#IReadsYou Review: CREEPSHOW #1

CREEPSHOW #1 (OF 5)
IMAGE COMICS/Skybound

STORY: Chris Burnham; Paul Dini & Stephen Langford
ART: Chris Burnham; John McCrea
COLORS: Adriano Lucas; Mike Spicer
LETTERS: Pat Brosseau
EDITORS: Alex Antone and Jon Moisan
COVER: Chris Burnham with Adriano Lucas
VARIANT COVER ARTISTS: Declan Shalvey; Vance Kelly; Robert Hack; Bryan Silverbax; Ivan Tao; Felix Morales; Tone Rodriguez; Joseph Schmalke; Rob Csiki; Skan Srisuwan; John Giang; David Mack; Miguel Zapata; Chinh Potter; Tyler Kirkham; Tony Max; Steven Russel Black; Ciro Nieli; Casey Parsons
28pp, Colors, 3.99 U.S. (September 2022)

Rated “M/ Mature”

Creepshow is a new horror comic book anthology series from Image Comics.  It is a TV-tie in to the horror anthology television series, “Creepshow,” that currently streams on “Shudder” and later airs on the cable TV network, “AMC.”  Of course, both the comic book and TV series are descendants of the 1982 horror and comedy film, Creepshow, which was directed by the late George A. Romero and written by Stephen King.  Each issue of Creepshow the comic book will feature different creative teams with uniquely horrifying (and sometimes horrible) standalone stories.

Creephow #1 contains two stories.  The first is “Take One,” which is written and drawn by Chris Burnham and colored by Adriano Lucas.  The second story is “Shingo,” which is written by Paul Dini and Stephen Langford; drawn by John McCrea; and colored by Mike Spicer.  Both stories are lettered by the great Pat Brosseau.  Creepshow's horro host, “The Creep,” narrates the story.

THE LOWDOWN:  I'm going to summarize and review each story separately:

“Take One” by Burnham, Lucas, and Brosseau:
It's Halloween night.  Scaredy-cat Phil is wearing a poorly made mummy costume, and he is trick-or-treating with his asshole friends, Nate and Erik.  They come upon the house of the late Mr. Xander, who apparently died the way he treated his neighbors.  Well, although his house is dark, there is a bowl of full-size candy bars on the porch.  “Take One” says the sign in the bowl, so what will happen if Phil, Nate, and Erik help themselves to more?

I love Halloween stories – prose and comics.  That said, “Take One” is an embarrassment.  The punishment does not fit the crime, and the level of violence is neither comic horror nor scary horror.  I have enjoyed some of Burnham's work (Nameless, Secret Wars: E is for Extinction) in the past, but “Take One” is lame horror trying to pass for clever.

On the other hand, I have to admit that Burnham's art and Lucas' colors are nicely atmospheric.  Too bad it's wasted on a wack-ass story.

“Shingo” by Dini & Langford, McCrea, Spicer, and Brosseau:
As the story opens, Sandy Clark is angry, determined, and desperate to find a party entertainer for her daughter, Fiona's birthday party.  It looks as if Fiona's dad, Tom Clark, has also come up short.  Enter Shingo; he (or it) is the party entertainer with the appetite to make any party unforgettable.

After the fumble of “Take One,” I didn't expect much from “Shingo.”  I know that many consider Paul Dini a “legend” for his work on the 1990s animated TV series, “Batman” a.k.a. “Batman: The Animated Series.”  However, I find his comic book work to be hit or miss or miss or mediocre.  I don't know how the collaboration between Dini and Langford worked, but “Shingo” is brilliant.

It is everything that comic horror or horror comedy should be.  It's crazy, wacky, satirical, farcical, droll, and witty and also have an batty monster.  The title boogey is “Shingo,” who is like a gleefully mean-spirited blend of PBS's “Barney,” the purple dinosaur from PBS' long-running “Barney & Friends” TV series, and a mangy “Teletubby” (from the British PBS import TV series, “The Teletubbies”).  The ending and the final-girl-heroes are the double cherries on top.

Artist John McCrea, a master of blending the comic, the violent, and the horrifying, makes this story sing.  Other artists could make this story work, but not as well as McCrea, who also gets some perfect coloring from Mike Spicer.

“Shingo” saves Creepshow #1, and my grade for this issue reflects “Shingo” and not so much “Take One.”  I think “Shingo” has the potential to be a good horror movie in the vein of director Michael Dougherty's 2015 film, Krampus.  And I would be remiss if I didn't say that Pat Brosseau's lettering throughout this issue is outstanding.

I READS YOU RECOMMENDS:  Fans of classic horror comic book anthologies will want to read Creepshow.

[This comic book includes an afterword by Greg Nicotero, the executive producer of Shudder's “Creepshow.”]

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: MURPHY'S FUBAR

MURPHY'S FUBAR
STRIKE HOLD STUDIO

[This review was originally posted on Patreon.]

STORY: Damon Pellican
PENCILS: Damon Pellican
INKS: Damon Pellican and Tone Rodriguez
LETTERS: Angela Pellican
EDITOR: Angela Pellican with Tone Rodriguez and Kody Chamberlain
COVER ARTIST: Damon Pellican and Tone Rodriguez
8pp, B&W2-tone/Color, $4.99 U.S. (2019)

Murphy's Fubar created by Damon Pellican

“Incoming Fire Has The Right of Way”

Murphy's Fubar is a short comic book that contains the comics short story, “Incoming Fire Has The Right of Way.”  This comic is the work of Damon Pellican, a U.S. Army veteran and fledgling comic book creator.  “Incoming Fire Has The Right of Way” is written and drawn (pencils-inks) by Pellican and Tone Rodriguez (inks), and lettered by Angela Pellican, Damon's wife.

“Incoming Fire Has The Right of Way” comes to life at “Murphy's Fubar,” a bar that acts as an oasis for wayward souls, especially the souls of military veterans who have seen the darkest and bloodiest sides of war and of military combat.  “Murphy's Fubar” seems to be the last stop for lost souls, a place where they can find a way to resolve their physical and/or emotional wounds or die because of them.  The barkeep is Master Sgt. Murphy, whom Pellican describes as “a grizzly, battle-hardened vet.”  Mysterious and perhaps supernatural, Murphy may be connected to all of humanity's wars, from the first and oldest to the most recent conflicts.

“Incoming Fire Has The Right of Way” opens in 1998.  We meet a lost man living as low as a man could when a doorway appears before him.  His life literally leaking from him, he enters a bar where an equally grizzled bartender offers him a story.  Transported back thirty years to Vietnam, 1968, this desperate man will have to choose between the “hard road” or the “easy way out.”

I like the raw, unrefined nature of Damon Pellican's illustrations.  He is at the place where many young comic book artists find themselves, even the great ones, and that is how to grow by leaps and bounds.  A few years of intensive comic book drawing, and 1981 Matt Wagner becomes 1986 Matt Wagner (Mage) – almost two different artists.  Or Jim Lee:  from the end of his run on Alpha Flight (1987-88), through The Punisher War Journal (1989), he emerged on Uncanny X-Men (1990-91) and seemed like a totally different artist.

I see potential in Pellican as an artist, and that shows in this story through the inking of Tone Rodriguez, a longtime comic book artist.  I think the combination of the two makes the art for “Incoming Fire Has The Right of Way” look like Michael Golden's art on Marvel Comics' war comic book series, The 'Nam (issues #1-11, 13).  The cover art also is pretty dynamic.

Drawing skills aside, Pellican does some good graphical storytelling in “Incoming Fire Has The Right of Way.”  This is a powerful, brief, little tale that seems longer in terms of page length and bigger in terms of scope.  Pellican gets more out of eight pages than some of Marvel and DC Comics titles get out of 20 or 30 pages.

So I'm shocked.  I bought this first installment of Murphy's Fubar only to support a local comic book creator.  Frankly, I didn't expect much; instead, I found something I really liked.  With the best creators of American war comics mostly long gone, I look forward to another visit to Murphy's Fubar.

Website: https://www.strikeholdstudio.com/
Facebook: https://www.facebook.com/strikeholdstudio/
Instagram: https://www.instagram.com/damonpellican/
Twitter: https://twitter.com/DamonPellican
ArtStation: https://www.artstation.com/supern_a_ds

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: BART SIMPSON Breaks Out

BART SIMPSON BREAKS OUT
HARPERCOLLINS/Harper Design – @HarperCollins @harperdesignbks @TheSimpsons

[This review was originally posted on Patreon.]

STORY: Pat McGreal; Shane Houghton; Dean Rankine; Ian Boothby; John Zakour and Max Davison; Eric Rogers; Tony DiGerolamo; Carol Lay; Arie Kaplan; Mike W. Barr; Ian Brill
PENCILS: Rex Lindsey; Nina Matsumoto; Dean Rankine; John Delaney; Phil Ortiz; Mike Kazaleh; Carol Lay; Tone Rodriguez
INKS: Dan Davis; Andrew Pepoy; Dean Rankine; Mike DeCarlo; Mike Rote; Mike Kazaleh; Carol Lay
COLORS: Art Villanueva; Nathan Hamill
LETTERS: Karen Bates
EDITOR: Nathan Kane
COVER: Matt Groening
ISBN: 978-0-06-287873-1; paperback (April 2, 2019)
128pp, Color, $16.99 U.S., $21.00 CAN

Bart Simpson Breaks Out is a new trade paperback comic book collection from Harper Design.  Bart Simpson Breaks Out collects comic book short stories and short gags that were originally published in the comic book series, Bart Simpson, specifically issues #78, #79, #80, #81, #82, and #83. (cover dated:  January 2013 to May 2013).

Bart Simpson is one of the lead characters in the long-running animated television sitcom, “The Simpsons” (Fox).  “The Simpsons” presents a satirical depiction of a working class family which consists of Homer Simpson (the father), Marge Simpson (the mother), Bart (the oldest child and only son), Lisa (the precocious and brilliant elder daughter), and Maggie (a baby girl).  “The Simpsons” also parodies American culture, pop culture, society, politics, media, etc. via the denizens of The Simpsons home town, Springfield.

In 1993, Bongo Comics Group (or simply Bongo Comics) began publishing numerous comic book series and single-issue publications based on “The Simpsons.”  Beginning in 2000, Bongo gave Bart his on title, Simpsons Comics Presents Bart Simpson (or simply Bart Simpson).  The comics presented in Bart Simpson Breaks Out collects stories published in the final quarter of the series.  Bart Simpson ended with issue #100 in 2016 (and Bongo ceased publishing in 2018).

I really enjoyed the previous Bart Simpson trade paperback, 2018's Bart Simpson Bust-Up, and I happy to tell you, dear readers, that Bart Simpson Breaks Out is just as good.

The opening story, “The Booty” (written by Pat McGreal and drawn by Rex Lindsey and Dan Davis), is a cute story with a funny pie-eating contest in the middle.  However, Breaks Out really... breaks out with the second story, “I'd Rather Bleed Than Read” (by Shane Houghton, Nina Matsumoto, and Andrew Pepoy), which finds Principal Seymour Skinner trapping Bart in the Springfield Elementary school library in order to force the lad to read at least one book.  The resolution to the story is rather novel, if not a stroke of genius.

“Bartman vs. Doctor Octuplets” (by Ian Boothby, John Delaney, and Pepoy) is one of two stories featuring Bart's superhero alter-ego, “Bartman.”  It has a neat take on Spider-Man villain, Doctor Octopus, via Kwik-E-Mart manager, Apu Nahasapeemapetilon, and his brood of children.  The second Bartman story, “Who the Bartman?” (by Arne Kaplan, Tone Rodriguez, and Pepoy), offers a novel take on how Bart's classmates view Bartman.

Breaks Out has two Maggie Simpson stories written and drawn by the great alternative comic book creator, Carol Lay.  The first one, “Maggie and the Moon,” is quite poignant and beautiful.  That heartwarming vibe also makes an appearance in the story, “The Todd & the Rodyssey” (by Mike W. Barr, Delaney, and Pepoy).  Ned Flanders is a featured character here, but his sons, Rod and Todd, are the stars of this story of escape and survival.  The last two panels of this fast-moving and delightful comic presses all my buttons of sentimentality.

The other stories are also pretty good, especially the Springfield Elementary “Junior Mafia” tale.  I got a kick out of “The Demon” (by Max Davison, Delaney, and Pepoy), because I generally like ghost story-themed tales told in a kids' comic books published by everyone from Archie Comics to whatever company is publishing comic books featuring Disney characters.

In some of my reviews of Simpsons Comics paperback collections, I have said that one does not have to be a fan of “The Simpsons” to like them.  This is the case with Bart Simpson Breaks Out, because this book is full of top-notch humor comics.  Bart Simpson Breaks Out is too funny to pass up.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: The Simpsons' TREEHOUSE OF HORROR #23

THE SIMPSONS' TREEHOUSE OF HORROR No. 23
BONGO COMICS – @TheSimpsons

[This review was originally posted on Patreon.]

WRITERS: Ian Boothby; Carol Lay; Dean Rankine
PENCILS: Tone Rodriguez; Carol Lay; Dean Rankine
INKS: Andrew Pepoy; Carol Lay; Dean Rankine
COLORS: Art Villanueva
LETTERS: Karen Bates
COVER: Jason Ho, Mike Rote, and Nathan Kane
44pp, Color, $15.99 U.S., $4.99 CAN, $5.99 CAN (2017)

“The Simpsons” is an animated television situation comedy created by Matt Groening.  “The Simpsons” began in 1987 as a series of animated shorts that were part of “The Tracey Ullman Show” (1987-90).  Those shorts were eventually developed into a half-hour animated TV series.  “The Simpsons” began broadcasting in December of the 1989-90 television season on the Fox Broadcasting Company, where the series continues to this day.

“The Simpsons” present a satirical depiction of a working class family which consists of Homer Simpson (the father), Marge Simpson (the mother), Bart (the oldest child and only son), Lisa (the precocious and brilliant elder daughter), and Maggie (a baby girl).  “The Simpsons” also parodies American culture, pop culture, society, politics, media, etc. via the denizens of The Simpsons home town, Springfield.

One beloved aspect of “The Simpsons” is its annual Halloween episode, “Treehouse of Horror.”  Also known as “The Simpsons Halloween specials,” each episode consists of three separate, self-contained segments that usually depict the Simpson family in some horror, science fiction, or supernatural setting. These Halloween segments take place outside the show's normal continuity and its unique version of reality.  The segments are also usually more violent and much darker than an average Simpsons episode.  The first of “The Simpsons Halloween specials” was entitled “Treehouse of Horror” (which gave the series its permanent name) and aired during the show's second season on October 25, 1990.  There has been an annual Treehouse of Horror episode ever since that date, usually airing in October, but occasionally in November, also.

Bongo Comics, which has the license to produce comics and comic books based on “The Simpsons,” starting producing a comic book version of “Treehouse of Horror.”  The title on the cover of this comic book is The Simpsons' Treehouse of Horror (while simply being titled Treehouse of Horror in the indicia).  When it began publication in 1995, it was known as Bart Simpson's Treehouse of Horror (until 2008).  The Simpsons' Treehouse of Horror has been published around September–October, for Halloween, every year since 1995.

So The Simpsons' Treehouse of Horror #23 recently arrived in comic book stores and on select magazine shelves.  The first story is “IT Happens!” from writer Ian Boothby; artists Tone Rodriguez (pencils) and Andrew Pepoy (inks); colorist Art Villanueva; and letterer Karen Bates.  A parody of Stephen King's classic novel, It, this story, once can assume, was produced in anticipation of the September 2017 release of IT, the recent smash hit movie based on King's book.

In “IT Happens,” classic Simpsons character, Krusty the Clown, is the stand-in for IT's “Pennywise the Clown.”  In the story, Homer, Marge, Barney, Carl, Lenny, and occasionally Skinner are being tormented by Krusty, who wants to eat them.  Krusty is successful at terrorizing the kids, but soon discovers that the passage of time does not bode well for him.

Alt-comix creator Carol Lay offers “A Fungus Among Us” (with Villanueva on colors and Bates on letters).  In this sci-fi/horror tale, alien fungi, that resemble Marge's blue hair, arrive on Earth and begin its “Body Snatchers” like invasion.  Marge seems immune to their powers, but there is something about the aliens that really appeals to Marge's tastes.

Writer-artist Dean Rankine (once again with Villanueva and Bates) presents “Curse of the Cat Lady.”  Comic Book Guy transgresses against Agatha the gypsy cat lady, who promptly puts a curse on him.  Will the curse, however, prove to be much of a cat-tastrophe to Comic Book Guy?

It has been years since I have read an issue of The Simpsons' Treehouse of Horror, so when I noticed a copy on the shelf of a “local” comic book shop, I snatched it.  “IT Happens!” is a nice parody of Stephen King's It, but at 20 pages, the story is five pages too long.  It... should have ended when adult Homer closed the door and said “Not interested.”

“A Fungus Among Us” is a nice tale in the tradition of EC Comics and “The Twilight Zone” television series, with a near-perfect ending.  The best of this trio of tales is “Curse of the Cat Lady,” which reminded me of another Stephen King novel, Thinner (which he published under the pseudonym “Richard Bachman”).  In this 10-page tale, Dean Raskine has created the perfect version of a humorous Treehouse of Horror story.

I recommend this comic book to fans of Bongo's Simpsons comic books.  Because of its snazzy cover image, I think fans of the TV “Treehouse of Horror” would also like The Simpsons' Treehouse of Horror #23, also.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: BART SIMPSON Bust-Up

BART SIMPSON BUST-UP
HARPERCOLLINS/Harper Design – @HarperCollins @harperdesignbks @TheSimpsons

[This review was originally posted on Patreon.]

STORY: John Zakour; Carol Lay; Sergio Aragones; David Seidman; Tom & Henry Gammill; Mary Trainor; Max Davison; Ian Boothby; Peter Kuper; Tony Digerolamo; John Jackson Miller; Evan Dorkin
PENCILS: John Delaney; Carol Lay; Sergio Aragones; Hilary Barta; Tone Rodriguez; John Costanza; Phil Ortiz; Peter Kuper; Jason Ho; Eric Shanower; James Lloyd; Rex Lindsey
INKS: Dan Davis; Carol Lay; Sergio Aragones; Hilary Barta; Tone Rodriguez; Phyllis Novin; Mike DeCarlo; Andrew Pepoy; Peter Kuper; Jason Ho; Eric Shanower
COLORS: Nathan Hamill; Peter Kuper & Minah Kim; Jason Ho; Art Villanueva
LETTERS: Karen Bates
COVER: Matt Groening
ISBN: 978-0-06-269255-9; paperback (April 3, 2018)
128pp, Color, $16.99 U.S., $21.00 CAN

Bart Simpson Bust-Up is a new trade paperback comic book collection from Harper Design.  Bart Simpson Bust-Up collects 18 comic book short stories and short gags that were published in various Bart Simpson comic books during the second half of 2012.

Bart Simpson is a character on the animated television sitcom, “The Simpsons,” produced first run for the Fox Broadcasting Company.  “The Simpsons” present a satirical depiction of a working class family which consists of Homer Simpson (the father), Marge Simpson (the mother), Bart (the oldest child and only son), Lisa (the precocious and brilliant elder daughter), and Maggie (a baby girl).  “The Simpsons” also parodies American culture, pop culture, society, politics, media, etc. via the denizens of The Simpsons home town, Springfield.

In 1993, Matt Groening (creator of “The Simpsons”), Bill Morrison, and Steve and Cindy Vance founded Bongo Comics Group (or simply Bongo Comics).  Over the course of a quarter-century, Bongo Comics has published numerous comic book series and single-issue publications based on “The Simpsons.”  The comic books have starred and featured all the characters that are part of this franchise, from the Simpsons clan to the various supporting characters, including Ralph Wiggum and his father, Chief Wiggum; Bart's pals, Milhouse and Nelson; Ned Flanders; and Principal Seymour Skinner, to name a few.

Harper Design, an imprint of HarperCollins, has been publishing a line of full-color, original trade paperbacks that reprint select stories from Bongo Comics' various Simpsons comic books.  The latest trade paperback, Bart Simpson Bust-Up, reprints issues #73 to #77 of Simpsons Comics Presents Bart Simpson (July 2012 to November 2012) and The Simpsons Summer Shindig #7 (May 2013).  Simpsons Comics Presents Bart Simpson or simply Bart Simpson was Bongo Comics' long-running comic book series starring Bart Simpson that ran from 2000 to 2016.

Bart Simpson Bust-Up opens with “Everybody Really Hates Bart,” and it is Bart's fault after one of his pranks creates a nightmare right out of a horror movie.  Then, Bart is the victim of Lisa's sociological experimentation in “Decisions, Decisions.”  It is a disaster of shoe proportions in “There's No Business Like Shoe Business,” with a little help from baby genius, Maggie Simpson.

Bart and Milhouse go “Into the Woods,” showing that these two boys are not scout material.  Bart, Milhouse, and Nelson are among the boys trying to impress the “New Girl in Town.”  Bart uses old coupons and causes a disaster in “ For a Limited Time Only.”  Finally, Bart uses all his wiles to bring comfort to his family in “Railroaded.”

Harper Design has been sending me review copies of its Simpsons trade paperback originals for the past few years.  Bart Simpson Bust-Up is the fourth one they have sent me, and I am delighted to say that it is the best.  That is saying a lot because I really liked the previous three Simpsons collections that I read.

Bart Simpson Bust-Up is filled with stories that are funny (obviously), but are also imaginative and inventive.  “Good Cop, Bart Cop” (story by Ian Boothby and art by John Delaney and Andrew Pepoy) is funny in a way that recalls the best entries in the Lethal Weapon film franchise (the first two).  “Into the Woods” has a killer “special bonus” panel to end the story.  No two stories are the same; each one is a surprising and novel treat.

In my review of the previous volume, Simpsons Comics Game On!, I wrote that one does not have to be a fan of “The Simpsons” to like it.  It is the same with Bart Simpson Bust-Up, which is filled with excellently crafted humor comics.  If you want funny comics, buy this collection.  If you are a fan of “The Simpsons,” Bart Simpson Bust-Up is too funny to pass up.

9.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: SIMPSONS COMICS COLOSSAL COMPENDIUM Volume 4

SIMPSONS COMICS COLOSSAL COMPENDIUM VOLUME 4
HARPERCOLLINS/Harper Design

[This review was originally posted on Patreon.]

WRITERS: Tom Gammill & Henry Gammill; Brian Houlihan; Mary Trainor; Max Davison; Sergio Aragones; and others
PENCILS: Mike Kazaleh; John Delaney; James Lloyd; Tone Rodriguez; Kassandra Heller; Sergio Aragones; and others
INKS: Andrew Pepoy; Mike Kazaleh; Dan Davis; Sergio Aragones; and others
COLORS: Art Villanueva; Nathan Hamill; Kassandra Heller; and others
LETTERS: Karen Bates
COVER: Matt Groening
ISBN: 978-0-06-242326-9; paperback (July 5, 2016)
176pp, Color, $17.99 U.S., $21.99 CAN

“The Simpsons” is an American animated television sitcom created by Matt Groening for the Fox Broadcasting Company.  “The Simpsons” began in 1987 as a series of animated shorts that were part of the comedy variety television program, “The Tracey Ullman Show.”  The shorts were eventually developed into a half-hour animated TV series and began being broadcast on Fox in December of the 1989-90 television season.  “The Simpsons” continues to this day, and Fox has ordered new episodes into 2018.

“The Simpsons” present a satirical depiction of a working class family which consists of Homer Simpson (the father), Marge Simpson (the mother), Bart (the oldest child and only son), Lisa (the precocious and brilliant elder daughter), and Maggie (a baby girl).  “The Simpsons” also parodies American culture, pop culture, society, politics, media, etc. via the denizens of The Simpsons home town, Springfield.

In 1993, Matt Groening, Bill Morrison, and Steve and Cindy Vance founded Bongo Comics Group (or simply Bongo Comics).  Over the course of more than two decades, Bongo Comics has published numerous comic book series and single-issue publications based on “The Simpsons.”  The comic books have starred and featured all the characters that are part of this franchise, from the Simpsons clan to the various supporting characters, including Ralph Wiggum and his father, Chief Wiggum; Itchy & Scratchy; Krusty the Clown, Duffman, McBain, and Mr. Burns and Smithers, to name a few.

Since 2013, Harper Design, an imprint of HarperCollins, has been publishing Simpsons Comics Colossal Compendium.  This is a paperback graphic novel (or trade paperback) series which reprints select comic book stories starring characters from “The Simpsons” that were originally published by Bongo Comics.  Harper Design recently published Simpsons Comics Colossal Compendium Volume 4 (July 2016).

It has been at least a decade since I last read a Simpsons comic book (although I have read one since I finished this book).  I always enjoyed them, so I don't know why I stopped.  Bongo Comics consistently delivers high-quality comic books that capture the spirit of “The Simpsons” television series.  I was intrigued when Harper Design sent me a copy of Simpsons Comics Colossal Compendium Volume 4.

Right from the start, Simpsons Comics Colossal Compendium Volume 4 delivers a bang with the story “Donut Disturb,” which follows Bart and Lisa's battle to win the “Donut Kid of the Year” contest.  This contest is put on by “Lard Lad,” the immensely popular donut chain, and this contest has plenty of wacky contestants.  However, the true fun and the best satirical moments come after the winner claims the crown, which hangs heavy on the head.

Mike Kazaleh, one of my all-time favorite cartoonists, draws the Chuck Jones-inspired “The Man of the House.”  The story makes me think that the true comedic potential of Ralph Wiggum really has not been tapped.  Also, “Sun Burns” shows Mr. Burns in all his grubby Rupert Murdoch-like glory, but the story also showcases the plucky side of the brainy Lisa Simpson.

Writer Sherri L. Smith and artist Kassandra Heller present a wonderful Lisa Simpson tale, entitled “Lisa's Lending Library.”  Heller's pastel like illustrations give this story a fairy tale-like aura.  MAD Magazine legend and Groo the Wanderer creator, Sergio Aragones, offers the delightful two-page “Maggie's Crib,” which shows the toddler's mischievous side.  The Judge Dredd parody, “Judge Redneck,” is an unexpected and clever treat.

You don't have to be a fan of “The Simpsons” to like Simpsons Comics Colossal Compendium Volume 4, but if you like good humor comics, you need an occasional jolt of Simpsons comic books in your reading life.  The creators and editors behind Bongo Comics' Simpsons comics are as good at humorous parody and satire as any other humor comics creator – and better in most cases.  So that is what the Simpsons Comics Colossal Compendium series is here to do – fill your comedy and humor comics needs.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Jane Wiedlin and Bill Morrison Present "Lady Robotika"

ROCK AND ROLL SPACE OPERA

The Go-Go's Jane Wiedlin and Bill Morrison get celestial with LADY ROBOTIKA

JANE WIEDLIN (The Go-Go's) and BILL MORRISON (Bongo Comics) blast off this July with the out-of-this-world space adventure LADY ROBOTIKA from Shadowline and Image Comics. Scribes Wiedlin and Morrison get an assist by TONE RODRIGUEZ (Shadowhawk), who works with Morrison on the art.

"I never meant for it to be like this," exclaims Wiedlin. "One minute I was just another hard-workin' guitar slinger, ripping out power chords while traveling the hinterlands with my band, The Go-Go's. The next, I was blasted into a crazy adventure in Space, with powers far beyond a damn fine F chord and some nice sexy stage banter. But hey, it's a big Universe out there, and someone's got to save it. Guess that someone is ME."

Morrison adds, "I heard someone say 'Lady Robotika is bigger than Jesus!' I certainly didn't say it. I would never say something like that. I'm going to Hell, aren't I?"

"LADY ROBOTIKA is pure rock and roll," says Shadowline Publisher Jim Valentino. "Loud and proud of it! This is the space adventure for rock stars."

In LADY ROBOTIKA, aliens from a distant planet abduct rock star Jane Wiedlin and force her to play a concert for their Earth-obsessed emperor. During the trek back to their planet, the aliens implant Jane's body with nanobots. But their plan to turn her into one of their cyborg slaves backfires when Jane learns to control the nanites within her and becomes the super-powered cyborg liberator, LADY ROBOTIKA!

LADY ROBOTIKA #1, a full-color 32-page comic written by Jane Wiedlin and Bill Morrison with art by Bill Morrison and Tone Rodriquez, will be available for $3.50 in stores July 14, 2010.

Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the United States. Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of four major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit www.imagecomics.com.