Sunday, October 13, 2013

I Reads You Review: BATMAN #21

BATMAN #21
DC COMICS – @DCComics

WRITER: Scott Snyder
PENCILS: Greg Capullo
INKS: Danny Miki
COLORS: FCO Plascenia
LETTERS: Nick Napolitano
COVER: Greg Capullo with FCO Plascenia
VARIANT COVER: Jock
40pp, Color, $3.99 U.S. (August 2013)

Batman created by Bob Kane with Bill Finger

Zero Year – Secret City: Part One

The latest Batman event story is “Zero Year.”  Written by Scott Snyder and drawn by Greg Capullo, the 10-issue story is currently running through the ongoing Batman title.

Batman #21 (Zero Year – Secret City: Part One) opens six years ago, which I’m assuming is a time period occurring before The New 52.  Batman looks cool on a motorcycle.  Then, the story moves to a period five months earlier than that.  Then, there are flashbacks to Bruce Wayne’s youth.  “Secret City,” which seems unhinged in time, features the Red Hood, Alfred Pennyworth, Dr. Thomas Wayne, Philip Kane (Bruce’s maternal uncle, whom obviously irritates Alfred), and a surprise appearance from a classic member of Batman’s rogues gallery.  See ya’ next issue.

Wow!  I’m ready to read more.  Snyder borrows elements (as far as I can tell) from Batman stories written by Frank Miller, Grant Morrison, and novelist Tracy Hickman.  He turns that into an intriguing tale of Batman’s early campaign against crime in Gotham City.  I think Uncle Philip is in this story to add a tragic twist, and for that Snyder has made him well suited for betrayal and blood.  One of my favorite things about this story is how Snyder portrays young Bruce Wayne as an explorer of Gotham.  It’s too cute, and it tugs at the heart.

Another favorite thing about Batman #21 is Greg Capullo’s quirky pencils, which under Danny Miki’s inks, creates a Batman milieu that is timeless.  The art seems inspired by the entire graphical landscape of Batman, from the 1960s to the early 21st century.  FCO Plascenia’s coloring captures lovely autumnal colors in a way that one would think not possible for a comic book (and certainly not a superhero comic book), and the coloring gives Gotham City character and personality.  I’m ready for more.

A-

Back-up story:  Bruce Wayne: Where the Hell Did he Learn to Drive?!

WRITERS:  Scott Snyder and James Tynion IV
ART: Rafael Albuquerque
COLORS: Dave McCaig
LETTERS: Taylor Esposito

“Bruce Wayne: Where the Hell Did he Learn to Drive?!” is a back-up short comic that presents a vignette of the life of 19-year-old Bruce Wayne.  I guess that you can’t tell a tale of early Batman, if you don’t also show how Bruce got to Batman.  I will assume that Bruce is in Rio do Janeiro (the story’s setting) to train for his future efforts in Gotham.  This is a clever story that hints at the future “Dark Knight,” especially Frank Miller’s Clint Eastwood-esque take on the character.  Rafael Albuquerque’s art is nice.

Reviewed by Leroy Douresseaux

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.




Friday, October 11, 2013

I Reads You Review: WOLVERINE #1

WOLVERINE (2013) #1
MARVEL COMICS – @Marvel

WRITER: Paul Cornell
PENCILS: Alan Davis
INKS: Mark Farmer
COLORS: Matt Hollingsworth
LETTERS: VC’s Cory Petit
COVER: Alan Davis and Mark Farmer with Jason Keith
VARIANT COVERS: Olivier Coipel; Salvador Larroca and Frank D’Armata; Humberto Ramos and Edgar Delgado; Skottie Young
28pp, Color, $3.99 (May 2013)

Parental Advisory

Until Demon Knights #1 (DC Comics, 2011), I disliked every comic book written by Paul Cornell that I read.  Now, I have found another one that has really grabs my imagination.  It is the new eponymous Wolverine comic book, part of the Marvel NOW initiative that has seen the re-launch of several Marvel titles.

Wolverine is written by Cornell and drawn penciller Alan Davis and his longtime inker, Mark Farmer.  This new series is not specifically a team-up series, but it will apparently feature some surprising guest appearances by Marvel characters, both the familiar, the surprising, and the unusual.

Trying to stay relatively spoiler free, I will say that Wolverine #1 (“Hunting Season” Part 1 of 4) opens with Wolverine in a bad way.  The cause is Robert Gregson, a 41-year-old man on a murderous rampage, and Gregson’s young son, Alex, may be the only person who can help Wolverine put an end to a massacre.

To me, Wolverine #1 simply works because Cornell manages to put Wolverine in a perilous situation, one in which he actually seems imperiled.  The longer these superhero characters are published, the more they become like indestructible demigods and the less like fragile humans with special abilities, which is what most Marvel characters are in their beginnings.  However, without revealing spoilers, I can say that I certainly thought Wolverine would be killed, and that made Wolverine #1 an exciting read.

The other reason I like this comic book is Alan Davis.  I love this comic book artist, and it is always a joy to read comic books drawn by Davis – even when the story isn’t that good.  He brings humanity to the characters, emphasizing their vulnerability over their super powers.  I look forward to following this Wolverine series – especially if both Cornell and Davis keep delivering the good stuff.

A-

Reviewed by Leroy Douresseaux

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.




Slam Dunk: Career

I read Slam Dunk, Vol. 30

I posted a review at ComicBookBin.



Thursday, October 10, 2013

DC Comics Announces New Titles on comiXology and Google Play

DC Entertainment Continues Digital Dominance with New Graphic Novel and Collected Edition Distribution on comiXology and Google Play

Publisher has Broadest Digital Distribution Reach in Comics Industry

Extensive Line of Bestselling Titles Including Watchmen, V for Vendetta, Sandman and DC Comics – The New 52 Collections Available for Download Today

BURBANK, Calif.--(BUSINESS WIRE)--DC Entertainment, the #1 comic book publisher in the U.S. and home to iconic Super Heroes including Batman, Superman and Wonder Woman, announced today an extensive line-up of graphic novels and collected editions are now available for download from comiXology and Google Play. This expansion in distribution brings bestselling DC Comics and Vertigo titles, including Watchmen, V for Vendetta, Sandman, Y the Last Man and an assortment of DC Comics – The New 52 collections, among many others, to an even broader audience of digital readers.


“This expanded distribution furthers DC Entertainment’s goal to offer our readers convenience and choice,” stated DC Entertainment Co-Publisher Jim Lee. “ComiXology is a clear leader in delivering digital comics, while Google is one of the biggest mobile content brands in the world. We’re very excited to bring bestselling DC Comics and Vertigo graphic novels to their customers.”

Broad digital distribution has remained a cornerstone of DC Entertainment’s business, leading to extensive growth in both digital and print sales over the past three years as digital availability attracts new readers and comic fans alike. DC Entertainment has the widest digital distribution of any comic book publisher and was the first publisher to make its entire line available same-day digitally with the launch of DC Comics – The New 52 in Sept. 2011. That launch is widely seen as reinvigorating the comic book industry.

Visit comiXology.com or Google Play to download the latest graphic novels and collected editions from DC Entertainment. The full list of graphic novel titles now available on comiXology and Google Play includes:

All Star Batman & Robin
All Star Superman
American Vampire Vol. 1-5
Animal Man Vol. 1-2 (New 52)
Aquaman Vol. 1-2 (New 52)
Batgirl Vol. 1-2 (New 52)
Batman & Son
Batman and Robin Series
Batman Earth One
Batman Inc Vol. 1 (Deluxe)
Batman Inc. Vol. 1 (New 52)
Batman Knightfall 1-3
Batman RIP
Batman The Complete Hush
Batman Vol. 1-2 (New 52)
Batman Year One Deluxe
Batman: Arkham Asylum
Batman: Dark Victory
Batman: Detective Comics Vol. 1-2 (New 52)
Batman: Night of the Owls (New 52)
Batman: The Black Mirror
Batman: The Dark Knight Returns
Batman: The Dark Knight Strikes
Batman: The Dark Knight Vol. 1-2 (New 52)
Batman: The Killing Joke
Batman: The Long Halloween
Before Watchmen Series
Blackest Night
Catwoman Vol. 1-2 (New 52)
Daytripper
Death of Superman
Dial H Vol. 1 (New 52)
Earth 2 Vol. 1 (New 52)
Fables Vol. 1-18
Fables: Werewolves in the Heartland
Final Crisis
Flash Rebirth
Flashpoint
Green Lantern Rebirth
Green Lantern Vol. 1-2 (New 52)
Identity Crisis
Infinite Crisis
Justice League Vol. 1-2 (New 52)
Kingdom Come
League of Extraordinary Gentlemen Vol. 1-2
Nightwing Vol.1- 2 (New 52)
Punk Rock Jesus
Red Hood and the Outlaws Vol. 1-2 (New 52)
Sandman Vol. 1-10
Superman Earth One (Vol. 1-2)
Superman Vol. 1-2 (New 52)
Superman: Action Comics Vol. 1-2 (New 52)
Superman: Birthright
Superman: For Tomorrow
Superman: Last Son of Krypton
Superman: Secret Identity
Swamp Thing Vol. 1-2 (New 52)
Teen Titans Vol. 1-2
The Flash Vol. 1-2 (New 52)
The Girl with the Dragon Tattoo Vol. 1-2
The Joker
Unwritten Vol. 1-7
V for Vendetta New Edition
Watchmen
Wonder Woman Vol. 1-2 (New 52)
Y the Last Man Vol. 1-10

About DC Entertainment:
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world. DC Entertainment, in collaboration with Warner Bros. and Time Warner divisions, launched We Can Be Heroes — a giving campaign featuring the iconic Justice League super heroes — to raise awareness and funds to fight the hunger crisis in the Horn of Africa.




DC Comics Has September 2013 to Remember

DC Entertainment Dominates Comic Book Sales in September with over 4 Million Comic Books Sold

Spotlight on Pop Culture’s Most Popular Bad Guys Takes Over Comic Book Sales Charts Thanks to Villains Month Publishing Event

BURBANK, Calif.--(BUSINESS WIRE)--In September, the best bad guys won – more than four million times.

DC Entertainment decisively topped the comic book sales charts for the month with a jaw-dropping figure of over 4.3 million comic books sold, making the company the #1 comic book publisher for September, according to Diamond Comic Distributors, the largest comic book distributor in the world. This is the third year in a row DC has been the industry’s top publisher in September.

The sales were propelled in large part by the record-breaking success of DC’s “Villains Month” event, which featured 53 comics spotlighting the most impressive collection of rogues ever collected – from Joker to Lex Luthor to Sinestro to Doomsday. Readers were literally pulled into the September stories, with each Villains Month book featuring an innovative “3-D Motion” cover that showcased DC’s Super-Villains jumping off the printed page – from the Joker’s chattering teeth to Two-Face’s flipping coin, the covers created a groundswell of demand that saw many of the comic books sell out shortly after they were racked in stores.

“Great storytelling, strong characters and innovation are things for which we always strive,” said Diane Nelson, DC Entertainment President. “September’s numbers are further proof that we’re on the right track, thanks in large part to the wonderful success of Villains Month, which further proves that in order to have the best heroes, you have to have even better villains.”

The comic book sales news sets the stage for DC’s major presence at next week’s New York Comic-Con. While the talk of the town’s been villains, NYCC brings fans back to the beginning with the continued celebration of the world’s first and greatest Super-Hero, Superman. The Man of Steel’s 75th Anniversary will take center stage with a stunning display featuring eight Superman costumes from the character’s various film and television appearances, including this year’s blockbuster, Man of Steel.

Many of the dangerous villains prominently featured in the September issues of Villains Month also take center stage in a brand new, full-length documentary from Warner Bros. Home Entertainment and DC Entertainment. Necessary Evil: Super-Villains of DC Comics – which will be premiering at New York Comic-Con on Thursday at 5pm in room 1A06. The documentary spotlights the malevolent, always charismatic figures from DC Comics’ hallowed rogues gallery, deftly narrated by one of the most recognizable silver screen villains ever, Christopher Lee. Featuring interviews with the famed writers, artists, storytellers and those who have crafted the personalities and profiles of many of the most notorious villains in comic book history, Necessary Evil serves as the perfect follow-up to Villains Month when it’s released on Oct. 25.

Spinning out of the ongoing literary fantasy series THE UNWRITTEN, Vertigo published the original graphic novel THE UNWRITTEN: TOMMY TAYLOR AND THE SHIP THAT SANK TWICE—already garnering rave reviews. This month we’ll see the launch of two new ongoing series; HINTERKIND an expansive dark fantasy adventure series featuring creatures from myth and legend, and COFFIN HILL, written by noted novelist Caitlin Kittredge, starring witch, Eve Coffin. And fans will be lining up on October 30th to get their copy of the highly anticipated publication of THE SANDMAN: OVERTURE, written by Neil Gaiman.

INJUSTICE: GODS AMONG US continued its winning streak among digital sales, taking four out of the top ten spots for the month of September. Villains month titles were also popular with digital readers and FOREVER EVIL #1 ranked third for the month, posting very strong sales for a new title launch. New digital-first title, BATMAN BEYOND 2.0, also posted strong sales with two chapters ranking in the top 20.

On the book trade side, THE FLASH Vol. 2, IN THE DAYS OF THE MOB, BEFORE WATCHMEN: COMEDIAN/RORSCHACH, GREEN LANTERN: NEW GUARDIANS Vol. 2, BATMAN: THE KILLING JOKE, THE ANIMAL MAN OMNIBUS and Vertigo’s FABLES: THE DELUXE EDITION BOOK SEVEN and THE SANDMAN OMNIBUS Vol. 1 appeared on The New York Times Hardcover Graphic Book Bestseller list. While THE FLASH Vol. 1, ANIMAL MAN Vol. 3, WATCHMEN all landed on The New York Times Paperback Graphic Book Bestseller list.

October is shaping up to be a big month for MAD Magazine. The humor publication’s issue #524 hits newsstands at the end of the month, featuring a cover that spoofs the popular reality television program, Duck Dynasty. The issue also includes hilarious gags on Man of Steel, fast food, twerking, and much more! Those looking to get an additional dose of the iconic magazine’s acclaimed wit and snark can visit the “Mad About MAD” panel at New York Comic Con on October 12 from 11 AM – 12 PM (Room 1A14), led by Editor John Ficarra and a laughter-inducing cast of characters.

Meanwhile, Time Home Entertainment’s follow-up to last year’s #1 New York Times bestseller, TOTALLY MAD, also arrives on bookshelves this month. INSIDE MAD, on sale October 29, provides a unique behind-the-scenes look at MAD’s irreverent and signature humor. Featuring an introduction by Judd Apatow and guest essays by 17 celebrities (including Roseanne Barr, Ken Burns, Dane Cook, Paul Feig, Whoopi Goldberg, Harry Hamlin, Tony Hawk, Ice-T, Penn Jillette, George Lopez, David Lynch, Todd McFarlane, Jeff Probst, John Slattery, John Stamos, Pendleton Ward and Matthew Weiner), INSIDE MAD finds MAD’s legendary writers, artists, and celebrity fans sharing and commenting on their favorite MAD spoofs of all time.

About DC Entertainment:
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world. DC Entertainment, in collaboration with Warner Bros. and Time Warner divisions, launched We Can Be Heroes—a giving campaign featuring the iconic Justice League super heroes—to raise awareness and funds to fight the hunger crisis in the Horn of Africa.




Wednesday, October 9, 2013

Review: DEATH SENTENCE #1

DEATH SENTENCE #1 (OF 6)
TITAN COMICS – @ComicsTitan

WRITER: Montynero – @montynero
ART: Mike Dowling
LETTERS: Comicraft’s Jimmy Betancourt
COVER: Montynero
28pp, Color, $3.99 U.S., £3.99 U.K. (November 2013)

Sometimes, first impressions are not everything.  I often find that out when I get a copy of a comic book for review.  I start reading, and immediately dislike it.  I dread the thought of writing a review that my dark side will fill with sarcastic and mean-spirited comments.  Then, something good happens.  I find that the story starts to come together, and I like that comic book much more than I did in the beginning.

That happened with Death Sentence, a new six-issue comic book miniseries from Titan Comics.  The series is written by Montynero, a writer and artist of computer games, and drawn by Mike Dowling, a comic book artist who has contributed to 2000AD and Mark Millar’s CLiNT.  Montynero also provides the covers for Death Sentence.

Death Sentence #1 introduces the sexually-transmitted G+ Virus.  Catch it and you have six months to live, and there is currently no cure or effective treatment for the virus.  Well, there is a plus side to having this virus.  It increases the sex drive, and the infected gain enhanced physical attributes.  They become smarter, stronger, or faster, and exhibit unusual or extra-normal abilities – meaning they gain superpowers.

Meet the newest G+ Virus victims:  graphic designer, Verity Fette; failing and flailing indie rocker, Danny Waissel AKA “Weasel;” and comedian and media personality, Monty.  Verity and Weasel are confused about their death sentence, while Monty sees it as an opportunity to diversify his booty call choices.  None of the three, however, realize that the spectre of death isn’t the only thing chasing them.

I wanted not to like this.  Mike Dowling’s art has that idealized gritty realism upon which Vertigo seems to be choking.  The concept and story seem like a gummy stew made out of Warren Ellis, Garth Ennis, Mark Millar, and Grant Morrison’s leftovers.  [The cover of Death Sentence #1 features a positive blurb from Millar.]  But, as I wrote earlier, first impressions aren’t everything, are they?

Dowling’s art expertly captures the running-on-fumes lives of Verity and Weasel, while giving Monty’s lecherous ways an engaging, humorous bent.  Montynero offers two intriguing characters in Verity and Weasel.  Verity’s predicament is surprisingly poignant.  I find something alluring in watching the train wreck that is Weasel.  He might seem like the kind of rock star that Miley Cyrus is destined to eventually date, not realizing that he is also destined to strangle her after a weekend bender.  But Weasel is not that bad.  He’s just a fool, and in fiction, fools can be fun.

Where is Montynero going with the character of Monty?  My inquiring mind wants to know.  I want to see where Death Sentence is going.  People looking for superhero comic books that don’t involve gimmick covers, but do involve intriguing concepts will want Death Sentence.

B+

www.Titan-Comics.com

Reviewed by Leroy Douresseaux

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.