Review: CAPTAIN AMERICA #1

CAPTAIN AMERICA No. 1 (Legacy #705)
MARVEL COMICS – @Marvel

[This review ws originally posted on Patreon.]

STORY: Ta-Nehisi Coates
PENCILS: Leinil Francis Yu
INKS: Gerry Alanguilan
COLORS: Sunny Gho
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Adam Hughes; Joe Jusko; David Mack; Jim Sternako; Frank Miller with Edgar Delgado; Leinil Francis Yu; Paul Renaud; Joe Simon and Jack Kirby; Marko Djurdjevic; Ron Garney with Matt Milla; Mike Zeck with Richard Isanove; John Cassaday with Laura Martin
40pp, Color, $4.99 U.S. (September 2018)

Rated “T+”

Captain America created by Joe Simon and Jack Kirby

“Winter in America” Part 1

Captain America is a Marvel Comics superhero created by Joe Simon and Jack Kirby.  Captain America was Steve Rogers, a frail young man who reached the peak of human perfection via the experimental “super soldier” serum.

He first appeared in Captain America Comics #1 (cover dated:  March 1941), which was published by Timely Comics, a predecessor of Marvel Comics.  After Captain America Comics was canceled in 1949, there was a revival of the series from 1953 to 1954.  Captain America fully returned to modern comic books in The Avengers #4 (cover dated: March 1964).

Steve Rogers/Captain America embarks on a new beginning again with a relaunch of his title series.  The new Captain America comic book series is written by Ta-Nehisi Coates; drawn by Leinil Francis Yu (pencils) and Gerry Alanguilan (inks); colored by Sunny Gho; and lettered by Joe Caramagna.  In the new series, Captain America faces an existential crises as he wrestles with how people view and perceive him in the wake of the Hydra Captain America impostor that briefly took over the world as an authoritarian dictator.

Captain America #1 opens in the Sayan Mountains of Russia months earlier.  There, something new is emerging from the ashes of Hydra.  In the present day, Captain America and the Winter Solider battle a small army of men who resemble Cap's old adversary, Nuke.  They are killing civilians in a mass shooting event in and around the National Mall in Washington D.C.  As Captain America battles to save lives and stop these killers, he will also have to face another harsh reality.  No one really trusts him anymore... even the people who should know him best.

I would not call Captain America #1 2018 a great comic book, but it is the best written Captain America comic book that I have read in ages.  Ta-Nehisi Coates cleverly uses the battle at the National Mall's aftermath to depict not so much Captain America in crisis, but the Sentinel of Liberty as man at odds with the people, places, and nation he has sworn to protect and to defend.  It makes for great reading, because we known this is the true Captain America, but the dramatic tension brought by the distrust of Cap from the other characters makes for some good reading.

Leinil Francis Yu has been a skilled graphical storyteller for over two decades, but his drawing style has taken an ugly turn the last several years – as far as I am concerned.  He is better here, and Sunny Gho's evocative colors strengthen how the narrative conveys its ideas and heightens the drama.  Letterer Joe Caramagna creates a steady sense of rhythm that paces the narrative flow for both the action scenes and for the character scenes that confront Captain America.

I think Ta-Nehisi Coates will make me a regular Captain America reader for the first time in ages.  I think this is the beginning of a good age for Captain America.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: SUPERIOR SPIDER-MAN #1

SUPERIOR SPIDER-MAN No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Christos Gage
PENCILS: Mike Hawthorne
INKS: Wade von Grawbadger
COLORS: Jordie Bellaire
LETTERS: VC's Clayton Cowles
EDITOR: Nick Lowe
EDITOR-IN-CHIEF: Akira Yoshida
COVER: Travis Charest
VARIANT COVER ARTISTS: Mike Hawthorne with Jordie Bellaire; Marko Djurdjević (Fantastic Four Villain Variant Cover);
28pp, Color, $3.99 U.S. (February 2019)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

The Superior Spider-Man was a  Marvel Comics superhero comic book series featuring an alternate version of Spider-Man.  Cover dated between January 2013 and June 2014, the series featured Otto Octavius a.k.a. Spider-Man villain “Doctor Octopus” in the role of Spider-Man.

The series returns as Superior Spider-Man.  It is written by Christos Gage; drawn by Mike Hawthorne (pencils) and Wade von Grawbadger (inks); colored by Jordie Bellaire; and lettered by Clayton Cowles.  Once again, Otto Octavius is in a new body and is a “superior” Spider-Man.

Superior Spider-Man #1 opens in San Francisco, the city that Otto Octavius-The Superior Spider-Man has chosen to protect and to improve.  After dealing (successfully) with Stilt-Man, Otto heads to Horizon University where he will adopt his identity as Professor Elliot Tolliver and deliver “a crucial, end-of-term lecture.”  Then, it is off to more villain fighting, but Otto/Elliot/Superior is about to discover that someone from his past has joined the faculty of Horizon.  That person is ready to reveal the true face of the Superior Spider-Man to the authorities.

I was cynical.  I was ready to hate Superior Spider-Man #1.  In fact, I only bought this comic book to give to a friend who reads any Spider-Man comic book put in front of him.  I am not over-awed by writer Christos Gage's script, but it is good.  I am not crazy about the art team of Make Hawthorne and Wade von Grawbadger, but the storytelling is good.  Jordie Bellaire delivers her usually solid colors, and Clayton Cowles delivers his solid lettering.

But there is something about this comic book that demands I read one or two more issues.  I enjoyed the first issue enough to maybe read more.  So I will say to you, dear reader, maybe you should try at least Superior Spider-Man #1.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: MILES MORALES: Spider-Man #1

MILES MORALES: SPIDER-MAN No. 1 (2019)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Saladin Ahmed
ART: Javier Garrón
COLORS: David Curiel
LETTERS: VC’s Cory Petit
COVER: Brian Stelfreeze
EDITOR: Nick Lowe
EDITOR-IN-CHIEF: Akira Yoshida
VARIANT COVERS: Marko Djurdjevic (Fantastic Four Villains Variant); Lee Garbett; Adi Granov
28pp, Color, $3.99 U.S. (February 2019)

Rated T

Spider-Man created by Steve Ditko and Stan Lee; Miles Morales created by Brian Michael Bendis and Sara Pichelli

Miles Morales is a Marvel Comics character who is one of the characters known as Spider-Man.  Miles Morales first appeared in the comic book Ultimate Fallout #4 (cover dated: August 2011) and existed in a universe different from the universe where the original Spider-Man lived.  Now, the Afro-Latino teenager, whose full name is Miles Gonzalo Morales, lives and works in the main Marvel Comics universe (the MCU) as Spider-Man.

Miles has a new ongoing comic book series, Miles Morales: Spider-Man (a continuation of the comic book title, Spider-Man).  This is a new direction for Miles Morales with a new creative team.  Miles Morales: Spider-Man is written by Saladin Ahmed; drawn by Javier Garrón; colored by David Curiel; and lettered by Cory Petit.

Miles Morales: Spider-Man #1 opens in the wake of the events depicted in the miniseries, Spider-Geddon.  Miles has recently begun a new school term, and is taking a class in which the instructor demands that Miles and his fellow classmates keep a journal.

Miles is struggling to balance school and his personal life with his activities as Spider-Man.  He is trying to maintain a relationship with Barbara, who is his girlfriend, although both seem to be reluctant to say that outright.  For all his struggles, however, Miles sees that there are those who are struggling more than he is, especially in an anti-immigrant political climate, and it is worse than Miles thinks.

Practically every Miles Morales comic book I ever read was written by Brian Michael Bendis, Miles' co-creator.  I am wary of reading Miles comic books not written by Bendis, but I thoroughly enjoyed the story Bryan Edward Hill wrote about Miles for the Spider-Man Annual #1 (2018).

After reading Miles Morales: Spider-Man #1, I am confident in new Miles writer, Saladin Ahmed.  I did not read Ahmed's Black Bolt series, which received quite a bit of acclaim and claimed a win at the 2018 Will Eisner Awards.  I like that Saladin's story and script are true to the personality Bendis fashioned for Miles, and I also like that Saladin is developing Miles personality and character as he continues to grow-up, going from young teen to older teen.  I am also happy that Ahmed is writing a story that tackles real world issues literally and metaphorically.

Artist Javier Garrón is the right choice to create the art and storytelling.  His compositions are strong, and his page and panel design recall the work of Spider-Man co-creator, the late Steve Ditko.  Ditko balanced the world of Peter Parker-Spider-Man by drawing an ordinary seeming everyday life for Parker.  When Parker became Spider-Man, Ditko added imaginative elements and inventive compositions that made the scenes feature Spider-Man seem to pop off the page.

Garrón's art is in a similar vein, and David Curiel's coloring of the art electrifies everything.  When a classic Spider-Man villain (who has a surprising reason for appearing) shows up, this story crackles and sparks with energy.  In fact, the splash page featuring Miles and that surprise villain is an example of how much power Garrón and Curiel's combined art has.

So I am ready for more Miles Morales: Spider-Man.  For now, at least, the post-Brian Michael Bendis Miles Morales has a bright future.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for information on reprint or syndication rights and fees.

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I Reads You Review: HERCULES: The Knives of Kush

HERCULES: THE KNIVES OF KUSH
RADICAL COMICS

WRITER: Steve Moore
ARTIST: Chris Bolson with Manuel Silva and Leonardo Silva
COLORS: Doug Sirois with Cliff Cramp and Steve Firchow
LETTERS: Todd Klein
MISC. ART: Jim Steranko, Clint Langley, Arthur Suydam, Marko Djurdjevic, Daryl Mandryk, J.P. Targete, Jean-Sebastien Rossbach
COVER: Clint Langley
ISBN:  978-1-935417-03-3; paperback (May 2010)
152pp, Color, $14.95 U.S., $16.50 CAN

Radical Comics, a division of Radical Publishing, Inc., presented a radical interpretation of Hercules in 2008.  Radical’s Hercules debuted in the 2008 miniseries, Hercules: The Thracian Wars, which was written by late British writer, Steve Moore.  Moore created this new Hercules and legendary comic book artist, Jim Steranko, designed him.

Moore made Radical’s Hercules grittier, while focusing more on his human side than on his heritage as the son of the supreme god, Zeus.  Moore set Hercules’ life in the Bronze Age and gave him a band of friends.  Together, Hercules and his band left Greece and sought mercenary work in other lands.  Thus, Moore set Hercules first mercenary activities in Thrace.  Radical’s Hercules is now a Paramount Pictures/MGM’s film starring Dwayne “The Rock” Johnson and directed by Brett Ratner.

The second Hercules miniseries was the five-issue, Hercules: The Knives of Kush, which was released in 2009.  The Knives of Kush finds Hercules and his mercenary band caught in the middle of Egypt’s civil war.  In 2010, Radical collected Hercules: The Knives of Kush in a trade paperback, and the company’s marketing director sent me a copy for review, which I promptly forgot about.

However, the impending release of the movie made me dig up my copy of The Knives of Kush.  I decided to reread the story, as I had previously only read the fourth and fifth issue of the miniseries, and post a review of the trade.

Hercules: The Knives of Kush opens with Hercules and his band of mercenaries:  Autolycus, Iolaus, Meleager, and Atalanta (the only female of the group) aboard the Greek boat, the “Sea Nymph.”  After a brief skirmish with pirates, Hercules and company end up in Egypt.  They eventually offer their services to Pharaoh Seti II who is fighting a civil war against his half-brother, Amenmessu (real life historical figures that lived in the 13th and 12th centuries BC).

Amenmessu is aided by Khadis, Lord of Lighting and a sorcerer whose powers may be the reason Amenmessu seems to be winning the war with Seti.  Hercules suspects that there is more to Amenmessu’s success than Khadis and believes that traitors hide among Seti’s circle of wives, advisors, retainers, etc.  Hercules is appointed as a royal bodyguard, but he believes that to learn the truth he must penetrate the sinister cult known as “The Knives of Kush.”  This, however, will bring Hercules face to face with an enemy like no other – a mysterious figure who may wield the power of the gods.

I doubt that I am the only reviewer who thinks that Steve Moore has converted the demigod of Greek myth, Hercules (Heracles), into something that resembles the sword and sorcery character, Conan the Cimmerian (also known as Conan the Barbarian).  This is not a criticism; Moore apparently put a lot of effort into researching Greek myth and history for Hercules.  Besides, I like this Hercules.  I did not read The Thracian Wars, and Moore states in the foreword to this trade paperback that readers do not need to know of Hercules’ adventures in Thrace before reading of his adventures in Egypt.

I think that Hercules: The Knives of Kush slightly resembles some of the Conan comic books that Marvel Comics published in the 1970s and 80s.  In fact, The Knives of Kush has a good premise and plot, but the problem is the execution.  It is as if Moore wanted this miniseries to be any number of things or was not sure what it should be.

On one hand, Hercules’ struggles against Amenmessu’s rebellion involve courtly conflict and palace intrigue.  Moore basically has Hercules, an action character, stumbling around Seti’s Memphis, vainly trying to discover spies.  On the other hand, since Amenmessu is leading an armed rebellion, there is eventually going to have to be a big battle between Seti’s forces, to which Hercules belongs, and Amenmessu.  Instead of building up to the battles, the spy hunt seems like story padding.  Also, at five issues in length, The Knives of Kush is at least one issue too long.

In fact, for all the fear that Amenmessu and his ally, Khadis and the cult known as The Knives of Kush, are supposed to engender, their confrontation with Hercules and company is anti-climatic.  Their demises are pitiful, leaving this story with the sense that there was no great villain and with the disappointment that Hercules’ head-bashing comes in fits and starts.

The art produced by Chris Bolson and Doug Sirois is quite good, but the rest of it falls off.  If there is ever more of Radical’s Hercules, I hope Bolson and Sirois are the artists, and I hope for a story that has more head-bashing and disemboweling than it does character drama.  I want the next Hercules to be more like the last two issues of Hercules: The Knives of Kush than the first three.  Who really cares about Hercules’ daddy issues?

B-

[This trade paperback includes an interview of Steve Moore conducted by Andre Lamar.]

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Marvel Comics from Diamond Distributors for April 10 2013

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Valiant Comics for April 2013

Solicitations for APRIL 2013

HARBINGER WARS #1 (of 4)
Written by JOSHUA DYSART & DUANE SWIERCZYNSKI
Art by CLAYTON HENRY
Cover by LEWIS LAROSA
Pullbox Exclusive Variant by CLAYTON HENRY
Variant Cover by CLAYTON CRAIN
Variant Cover by PATRICK ZIRCHER

“Do you know where the children are?”

HARBINGER WARS, Valiant’s first family crossover event, begins here! A decades-old secret is about to put BLOODSHOT and HARBINGER on an inescapable collision course – and, soon, the most powerful forces in the Valiant Universe will be drawn into a battle without sides, without rules, and without mercy.

•Two dozen undisciplined, untested and untrained superhuman children have just escaped from a top-secret research facility and into the world.

•When Bloodshot, Toyo Harada and Peter Stanchek join the chase, will the Valiant Universe be ready for its first all-out superhuman showdown?

•Start reading here for a high-stakes tale that will put Valiant’s greatest heroes to the ultimate test!

$3.99/T+/32 pgs.
ON SALE APRIL 3rd!
--

HARBINGER #11 (HARBINGER WARS)
Written by JOSHUA DYSART
Art & Cover by KHARI EVANS
Pullbox Exclusive Variant by CLAYTON HENRY
Variant Cover by PATRICK ZIRCHER

“Your system has failed us. Now we must build our own.”

All-new arc, all-new jumping-on point! HARBINGER WARS continues in a standalone, four-part arc of HARBINGER, featuring the return of original series artist Khari Evans (Carbon Grey)!

•The world has just become a much bigger, much more dangerous place for Peter Stanchek and the Renegades…

•How will they react to the revelation of Project Rising Spirit’s secret mission and the harbinger hunter known as Bloodshot?

•Find out in PART ONE of HARBINGER WARS: HARBINGER!

$3.99/T+/32 pgs.
ON SALE APRIL 10th!
--

BLOODSHOT #10 (HARBINGER WARS)
Written by DUANE SWIERCZYNSKI
Art by BARRY KITSON
Cover by MICO SUAYAN
Pullbox Exclusive Variant by CLAYTON HENRY
Wraparound Variant by LEWIS LAROSA

“Hitting the target is more important than who pulls the trigger.”

All-new arc, all-new jumping-on point! HARBINGER WARS continues in a standalone, four-part arc of BLOODSHOT, featuring comics legend Barry Kitson (Fantastic Four)!

•Bloodshot has banded together with Project Rising Sprit’s most dangerous escapees.

•Can he shape them into a force for good – or are they too far gone?

•Find out in PART ONE of HARBINGER WARS: BLOODSHOT!

$3.99/T+/32 pgs.
ON SALE APRIL 17th!
--

X-O MANOWAR #12
Written by ROBERT VENDITTI
Art by CARY NORD
Cover by MARKO DJURDJEVIC
Variant Cover by JUAN DOE

What lurks beneath the surface of PLANET DEATH?

Aric of Dacia has taken his one-man war to the Vine’s homeworld, Loam, and is using their own X-O Manowar armor to wage it. Finding an ally in the unlikeliest of places, Aric will discover that his mission to reduce Loam to ash will come with a high price. Past, present, and future are about to collide, and if Aric isn’t careful, he will be the common thread that undoes them all.

$3.99/T+/32 pgs.
ON SALE APRIL 17th!
--

ARCHER & ARMSTRONG #9
Written by FRED VAN LENTE
Art & Cover by EMANUELA LUPACCHINO
Variant Cover by CLAYTON HENRY

It’s all over for the Eternal Warrior!

Gilad and Armstrong must set aside their sibling rivalry long enough to defeat the deadly new champion of The Null... ARCHER! It's win or go home (i.e. "die") as "Wrath of the Eternal Warrior" reaches its bone-crushing conclusion!

$3.99/T+/32 pgs.
ON SALE APRIL 10th!
--

SHADOWMAN #6
Written by JUSTIN JORDAN & PATRICK ZIRCHER
Art & Cover by PATRICK ZIRCHER
Variant Cover by DAVE JOHNSON

The dead rising are rising in New Orleans.

The Deadside is spreading throughout the city, while a sinister new menace gathers an army that can't be killed. Meanwhile, Jack is about to discover that his Shadowman powers are as much a curse as a blessing.

$3.99/T+/32 pgs.
ON SALE APRIL 3rd!
--

SHADOWMAN VOL. 1: BIRTH RITES TPB
Written by JUSTIN JORDAN & PATRICK ZIRCHER
Art & Cover by PATRICK ZIRCHER

There are a million dreams in the Big Easy. But now its worst nightmare is about to come true.

As the forces of darkness prepare to claim New Orleans as their own, Jack Boniface must embrace the legacy he was born to uphold. As Shadowman, Jack is about to become the only thing that stands between his city and an army of unspeakable monstrosities from beyond the night. But is the mantle of Shadowman a blessing or a curse? And what is the true cost of his otherworldly power?

From rising star Justin Jordan (The Strange Talent of Luther Strode) and comics superstar Patrick Zircher (Captain America, Hulk), this volume collects SHADOWMAN #1-4.

“It's simply stunning… ‘Shadowman’ is another awesome notch in the belt of Valiant.” – IGN

“Jordan and Zircher have given us a winner with ‘Shadowman.’" – Comic Book Resources

$14.99/T+/112 pgs.
ISBN: 978-1-939346-00-1
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I Reads You Review: BLADE #12

BLADE (2006) #12
MARVEL COMICS

WRITER: Marc Guggenheim
ARTIST: Howard Chaykin with Gene Colan
COLORIST: Edgar Delgado
LETTERS: VC’s Rus Wooton
COVER: Marko Djurdjevic
32pp, Color, $2.99 U.S., $3.75 CAN

“A Stake Through the Heart”

Back in 2006, Marvel Comics launched a new comic book series starring Blade, their vampire hunter who first appeared in the 1970s horror comic book series, The Tomb of Dracula (#10, July 1973). The character would go on to be the star in a trio of films, beginning with Blade (1998) and starring Wesley Snipes as Blade.

This Blade comic book series, which ran for 12 issues, was written by screenwriter and television writer-producer, Marc Guggenheim. It was drawn by Howard Chaykin, an industry legend and veteran writer/artist best known for the highly influential 1980s comic book, American Flagg! Guggenheim’s take on Blade was closer to the character in the comic books than the one in the movies, and much of this series focused on the early years of Blade’s mission as a vampire hunter extraordinaire.

Blade #12 finds Blade at Castle Dracula in a face off with his biological father, Lucas Cross, a vampire. Lucas, the head of the mysterious Order of Tyrana, intends to force Blade to fulfill a prophecy that would restore the souls of all living vampires. Blade knows, however, that not having a soul is the only weakness that vampires have. Blade’s colleague and friend, vampire detective Hannibal King, is desperate to have his soul back and has sided with Lucas. Everything is against Blade, and it gets worse. His greatest adversary has returned. Also, the story goes back in time to the most crucial mission of Blade’s young career, the one that made him the vamp-killing man he is today.

This Blade series ended by seemingly giving Blade a new future. Since its publication, Blade would go on to be a supporting character and team member in the short-lived Captain Britain and MI: 13 (a series that I absolutely did not like). He’s even a black sheep-like character in the recently launched Ultimate Avengers.

I do miss this series, primarily because I am a huge fan of the character. I also liked the fact that each issue offered a self-contained story, except for the final two issues, which are apparently connected in order to close out the series. As much I liked this series, however, I think that it barely scratched the surface of Blade’s potential. Comic book publishers are currently quite impressed with the idea of hiring television scribes to write comic books, and have been for most of this past decade – especially those who have worked on serial dramas or on genre series (particularly crime or weird/fantasy series).

There are probably advantages to hiring screenwriters (mastery of story structure? reputation? name recognition?), but I wonder if imagination is one of those advantages. Do Hollywood types bring the kind of creativity and unique vision to comics that dedicated comic book writers do? Once again, as much as I enjoyed this Blade series, Guggenheim’s work was not nearly as imaginative and as fun to read as the work Chris Claremont and Marv Wolfman did on this series four decades ago.

It is too bad that Claremont and Wolfman are not now writing a Blade comic book. Speaking of classic Blade creators: Blade #12 has art by Blade’s co-creator, artist Gene Colan.

I Reads You Review: BLADE #9

BLADE (2006) #9
MARVEL COMICS

WRITER: Marc Guggenheim
ARTIST: Howard Chaykin
COLORIST: Edgar Delgado
LETTERS: VC’s Rus Wooton
COVER: Marko Djurdjevic
32pp, Color, $2.99 U.S., $3.75 CAN

“The Big Fight”

Several years ago, Marvel Comics launched a new comic book starring Blade, their vampire hunter who first appeared in the 1970s horror comic book series, The Tomb of Dracula (#10, July 1973). Of course, Blade is best known for the trilogy of films starring Wesley Snipes as Blade. Marvel has had, at best, mixed success with Blade comic book series. [Although an African-American (Snipes) was the star and co-producer of the Blade film franchise, Marvel has never allowed an African-American to write or draw a Blade comic book series.]

Debuting in 2006, the most recent Blade series was written by television writer-producer, Marc Guggenheim and drawn by Howard Chaykin, a longtime industry veteran writer and artist, best known for the highly influential 1980s comic book, American Flagg! (although Chaykin has also been a television writer-producer). Guggenheim’s take on Blade was closer to the character in the comics than the one in the movies, and the series ran for 12 issues, much of it having to do with Blade’s origin.

Blade #9 finds Eric Brooks, a.k.a. Blade in London delving into his later mother, Tara Brooks’ past to discover her connection and his possible connection to the Order of Tyrana. The apparent head of this group is Lucas Cross, the man claiming to be Blade’s father. Meanwhile, at a London hotel, Union Jack, a vampire hunter, launches an attack on Blade’s colleague, vampire detective Hannibal King.

Evan as a back issue, Marc Guggenheim and Howard Chaykin’s Blade comic book still feels fresh and new. Guggenheim wrote each issue as a self-contained story. While each issue is connected to a larger narrative, it can be read, comprehended, and enjoyed without reading other issues. Visually and graphically, Chaykin infused Blade with a sense of humor, irony, and a touch of satire.

Blade #9 epitomizes what Guggenheim and Chaykin did so well with the entirety of their Blade comic book series, and that was the creation of a serial drama in which each chapter was important unto itself. An individual issue did not need the overall story arc to validate it. This allowed readers to pick up any issue and get both a complete reading experience and the Blade experience.