Review: INCREDIBLES 2: Crisis in Mid-Life and Other Stories #1

INCREDIBLES 2: CRISIS IN MID-LIFE! & OTHER STORIES No. 1 (OF 3)
DARK HORSE COMICS/Disney Comics – @DarkHorseComics

[This review was originally posted on Patreon.]

SCRIPT: Christos Gage; Landry Q. Walker
LAYOUT: Emilio Urbano
PENCILS: Gurihiru; J. Bone; Andrea Greppi
INKS: Gurihiru; J. Bone; Roberta Zanotta
COLORS: Gurihiru; Dan Jackson; Angela Capolupo
LETTERS: Richard Starkings & Comicraft's Jimmy Betancourt; Chris Dickey
EDITOR: Freddye Miller
COVER: Gurihiru
VARIANT COVER: J. Bone with Dan Jackson
28pp, Color, $3.99 U.S. (July 2018)

Disney/Pixar's The Incredibles is a 2004 computer-animated film written and directed by Brad Bird.  The Oscar-winning film focuses on the Parr Family, a family blessed with super-powers, as they unite to face a vengeful foe.  This year saw the release of the long-awaited sequel film, Incredibles 2, also written and directed by Brad Bird.

The nominal head of the family is husband and father, Bob Parr, a.k.a. "Mr. Incredible," whose powers include “mega-strength and invulnerability.”  Wife and mother, Helen, a.k.a. “Elastigirl,” has the power to bend, stretch and twist into any form.  Eldest child and only daughter, Violet, has the power to become invisible and to create force fields.  Son and middle child, Dashiell, a.k.a. “Dash,” has the power of super-speed.  Baby and eventually toddler son, Jack-Jack Parr, is a polymorph and has an array of powers, some of which have not yet been revealed.

The Parrs are the superhero team, The Incredibles, with the parents portrayed as being middle-aged and having been superheroes since they were at least in their twenties.  Lucius Best, a.k.a. “Frozone,” is Bob's best friend and a superhero with the power to freeze water and ambient moisture in the air into various shapes and forms – from a small ball of ice to huge sheets of ice.

Dark Horse Comics published a four-issue comic book adaptation of the first film as The Incredibles (2004).  In 2009, BOOM! Studios published a four-issue miniseries, The Incredibles: Family Matters #0-3.  BOOM decided to make The Incredibles an ongoing series that began with the issue #4, and the series continued into 2010 before ending with issue #15.

The Incredibles return to comic books this year (2018) via Dark Horse Comics with the new three-issue miniseries, Incredibles 2: Crisis in Mid-Life! & Other Stories.  [This is not a comic book adaptation of the film, Incredibles 2.]   The main story, “Crisis in Mid-Life!” is written by Christos Gage; drawn and colored by Gurihiru; and lettered by Jimmy Betancourt.

Incredibles 2: Crisis in Mid-Life! & Other Stories #1 opens with Mr. Incredible receiving an honor he once did as a much younger superhero.  This time the ceremony ends with decidedly different results.  So now, it is time for a midlife crisis, but Bob Parr takes it in stride and initiates a plan to pass his super-heroing knowledge and skills onto the next generations – his kids Violet and Dash!

Also, Bob's silly bedtime story (with some fibbing) for Jack-Jack turns into the beginning of a true story for Violet and Dash in “Bedtime Story.”  “In a Relaxing Day at the Park,” Jack-Jack comes to the rescue of a fellow toddler who is in distress, while Papa Parr gets some rest.

The respective creative teams on the three stories in Incredibles 2: Crisis in Mid-Life! & Other Stories #1 do such good jobs that I hope publishing Incredibles comic books will be a long-term project for Dark Horse Comics.  Christos Cage captures the spirit of the Incredibles films and the personalities of the characters in his two stories (“Crisis in Mid-Life!” and “Bedtime Story”).  Landry Q. Walker reproduces the magic that is Jack-Jack in the vignette “A Relaxing Day at the Park.”

The artists and colorists each present their own unique take on the visual and graphical elements of the Incredibles, but stay true to the look of the films.  Letterers Jimmy Betancourt and Chris Dickey deliver fonts that recall the lettering in classic 1960s Marvel Comics titles.

I have been careful in this review to be vague about many details of the stories contained in the first issue, but trust me, dear readers, Incredibles 2: Crisis in Mid-Life! & Other Stories #1 is true Incredibles.  Hopefully, this comic book will become the standard of what it means to be a true Incredibles comic book.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: STAR WARS: Tag & Blink Were Here #1

STAR WARS: TAG & BINK WERE HERE #1
MARVEL COMICS – @Marvel

[The review was originally posted on Patreon.]

EDITORS: Dave Land; Mark D. Beazley (collection)
COVER: Lucas Marangon with Michelle Madsen
MISC: Lucas Marangon with Michelle Madsen; Lucas Marangon; Lucas Marangon with Dan Jackson; John McCrea and Jimmy Palmiotti with Dan Jackson
ISBN: 978-1-302-91490-5; magazine (Wednesday, May 2, 2018)
104pp, Color, $7.99 U.S., $10.99 CAN (Diamond order code – MAR180947)

Rated “T”

Tag and Bink are Star Wars characters that debuted in Star Wars humor comic books first published by Dark Horse Comics (which had the license to publish Star Wars comic books from 1991 to 2014).  Tag and Bink were created by writer Kevin Rubio and artist Lucas Marangon and starred in two two-issue Star Wars spoof comic book miniseries.

The first was Star Wars: Tag & Bink Are Dead #1-2 (cover dated: October to November 2001), and the second was Star Wars: Tag & Bink II #1-2 (cover dated: March to April 2006).  An earlier version of the story that appeared in Star Wars: Tag & Bink II #1 was published in Star Wars Tales #12 (cover dated: June 2002).  Dark Horse initially collected Star Wars: Tag & Bink Are Dead #1-2 and Star Wars: Tag & Bink II #1-2 in a trade paperback entitled Star Wars: Tag & Bink Were Here (cover dated: November 2006).

Marvel Comics has regained the license to produce Star Wars comic books that it originally held from the mid-1970s to about 1990.  In May 2018, Marvel published its own version of Star Wars: Tag & Bink Were Here, apparently released to coincide with the May 2018 release of the Star Wars film, Solo: A Star Wars Story.  Tag & Bink were supposed to appear in Solo, but their scene was reportedly cut from the film.

Entitled Star Wars: Tag & Bink Were Here #1 and published in the comic book format, this standalone comic book reprints the story pages and cover art of Star Wars: Tag & Bink Are Dead #1-2, Star Wars: Tag & Bink II #1-2.  It also reprints the Tag & Bink story in Star Wars Tales #12 (cover dated: June 2002) and also the cover art for Dark Horse's Star Wars: Tag & Bink Were Here.

Tag & Bink are Tag Greenly, a male human from the planet Corellia, and Bink Otauna, a male human from Alderaan.  In the comics, writer Kevin Rubio presents the duo as playing a role or at least being present in pivotal moments depicted in the following Star Wars films:  Star Wars (1977), The Empire Strikes Back (1980), Return of the Jedi (1983), Star Wars: Episode I – The Phantom Menace (1999), Star Wars: Episode II – Attack of the Clones (2002), and Star Wars: Episode III – Revenge of the Sith.

The title of Tag & Bink's first appearance, Tag and Bink Are Dead, is a direct reference to Tom Stoppard 1966 play, Rosencrantz and Guildenstern Are Dead.  Rosencrantz and Guildenstern are minor characters in William Shakespeare's Hamlet, and in Stoppard's play, the duo's actions take place in the background or “in the wings” of the main events of Hamlet.  In that manner, Kevin Rubio makes Tag & Bink the stars who view and comment upon the main events of the Star Wars story and sometimes play a pivotal role in main events.

For instance, as background players, Tag & Bink are rebel soldiers aboard Princess Leia's starship (the "Tantive IV") that is captured by Darth Vader's Imperial Star Destroyer at the beginning of the original Star Wars film.  As players in a main event, Tag, in disguise as a storm trooper, is the trooper that shoots C-3PO during the “Cloud City” sequence of The Empire Strikes Back.

Writer Kevin Rubio plays Tag & Bink as being the most important Star Wars characters fans never knew existed.  He is revealing their true roles in the epic Star Wars saga, but the hapless duo's fateful adventures and misadventures will make you wonder whose side they are on.  Honestly, with these characters, Rubio offers some of the best Star Wars humor ever published in comic book form.  Rubio cleverly weaves Tag & Bink into Star Wars moments – both major and minor, and he creates some inventive side stories and back stories.  The scenes with Lando Calrissian are, quite frankly, quite nice.

Artist Lucas Marangon seems like the perfect collaborator for Rubio.  Marangon is an excellent Star Wars cartoonist and comic book artist.  He draws the characters, creatures, beings, costumes, sets, backgrounds, backdrops, ships, tech, environments, etc. with stunning accuracy, and does so while creating a humorous and comedic tone.  Marangon's illustrations and storytelling are perfect for the Star Wars spoof that is Tag & Bink.

I recommend Marvel Comics' Star Wars: Tag & Bink Were Here #1 to fans of Star Wars humor and, of course, to collectors of Star Wars comic books.  I am confident both groups will enjoy reading these truly funny Star Wars comic books.

8 out of 10

Below are the creator credits for the story material reprinted in Marvel's Star Wars: Tag & Bink Were Here #1:

Star Wars: Tag & Bink Are Dead #1 - “Episode IV.1: Tag and Bink Are Dead” (originally published by Dark Horse Comics; cover dated: October 2001)
STORY: Kevin Rubio
PENCILS: Lucas Marangon
INKS: Howard M. Shum
COLORS: Michelle Madsen
LETTERS: Steve Dutro

Star Wars: Tag & Bink Are Dead #2 - “Episode IV.1: Tag and Bink Live” (originally published by Dark Horse Comics; cover dated: November 2001)
STORY: Kevin Rubio
PENCILS: Lucas Marangon
INKS: Howard M. Shum
COLORS: Michelle Madsen
LETTERS: Steve Dutro

Star Wars: Tag & Bink II #1 - “Episode VI.1: The Return of Tag and Bink – Special Edition” (originally published by Dark Horse Comics; cover dated: March 2006)
STORY: Kevin Rubio
ART: Lucas Marangon
COLORS: Dan Jackson
LETTERS: Michael David Thomas

Star Wars: Tag & Bink II #2 - “Tag & Bink: Episode I – Revenge of the Clone Menace” (originally published by Dark Horse Comics; cover dated: April 2006)
STORY: Kevin Rubio
ART: Lucas Marangon
COLORS: Dan Jackson
LETTERS: Michael David Thomas

Star Wars Tales #12 – “The Revenge of Tag & Bink” (originally published by Dark Horse Comics; cover dated: June 2002)
STORY: Kevin Rubio
PENCILS: Rick Zombo
INKS: Randy Emberlin
COLORS: Dan Brown
LETTERS: Steve Dutro

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Comics Review: THE STRAIN #6

THE STRAIN #6
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: E.M. Gist
28pp, Color, $3.50 U.S. (July 2012)

Part 6: “Dear Ones”

Some time ago, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to its media mailing list.  This was part of DHC’s promotional effort for the follow-up series, The Strain: The Fall.  Between those PDFs and hard copies, I was able to review all 11 issues of The Strain for the ComicBookBin.

I have previously posted my reviews of The Strain, issues #1 through 5, here on the “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 6 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the novel that is the source material for both the TV series and Dark Horse’s comic book.  The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.

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The Strain is an 11-issue comic book adaptation of The Strain, a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan.  The adaptation is scripted by David Lapham, drawn by Mike Huddleston, colored by Dan Jackson, and lettered by Clem Robins.

In the story, Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control) heads the Canary Project, a rapid-response team that investigates biological threats.   With his second-in-command, Nora Martinez, Eph has found such a threat at J.F.K. International Airport in New York City.  There, a Boeing 777 went dead silent after landing, while inside, almost all the passengers and crew were dead.

As The Strain #6 opens, Eph and Dr. Martinez tentatively take Professor Abraham Setrakian’s claims seriously.  Someone is going to use the “v” word.  The scientists go to Setrakian’s antique shop, where they visit his basement and see the thing the old man keeps in a jar.

Next, Eph, Martinez, and Setrakian search for the “dear ones,” in a bid to track the path of the strange virus that could destroy life in New York City.  Meanwhile, Eldritch Palmer, CEO of the Stoneheart Group, tries to resolve some loose ends in the part he plays in the growing horror.

It has been two months since I last read the fifth issue of The Strain, and it is still good as I remember.  By now, this series is a back issue, with second trade due to arrive and the second series (entitled The Fall) preparing to launch.  New release or back issue, The Strain is a great read.

If The Strain does not become a perennial or backlist favorite, then, the comic book gods must be crazy.  Lapham and Huddleston’s efforts have earned readers’ notice.  Fans of horror comic books should get The Strain.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Review: THE STRAIN #5

THE STRAIN #5
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: E.M. Gist
28pp, Color, $3.50 U.S. (June 2012)

Part 5: “Origins”

Dark Horse Comics previously made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list.  This offer was part of DHC’s promotional effort for the follow-up series, The Strain: The Fall.  I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.

I have previously posted my reviews of The Strain, issues #1 through 4, here on the “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 5 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel.  The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.

Thus far, I think the first two issues The Strain comic book were better than the first two episodes of “The Strain” TV series.  However, I found that the third episode, “Gone Smooth,” (Sunday, July 27, 2014) matched the intensity of the comic book.

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Published by Dark Horse Comics, The Strain is an 11-issue comic book adaptation of the 2009 vampire novel, also entitled The Strain, from filmmaker Guillermo del Toro (Blade II, Hellboy) and novelist Chuck Hogan (Prince of Thieves).  The adaptation is scripted by David Lapham, drawn by Mike Huddleston, colored by Dan Jackson, and lettered by Clem Robins.

The Strain’s lead character is Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control).  Eph heads the Canary Project, a rapid-response team that investigates biological threats.   With his second-in-command, Nora Martinez, Eph has found such a threat.  It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing, while inside, almost all the passengers and crew were dead.

The Strain #5 opens at the 17th Precinct Headquarters in a holding cell.  There, Professor Abraham Setrakian tells fellow cellmate, Gusto, a story that takes them back in time.  It begins in 1927 in Romania.  Young Abraham is a woodworker whose life is about to be turned upside down by the Nazis.

Moving forward to 1942, Abraham is imprisoned at the Treblinka Death Camp.  His skills keep him alive, but he discovers another threat – the monstrous Sardu.  That’s where the battle between good and evil really begins, and where Abraham’s bid for freedom will determine the fate of many.

Writing comic book reviews of the various issues of The Strain have been easy.  Writer David Lapham and artist Mike Huddleston are a good team.  Lapham decompresses the story, but the narrative pace moves with ever increasing urgency, heightening the sense of drama, especially the moments of violence.  Huddleston brings it to life with compositions full of details that create atmosphere, but most especially embody what each moment is supposed to be.

Lapham and Huddleston’s efforts have earned readers’ notice.  Fans of horror comic books must try The Strain.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Comic Book Review: THE STRAIN #4

THE STRAIN #4
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (March 2012)

Part 4: “Conspiracy”

Early in 2013, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list.  This offer was part of DHC’s promotional effort for a second maxi-series, The Strain: The Fall.  I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.

I have previously posted my reviews of The Strain, issues #1 through 3 on my “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 4 to 11 on this blog in conjunction with the broadcast of “The Strain,” the television adaptation of the original novel.  The first episode aired on Sunday night, July 13, 2014 on cable channel, FX, with each new episode airing the following Sunday.

Thus far, the first two issues The Strain comic book are better than the first two episodes of “The Strain” TV series.

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The Strain is the 11-issue comic book adaptation of The Strain, a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan.  Hogan’s 2004 novel, Prince of Thieves, became the Ben Affleck film, The Town.  Published by Dark Horse Comics, The Strain comic book is scripted by David Lapham, drawn by Mike Huddleston, and colored by Dan Jackson.

The Strain follows Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control).  Eph heads the Canary Project, a rapid-response team that investigates biological threats.   With his second-in-command, Nora Martinez, Eph has found just that kind a threat.  It begins at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing.

The Strain #4 opens at the Stoneheart Group Headquarters in Manhattan.  There, CEO Eldritch Palmer begins to orchestrate his part in the madness that has already begun.  Eph’s son, Zack, witnesses something frightening.  Exhausted, Eph struggles to discover the secrets of what looks like an epidemic, while Nora comforts him.

Gabe Bolivar, rock star and survivor of the Boeing flight, gets a visit from his manager, Rudy, a visit that leaves the visitor stunned.  The wife of Ansel Barbour, another survivor, seeks comfort in “The Lord’s Prayer.”  Eph and Nora have a completely unexpected encounter with the third survivor, Captain Redfern.

The Strain #3 was f’ing awesome, and so is #4.  Artist Mike Huddleston has complete control of this narrative’s pace.  He draws out the coming horror in a measured pace that tries one’s nerves.  Could I take the heat?  Then, Huddleston unleashes brief action scenes that hit the viewer like a mean action movie.  Every one page of action feels like three pages.  Many media properties would be well served by a Mike Huddleston as their comic book artist.

Fans of horror comic books must have The Strain.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Review: THE STRAIN #3

THE STRAIN #3
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (February 2012)

Part 3: “First Night”

Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available in early 2013 to comic book reviewers on its e-mailing list.  This PDF release was in anticipation of the follow-up series, The Strain: The Fall.  I was able to review all 11 issues of The Strain for the ComicBookBin.

I have previously posted my reviews of The Strain #1-2 on this, the “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 3 to 11 on this blog in conjunction with the airing of “The Strain,” the television adaptation of the original novel.  The first episode debuted on Sunday, July 13, 2014 on cable channel, FX.

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The 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan, The Strain, became a comic book miniseries.  Beginning in 2011, Dark Horse Comics began the 11-issue comic book adaptation, also entitled The Strain, with script adaptation by David Lapham and art by Mike Huddleston.

The Strain’s central character is Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control).  Eph heads the Canary Project, a rapid-response team that investigates biological threats.   With his second-in-command, Nora Martinez, Eph may have found such a threat at J.F.K. International Airport in New York City, where a Boeing 777 went dead silent after landing.

As The Strain #3 opens, elderly Professor Abraham Setrakian noisily confronts Eph and Nora, warning of the coming abomination.  Unlike the characters in so much of horror fiction and storytelling, Eph and Nora pay attention to the warnings… somewhat.  They may be just a little late to stop the supernatural disaster.  Two of the survivors of the Boeing 777 are exhibiting strange behavior.

Last issue, Ansel Barbour had a special meal with the family dogs.  This issue, rock star, Bolivar, freaks out his threesome partners.  Meanwhile, in Manhattan, someone goes streaking through Times Square, perhaps like no other streaker has before him.  Also, eight-year-old Emma Gilbarton visits her grieving father.  With all the strangeness happening, NYPD still has time to racially profile and stop-and-frisk a brown person.

If The Strain maintains the level of quality that permeates this third issue, I’ll run out of good things to say by the time I get to issue #11.  The Strain #3 is f’ing awesome.  The Strain is the great horror comic book that the original 30 Days of Night should have been.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Review: THE STRAIN #2

THE STRAIN #2
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
28pp, Color, $3.50 U.S. (January 2012)

Part 2: “The Occultation”

Early in 2013, Dark Horse Comics made PDF copies of all 11 issues of its horror comic book series, The Strain, available to comic book reviewers on its mailing list.  As an incentive, Dark Horse offered to give any reviewer who reviewed all 11 issues of The Strain copies of the two trade paperbacks that collected the series.  This offer was part of the promotional effort for the follow-up series, The Strain: The Fall.  I took up that offer and reviewed all 11 issues of The Strain for the ComicBookBin.

I have previously posted my review of The Strain #1 also on my “I Reads You” blog.  Over the course of the coming weeks, I will post the reviews of issues 2 to 11 on this blog in anticipation of “The Strain,” the television adaptation of the original novel.  The first episode is scheduled to debut on Sunday night, July 13, 2014 on cable channel, FX.  [By the way, Dark Horse reneged on that offer of the free trade paperbacks, at least to me.]

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The Strain was a 2009 vampire novel from filmmaker Guillermo del Toro and novelist Chuck Hogan.  It was the first book in The Strain trilogy.  Back in 2011, Dark Horse Comics began producing a comic book adaptation of the first book, also entitled The Strain, with script adaptation by David Lapham and art by Mike Huddleston.

The central character of The Strain is Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control).  Dr. Goodweather is the head of the Canary Project, a rapid-response team that investigates biological threats.  Goodweather and his second-in-command, Nora Martinez, may have found such a threat at J.F.K. International Airport in New York City.  That’s where a Boeing 777 went dead silent after landing, with window shades pulled down and all lights out.

As The Strain #2 opens, Goodweather and Martinez are examining a strange container that was found on the Boeing.  Does it have something to do with the 206 people found dead on the plane?  Meanwhile, the three people who were the sole survivors of the flight grow restless.  They are also useless to Goodweather and Martinez when it comes to solving the mystery of what happened on that flight.

New players enter the story.  Mysterious plutocrat, Eldritch Palmer, and the elderly Professor Abraham Setrakian head to New York City.  As the Big Apple prepares for a rare event, the Occultation, something deadly begins to claim its first victims.

This review comes over a year after The Strain #2 first reached comic book shops, but a horror comic book this good will be worth reading years after its publication.  Writer David Lapham delivers a page-turner that rages like the latest pot-boiler on the bestsellers list.  This tale grows more chilling and riveting with each scene.

Artist Mike Huddleston continues to deliver potent graphical storytelling, and his control over atmosphere grows with each page.  Yes, he’s still on the way to being a master of horror, and we benefit from it with a great horror comic book.  I am chomping at the bits to read the third issue of The Strain.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Dark Horse Comics from Diamond Distributors for June 18 2014

DARK HORSE COMICS

APR140024 1 FOR $1 STRAIN #1 $1.00
APR140054 AXE COP AMERICAN CHOPPERS #2 $3.99
FEB140025 BLOODHOUND TP VOL 02 CROWBAR MEDICINE $19.99
APR140014 BPRD HELL ON EARTH #120 $3.50
APR140038 BRAIN BOY MEN FROM GESTALT #2 $2.99
APR140020 BTVS SEASON 10 #4 MAIN CVR $3.50
FEB140086 CHRONICLES OF KING CONAN TP VOL 08 ROAD EMPIRE $19.99
FEB140079 CLOWN FATALE TP (MR) $17.99
FEB140078 CRIMINAL MACABRE EYES OF FRANKENSTEIN TP $17.99
APR140074 EYE OF NEWT #1 $3.99
JAN140221 LEGEND OF KORRA PATCH AIR $4.99
JAN140220 LEGEND OF KORRA PATCH EARTH $4.99
JAN140222 LEGEND OF KORRA PATCH FIRE $4.99
JAN140223 LEGEND OF KORRA PATCH WATER $4.99
FEB140107 NGE SHINJI IKARI RAISING PROJECT TP VOL 14 $9.99
FEB140087 PORTENT TP ASHES $17.99
APR140057 STAR WARS DARTH MAUL SON OF DATHOMIR #2 $3.50
APR140072 WITCHER #4 $3.99
APR140012 WITCHFINDER MYSTERIES OF UNLAND #1 $3.50

Review: THE STRAIN: The Fall #1

THE STRAIN: THE FALL #1
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: E.M. Gist
28pp, Color, $3.99 U.S. (July 2013)

Part 1

Guillermo del Toro has directed such movies as Blade 2, the Hellboy movies, the Oscar-nominated Pan’s Labyrinth, and the new release, Pacific Rim.  Chuck Hogan wrote a novel entitled Prince of Thieves, which Ben Affleck took and adapted into the Oscar-nominated film, The Town (2010).

In 2011, Dark Horse Comics began an 11-issue comic book adaptation of Guillermo del Toro and Chuck Hogan’s 2009 vampire novel, The Strain, the first book in The Strain Trilogy.  Now, the second book in the trilogy, The Fall (2010), is also getting the comic book treatment.

The Strain: The Fall is produced by the same team behind The Strain comic book series.  David Lapham is writing the comic book adaptation.  Mike Huddleston is the artist with colors by Dan Jackson and letters by Clem Robins.

The Strain’s central character is Dr. Ephraim “Eph” Goodweather, head the CDC’s Canary Project.  Eph began tracking a mystery illness at J.F.K. International Airport in New York City, after a Boeing 777 landed with everyone aboard dead, except for three individuals.  That was the beginning of a plague of vampires.

In The Strain: The Fall #1, the war against The Master, the dark lord behind this vampire invasion continues.  Eph, Nora Martinez (his second-in-command), Professor Abraham Setrakian (an aging Holocaust survivor familiar with The Master), and Vasiliy Fet (the rat exterminator) prepare to make their next move.

The Professor tells Vasiliy the centuries-spanning tale of the Occido Lumen, the book that might have the answers to stopping the Master.  Meanwhile, Eph’s ex-wife, Kelly, now a vampire, stalks her “dear one,” their son, Zack.  Eldritch Palmer, the CEO who helped the Master, makes his strongest demand yet for his reward.

Not that it is a bad thing, but The Strain: The Fall simply continues the earlier series.  In fact, The Strain: The Fall #1 could well be The Strain #12.  But that is a good thing.  The Strain is one of the best comic books of the last two years and is also a superb horror comic book.

David Lapham and Mike Huddleston are maintaining the high-quality that has become a hallmark of this comic book adaptation of The Strain Trilogy.  I will say that this first chapter seems like too small a slice of a larger story, as if issue #1 was holding off before beginning the real drama of this new series.

A-

Reviewed by Leroy Douresseaux

Review: The Strain #1

STRAIN #1
DARK HORSE COMICS – @DarkHorseComics

STORY: Guillermo del Toro and Chuck Hogan
SCRIPT: David Lapham
ART: Mike Huddleston
COLORS: Dan Jackson
LETTERS: Clem Robins
COVER: Mike Huddleston
VARIANT COVER: Steve Morris
32pp, Color, $1.00 U.S. (December 2011)

Guillermo del Toro is a filmmaker known for directing such movies as Blade 2, the Hellboy movies, and the Oscar-nominated Pan’s Labyrinth.  Chuck Hogan is an American novelist, and he wrote Prince of Thieves, the novel that Ben Affleck adapted into the Oscar-nominated film, The Town (2010).

Together, del Toro and Hogan produced The Strain, a 2009 vampire novel, the first installment of The Strain trilogy.  I’m assuming that Hogan did the actual prose writing for The Strain, but del Toro’s hand in this concept is clear.

Beginning in 2011, Dark Horse Comics began publishing an 11-issue comic book adaptation of the book, also entitled The Strain.  David Lapham wrote the script adapting the novel, and Mike Huddleston drew the series, with colors by Dan Jackson.

The Strain #1 begins in Romania, 1927.  A grandmother tells her young grandson a frightening fairy tale over dinner.  It is the story of Josef Sardu, a 19th century Polish nobleman, afflicted by gigantism, and a disastrous hunt of which he was part.

The story jumps to the present day and finds Dr. Ephraim “Eph” Goodweather of the CDC (Centers for Disease Control) trying to spend some quality time with his son, Zach.  Work, however, intrudes.  Dr. Goodweather is the head of the Canary Project, a rapid-response team that investigates biological threats.

Apparently, there is a big threat brewing at J.F.K. (John F. Kennedy International Airport) in New York City.  That’s where a Boeing 777 went dead silent with window shades pulled down and all lights out.  With his second-in-command, Nora Martinez, at his side, Goodweather makes a bizarre discovery.  Meanwhile, a Nazi concentration camp survivor recognizes something bad.

I hope that Dark Horse Comics’ decision to offer this first issue at a $1 cover price paid off for the publisher in sales.  The Strain #1 is good.  It reminds me of a Mike Mignola comic book or at least one created under his supervision.  That would make sense with the del Toro-Mignola connection on the Hellboy movies.

Lapham has fashioned a chilling tale in which the sense of dread grows with each new scene.  He drags you along into a riveting story that will take you to a bad place, but the kind that’s fun if you’re reading about it.  This is well-written enough that any veteran comic book artist with experience in horror comic books could be the series artist.  That is no swipe at artist Mike Huddleston, however.  He’s good here, and creates atmosphere without artistic bells and whistles.  If the series maintains a high level of quality, Huddleston might end up being called a master of horror for it.

Fans of horror comic books, particularly titles like Hellboy and BPRD, will like The Strain.

A-

Reviewed by Leroy Douresseaux

I Reads You Review: ANGEL AND FAITH #1

ANGEL & FAITH #1
DARK HORSE COMICS

WRITER: Christos Gage
ART: Rebekah Isaacs
COLORS: Dan Jackson
LETTERS: Jimmy Betancourt
COVER: Steve Morris (alternative cover by Jo Chen and 25th anniversary cover by Georges Jeanty, Dexter Vines, and JD Mettler)
32pp, Color, $2.99 U.S.

Angel & Faith is a new comic book series that ties into Buffy the Vampire Slayer Season Nine, and both reportedly will run for 25 issues. Angel and Faith are characters from Buffy the Vampire Slayer, the television series created by Joss Whedon. Angel (portrayed by actor David Boreanaz) is a vampire whose soul was restored as punishment for his crimes. Faith Lehane (played by Eliza Dishku) is a Slayer, a girl endowed with supernatural abilities who battles evil creatures like vampires and demons.

Angel & Faith #1 (“Live Through This” Part One) opens after the events of Twilight, which saw Angel kill the Watcher, Rupert Giles. Now, with access to the Watcher files, Angel is picking up Giles’ old cases with rebel Slayer, Faith, along for the fun. Meanwhile, two figures from Angel’s Twilight past, Nash and Pearl, are looking for some serious payback.

You don’t have to be familiar with the recent Buffy or Angel spin-off comic book series to enjoy or understand Angel & Faith, although knowing even a little about the two characters helps. First, I should say that I enjoyed reading this… for the most part. The art by Rebekah Isaacs is well-drawn and the storytelling is good. The writing by Christos Gage is technically good. Why technically?

Like most comic books published over the last decade (and longer for some publishers), Angel & Faith #1 is the first chapter in a serialized “graphic novel” or story arc that will eventually be published in a trade paperback edition. This first issue hops around from one subplot to the next, and there are multiple points of view or narrators. There is so much exposition and dialogue that one could see this as an illustrated short story or chapter of an illustrated novel more so than it is a comic book. Still, I must emphasis that this is a good comic book, but it’s like reading a part of a story instead of being a story.

B

Leroy Douresseaux on SOLOMON KANE: RED SHADOWS #4

SOLOMON KANE: RED SHADOWS #4 (OF 4)
DARK HORSE COMICS

WRITER: Bruce Jones
ART: Rahsan Ekedal
COLORS: Dan Jackson
LETTERS: Richard Starkings & Comicraft
PIN-UP: Jim and Ruth Keegan
COVER: Guy Davis with Dave Stewart (Variant cover by Gregory Manchess with Dave Stewart)
32pp, Color, $3.50

I’ve just read my first Solomon Kane comic book in quite awhile (well over decade, for sure). I’m looking forward to more.

Solomon Kane is a fictional character created by author and pulp fiction writer, Robert E. Howard, who also created Conan. Kane is a Puritan who operated in the late 16th and early 17th century as a destroyer of evil in all its forms – human, inhuman, and supernatural. Kane first appeared in the short story, “Red Shadows,” which was published in the legendary pulp magazine, Weird Tales (August 1928).

Solomon Kane also appeared in several comic books and comic magazines published by Marvel Comics, from 1973 to the mid-1980s. There was even a miniseries, The Sword of Solomon Kane, which reprinted earlier Marvel Solomon Kane comics with some new stories. Dark Horse Comics returned the character to comics a few years ago.

Solomon Kane: Red Shadows is a four-issue comic book miniseries which adapts the short story of the same name. Seeking to avenge the death of a young girl in France, Kane travels to Africa to find her killer, Le Loup, a feared swordsman. Kane discovers that Le Loup has fallen in with Songa, a powerful leader of an African village. Kane finds an ally in N’Longa, a frail, ancient magic man, whose authority Songa usurped.

As Solomon Kane: Red Shadows #4 opens, Le Loup makes his move to kill Kane, but the shaman N’Longa has a few surprises still in store. Soon, it’s just Kane and Le Loup, left to settle their dispute like gentlemen – sword to sword.

While a comic book miniseries is a good format in which to adapt a short story, some individual issues of a miniseries may seem less like a chapter from a story and more like a brief collection of a few scenes. The fourth issue of Solomon Kane: Red Shadows reads as if it were mere leftovers from the foregone conclusion that is the end of this story.

Luckily (for the readers), scripter Bruce Jones delivers a fistful of violence in this last issue that gives the story some pungency and potency. By the end of the Kane/Le Loup duel, many readers will feel a little twinge of regret that it is all over so soon. Jones captures the madness, violence, and crazy magic that infuse Robert E. Howard’s work. Artist Rahsan Ekedal and colorist Dan Jackson transform Jones’ active script into gripping visual and storytelling.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Leroy Douresseaux on CONAN ROAD OF KINGS #6

CONAN: ROAD OF KINGS #6
DARK HORSE COMICS

WRITER: Roy Thomas
PENCILS: Mike Hawthorne
INKS: John Lucas
COLORS: Dan Jackson
LETTERS: Richard Starkings & Comicraft
COVER: Doug Wheatley
32pp, Color, $3.50

Conan: Road of Kings is the third ongoing Conan series from Dark Horse Comics, following Conan (50 issues, 2004-2008) and Conan the Cimmerian (25 issues, 2008-2010). Scheduled to run 12 issues, Conan: Road of Kings is written by Conan storytelling legend, Roy Thomas.

Road of Kings follows Conan as he travels from the easternmost edge to the westernmost shores of the map of the Hyborian age (drawn by Robert E. Howard, the creator of Conan). To reach his destination, Conan must trek the fabled Road of Kings that winds its way through the civilized kingdoms. Along the way, he helps people fight against monsters, malevolent magic, and the power-mad, while also protecting his own skin.

As Conan: Road of Kings #6 begins, our favorite sullen-eyed, dark-haired barbarian is in the capitol of Ophir, specifically in the palace of King Kennak. There, he prepares to rescue the king’s daughter, Olivia, from a death sentence pronounced by her own father! The real culprit, however, is Olivia’s stepmother, Queen Sophonesba, whom Olivia believes killed her birth mother. Conan may have met his match, as Sophonesba has a mystic ring and the powerful astrologer, Necrodemus, on her side. Meanwhile, the sword-handed assassin, Gamesh, awaits Conan.

Roy Thomas is the most famous and prolific writer of Conan’s comic book adventures. One issue of a Roy Thomas Conan comic book is like three of another writer’s, because there are multiple subplots. This sixth issue of Road of Kings seems to be three tales: the rescue of Olivia, the guard Captain Jemal, and Olivia’s kidnapper Fharos; the royal family drama; and Conan’s battle against Gamesh. Honestly, while these stories are entertaining, they’re not slam dunk-exciting like Conan: Island of No Return, although the Gamesh battle offers a hot finish.

The art by penciller Mike Hawthorne and inker John Lucas is dynamic and clean, with excellent coloring by Dan Jackson. The art, however, looks like a better fit for an adventure comedy set in the sword and sorcery genre. The art is more slick than dramatic, although it does give the bloodletting an edge and also seems to work for the Gamesh battle at the end of this issue.

B+