Dan Panosian; Gabriel Hardman with Jordan Boyd; Glenn Fabry; Jock; Gabriel Hardman; Joe Jusko; Aaron Campbell; Timothy Lim; Dennis Calero; Robert Hack; Ben Oliver; Jason Masters
32pp, Color, $3.99 U.S.
Rated T+
“Vargr”
“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist. Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections. Of course, most people know Bond because of the long-running James Bond-007 film series, which began with the 1962 film, Dr. No.
After Fleming's death, a number of authors continued to produce James Bond novels, including the recently released Trigger Warning from author Anthony Horowitz. Over the past 50+ years, Bond has made sporadic appearances in comic books. The latest James Bond comic book appears courtesy of Dynamite Entertainment.
James Bond, Volume 1 is written by Warren Ellis, drawn by Jason Masters, colored by Guy Major, and lettered by Simon Bowland. The first story arc is entitled is entitled “Vargr.” According to Ellis, this James Bond comic book series will feature a James Bond that skews closer to the character that appeared in Ian Fleming's writing than in the film series.
James Bond, Volume 1, #1 opens in Helsinki, Finland. There, James Bond-007 is settling a matter concerning 008. Back in London at MI6 headquarters, M (Bond's immediate superior) informs Bond that he must take on a larger workload. That will take him to Berlin and into danger.
When actor Daniel Craig was cast as James Bond around a decade ago, it was announced that the James Bond film series would return to the idea that 007 was a blunt instrument used by the British Secret Service. That was evident in most of Craig's first outing as Bond, 2006's Casino Royale, although the film ultimately returned to the action movie theatrics that have defined the series for most of its existence.
In 22 pages, writer Warren Ellis makes it clear that the James Bond of “Vargr” is not only a blunt instrument, but also is a man who can be both suave and ordinary-like, as necessary. This Bond is also classic and cool, like Sean Connery operating with a jazzy soundtrack in the background. There is, however, also a touch of the edginess found in Richard Stark's Parker.
Jason Masters' art and graphical storytelling deglazes any cinematic sheen from both the subject and the story. With Guy Major's colors, Masters' art does not seek to make this a matter-of-fact Bond, but rather it emphasizes the story and genre as much as it does the famous character.
I highly recommend this to fans of James Bond and to those who have been waiting for a James Bond comic book. I must also note that not only is Moneypenny a Black character (as she is in the current films), but so is M. I'll be waiting in Berlin...
Reviewed by Leroy Douresseaux
The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
------------------------------
Labels:
Ben Oliver,
Dan Panosian,
Dennis Calero,
Dynamite Entertainment,
Francesco Francavilla,
Gabriel Hardman,
Glenn Fabry,
Guy Major,
Jock,
Joe Jusko,
Robert Hack,
Warren Ellis
Tuesday, September 29, 2015
Comics, Magazines and Books from Diamond Distributors for September 30, 2015
COMICS & GRAPHIC NOVELS
JUL151066 ACCELERATORS MOMENTUM #4 $3.99
APR151665 ACG COLL WORKS FORBIDDEN WORLDS HC VOL 09 $59.99
JUL150863 ADVENTURES OF AERO GIRL TP $14.99
JUL151790 ALIENS VS ZOMBIES #3 A CVR METCALF (MR) $3.99
JUL151791 ALIENS VS ZOMBIES #3 B CVR SPAY (MR) $3.99
JUL151792 ALIENS VS ZOMBIES #3 C CVR CAFARO (MR) $3.99
JUL151793 ALIENS VS ZOMBIES #3 D CVR MYCHAELS (MR) $3.99
JUL151099 AMAZING WORLD OF GUMBALL 2015 GRAB BAG #1 $4.99
JUL151411 AMULET HC VOL 03 CLOUD SEARCHERS $24.99
JUL151412 AMULET HC VOL 04 LAST COUNCIL $24.99
JUL151413 AMULET HC VOL 05 PRINCE OF THE ELVES $24.99
JUL151414 AMULET HC VOL 06 ESCAPE FROM LUCIEN $24.99
JUL150958 ARCHIE #3 STAPLES REG CVR $3.99
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JUL151460 BLACK RAT TP $15.00
JUL158515 BLOODSHOT REBORN #4 2ND PTG $3.99
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AUG151728 BLOODTHIRSTY #1 REG RUNGE (MR) $4.99
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JUL151661 BOOK OF DEATH FALL OF HARBINGER #1 CVR A ALLEN (ONE SHOT) $3.99
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MAY151363 CARTOONS FOR VICTORY HC $34.99
AUG151826 CASE CLOSED GN VOL 56 $9.99
JUL150984 CASTRO GN $22.95
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JUN151036 CROSSED PLUS 100 #9 (MR) $3.99
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AUG141455 DF ROCKET RACCOON #1 HAESER SGN & REMARKED $69.00
AUG151441 DF SPIDER-GWEN #4 COMICXPOSURE EXC PI
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MAGAZINES
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BOOKS
AUG151977 1001 MOVIES YOU MUST SEE BEFORE YOU DIE HC 6TH ED $35.00
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MAY151363 CARTOONS FOR VICTORY HC $34.99
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AUG151977 1001 MOVIES YOU MUST SEE BEFORE YOU DIE HC 6TH ED $35.00
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AUG151942 BEGINNERS GUIDE SKETCHING CHARACTERS CREATURES & CONCEPTS SC $37.99
JUL151854 BUFFY DEMONS OF HELLMOUTH GUIDE FOR SLAYERS HC $25.00
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AUG152901 EMPIRE OF IMAGINATION GARY GYGAX BIRTH OF D&D HC $26.00
JUL151888 GAME ON 2016 ALL BEST GAMES FACTS SECRETS SC $14.99
MAY151057 GLENN FABRY SKETCHBOOK SC VOL 03 COLOR REMARKED ED $100.00
AUG151825 HANZAI JAPAN SC NOVEL $15.99
AUG151998 HOW STAR WARS CONQUERED UNIVERSE PPF MULTIBILLION FRANCHISE $16.99
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Tuesday, August 25, 2015
Comics, Magazines and Books from Diamond Distributors for August 26, 2015
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JUN150955 BETTY & VERONICA #277 PARENT REG CVR $3.99
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MAGAZINES
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JUN151342 24 BY 7 HC $25.00
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JUN151401 ATTACK ON TITAN GN VOL 16 $10.99
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JUN150955 BETTY & VERONICA #277 PARENT REG CVR $3.99
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BOOKS
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Labels:
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Tuesday, July 15, 2014
Comics, Magazines and Books from Diamond Distributors for July 16, 2014
COMICS & GRAPHIC NOVELS
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MAY141158 SONS OF ANARCHY #11 (MR) $3.99
MAY141046 SOULFIRE ANNUAL #1 DIRECT MARKET CVR A $5.99
MAY141366 SPIDER TP VOL 03 CITY OF CRIME $19.99
APR141404 STREET FIGHTER IV HC VOL 01 WAGES OF SIN $34.99
MAY141255 THE DEVILERS #1 $2.99
MAY141280 THE SHADOW #0 $3.99
MAY141162 TRANSLUCID #4 $3.99
MAY141651 UNITY #9 REG SUAYAN (AH) $3.99
MAR141295 WWE SUPERSTARS ONGOING #6 $3.99
MAY140980 YOUTH IS WASTED GN $14.95
MAGAZINES
MAR141337 2000 AD PACK MAY 2014 PI
MAY141556 2000 AD SUMMER SCI-FI SPECIAL 2014 $7.00
APR141672 CEREAL GEEK MAGAZINE #13 $17.00
APR141673 CINEFEX #138 $12.50
MAY141862 COMIC SHOP NEWS #1413 PI
APR141674 DAWN OF THE PLANET OF THE APES SPECIAL MAGAZINE $14.99
MAR141609 DIABOLIQUE #21 $9.98
MAY141865 DOCTOR WHO ESSENTIAL GUIDE #2 THE TARDIS $19.99
MAR141608 DOCTOR WHO MAGAZINE #474 $9.99
MAY141872 HORRORHOUND #48 $6.99
MAR141596 ILLUSTRATORS MAGAZINE #7 $24.99
FEB141639 MARVEL CHESS FIG COLL MAG #8 THOR WHITE BISHOP $16.00
FEB141665 RUE MORGUE MAGAZINE #146 $9.95
MAR141617 SCREAM MAGAZINE #24 (MR) $8.99
DEC131442 STAR TREK STARSHIPS FIG COLL MAG #16 FERENGI MARAUDER $20.00
JAN141528 STAR TREK STARSHIPS FIG COLL MAG #18 BAJORAN LIGHT SHIP $20.00
AUG131728 VIDEO WATCHDOG #177 (MR) $8.95
MAY141882 WALKING DEAD MAGAZINE #9 NEWSSTAND ED (MR) $9.99
MAY141883 WALKING DEAD MAGAZINE #9 PX ED (MR) $9.99
BOOKS
APR141541 ALARY SKETCHBOOK #3 $30.00
APR141567 CG CHARACTERS FROM SKETCH TO FINISH SC $35.00
MAY141804 DC YR BOARD BOOK LG BATMAN SHAPES $12.99
MAY141806 DC YR BOARD BOOK LG CATWOMAN COUNTING $12.99
MAY141808 DC YR BOARD BOOK LG SUPERMAN COLORS $12.99
MAY141810 DC YR BOARD BOOK LG WONDER WOMAN ABCS $12.99
FEB140949 GLENN FABRY SKETCHBOOK SC VOL 02 REMARKED ED (MR) $75.00
MAY141824 GORGO PRODUCTION BACKGROUND SC $24.95
MAY141835 JAMES BAMA AMERICAN REALIST HC SALE BOOK $14.95
MAY141837 PRINCE VALIANT PAGE HC SALE BOOK PI
MAY141782 RB WHITE SKETCHBOOK VOL 01 (MR) $20.00
APR141408 SUBSTRATA OPEN WORLD DARK FANTASY SC $44.99
MAY141793 TREKKERS GUDE TO COLLECTIBLES UNAUTH 2ND ED $29.95
Labels:
Archie Comics,
Art Book,
Book News,
comics news,
Diamond Distributors,
Dynamite Entertainment,
Glenn Fabry,
Star Trek,
Toy News,
Valiant Comics,
Walking Dead
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