#IReadsYou Review: UNCANNY INHUMANS #1

UNCANNY INHUMANS #1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Charles Soule
PENCILS: Steve McNiven; Brandon Peterson
INKS: Jay Leisten; Brandon Peterson
COLORS: Sunny Cho; Nolan Woodard
LETTERS: VC's Clayton Cowles
COVER: Steve McNiven and Jay Leisten with Justin Ponsor
VARIANT COVERS: Jim Cheung with Justin Ponsor; Art Adams with Richard Isanove; Art Adams (Kirby Monster Variant); Skottie Young; Adi Granov; Damien Scott (Hop Hop variant); Kalel Sean costumed by Brian A. Parsley and photographed by Judy Stephens (cosplay variant)
40pp, Color, $4.99 U.S. (December 2015)

Rated T+

Inhumans created by Stan Lee and Jack Kirby

The Inhumans are a race of super-humans in Marvel Comics.  Created by Jack Kirby and Stan Lee, they first appeared in Fantastic Four #45 (cover dated: December 1965).  The Inhumans are a strain of humanity that began with genetic manipulation by visitors to Earth from an alien civilization (the Kree), long ago in human prehistory.  Exposure to the mutagenic Terrigen Mist (a process known as Terrigenesis) reveals if a person is an Inhuman.

Little more than a B-list character group, the Inhumans are in ascendancy in the Marvel Universe, especially over the last four years.  In 2013, Marvel even launched a new comic book series, entitled Inhuman.  The launch of the “All-New, All-Different Marvel” sees the Inhumans continuing to rise to prominence.  The latest Inhuman comic book series is Uncanny Inhumans.  This series is written by Charles Soule; drawn by Steve McNiven (pencils) and Jay Leisten (inks), colored by Sunny Cho; and lettered by Clayton Cowles.

Uncanny Inhumans #1 opens the series with several sub-plots.  It is dough boys and dinosaurs when Triton and Reader (and his dog Forey) join Black Bolt in a time-traveling mission.  This trip, however, breaks a deal Black Bolt made with Kang the Conqueror, and the latter strikes back.  Also, Medusa and a group of new Inhumans (NuHumans) are engaged in a Central Park battle against the Chitauri.

Later, Medusa looks to the X-Man, Beast, to use his scientific knowledge to end the friction between mutants and Inhumans.  Plus, a visit from the Human Torch exacerbates marital discord.  Plus, in a bonus story, Frank, Flint, and Naja travel to Morocco to recover a lost Inhuman.

For a long time now, first issues of comic books that work on a five or six issue story arc are little more than introductions to the story and characters.  They are also often infuriatingly vague.  That is not the case with Uncanny Inhumans.  Writer Charles Soule has a way of making practically every page not only satisfying to read, but also intriguing enough to encourage the readers to come back for more.

The drama is convincing, and Soule gives the characters interesting personalities and/or engaging individual melodramas.  Medusa/Beast: I want more of that.  Black Bolt: it's all good.  I am not ashamed to say that Soule makes me feel like a fanboy about the titles he writers.

Of course, he has a great art team.  Steve McNiven has mastered making style work as high drama.  McNiven pencils are a series of flourishes and bells-and-whistles that come together to convey character, setting, plot, and drama.  In the back-up story, artist Brandon Peterson does something similar, but I'm not going to play that game of who is better – McNiven or Peterson.  I must admit, however, that I prefer Nolan Woodard's beautiful colors for Peterson's art, although I am not slighting Sunny Cho's excellent hues on the main story.

I'm ready for more Uncanny Inhumans, and if you listen to my recommendation and buy Uncanny Inhumans #1, you will be ready for more, also.

A-

Reviewed by Leroy Douesseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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#IReadsYou Review: KARNAK #1

KARNAK No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Warren Ellis
ART: Gerardo Zaffino
COLORS: Dan Brown
LETTERS: VC's Clayton Cowles
COVER: David Aja
VARIANT COVERS:  Gerardo Zaffino; Jim Cheung with Justin Ponsor; Skottie Young; Eric Powell (Monster variant) Kaare Andrews (Hop Hop variant)
28pp, Color, $3.99 U.S. (December 2015)

Rated T+

Karnak created by Stan Lee and Jack Kirby

“The Flaw in All Things” Part 1

Karnak is a Marvel Comics character that is part of the super-human race known as the Inhumans.  Karnak was created by Stan Lee and Jack Kirby and debuted in Fantastic Four #45 (cover dated: December 1965), the same issue in which the Inhumans first appeared.

Unlike most Inhumans, Karnak was not exposed to the Terrigen Mists.  Because he did not undergo Terrigenesis, he did not develop additional powers like other Inhumans.  A martial artist, Karnak can find the weakness or the flaw in anything (people, ideas, objects, philosophies, structures, and systems).  Using his training and strength, Karnak exploits his talents and can turn a weakness into a weapon.

Marvel Comics is apparently expanding the profile of the Inhumans even more, and that includes launching Inhuman solo titles.  The first one is Karnak, which is written by Warren Ellis; drawn by Gerardo Zaffino; colored by Dan Brown; and lettered by Clayton Cowles.  [Of note:  due to unforeseen circumstances, the art team will change in future issues.]

Karnak #1 (“The Flaw in All Things” Part 1) finds Magister Karnak doing his thing at the Tower of Wisdom.  His thing is interrupted when S.H.I.E.L.D. and Agent Coulson come calling for his help and whisk him off to a S.H.I.E.L.D. base in the Arctic.

It seems that William and Sarah Roderick have lost their son, Adam.  He recently underwent Terrigenesis and afterwards, was abducted.  The culprit seems to be I.D.I.C. (International Data Integration and Control), an old splinter group of A.I.M. (Advanced Idea Mechanics), thought to be defunct. Now, Karnak, the baddest philosopher since I-don't-know-who, will find Adam and I.D.I.C.

Karnak is another intriguing series from the mind of Warren Ellis, one of most the imaginative and inventive writers of North American and British comic books.  When I first heard that there was going to be a Karnak comic book, I was all like “Puh-lease!”  However, once I learned that Ellis would be the writer, I was intrigued.

I read Ellis' Karnak as an amalgamation of a fixer, special operative, troubleshooter, and martial artist.  He is the Inhuman blunt instrument, called in when no one can get the job done.  I wonder if Karnak will be a pop comic, full of kick-ass and action swag, while offering up something new in terms of ideas, plots, and settings.

Surprisingly, I am as impressed with the art of Gerardo Zaffino and Dan Brown as I am with Ellis' story-script-concept.  Zaffino's compositions are representational in a moody and impressionistic way, but the art makes for kinetic storytelling – as if the narrative is always urging forward.  The colors are alluring; they are like candy, and I think Brown's hues were the elements that kept drawing me deeper into this first issue.

I heartily recommend Karnak.  Readers looking for the really different in the All-New, All-Different Marvel will want to buy this first issue, even if it means mail order or digital.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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#IReadsYou Review: LEGION OF SUPER-HEROES #1

LEGION OF SUPER-HEROES #1 (2020)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

SCRIPT: Brian Michael Bendis
PENCILS: Ryan Sook
INKS: Ryan Sook and Wade von Grawbadger
COLORS: Jordie Bellaire
LETTERS: Dave Sharpe
EDITOR: Brian Cunningham
COVER: Ryan Sook
VARIANT COVER ARTISTS: Ryan Sook; Jim Cheung with Romulo Fajardo, Jr.
32pp, Color, $3.99 U.S. (January 2020)

Rated “T+” for “Teen Plus”

Legion of Super-Heroes created by  writer Otto Binder and artist Al Plastino; Superboy created by Jerry Siegel

The Legion of Super-Heroes is a DC Comics superhero team created by writer Otto Binder and artist Al Plastino.  First appearing in Adventure Comics #247 (cover dated: April 1958), the Legion is a group of super-powered beings living in the 30th and 31st centuries of the DC Comics Universe.

Initially, the Legion of Super-Heroes was portrayed as a group of time travelers and was closely associated with the original version of Superboy.  [Created by Superman co-creator Jerry Siegel, the original Superboy was depicted as Superman/Clark Kent being a superhero when he was a teenager.]  It was in Adventure Comics #247 that Superboy met three teenagers from the 30th century:  Lightning Boy, Saturn Girl, and Cosmic Boy.  They were members of a “super-hero club,” called the “Legion of Super-Heroes,” that had been formed with Superboy as its inspiration.

Lightning Boy, Saturn Girl, and Cosmic Boy had time traveled to the past to recruit Superboy as a member of their club.  After a series of tests, Superboy was awarded membership and returned to his own time.  Strangely, this adventure was intended as a one-off story focusing on Superboy, but the Legion of Super-Heroes proved so popular that the team returned for an encore in Adventure Comics #267 (December 1959), on their way to being a stable of the DC Comics.

The Legion's origin story has been rebooted a few times, and Superboy's part in the Legion's origin story has been omitted or altered.  Legion of Super-Heroes comic book series have come and gone, but the popular team has returned in a new series, entitled Legion of Super-Heroes, of course.  It is written by Brian Michael Bendis; drawn by Ryan Sook (pencils) and Wade von Grawbadger (inks); colored by Jordie Bellaire; and lettered by Dave Sharpe.  The new series focuses on a Legion that has banded together to stop the galaxy from repeating its past mistakes.

Legion of Super-Heroes #1 finds Ultra Boy chasing a murderous group of aliens belonging to the race known as “the Horraz.”  In these alien's possession is a canister that contains an ancient and powerful device, and they were apparently delivering it to “Mordru” the demon gangster.  Luckily, Legionnaires Karate Kid, Wildfire, and Star Boy arrive to help Ultra Boy.

Meanwhile, the Legion of Super-Heroes has pulled Superboy/Jon Kent from the time stream with the intent of making him the newest Legionnaire.  By doing this, however, the Legion may have done something terribly wrong.

I recently came across an interview of writer Brian Michael Bendis in which he said that he wanted to do upbeat stories set in the future.  In this new Legion of Super-Heroes #1, Bendis has written his best first issue for DC Comics since his tenure began in 2018.  It is indeed exciting and spiffy and full of bubbly Legionnaires, to say nothing of their awesome headquarters.  I am not a devoted Legion of Super-Heroes fan, so I am happy with this first issue, although I don't know if it will satisfy the biggest Legion fans.  I would like to see future issues really delve into the characters.

Ryan Sook's art recalls DC Comics' space age and early Silver Age comic book art.  The storytelling is clear, and Wade von Grawbadger's inks give Sook's pencils weight and heft.  Grawbadger's inks also make Sook's pencils look like the pencil art of Stuart Immonen, with whom Grawbadger has formed one of the best art teams of the last several years.

As usual Jordie Bellaire's colors are a delight.  Here, she gives some of the pages candy-colored hints. Dave Sharpe's sharp lettering completes the futuristic vibe of the story.  And Ryan Sook's cover art for this first issue will make it stand out on comic book shelves.

So, yeah, this is only the first issue, but I'm excited for a Legion of Super-Heroes comic book series in a way that I have not been in decades.  I don't know if it will make me a devoted Legionnaire, but I really like the start for Legion of Super-Heroes 2020.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: YEAR OF THE VILLAIN SPECIAL #1

DC'S YEAR OF THE VILLAIN SPECIAL No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

EDITOR: Mike Cotton; Marie Javins
COVER: Greg Capullo and FCO
VARIANT COVER ARTISTS: Jim Cheung with Tomeu Morey; Alex Maleev; Stanley “Artgerm” Lau
32pp, Color, 0.25¢ U.S. (July 2019)

Rated “T” for “Teen”

DC Comics' “Year of the Villain” is a crossover comic book event that officially kicks off in July 2019 with Year of the Villain: The Offer.  Although the beginnings of the event have already been hinted at in regular DC Comics titles like Action Comics, on May 1st, 2019, readers got a first look at “Year of the Villain” a specially priced comic book.

DC's Year of the Villain Special #1 is a .25¢ special preview comic book.  It contains what are essentially the three opening or prologue chapters of “Year of the Villain.”  They are “Doom,” “Leviathan,” and “Justice.”  The final eight pages of this comic book comprise an article that offers text pieces, art, sketches, and a list of 20 individual comic book issues that lead up to the official beginning of “Year of the Villain.”

The following paragraphs include a brief synopsis and review of each of the three chapters offered in DC's Year of the Villain Special #1:

“Doom”

STORY: Scott Snyder
ART: Jim Cheung
COLOR: Tomeu Morey
LETTERS: Tom Napolitano
EDITOR: Marie Javins

Amanda Blake Waller, the leader of multiple clandestine agencies, including “Task Force X” (a.k.a. The Suicide Squad), has arrived at the White House for a meeting with the President of the United States.  What she finds instead is Lex Luthor and the Legion of Doom.  Luthor has an offer to make Waller and every supervillain on Earth.

I wasn't planning on reading “Year of the Villain,” but this tense, exciting, eight-page piece got me interested in this event.  I generally don't like comic book events, but...  Plus, there is a shocking ending, and I rarely can resist the lovely art of Jim Cheung, in this case, expertly colored by the great Tomeu Morey.

“Leviathan”

STORY: Brian Michael Bendis
ART: Alex Maleev
COLORS: Alex Maleev
LETTERS: Josh Reed
EDITOR: Mike Cotton

Batgirl has arrived in Seattle to join Green Arrow in battling Merlyn.  However, Merlyn is desperate to tell them something... until Leviathan arrives.  Later, Robin (Damian Wayne) has a shocking question to ask his father, Batman.

This chapter does not start off that strongly; then, it explodes.  Plus, the last panel with Damian offers an explosive surprise.  Oh, and I can't resist the team of Brian Michael Bendis and Alex Maleev.

“Justice”

STORY: James Tynion IV
ART: Francis Manapul
COLOR: Francis Manapul
LETTERS: Tom Napolitano
EDITOR: Marie Javins

The Justice League is at the “Universe's End,” trying to save the Gorathian System from the void.  With so much mind-bending rescues to make, Superman announces that it is time to make the League grow.  Which heroes will get the call?  Batman has a simple answer.

If you are still in doubt about “Year of the Villain,” this eight-page treat will put those doubts to rest.  I think you will want to at least sample some more.  Plus, this story offers lovely Francis Manapul art.

DC Insider: Year of the Villain

WRITER: Andrew Serwin
EDITOR: Mike Cotton

There is a lot of information here.  The lists of pertinent comic books that readers will need to fully enjoy the beginnings of “Year of the Villain” will make preview comic book a must-have.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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#IReadsYou Review: ALL-NEW INHUMANS #1

ALL-NEW INHUMANS No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITERS: James Asmus and Charles Soule
ART: Stefano Caselli
COLORS: Andres Mossa
LETTERS: VC's Clayton Cowles
COVER: Stefano Caselli
VARIANT COVERS:  Stefano Caselli with Andres Mossa; John Tyler Christopher; Jim Cheung with Justin Ponsor; Marco D'Alfonso (Hop Hop variant); Yaya Han photographed by Judy Stephens (cosplay variant)
36pp, Color, $4.99 U.S. (February 2016)

Rated T+

The Inhumans are a race of super-humans in Marvel Comics.  This race was created by Jack Kirby and Stan Lee and first appeared in Fantastic Four #45 (cover dated: December 1965).  They are a strain of humanity that began with genetic manipulation by visitors to Earth from an alien civilization (the Kree) long ago in human prehistory.  Exposure to the mutagenic Terrigen Mist (a process known as Terrigenesis) reveal if a person is an Inhuman.

Little more than a B-list character group, the Inhumans are in ascendancy in the Marvel Universe, especially during the last three years.  In 2013, Marvel even launched a new comic book series, entitled Inhuman.  The launch of the “All-New, All-Different Marvel” comes with the Inhumans continuing to rise to prominence.  The latest Inhuman comic book series is All-New Inhumans.  This series is written by James Asmus and Charles Soule; drawn by Stefano Caselli, colored by Andres Mossa; and lettered by Clayton Cowles.

Once upon a time, I was enthralled by the X-Men's story of a small band of outcasts fighting to save a world that feared and hated them.  The racism, bigotry, and prejudice that the X-Men faced seemed genuine, and writer Chris Claremont hit upon something that spoke to readers with such honesty and a sense of verisimilitude.  I practically counted the days until each issue of Uncanny X-Men hit the shelves of the local newsstand, was place in a spinner rack at a local drugstore or supermarket, or was placed on the new release table at the closest comic book store.

That was before Marvel Comics started publishing multiple X-Men related titles and even more miniseries, one-shots, specials, etc.  After that, the X-Men seemed like nothing more than a weekly prank that Marvel Comics pulled on its loyal customers.

All-New Inhumans #1 recaptures the best of that X-Men spirit of an outsider group under siege.  The hatred against the Inhumans is potent, and writers James Asmus and Charles Soule depict the haters as desperate humans who are more fearful than evil.  The language of distrust from the politicians in the back-up story is honestly composed.  And because we need that, the main story offers engaging fight comics and Inhuman soap opera.

The art by the team of Stefano Caselli and Andres Mossa and the art by Nico Leon in the back-up are both high-quality, befitting of what is apparently going to be an important comic book in Marvel's line.  I eagerly look forward to more, and I heartily recommend this comic book.

A-

[This comic book includes a extra story written by James Asmus; drawn by Nico Leon; colored by Andres Mossa; and lettered by Clayton Cowles.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Dynamite Entertainment from Diamond Distributors for January 15, 2020

DYNAMITE

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OCT191237    BETTIE PAGE UNBOUND #9 CVR E PHOTO    $3.99
NOV191114    JAMES BOND #2    $3.99
NOV191183    NANCY DREW HC PALACE OF WISDOM    $17.99
NOV191194    VAMPIRELLA RED SONJA #5 CVR A TEDESCO    $3.99
NOV191195    VAMPIRELLA RED SONJA #5 CVR B TARR    $3.99
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NOV191197    VAMPIRELLA RED SONJA #5 CVR D ROMERO & BELLAIRE    $3.99
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NOV191199    VAMPIRELLA RED SONJA #5 CVR F MOSS THEN & NOW    $3.99
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#IReadsYou Review: UNCANNY X-MEN #1 (2019)

UNCANNY X-MEN #1 (2019) – Legacy #620
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Ed Brisson, Matthew Rosenberg, and Kelly Thompson
ART: Mahmud Asrar; Mirko Colak; Ibraim Roberson
PENCILS: Mark Bagley
INKS: Andrew Hennessy
COLORS: Rachelle Rosenberg
LETTERS: VC's Joe Caramagna
COVER: Leinil Francis Yu with Edgar Delgado
EDITOR: Jordan White with Darren Shan
VARIANT COVER ARTISTS: David Finch with Frank D'Armata; Jim Cheung with Justin Ponsor; Scott Williams with Ryan Kinnaird; Carlos Pacheco and Rafael Fonteriz with Edgar Delgado; Joe Quesada with Richard Isanove; Rob Liefeld with Romulo Fajardo, Jr.; Dave Cockrum with Jason; Dave Cockrum
72pp, Color, $7.99 U.S. (January 2019)

Rated T+

X-Men created by Stan Lee and Jack Kirby

“Disassembled” Part 1; “What Tomorrow Brings” Parts One – “A Bishop Story”; Part Two – “A Jean Grey Story”; Part Three – “An Armor & Angle Story”; Epilogue

There is no point in trying to count the number of times that Marvel Comics has relaunched, reinvigorated, or quasi-rebooted its X-Men comic book franchise since 2001's New X-Men.  This week we got the third(?) Uncanny X-Men relaunch.

Uncanny X-Men 2019 is written by the team of Ed Brisson, Matthew Rosenberg, and Kelly Thompson.  The artists and art teams will rotate, as the first nine issues of this new series will be published weekly.  The artists for this first issue are Mahmud Asrar (pencils-inks); Mirko Colak (pencils-inks); Ibraim Roberson (pencils-inks); and the team of Mark Bagley (pencils) and Andrew Hennessy (inks).  Rachelle Rosenberg colors and Joe Caramanga letters this first issue.

Uncanny X-Men #1 begins with the main story, “Disassembled” Part 1.  The story opens with Jean Grey having a dream about an invasion of multiple copies of Multiple Man, each one demanding the whereabouts of Kitty Pryde.  Meanwhile, Kitty is among the members of the X-Men who are suddenly disappearing.  Who is behind this mystery?  In a series of back-up stories, Bishop, Jean Grey & Storm, and Armor & Anole take on a foe capable of possessing people in the days leading up to the events depicted in the main story.

20th Century Fox's X-Men film franchise has had some spectacular successes and some failures since the franchise's first film, 2000's X-Men.  In that time, X-Men comic books have been mostly hit and miss.  There have been some interesting, even good series; All New X-Men, New X-Men, and X-Men: The Hidden Years come to mind.  However, the “golden age” of X-Men comic books was over by the mid-1980s, and the various owners of Marvel Comics have ruined the franchise by turning it into a cash cow that has vomited money.  A deluge of X-Men and X-Men-related ongoing series, miniseries, one-shots, specials, graphic novels, and reprint and archival publications in various formats, etc. were money makers.  The quality of these comic books varied wildly.  Some were good.  Some were mediocre.  Some were plain awful.

Personally, I think that without a radical rethinking of the X-Men concept, the best we can hope for is that maybe each new iteration of a flagship X-Men comic book, Uncanny X-Men or the recent X-Men: Blue and X-Men: Gold, can yield at least a year's worth of good comic books.  Gold and Blue barely did that.

I like that Uncanny X-Men 2019 will be weekly for its first nine issues.  I wish that Marvel and DC Comics published more weekly titles.  Rather than have a bunch of crappy Justice League titles, have one that is published weekly and features rotating casts and creative teams.  If Uncanny X-Men's writing team can maintain this first issue's sense of mystery and keep offering cliffhangers like the ones in this issue, then, this will be a fun run of nine issues.

So I have some hope, but, without going into spoilers, nothing in Uncanny X-Men #1 2019 suggests that this comic book will approach the first quarter-century of X-Men publications, which offered quite a few stories that went on to become classics.  But there is enough here to suggest that this could be a solid title.  I want to be surprised and delighted.

7 out of 10

Reviewed by Leroy Douressaeux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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Review: THE AMAZING SPIDER-MAN #1

THE AMAZING SPIDER-MAN No. 1 / #802 (2018)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Nick Spencer
PENCILS: Ryan Ottley; Humberto Ramos
INKS: Cliff Rathburn; Victor Olazaba
COLORS: Marte Gracia; Edgar Delgado
LETTERS: VC's Joe Caramagna
EDITOR: Nick Lowe
COVER: Ryan Ottley with Laura Martin
VARIANT COVER ARTISTS: Shane Davis and Michelle Delecki with Morry Hollowell; John Romita, Sr. and Terry Austin with Jason Keith; Erik Larsen with Dean White (Remastered); Jim Cheung with Justin Ponser; Greg Land with Jason Keith
56pp, Color, $5.99 U.S. (September 2018)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

“Back to Basics” Part One

Here we go.  Back in the summer, Marvel Comics published yet another The Amazing Spider-Man #1, but the publisher did not jettison its “Legacy” numbering.  So this new #1 comic book is also The Amazing Spider-Man #802.

It is a fresh start, of sorts, with a new creative team.  Nick Spencer is the new series writer.  The new art team is Ryan Ottley (pencils) and Cliff Rathburn (inks).  Laura Martin is on colors, and Joe Caramagna is on letters.

The Amazing Spider-Man #1 finds Peter Parker still trying to get his life back together in the wake of the crash and burn of his company, Parker Industries.  He shares an apartment with roommates, and he has reconnected with M.J. - Mary Jane Watson.  But something is wrong.  People are giving him the side eye, when they aren't being outright hostile and dismissive.  And he and the Avengers are in the middle of a massive alien invasion.  Is there a conspiracy against Peter Parker and Spider-Man?

I enjoyed Dan Slott's run on The Amazing Spider-Man.  Of course, I only experienced the second half of Slott's long tenure on the title, and I understand that some readers and fans were ready for Marvel to move on from him.

I don't know if readers are satisfied now, but I like this almost tripled-sized issue.  Without reverting Peter Parker to childhood, Spencer takes Peter Parker back to the days when he suffered the bane of a hero's existence – no good deed goes unpunished.  Indirectly and directly and by action and inaction, Parker and Spider-Man are causing trouble for the people for whom they care.  Obviously, there is a lot of dramatic tension and conflict.  Still, Spencer writes a light-hearted comic book with both wry humor and dark undertones.

Ryan Ottley, known for his long run on Robert Kirkman's Invincible (Image Comics), is the perfect Spider-Man comic book artist, for now.  He reminds me of Mark Bagley on Ultimate Spider-Man, and, at the time (late 2000), both that comic book and Bagley were much needed breaths of fresh air for the Spider-Man franchise.  Ottley recalls the past while being something different, essentially an indie superhero comic book artist taking on a venerable mainstream superhero franchise.  Ottley is back to basics without being retro.

Cliff Rathburn on inks accentuates the newness of Ottley's clean pencil art.  Laura Martin's colors seems out of place, too heavy for Ottley and Rathburn's illustrations.  There is nothing distinctive about Joe Caramagna's lettering.  At least, it seems that way to me.

Former Amazing Spider-Man series artist, Humberto Ramos, delivers a killer back-up story.  With his striking illustrative style, Ramos usually presents potent storytelling, and his tale enforces my belief that this Amazing relaunch could be something special... at least for awhile.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.



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Review: JUSTICE LEAGUE #1

JUSTICE LEAGUE No. 1 (2018)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: Jim Cheung
INKS: Mark Morales
COLORS: Tomeu Morey
LETTERS: Tom Napolitano
EDITOR: Rebecca Taylor
COVER: Jim Cheung with Laura Martin
VARIANT COVER: Jim Lee and Scott Williams with Alex Sinclair
32pp, Color, $3.99 U.S. (Early August 2018)

Rated “T+” for “Teen Plus”

“The Totality” Part One

The Justice League (also known as Justice League of America or JLA) is DC Comics' premiere superhero group.  Conceived by writer Gardner Fox and first drawn by artist Mike Sekowsky, the Justice League first appeared as a team in The Brave and the Bold #28 (cover dated:  March 1960).  The seven original members were Superman, Aquaman, Batman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman.  The team received its own book with the debut of Justice League of America #1 (cover dated: October 1960).

For the third time in seven years, Justice League debuts with a new first issue.  This new Justice League 2018 is written by Scott Snyder.  This debut issue is drawn by Jim Cheung (pencils) and Mark Morales (inks); colored by Tomeu Morey; and lettered by Tom Napolitano.

Justice League #1 opens with a comet of golden light streaking across space... and across several periods of time.  Next, there is a glimpse of the Justice League's “Hall of Justice.”  Then, we find Superman, Wonder Woman, Batman, Flash, Aquaman, and Hawkgirl lead fellow superheroes, including Cyborg and Mr. Terrific, into a fight against bands of Neanderthals that have been biologically and technologically advanced by Justice League supervillain, Vandal Savage.  However, the arrival of some familiar supervillains and arch-nemesis and of something wicked/mysterious this way comes makes a League victory seem Pyrrhic.

Since 1985, DC Comics turns to a cosmic event to either save itself financially or to simply increase sales with a high-profile publishing event.  And quite frankly, I am not interested in another Scott Snyder, time-spanning, multi-universal conspiracy.

But I enjoyed the art in Justice League #1.  I will read any comic book story drawn by Jim Cheung, whose pencils are nicely inked by Mark Morales in this issue.  Tomeu Morey, as usual, colors with the power of Shaka Zulu, turning in such beauty that I was willing to wade through a story in which I had no interest.  Letterer Tom Napolitano, for the umpteenth time, makes the unreadable quite readable.

I have to admit this:  I will keep reading Justice League (2018), if future art teams are as good as the one in Justice League #1.

5.5 out of 10

[This comic book includes a preview of Teen Titans #20 by Adam Glass, Bernard Chang, Marcelo Maiolo, and Rob Leigh.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

Review: BLACK PANTHER AND THE CREW #1

BLACK PANTHER AND THE CREW No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Ta-Nehisi Coates
PENCILS: Butch Guice
INKS: Scott Hanna
COLORS: Dan Brown
LETTERS: VC's Joe Sabino
COVER: John Cassaday with Laura Martin
VARIANT COVERS: Rich Buckler; Jim Cheung with Jason Keith; John Tyler Christopher; Tom Palmer with Rachelle Rosenberg; Damian Scott with John Rauch
28pp, Color, $3.99 U.S. (June 2017)

Black Panther created by Stan Lee and Jack Kirby

Rated “T+”

“We are the Streets” Part 1 “Double Consciousness”

Although it was only published for seven issues in 2003, the comic book, The Crew, is apparently fondly remembered by some readers (myself among them) and comic book writers.  Written by Christopher Priest and drawn by Joe Bennett, The Crew featured four hardened heroes who band together to fight for an impoverished neighborhood.

The Crew is the inspiration for the latest expansion of Marvel Comics' Black Panther line of comic books, Black Panther and The Crew.  This new series is written Ta-Nehisi Coates; drawn by Butch Guice (pencils) and Scott Hanna (inks); colored by Dan Brown; and lettered by Joe Sabino.

Black Panther and The Crew #1 (“Double Consciousness”) opens in The Bronx in 1957 with a tale of Ezra Keith and his “crew.”  The story moves to present day Harlem for the funeral of Ezra, who was killed while in police custody.  Ezra's family has asked Misty Knight to investigate, but Knight is conflicted because of her ties to law enforcement.  However, Misty is forced to admit that something is officially wrong and unites with the X-Men's Storm to fight the forces arrayed against her.

Apparently, writer Yona Harvey will script every other issue of this series, which means she will write Black Panther and The Crew #2 with Ta-Nehisi Coates returning for the third issue.  I hope Harvey is as good as Coates is on this first issue, and I'm saying that considering that I did not expect much from the first issue.  But I'm impressed and look forward to more.

Black Panther and The Crew #1 reads like one of those crime comic books published by DC Comics' Vertigo imprint or Image Comics and written by someone like Ed Brubaker or Brian Azzarello.  Coates offers a sharply written urban drama that is complicated about complex matters.  Black people vs. cops – it is not so clear cut simply because there are so many players and groups of players involved with their own goals and motivations.

I like Butch Guice's pencil art; it is his storytelling that realizes Coates' script as a multi-layered, street-level superhero drama.  I have always thought that Guice's talent was underutilized, but here he gets to show the scope of his graphical storytelling abilities.  I highly recommend trying at least the first issue of Black Panther and The Crew.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

----------------------------------

I Reads You Juniors September 2017 - Update #50

Support Leroy on Patreon.

From Crunchyroll:  Seven Seas Entertainment continues to announced new manga licenses.

From ChristianPost:  In Japan, "scanners" of the manga "One Piece" have been arrested and charged with copyright infringement.

From SoraNews24:  There is a new manga trying to explain President of Russia, Vladimir Putin.

From BleedingCool:  Why can't Marvel keep politics out of its comics... and that is not quite what it seems.

From BleedingCool:  DC Comics reveals more "Justice League" movie variant covers.

From BleedingCool:  The news and gossip site begins your "Marvel Legacy" spoilers.

From ComicBookBin:  New Johnny Bullet episode #136 in English.
From ComicBookBin:  New Johnny Bullet episode #136 in French.

From ComicBookBin:  Johnny Bullet episode #135 in English.
From ComicBookBin:  Johnny Bullet episode #135 in French.

From Crunchyroll:  For the 40th anniversary of the "Galaxy Express 999" manga, there will be a stage adaptation of the manga.

From TheNewPaper:  There is a new online course for budding anime and manga artists.

From THR:  IDW Publishing will publish a "Stretch Armstrong" related to a new Netflix animated series, "Stretch Armstrong and the Flex Fighters."

From PreviewsWorld:  New Bernie Wrightson art book coming from Hermes Press.

From ComicBook:  Eiichiro Oda wants to end his "One Piece" manga as soon as possible.

From Newsarama:  The "Guardians of the Galaxy" manga makes its debut as digital comic on the "Manga Box" app.

From BleedingCool:  Mark Waid to attempt to have a "civil conversation" about diversity at Baltimore Comic Con 2017.

From BleedingCool:  Maybe Marvel's "Secret Empire" is not over.

From BleedingCool:  Marvel Comics solicitations through Diamond Comics Distributors for December 2017.

From TheRiderNews:  "Superb" is a new superhero comic book in which the lead character has Down Syndrome.

From BleedingCool:  Adam Hughes will draw the main cover of the DC Comics/Archie Comics crossover, "Harley & Ivy Meet Betty & Veronica."

From BleedingCool:  "The Walking Dead #175" is a solo Negan issue.

From Forward:  This week sees the debut of an official comic book adaptation of "The Diary of Anne Frank."

From Forward:  Judith Jones, the editor who discovered Anne Franks' diary, died August 1, 2017.  She was 93.

From BleedingCool:  A surprise character from Deadpool's debut may return for Marvel Legacy.

From SoraNews24:  One Piece manga creator, Eiichiro Oda, claims that seven villains have forced him to extend the series far longer than he intended.

From Fansided:  Tony Moore, the original artist on "The Walking Dead" comic book, recreates an iconic Neegan scene that he was not around to draw.

From Crunchyroll:  Shuuichi Shigeno, the creator of the "Initial D" manga, launches a new manga, "MF Ghost."

From TheSignal:  The Santa Clarita Valley newspaper notices when a local guy creates his own comic book, "Zalaan Wars" by A.J. Wedding.

From BleedingCool:  Dennis O'Neil will return to writing Batman for the "DC Universe Holiday Special #1."

From ExpressUK:  Here is the new movie Hellboy.

From BleedingCool:  IDW is rebooting "30 Days of Night" with writer Steve Niles.  Ben Templesmith, the original series artist, will return as cover artist along with original series cover artist, Ashley Wood.

From BleedingCool:  Marvel Two-in-One with Chip Zdarsky as writer and Jim Cheung as artist.

From BleedingCool:  IDW's Hasbro (GI Joe, Transformers) event title, "First Strike," will yield a new series, "Scarlett's Strike Force."

From ComicBookBin:  New Johnny Bullet episode #134 in English.
From ComicBookBin:  New Johnny Bullet episode #134 in French.

From TheWrap:  The influential comic book writer and editor Len Wein has died.  He was 69.  He co-created the character Wolverine with artist John Romita.  He revived the X-Men for Marvel Comics in the mid-1970s, launching the version of the team that became a multi-billion dollar franchise.  He co-created the character Swamp Thing with artist Berni Wrightson (who also died this year).  Wein edited writer Alan Moore's run on Swamp Thing and Moore and Dave Gibbons comic book, "Watchmen."

From PasteMagazine:  Warren Ellis and Bryan Hill talk to Paste about the upcoming "Michael Cray," comic book from DC Comics that is part of "Wildstorm" reboot.  Includes preview art.

From SouthEssexCollege:  This college is giving Warren Ellis an honorary doctorate.

From BleedingCool:  New speculation over future "Young Animal" comics from DC Comics.

From Negromancer:  At Rose City Comic Con, Image Comics announces a new comic book, "Bitter Root," from David Walker, Chuck Brown, and Sanford Greene

From BleedingCool:  "Guardians of the Galaxy" is now a manga, "Guardians of the Galaxy: Galaxy Rush."

From BleedingCool:  Arrests were made of people scanning and uploading pages of the "One Piece" manga.

From Slate:  Tom King would like to stay with Batman for 100 issues.  [If he maintains the quality of his writing, he can stay 300 issues. -Ed]

From BleacherReport:  A discussion of WWE comic books.

From BleedingCool:  Retailers will be able to sell the "Dark Knight III" hardcover early.

From WeGotThisCovered: Another article about Marvel Comics' woes, and "diversity characters" (meaning African-American characters) are blamed.

From BleedingCool:  The 2017 Joe Shuster Awards were announced on Friday, September 1, 2017.  First established is 2004, the Joe Shuster Awards serve to recognize the works of Canadians, published at home or abroad, for their outstanding achievements in the creation of comic books, graphic novels, and webcomics.  The awards are named after pioneering Canadian artist Joe Shuster, who created Superman with Jerry Siegel.

From StudyGroupComics:  Jim Rugg is on the "Process Party" podcast.

From ComicBookBin:  New Johnny Bullet episode #133 - in English - the pantomime story arc begins!
From ComicBookBin:  New Johnny Bullet episode #133 - in French

From BleedingCool:  Kirby Genesis, the creation of "Captain Victory and the Galactic Rangers" and "Silver Star."

From MangaTokyo:  Comparing the "Kuroko's Basketball" manga and anime.

From ICv2:  Geoff Johns reveals DC Comics' "Doomsday Clock #1" covers.

From YahooNews:  What does the return of the real Captain America mean for the future of Marvel Comics?

From NewRepublic:  August 28th, 2017 would have been Jack Kirby's 100th birthday.  Jeet Heer offers this profile, "Jack Kirby, the Unknown King."

From ComicsBulletin:  Top 10 thoughts on Jack Kirby.

Review: DARTH VADER #1

DARTH VADER No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. Visit the "Star Wars Central" review page here.]

STORY: Charles Soule
PENCILS: Giuseppe Camuncoli
INKS: Cam Smith
COLORS: David Curiel
LETTERS: VC's Joe Caramagna
COVER: Jim Cheung with Matthew Wilson
VARIANT COVERS: John Tyler Christopher; Phil Noto; Mark Brooks; Adi Granov; Skottie Young; David Lopez; Rod Reis
44pp, Color, $4.99 U.S. (August 2017)

Rated T

“The Chosen One” Part I

Of course, you know that The Walt Disney Company owns Marvel Comics, dear readers.  Shortly after acquiring Marvel Entertainment, Disney bought Lucasfilm, Ltd., the owner of all thing Star Wars.  Marvel Comics, the original home of Star Wars comics, is once again publishing Star Wars comics, and this time, these comic book are officially part of the Star Wars canon.

Two years ago, Marvel launched the comic book series, Darth Vader.  Written by Keiron Gillen and drawn by Salvador Larroca, the series was set immediately after the events depicted in the original 1977 film, Star Wars (or Star Wars: Episode IV – A New Hope).  In this comic book, we watched as Darth Vader was forced to work his way back into Emperor Palpatine good graces because the Emperor held Vader responsible for the destruction of his ultimate weapon, the Death Star, by the Rebel Alliance – as seen Star Wars.

Now, there is a new Darth Vader comic book series.  It is written by Charles Soule; drawn by Giuseppe Camuncoli (pencils) and Cam Smith (inks); colored by David Curiel; and lettered by Joe Caramagna.  This series is set after the events depicted in the 2005 film, Star Wars: Episode III – Revenge of the Sith, although some of it recounts events that took place at the end of that film.

Darth Vader #1 opens as Anakin Skywalker awakens as the monster in a suit of cybernetic armor, Darth Vader.  He is filled with pain and rage over the death of his wife, Padmé Amidala.  After Emperor Palpatine brings his new dog, Vader, to heel, he begins the task of making the new Sith Lord prove that he can help him in the task of building and defending a Galactic Empire.  First task: Vader must build a lightsaber worthy of a Sith.

A Star Wars comic book has to be really bad or pretty average to get a grade of less than B+ from me.  I am a decades-long Star Wars fan and get a kick out of reading Star Wars comic books.  I am giving this new Darth Vader #1 a grade of B+, although I don't much care for Giuseppe Camuncoli's art.  This opening chapter is okay, but it does set up the possibility of some really exciting chapters to come.

So, go get this new Darth Vader #1, Star Wars fan.

B+

[This comic book includes the bonus story, “No Good Deed...” by Chris Eliopoulos with Jordie Bellaire.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

-----------------------

Marvel Comics from Diamond Distributors for July 19, 2017

MARVEL COMICS

MAY170896    ALL NEW GUARDIANS OF GALAXY #6    $3.99
MAY170850    AMAZING SPIDER-MAN RENEW YOUR VOWS #9    $3.99
APR171158    AMAZING SPIDER-MAN TP VOL 06 WORLDWIDE    $19.99
MAY170878    AMERICA #5    $3.99
MAY170806    ASTONISHING X-MEN #1    $4.99
APR171142    A-Z MARVEL MONSTERS HC    $24.99
APR171143    BLACK EYED PEAS PRESENTS MASTERS SUN ZOMBIES CHRONICLES HC    $24.99
APR171167    CAPTAIN AMERICA AND THE AVENGERS COMP COLL TP    $34.99
MAY170868    DAREDEVIL #24    $3.99
APR171159    DAREDEVIL BACK IN BLACK TP VOL 04 IDENTITY    $17.99
APR171170    DEADPOOL CLASSIC TP VOL 18 DEADPOOL VS MARVEL    $39.99
MAY170823    DEADPOOL KILLS MARVEL UNIVERSE AGAIN #2    $3.99
MAY170824    DEADPOOL KILLS MARVEL UNIVERSE AGAIN #2 ESPIN VAR    $3.99
MAY170791    DOCTOR STRANGE #23 SE    $3.99
MAY178133    GENERATIONS FREE PREVIEWS SPOTLIGHT (BUNDLE OF 25)    $5.00
MAR178810    GLOW IN THE DARK COSMIC CUBE (BUNDLE OF 25)    $PI
MAY170832    INVINCIBLE IRON MAN #9    $3.99
MAY170875    LUKE CAGE #3    $3.99
MAY170826    MARVELS THOR RAGNAROK PRELUDE #2 (OF 4)    $3.99
MAY170827    MIGHTY THOR #21    $3.99
APR171141    MIGHTY THOR PREM HC VOL 03 ASGARD SHIAR WAR    $24.99
MAY170887    MONSTERS UNLEASHED #4    $3.99
MAY170858    MS MARVEL #20    $3.99
APR171160    MS MARVEL TP VOL 07 DAMAGE PER SECOND    $17.99
APR171156    PATSY WALKER AKA HELLCAT TP VOL 03 CARELESS WHISKERS    $15.99
MAY170840    PETER PARKER SPECTACULAR SPIDER-MAN #2    $3.99
APR171161    PUNISHER TP VOL 02 END OF THE LINE    $17.99
MAY170856    ROYALS #5    $3.99
MAY170763    SECRET EMPIRE #6 (OF 10)    $4.99
MAY170766    SECRET EMPIRE #6 (OF 10) SORRENTINO HYDRA HEROES VAR    $4.99
MAY170775    SECRET EMPIRE BRAVE NEW WORLD #4 (OF 5) SE    $3.99
MAY170855    SPIDER-MAN 2099 #25    $4.99
APR171122    STAR WARS DARTH MAUL #5 (OF 5)    $3.99
MAY170934    STAR WARS POE DAMERON #17    $3.99
MAY170907    TOTALLY AWESOME HULK #21 WMD    $3.99
MAY170830    ULTIMATES 2 #9    $3.99
MAY170795    US AVENGERS #8 SE    $3.99
APR171146    US AVENGERS TP VOL 01 AMERICAN INTELLIGENCE MECHANICS    $17.99
MAY170804    X-MEN GOLD #8 SE    $3.99

I Reads You Review: SECRET WARS #1

SECRET WARS #1 (OF 8)
MARVEL COMICS – @Marvel

WRITER: Jonathan Hickman
ARTIST: Esad Ribic
COLORS: Ive Svorcina
LETTERS: Chris Eliopoulos
COVER: Alex Ross
VARIANT COVERS: Simone Bianchi with Simone Peruzzi; Jim Cheung with Justin Ponsor; John Tyler Christopher; Amanda Conner with Paul Mounts; Butch Guice with Andy Troy; Esad Ribic; Skottie Young; Chip Zdarsky
56pp, Color, $4.99 U.S. (July 2015)

Part 1: “End Times”

Almost four years ago, DC Comics re-launched its comic books line, an event called “The New 52.”  That's over, already.  Marvel Comics did semi-relaunches, under the banner “All-New.”  Well, now Marvel is going all in this fall when every comic book restarts with a #1 issue, in addition to the apparent debut of some new titles.

DC Comics heralded “The New 52,” with a five-issue miniseries and publishing event entitled “Flashpoint.”  Marvel's event herald is “Secret Wars.”  Yes, indeed, everything old is remade again, and Marvel's notorious 1984 twelve-issue comic book miniseries, Marvel Super Heroes Secret Wars get a portion of its title re-purposed.  Worlds, universes, and even characters die in the eight-issue miniseries, Secret Wars, written by Jonathan Hickman, drawn by Esad Ribic, colored by Ive Svorcina, and lettered by Chris Eliopoulos, with painted covers by Alex Ross.

Secret Wars #1 (“End Times”) opens with Doctor Doom, Doctor Strange, and Molecule Man facing... “Beyond.”  The multiverse is dying, and there are only two universes left.  One is the universe of Earth-1610 (the Ultimate Universe), and the other is the universe of Earth-616 (the Marvel Universe).  One is invading the other; super-powered types will battle.  Super-powered types will die, and so will a universe... or two.

Reading Secret Wars #1 is only half as painful as reading Avengers & X-Men: Axis #1 was for me.  Secret Wars does have its moments in which I genuinely cared about the peril faced by the characters, at least some of them.  What I genuinely love about Secret Wars #1 is the beautiful art by Esad Ribic and Ive Svorcina.

I have always admired Ribic, even when he replaced my beloved Steve Rude on X-Men: Children of the Atom (way back in the 1990s).  Here, Ribic and Svorcina deliver some potent, striking images, and it is their storytelling that really makes this graphic narrative work, more so than Hickman's script.  Hickman puts a snide remark in Rocket Raccoon's mouth about those comic book from decades ago that had a one-dollar cover price.  Yeah, some did suck, but you usually got a complete story in a single issue.  Let's see current comics superstar Jonathan Hickman pull that off.

B+

[This book includes a preview of The Uncanny Inhumans #0” by Charles Soule, Steve McNiven, Jay Leisten, Justin Ponsor, and VC's Clayton Cowles.]

Reviewed by Leroy Douresseaux; support on Patreon.


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Marvel Comics from Diamond Distributors for June 10, 2015

MARVEL COMICS

APR150747     1602 WITCH HUNTER ANGELA #1 SWA     $3.99
MAR150824     A-FORCE #1 BY CHEUNG POSTER     $8.99
APR150943     AGE OF ULTRON VS MARVEL ZOMBIES #1 BY PACHECO POSTER     $8.99
APR150949     AMAZING SPIDER-MAN RENEW YOUR VOWS BY KUBERT POSTER     $8.99
MAR150799     ANT-MAN TP SCOTT LANG     $24.99
APR150711     CAPTAIN AMERICA AND MIGHTY AVENGERS #9 SWA     $3.99
APR150835     CAPTAIN MARVEL AND CAROL CORPS #1 SWA     $3.99
APR150888     DARK TOWER DRAWING THREE HOUSE CARDS #4 (MR)     $3.99
JAN150886     DEADPOOL BY POSEHN AND DUGGAN HC VOL 02     $34.99
APR150734     GHOST RACERS #1 SWA     $3.99
APR150944     GIANT SIZE LITTLE MARVEL AVX #1 BY YOUNG POSTER     $8.99
MAR150826     GUARDIANS TEAM-UP #5 BY RAMOS POSTER     $8.99
MAR158541     HOWARD THE DUCK #1 QUINONES 3RD PTG VAR     $3.99
MAR158542     HOWARD THE DUCK #2 QUINONES 2ND PTG VAR     $3.99
APR150841     INFERNO #2 SWA     $3.99
MAR150822     INFINITY GAUNTLET #1 BY WEAVER POSTER     $8.99
APR150743     INHUMANS ATTILAN RISING #2 SWA     $3.99
MAR150808     IRON MAN TP VOL 05 RINGS OF MANDARIN     $19.99
APR150859     KANAN LAST PADAWAN #3     $3.99
APR150945     KORVAC SAGA #1 BY SCHMIDT POSTER     $8.99
APR150882     MARVEL UNIVERSE AVENGERS ASSEMBLE SEASON TWO #8     $2.99
APR150946     MARVEL ZOMBIES #1 BY LASHLEY POSTER     $8.99
APR150731     MARVEL ZOMBIES #1 SWA     $3.99
MAR150798     MARVELS ANT-MAN PRELUDE TP     $14.99
MAR150712     MAX RIDE FIRST FLIGHT #3     $3.99
MAR150811     MILES MORALES ULTIMATE SPIDER-MAN TP VOL 02 REVELATIONS     $19.99
JAN150889     MMW FANTASTIC FOUR HC VOL 17     $75.00
APR150815     MRS DEADPOOL AND HOWLING COMMANDOS #1 SWA     $3.99
MAR150813     MS MARVEL TP VOL 03 CRUSHED     $15.99
MAR150821     PLANET HULK #1 BY DEL MUNDO POSTER     $8.99
MAR158544     PRINCESS LEIA #3 DODSON 2ND PTG VAR     $3.99
MAR150820     SECRET WARS #1 BY ROSS POSTER     $8.99
APR150845     SECRET WARS 2099 #2 SWA     $3.99
APR150740     SECRET WARS JOURNAL #2 SWA     $3.99
APR150947     SHIELD BY ROSS POSTER     $8.99
APR150875     SILK #5     $3.99
MAR150746     SILVER SURFER #12     $3.99
MAR150807     SILVER SURFER TP VOL 02 WORLDS APART     $15.99
APR150877     SPIDER-GWEN #5     $3.99
MAR150823     SPIDER-VERSE #1 BY BRADSHAW POSTER     $8.99
APR150850     SPIDER-VERSE #2 SWA     $3.99
APR150948     SQUADRON SINISTER #1 BY PACHECO POSTER     $8.99
APR150729     ULTIMATE END #2 SWA     $3.99
MAR158545     UNBEATABLE SQUIRREL GIRL #1 HENDERSON 3RD PTG VAR     $3.99
MAR158546     UNBEATABLE SQUIRREL GIRL #2 HENDERSON 3RD PTG VAR     $3.99
MAR158547     UNBEATABLE SQUIRREL GIRL #3 HENDERSON 2ND PTG VAR     $3.99
MAR158548     UNBEATABLE SQUIRREL GIRL #4 HENDERSON 2ND PTG VAR     $3.99
MAR150827     UNCANNY X-MEN #600 BY BACHALO POSTER     $8.99
APR150767     WEIRDWORLD #1 SWA     $3.99
MAR150825     WHERE MONSTERS DWELL BY CHO POSTER     $8.99
APR150950     X-MEN 92 #1 BY LARRAZ POSTER     $8.99

Review: "The Uncanny Inhumans #0" Has Soule Power

THE UNCANNY INHUMANS #0

WRITER: Charles Soule
PENCILER: Steve McNiven
INKER: Jay Leisten
COLORIST: Justin Ponsor
LETTERER: VC's Clayton Cowles
COVER: Steven McNiven with  Justin Ponsor
VARIANT COVERS: Simone Bianchi; Jim Cheung; Jerome Opena; Siya Oum; Mike Perkins with Christian Ward

“Things to Come” Double-Page Spread by Brandon Peterson

“End Times”

Marvel has been pumping up the Inhumans for a while.  They have been popping up all over the Marvel Universe.  Inhumans and Ms. Marvel have been two good additions to the Marvel line-up of series.  Now, they give us The Uncanny Inhumans.  Everybody is “uncanny” these days.  I can't wait until the Uncanny Power Pack hits the stands.

Back to the reason for this review:  As an appetizer for the main course, The Uncanny Inhumans #0 left my mouth watering.  Charles Soule subtly foreshadows future conflicts that Black Bolt and the Inhumans will be facing.  Just in this issue, we get to see some street level crime, some royal family drama, father-son conflict, and an evil master of time.  Soule piqued my interest with each of these story lines.

With Black Bolt, a writer has to use other characters and events to direct us through the story line.  Even then, we can only assume what Black Bolt's intentions are in relation to the true direction of the story.  Medusa claims that she knows what Black Bolt is thinking, but who really knows.  Black Bolt is the biggest mystery in his own stories.  Soule uses this aspect of the character to build our anticipation of coming events.  Oh, yeah!  Black Bolt is an awesome “insert your own slang.”  Mine included a lot of profanity and bureaucrat was not one.

As a “0” issue, this has been one of the best reads in awhile, and Soule was effective in his use of what is basically a preview of things to come.  Most of the time, “0” issues are epic fails, and I don't like to waste energy on them.

“Evolution”
Writer: Ryan Stegman; Artist: Ryan Lee; Colors: James Campbell

Marvel was so kind as to give us a bonus feature in The Uncanny Inhumans #0.  Like we are willing to give $5 for anything they deem worthy.  This was a cool back-up featuring Iso and Flint.  We get good action, and the characters reach turning points in their lives.  This story added a different flavor to the issue.  The issue just keeps drawing you into the Inhuman universe.

This is the book for all comic book art aficionados.  Give all the artists who worked on this issue their credit.  You go through page after page of beautiful Steve McNiven art; then, BAM! you get hit with the Brandon Peterson spread.  This is the kind of art that makes you feel like you owe Marvel some money.  I wonder if Peterson saw McNiven's art before he did his spread and knew he had to turn up.  Wait.  I'm going back and look at this book again.

I rate this issue “Buy Your Own Copy” (#2 on the Al-o-Meter), and the art alone is worth every penny!

Reviewed by Albert Avilla

The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: AVENGERS & X-MEN: Axis #1

AVENGERS & X-MEN: AXIS #1
MARVEL COMICS – @Marvel

WRITER: Rick Remender
ART: Adam Kubert
COLORS: Laura Martin and Matt Milla
LETTERS: Chris Eliopoulos
COVER: Jim Cheung with Justin Ponsor
VARIANT COVERS:  Gabriele Dell'otto; Adam Kubert with Edgar Delgado; Mike Mayhew; Mico Suayan; Skottie Young; Chip Zdarsky; and The Young Guns with Mike Deodato with Frank Martin
44pp, Color, $4.99 U.S. (December 2014)

Rated “T+”

The Red Supremacy: Chapter 1

About three years ago, I read the first two issues of Avengers vs. X-Men (#0 and #1), and I didn't find anything that made me want to keep reading the much-anticipated and much-talked about event “maxi-series.”  So I don't know why I'm reading the new Avengers/X-Men crossover event miniseries, Avengers & X-Men: Axis.  Maybe, I'm curious?

Avengers & X-Men: Axis #1 (The Red Supremacy: Chapter 1) opens with a brief recap/overview of what has happened since the shocking end of Avengers vs. X-Men, in which the X-Man, Cyclops, killed his mentor and founder of the X-Men, Professor Charles Xavier.  The result was the branding of Cyclops as a criminal and also the founding of the Uncanny Avengers, a unity squad of Avengers and X-Men.  Of course, a new team wouldn't make them better for long.

Fast forward:  Magneto kills Captain America's arch-nemesis, the Red Skull, which leads to his resurrection as “The Red Onslaught.”  Now, there is a wave of psychic energy and hate, initiated by Red Onslaught, because he possesses Prof. X's brain and psychic powers.  This psychic wave, or onslaught, if you will, has the world in turmoil, so the Avengers and X-Men have to come together to stop Red Onslaught.

Wow.  It has been an unknown number of years (but it is many) since I have read an issue of a comic book event series in which superheroes and super-villains engage in a slug fest.  Part of me enjoys seeing so many of the superheroes that I've known most of my life together, even the new versions.  I enjoyed the Scarlet Witch angle of this story, as well as the Scarlet Witch-Rogue subplot.  I think this Red Onslaught character is ridiculous, however.  I did not plan on reading any more of this, even while wondering why I was reading Avengers & X-Men: Axis #1 to begin with.

Then, I saw Sentinels at the end of the first issue, and then, I decided to read more.  I think that is how these superhero crossover events work.  The writers, artists, and editors throw so much into the event (something we can compare to a pot full of ingredients), and the readers are bound to find something to appeal to them.  So there you have it.  I thought I was out, but they dragged me back in.

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Albert Avilla Reviews: Avengers Vs. X-Men Round 11

Avengers Vs. X-Men Round 11 (Avengers vs. X-Men #11)
Marvel Comics

Reviewed by Albert Avilla

Writer: Brian Michael Bendis with Ed Brubaker, Jonathan Hickman, Matt Fraction
Pencils: Olivier Coipel
Inks: Mark Morales
Colors: Laura DePuy
Letters: Chris Eliopoulos
Covers: Jim Cheung, Sara Pichelli, Justin Ponsor

It's not issue 11. It's round 11, because a real Marvel throw-down is about to start. If you're going to have about a million characters in a story, then you better deliver the action. This was accomplished big time. Xavier was cool hands in his pockets while holy hell was being unleashed around him. This was an intervention on the cosmic level, and Cyclops wasn't having any of it. The moral compass of the mutant race has become a power mad tyrant willing to do whatever it takes to remake the world in his own image. He's saving the mutant race if he has to kill every one of them to do it. Does he remember that Jean sacrificed herself to stop the Phoenix Force? He basks in the power that he has fought to prevent. He's doing a great job of getting mutants and humans to work together. Olay, I'm going off on a tangent. This has been the best round in the match so far.

Just the art in this round was worth the $3.99. Majestic is the word that comes to mind. The landscapes add to the immensity of the story. The pages are not large enough to contain the action; you can feel the power exploding from the pages. My copy is nowhere near mint, because I've thumbed through it so many times enjoying the art.

I rate this round Recommend It to a Friend.

Marvel Comics from Diamond Distributors for September 19 2012

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