Showing posts with label Dan Brown. Show all posts
Showing posts with label Dan Brown. Show all posts

Sunday, January 24, 2021

#IReadsYou Review: KARNAK #1

KARNAK No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Warren Ellis
ART: Gerardo Zaffino
COLORS: Dan Brown
LETTERS: VC's Clayton Cowles
COVER: David Aja
VARIANT COVERS:  Gerardo Zaffino; Jim Cheung with Justin Ponsor; Skottie Young; Eric Powell (Monster variant) Kaare Andrews (Hop Hop variant)
28pp, Color, $3.99 U.S. (December 2015)

Rated T+

Karnak created by Stan Lee and Jack Kirby

“The Flaw in All Things” Part 1


Karnak is a Marvel Comics character that is part of the super-human race known as the Inhumans.  Karnak was created by Stan Lee and Jack Kirby and debuted in Fantastic Four #45 (cover dated: December 1965), the same issue in which the Inhumans first appeared.

Unlike most Inhumans, Karnak was not exposed to the Terrigen Mists.  Because he did not undergo Terrigenesis, he did not develop additional powers like other Inhumans.  A martial artist, Karnak can find the weakness or the flaw in anything (people, ideas, objects, philosophies, structures, and systems).  Using his training and strength, Karnak exploits his talents and can turn a weakness into a weapon.

Marvel Comics is apparently expanding the profile of the Inhumans even more, and that includes launching Inhuman solo titles.  The first one is Karnak, which is written by Warren Ellis; drawn by Gerardo Zaffino; colored by Dan Brown; and lettered by Clayton Cowles.  [Of note:  due to unforeseen circumstances, the art team will change in future issues.]

Karnak #1 (“The Flaw in All Things” Part 1) finds Magister Karnak doing his thing at the Tower of Wisdom.  His thing is interrupted when S.H.I.E.L.D. and Agent Coulson come calling for his help and whisk him off to a S.H.I.E.L.D. base in the Arctic.

It seems that William and Sarah Roderick have lost their son, Adam.  He recently underwent Terrigenesis and afterwards, was abducted.  The culprit seems to be I.D.I.C. (International Data Integration and Control), an old splinter group of A.I.M. (Advanced Idea Mechanics), thought to be defunct. Now, Karnak, the baddest philosopher since I-don't-know-who, will find Adam and I.D.I.C.

Karnak is another intriguing series from the mind of Warren Ellis, one of most the imaginative and inventive writers of North American and British comic books.  When I first heard that there was going to be a Karnak comic book, I was all like “Puh-lease!”  However, once I learned that Ellis would be the writer, I was intrigued.

I read Ellis' Karnak as an amalgamation of a fixer, special operative, troubleshooter, and martial artist.  He is the Inhuman blunt instrument, called in when no one can get the job done.  I wonder if Karnak will be a pop comic, full of kick-ass and action swag, while offering up something new in terms of ideas, plots, and settings.

Surprisingly, I am as impressed with the art of Gerardo Zaffino and Dan Brown as I am with Ellis' story-script-concept.  Zaffino's compositions are representational in a moody and impressionistic way, but the art makes for kinetic storytelling – as if the narrative is always urging forward.  The colors are alluring; they are like candy, and I think Brown's hues were the elements that kept drawing me deeper into this first issue.

I heartily recommend Karnak.  Readers looking for the really different in the All-New, All-Different Marvel will want to buy this first issue, even if it means mail order or digital.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Friday, March 29, 2019

Review: STAR WARS: Tag & Blink Were Here #1

STAR WARS: TAG & BINK WERE HERE #1
MARVEL COMICS – @Marvel

[The review was originally posted on Patreon.]

EDITORS: Dave Land; Mark D. Beazley (collection)
COVER: Lucas Marangon with Michelle Madsen
MISC: Lucas Marangon with Michelle Madsen; Lucas Marangon; Lucas Marangon with Dan Jackson; John McCrea and Jimmy Palmiotti with Dan Jackson
ISBN: 978-1-302-91490-5; magazine (Wednesday, May 2, 2018)
104pp, Color, $7.99 U.S., $10.99 CAN (Diamond order code – MAR180947)

Rated “T”

Tag and Bink are Star Wars characters that debuted in Star Wars humor comic books first published by Dark Horse Comics (which had the license to publish Star Wars comic books from 1991 to 2014).  Tag and Bink were created by writer Kevin Rubio and artist Lucas Marangon and starred in two two-issue Star Wars spoof comic book miniseries.

The first was Star Wars: Tag & Bink Are Dead #1-2 (cover dated: October to November 2001), and the second was Star Wars: Tag & Bink II #1-2 (cover dated: March to April 2006).  An earlier version of the story that appeared in Star Wars: Tag & Bink II #1 was published in Star Wars Tales #12 (cover dated: June 2002).  Dark Horse initially collected Star Wars: Tag & Bink Are Dead #1-2 and Star Wars: Tag & Bink II #1-2 in a trade paperback entitled Star Wars: Tag & Bink Were Here (cover dated: November 2006).

Marvel Comics has regained the license to produce Star Wars comic books that it originally held from the mid-1970s to about 1990.  In May 2018, Marvel published its own version of Star Wars: Tag & Bink Were Here, apparently released to coincide with the May 2018 release of the Star Wars film, Solo: A Star Wars Story.  Tag & Bink were supposed to appear in Solo, but their scene was reportedly cut from the film.

Entitled Star Wars: Tag & Bink Were Here #1 and published in the comic book format, this standalone comic book reprints the story pages and cover art of Star Wars: Tag & Bink Are Dead #1-2, Star Wars: Tag & Bink II #1-2.  It also reprints the Tag & Bink story in Star Wars Tales #12 (cover dated: June 2002) and also the cover art for Dark Horse's Star Wars: Tag & Bink Were Here.

Tag & Bink are Tag Greenly, a male human from the planet Corellia, and Bink Otauna, a male human from Alderaan.  In the comics, writer Kevin Rubio presents the duo as playing a role or at least being present in pivotal moments depicted in the following Star Wars films:  Star Wars (1977), The Empire Strikes Back (1980), Return of the Jedi (1983), Star Wars: Episode I – The Phantom Menace (1999), Star Wars: Episode II – Attack of the Clones (2002), and Star Wars: Episode III – Revenge of the Sith.

The title of Tag & Bink's first appearance, Tag and Bink Are Dead, is a direct reference to Tom Stoppard 1966 play, Rosencrantz and Guildenstern Are Dead.  Rosencrantz and Guildenstern are minor characters in William Shakespeare's Hamlet, and in Stoppard's play, the duo's actions take place in the background or “in the wings” of the main events of Hamlet.  In that manner, Kevin Rubio makes Tag & Bink the stars who view and comment upon the main events of the Star Wars story and sometimes play a pivotal role in main events.

For instance, as background players, Tag & Bink are rebel soldiers aboard Princess Leia's starship (the "Tantive IV") that is captured by Darth Vader's Imperial Star Destroyer at the beginning of the original Star Wars film.  As players in a main event, Tag, in disguise as a storm trooper, is the trooper that shoots C-3PO during the “Cloud City” sequence of The Empire Strikes Back.

Writer Kevin Rubio plays Tag & Bink as being the most important Star Wars characters fans never knew existed.  He is revealing their true roles in the epic Star Wars saga, but the hapless duo's fateful adventures and misadventures will make you wonder whose side they are on.  Honestly, with these characters, Rubio offers some of the best Star Wars humor ever published in comic book form.  Rubio cleverly weaves Tag & Bink into Star Wars moments – both major and minor, and he creates some inventive side stories and back stories.  The scenes with Lando Calrissian are, quite frankly, quite nice.

Artist Lucas Marangon seems like the perfect collaborator for Rubio.  Marangon is an excellent Star Wars cartoonist and comic book artist.  He draws the characters, creatures, beings, costumes, sets, backgrounds, backdrops, ships, tech, environments, etc. with stunning accuracy, and does so while creating a humorous and comedic tone.  Marangon's illustrations and storytelling are perfect for the Star Wars spoof that is Tag & Bink.

I recommend Marvel Comics' Star Wars: Tag & Bink Were Here #1 to fans of Star Wars humor and, of course, to collectors of Star Wars comic books.  I am confident both groups will enjoy reading these truly funny Star Wars comic books.

8 out of 10

Below are the creator credits for the story material reprinted in Marvel's Star Wars: Tag & Bink Were Here #1:

Star Wars: Tag & Bink Are Dead #1 - “Episode IV.1: Tag and Bink Are Dead” (originally published by Dark Horse Comics; cover dated: October 2001)
STORY: Kevin Rubio
PENCILS: Lucas Marangon
INKS: Howard M. Shum
COLORS: Michelle Madsen
LETTERS: Steve Dutro

Star Wars: Tag & Bink Are Dead #2 - “Episode IV.1: Tag and Bink Live” (originally published by Dark Horse Comics; cover dated: November 2001)
STORY: Kevin Rubio
PENCILS: Lucas Marangon
INKS: Howard M. Shum
COLORS: Michelle Madsen
LETTERS: Steve Dutro

Star Wars: Tag & Bink II #1 - “Episode VI.1: The Return of Tag and Bink – Special Edition” (originally published by Dark Horse Comics; cover dated: March 2006)
STORY: Kevin Rubio
ART: Lucas Marangon
COLORS: Dan Jackson
LETTERS: Michael David Thomas

Star Wars: Tag & Bink II #2 - “Tag & Bink: Episode I – Revenge of the Clone Menace” (originally published by Dark Horse Comics; cover dated: April 2006)
STORY: Kevin Rubio
ART: Lucas Marangon
COLORS: Dan Jackson
LETTERS: Michael David Thomas

Star Wars Tales #12 – “The Revenge of Tag & Bink” (originally published by Dark Horse Comics; cover dated: June 2002)
STORY: Kevin Rubio
PENCILS: Rick Zombo
INKS: Randy Emberlin
COLORS: Dan Brown
LETTERS: Steve Dutro

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, February 22, 2019

Review: SIDEWAYS #1

SIDEWAYS No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Dan DiDio and Kenneth Rocafort
DIALOGUE: Dan DiDio and Justin Jordan
ART: Kenneth Rocafort
COLORS: Daniel Brown
LETTERS: Carlos M. Mangual
32pp, Color, $2.99 U.S. (April 2018)

Rated “T” for Teen

Sidways created by Kenneth Rocafort and Dan DiDio

“Fun and Games”

DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  The Curse of Brimstone, Damage, The Immortal Men, New Challengers, The Silencer, The Terrifics, The Unexpected, and the subject of this review, Sideways.

Sideways is written by co-creator Dan DiDio, co-creator Kenneth Rocafort and Justin Jordan; drawn by Rocafort; colored by Daniel Brown; and lettered by Carlos M. Mangual.  Sideways focuses on a Puerto Rican high school junior who can create rifts in midair to leap through dimensions at will.

He accidentally fell through a rift into the dark matter dimension (as seen in Dark Nights: Metal).  Sideways #1 finds Derek James invading the personal space of his girlfriend, Ernestine a.k.a. “Ernie.”  She knows about Derek's power to create rifts in midair.  She is the one who designed and created the uniform that allows Derek to become the new superhero, “Sideways.”  Derek dons his new costume and goes “rifting,” introducing the world to what it means to go “Sideways.”  Not everyone or every entity is exciting about that.

I enjoyed the first “New Age of DC Heroes!” comic book, Damage, but I did not enjoy the second one, The Silencer.  “Sideways” is a little better than The Silencer.  I am overly fond of artist Kenneth Rocafort's overly cute drawing style.  However, the story has some potential.  All I can tell you is that I am genuinely curious about Sideways.  I don't think that it will be a great comic book, but if the creators try something different from the same-old-DC/Marvel-Comics, this could be unique.

Seriously, y'all, we can hope.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Wednesday, March 28, 2018

Review: BLACK PANTHER AND THE CREW #1

BLACK PANTHER AND THE CREW No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Ta-Nehisi Coates
PENCILS: Butch Guice
INKS: Scott Hanna
COLORS: Dan Brown
LETTERS: VC's Joe Sabino
COVER: John Cassaday with Laura Martin
VARIANT COVERS: Rich Buckler; Jim Cheung with Jason Keith; John Tyler Christopher; Tom Palmer with Rachelle Rosenberg; Damian Scott with John Rauch
28pp, Color, $3.99 U.S. (June 2017)

Black Panther created by Stan Lee and Jack Kirby

Rated “T+”

“We are the Streets” Part 1 “Double Consciousness”

Although it was only published for seven issues in 2003, the comic book, The Crew, is apparently fondly remembered by some readers (myself among them) and comic book writers.  Written by Christopher Priest and drawn by Joe Bennett, The Crew featured four hardened heroes who band together to fight for an impoverished neighborhood.

The Crew is the inspiration for the latest expansion of Marvel Comics' Black Panther line of comic books, Black Panther and The Crew.  This new series is written Ta-Nehisi Coates; drawn by Butch Guice (pencils) and Scott Hanna (inks); colored by Dan Brown; and lettered by Joe Sabino.

Black Panther and The Crew #1 (“Double Consciousness”) opens in The Bronx in 1957 with a tale of Ezra Keith and his “crew.”  The story moves to present day Harlem for the funeral of Ezra, who was killed while in police custody.  Ezra's family has asked Misty Knight to investigate, but Knight is conflicted because of her ties to law enforcement.  However, Misty is forced to admit that something is officially wrong and unites with the X-Men's Storm to fight the forces arrayed against her.

Apparently, writer Yona Harvey will script every other issue of this series, which means she will write Black Panther and The Crew #2 with Ta-Nehisi Coates returning for the third issue.  I hope Harvey is as good as Coates is on this first issue, and I'm saying that considering that I did not expect much from the first issue.  But I'm impressed and look forward to more.

Black Panther and The Crew #1 reads like one of those crime comic books published by DC Comics' Vertigo imprint or Image Comics and written by someone like Ed Brubaker or Brian Azzarello.  Coates offers a sharply written urban drama that is complicated about complex matters.  Black people vs. cops – it is not so clear cut simply because there are so many players and groups of players involved with their own goals and motivations.

I like Butch Guice's pencil art; it is his storytelling that realizes Coates' script as a multi-layered, street-level superhero drama.  I have always thought that Guice's talent was underutilized, but here he gets to show the scope of his graphical storytelling abilities.  I highly recommend trying at least the first issue of Black Panther and The Crew.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Friday, January 12, 2018

Review: THE AMAZING SPIDER-MAN #789

THE AMAZING SPIDER-MAN No. 789
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Dan Slott
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Marte Gracia
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Alex Ross (based on art by John Romita); Steve Ditko with Michael Kelleher
32pp, Color, $9.99 U.S. (December 2017)

Rated  “T”

Spider-Man created by Steve Ditko and Stan Lee

“Fall of Parker” Part 1 – “Top to Bottom”

In a previous review, I stated that there were were three comic book series to start with the title and issue number, The Amazing Spider-Man #1, beginning with the original in 1962.  I wrote that as I began my review of the fourth regular comic book to have that title and issue number – the third in 16 years and the second in three years.  Two years later, facing reportedly plummeting sales, Marvel Comics has launched its “Legacy” initiative, which would bring Marvel titles back to their original issue numbering.

So we come to The Amazing Spider-Man #789 (“Top to Bottom”) and the beginning of a “back to basics” story arc, entitled “Fall of Parker.”  It is written by Dan Slott; drawn by Stuart Immonen (pencils) and Wade von Grawbadger (inks); colored by Marte Gracia; and lettered by Joe Caramagna; with cover art by Alex Ross.  Before we move on with this review, I don't think The Amazing Spider-Man #789 is any different from what The Amazing Spider-Man #33 (2015) would have been.

The Amazing Spider-Man #789 opens in the aftermath of the fall of Spider-Man/Peter Parker's behemoth tech company, Parker Industries.  Parker is basically living on a couch in the apartment of Bobbi Morse, who is the superhero, Mockingbird.  Everyone, mainly the general public and customers of Parker Industries tech and software, hates Peter Parker.  Then, Parker decides that being the friendly neighborhood Spider-Man will cure his ills, but nothing every really works out perfectly for puny Parker and Spidey.

The recent movie Spider-Man: Homecoming makes it clear that high school Peter Parker/Spider-Man is such an attracting and lovable character.  After all, that is the original version of the character that creators Steve Ditko and Stan Lee gave us back in 1962.  Post-high school Spider-Man is also immensely likable, but, over the decades, that Peter Parker has been such a mixed bag, entirely the fault of various writers.

Adult Peter Parker, as depicted by writer Dan Slott, has been interesting, mostly.  However, the last two years, Slott has played Peter Parker as less the lovable loser, hard-luck guy and more like Tony Stark.  That, in turn, has made Spider-Man a kind of tech-driven, Iron Man-like hero.  Stark-ish Parker is cute as a novelty.  Spider-Man as a jet-setting, international hero is also nice – as a novelty.

Spider-Man is a regular guy superhero.  Yes, the character has extraordinary and weird powers, but the civilian Peter Parker is the guy who looks out for his family and protects and serves his family.  While Parker has always been depicted as a scientific genius, playing hero-by-gadget isn't Spider-Man, who has always seemed to be about service and personal sacrifice.

So, what about The Amazing Spider-Man #789?  It's just a run-of-the-mill story which suggests or hints at nothing but the status quo.  More accurately, it is just another first chapter in an eventual trade paperback collection.  While “Fall of Parker” could turn out to be an exceptional story arc (which I doubt), the first chapter in The Amazing Spider-Man #789 represents the mediocrity that has unfortunately also been part of the Marvel recent “Legacy.”

[This comic book includes a Spider-Man “Legacy” overview short story written by Robbie Thompson; drawn by Mark Bagley (pencils) and John Dell (inker); colored by Dan Brown; and lettered by VC's Joe Caramagna.]

C
4 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Sunday, June 21, 2015

Review: Creative Team Makes "SUPERMAN #38" Super

Reviewed by Albert Avilla

SUPERMAN #38

STORY: Geoff Johns
PENCILS: John Romita, Jr.
INKS: Klaus Janson
COLORS: Laura Martin, Ulises Arreola, Dan Brown, Wil Quintana
LETTERS: Sal Cipriano

Superman created by Jerry Siegel and Joe Shuster

SPOILER ALERT

The Men of Tomorrow: Chapter 7 - “Friends and Enemies”

I don't read a lot of Superman stories, but recently, I have been able to read this story arc.  The hype machine got me interested in learning about Superman's new power.  Why does he need a new power?  He is already the head, number-one, ass-kicker in the DC Universe.  But growth is good.  We don't want stagnant characters.

I feel fortunate that I got lucky to read this story because of some key events.  Superman makes a catastrophic mistake that has catastrophic consequences.  This makes him more fallible, not the all powerful super-being who can accomplish anything.  I would have liked to see him a little upset about the situation, not just jump back into his regular routine without a pause.  He is sympathetic toward Ulysses, but I think Geoff Johns misses a chance to demonstrate Superman's human side and to get us in our emotions (new slang that I learned from the kids).

Of course, the new power is a big event.  I like that it evolves from a power that Superman already has, and it leaves him vulnerable after he uses it. A real hero puts his life on the line.  I don't want him to use this power like fireworks on the Fourth of July.  My question is simple:  is this the final manifestation of this power or will it evolve?

That's not the only bomb that Superman drops on us.  Superman reveals his secret identity to Jimmy Olsen.  Now, Jimmy is Superman's best friend.

This is one of Mr. John's best offerings.  He has met the standard set by his own talent.  We can appreciate the masters, John Romita and Klaus Janson, on this art team.  From the Fourth Dimension to Metropolis to Superman exploding, the art is exquisite and sublime. These gentlemen are focused on making Superman the pinnacle of comic art.

I rate Superman #38 Buy Your Own Copy (#2 on the Al-o-Meter)


The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.



Friday, December 12, 2014

I Reads You Review: SUPERGIRL #36

SUPERGIRL #36
DC COMICS – @DCComics

WRITERS: K. Perkins and Mike Johnson
PENCILS: Emanuela Lupacchino
INKS: Ray McCarthy
COLORS: Hi-Fi
LETTERS: Dezi Sienty
COVER: Emanuela Lupacchino with Dan Brown
32pp, Color, $2.99 U.S. (January 2015)

Supergirl based on the characters created by Jerry Siegel and Joe Shuster

“Crucible” Part 1

DC Comics character, Supergirl, is essentially the female counterpart of Superman.  The most familiar version of the character is Superman’s cousin, Kara Zor-El, who was created by writer Otto Binder and designed by artist Al Plastino.  She first appeared in Action Comics #252 (cover date May 1959), although there were two earlier versions of the character that appeared in 1949 and in 1958.

I have not read a Supergirl comic book since I read The New 52's Supergirl #1 (“Last Daughter of Krypton”) just over three years ago.  I recently visited an area comic book shop where the owner likes to hand out free comic books to her customers.  That's how I ended up with my first Supergirl comic book in years, besides the Supergirl trade paperback I bought my niece several months ago.

Supergirl #36 (“Crucible” Part 1) opens in the aftermath of Kara's shenanigans with the Red Lanterns (of which I am not familiar).  She is living in New York City and working at Elixir Cafe.  Kara just wants to live on Earth among the regular folks.  Her cuz, Clark Kent a/k/a Superman, makes a surprise appearance, with the intent of giving some big brother-type advice to Kara.  However, he also was involved in some shenanigans (regarding the Doom virus), so maybe he can use some advice, too.  The real lessons for Kara/Supergirl, however, will come from the Crucible Academy, courtesy of three super-powered aggressors.

I probably would have kicked Supergirl #36 to the curb by placing it in a pile of unread comic books, due for removal at a later date.  But I took one quick look inside and was immediately impressed by the eye-candy art from the team of penciller Emanuela Lupacchino, inker Ray McCarthy, and colorist Hi-Fi.  Lupacchino is a skilled hand at compositions, and her figure drawing is strong.  McCarthy's inks give the art an Adam Hughes quality, creating a light-hearted approach to the story that captures Kara as a young woman in flux.  Hi-Fi's candy-painted hues bring the alien environments in the second half of the story to life.

Wow!  Surprised!  Supergirl #36 has tempted me to read more.  Maybe I shouldn't ignore Supergirl.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.



Sunday, August 24, 2014

I Reads You Review: TEEN TITANS #1

TEEN TITANS #1 (2014)
DC COMICS – @DCComics

WRITER: Will Pfeifer
ART: Kenneth Rocafort
COLORS: Dan Brown
LETTERS: John J. Hill
COVER: Kenneth Rocafort
VARIANT COVERS: Cliff Chiang; Joe Quinones
32pp, Color, $2.99 U.S. (September 2014)

Rated “T” for “Teen”

“Blinded by the Light” Part 1

DC Comics has once again relaunched the Teen Titans franchise.  I was a huge fan of the best Teen Titans rebirth, The New Teen Titans, which first appeared in DC Comics Presents #26, before debuting in The New Teen Titans #1 (November 1980). The series, created by writer Marv Wolfman and artist George Pérez, ran from 1980 to 1996.  For awhile, The New Teen Titans was DC Comics' X-Men-like powerhouse, but I think the events of Crisis on Infinite Earths was the start of its downfall into irrelevance.  [For a number of reasons, including a refocus on core DC Comics franchises such as Superman, Batman, and Wonder Woman, but that's for another discussion.]

The recently launched Teen Titans comic book series is written Will Pfeifer, drawn by Kenneth Rocafort, colored by Dan Brown, and lettered by John J. Hill.  The Teen Titans roster is Red Robin (Tim Drake), Beast Boy, Raven, Bunker, and Wonder Girl (Cassie Sandsmark).  It is the second Teen Titans series of The New 52.

Teen Titans #1 (“Blinded by the Light” Part 1) finds the team taking on a school bus hijacking.  According the terrorist-like hijackers' leader, their target is really S.T.A.R. Labs, with the children on the bus merely being pawns.  Of course, the Teen Titans can easily handle such criminals, but are our heroes missing the bigger picture – a larger conspiracy.

A friend of mine who read Teen Titans #1 before I did told me that he did not like it, and he is a longtime Teen Titans fan.  I am really a fan of the Teen Titans from their Silver Age origins to The New Teen Titans.  I am not particularly interested in the various Teen Titans (and Titans) series that came afterward.  I did not care for this Teen Titans #1.

Will Pfeifer tries to write these Titans as cool-under-pressure, up-to-date, and on the cutting-edge of everything.  They actually come across as contrived and about as cool as plastic do-dads.  They are more a collection of character traits and personality quirks than they are real characters.  Kenneth Rocafort's art is crowded, and reading it is like trying to see through a television picture beset by static.  Dan Brown's coloring is just decoration.

I don't have anything against the Cassie Sandsmark Wonder Girl, originally created by John Byrne and introduced back in Wonder Woman (Vol. 2) #105 (cover dated: January 1996), but I prefer Donna Troy.  I like the costume that Raven wears, but I prefer the pre-New 52 character.  You know what:  I don't think these Teen Titans are for me.  Maybe others will enjoy it; maybe I'll even try another issue or two.

C

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.


Sunday, July 10, 2011

I Reads You Review: WOLVERINE and BLACK CAT: CLAWS 2 #1

WOLVERINE & BLACK CAT: CLAWS 2 #1 (OF 3)
MARVEL COMICS

WRITER: Jimmy Palmiotti and Justin Gray
ART: Joseph Michael Linsner
COLORS: Dan Brown and Nick Filardi with Ian Hannin
LETTERS: Jeff Eckleberry
COVER: Joseph Michael Linsner
32pp, Color, $3.99

Chapter 1: “Back and Forth”

I have to be honest. I only bought the first issue of Wolverine & Black Cat: Claws 2 for the art by Joseph Michael Linsner. I’m not a big fan of Lisner’s work, but I like it enough to look at it when I get a chance. Apparently, there was a first Wolverine & Black Cat: Claws miniseries (3 issues, 2006) that I ignored.

Wolverine (A.K.A. Logan) is practically everyone’s favorite member of the X-Men (though mine is Storm). Black Cat (A.K.A. Felicia Hardy) is a cat burglar extraordinaire and Spider-Man femme fatale. Wolverine & Black Cat: Claws 2 #1 takes place after the events of the first series and finds Wolverine and Black Cat back in New York City. They’re enjoying an evening of food and romance at a swanky eatery. Meanwhile, their adversaries from the first miniseries, Arcade and his partner White Rabbit, have also found their way back to NYC to give Logan and Felicia a dose of revenge.

The prolific writing team of Jimmy Palmiotti and Justin Gray can deliver on an action premise (see Radical Publishing’s Time Bomb). Claws 2 is a simple superhero fight comic book with no pretensions to be a character drama or landmark miniseries. There’s violence, humor, and the threat of Wolverine engaging in sexual intercourse. Claws 2 proves that even the team that delivered on the nail-biting Time Bomb can deliver a tepid, mildly humorous, X-Men product.

The art and graphical storytelling by Joseph Michael Linsner look as if they belong in a Marvel comic book from the 1970s or 1980s. Linsner’s drawing style is like a new version of Dave Cockrum’s drawing style with touches of Wally Wood and Eric Stanton. Marvel’s EiC-turned-CCO once referred to a comic book artist friend of mine’s drawing style as passé. Considering that statement, I’m surprised that Linsner’s “old school” graphical approach has anyplace at Marvel, especially in the industrial part of this publisher/trademark maintenance firm that cranks out Wolverine comic books every hour on the hour.

Still, there is an innate charm to Linsner’s work, and his compositions and page designs yield results that really do look like genuine comic book graphics and visuals instead of looking like paintings trying to be comics. His storytelling has a sense of humor and imagination.

I would say that readers looking for something different in Wolverine should give Wolverine & Black Cat: Claws 2 a try. That difference is Linsner.

B

[This comic book features a five-page preview of The Punisher #1, a new series from writer Greg Rucka, artist Marco Checchetto, and colorist Matt Hollingsworth with covers by Bryan Hitch.]

Monday, September 14, 2009

Finally! New Dan Brown! New Robert Langdon!

Yes, I'm one of those people who devoured author Dan Brown's Angels & Demons and The Da Vinci Code, and I've been eagerly awaiting the next Brown book. Now, it's finally (or almost) here. The new novel starring Brown's beloved character, Robert Langdon, The Lost Symbol, arrives on Tuesday. I wonder how many stores are going to stay open past midnight tonight to sell copies to eager readers.

The New York Times has a write up on The Lost Symbol at their website.