#IReadsYou Review: CREEPSHOW #1

CREEPSHOW #1 (OF 5)
IMAGE COMICS/Skybound

STORY: Chris Burnham; Paul Dini & Stephen Langford
ART: Chris Burnham; John McCrea
COLORS: Adriano Lucas; Mike Spicer
LETTERS: Pat Brosseau
EDITORS: Alex Antone and Jon Moisan
COVER: Chris Burnham with Adriano Lucas
VARIANT COVER ARTISTS: Declan Shalvey; Vance Kelly; Robert Hack; Bryan Silverbax; Ivan Tao; Felix Morales; Tone Rodriguez; Joseph Schmalke; Rob Csiki; Skan Srisuwan; John Giang; David Mack; Miguel Zapata; Chinh Potter; Tyler Kirkham; Tony Max; Steven Russel Black; Ciro Nieli; Casey Parsons
28pp, Colors, 3.99 U.S. (September 2022)

Rated “M/ Mature”

Creepshow is a new horror comic book anthology series from Image Comics.  It is a TV-tie in to the horror anthology television series, “Creepshow,” that currently streams on “Shudder” and later airs on the cable TV network, “AMC.”  Of course, both the comic book and TV series are descendants of the 1982 horror and comedy film, Creepshow, which was directed by the late George A. Romero and written by Stephen King.  Each issue of Creepshow the comic book will feature different creative teams with uniquely horrifying (and sometimes horrible) standalone stories.

Creephow #1 contains two stories.  The first is “Take One,” which is written and drawn by Chris Burnham and colored by Adriano Lucas.  The second story is “Shingo,” which is written by Paul Dini and Stephen Langford; drawn by John McCrea; and colored by Mike Spicer.  Both stories are lettered by the great Pat Brosseau.  Creepshow's horro host, “The Creep,” narrates the story.

THE LOWDOWN:  I'm going to summarize and review each story separately:

“Take One” by Burnham, Lucas, and Brosseau:
It's Halloween night.  Scaredy-cat Phil is wearing a poorly made mummy costume, and he is trick-or-treating with his asshole friends, Nate and Erik.  They come upon the house of the late Mr. Xander, who apparently died the way he treated his neighbors.  Well, although his house is dark, there is a bowl of full-size candy bars on the porch.  “Take One” says the sign in the bowl, so what will happen if Phil, Nate, and Erik help themselves to more?

I love Halloween stories – prose and comics.  That said, “Take One” is an embarrassment.  The punishment does not fit the crime, and the level of violence is neither comic horror nor scary horror.  I have enjoyed some of Burnham's work (Nameless, Secret Wars: E is for Extinction) in the past, but “Take One” is lame horror trying to pass for clever.

On the other hand, I have to admit that Burnham's art and Lucas' colors are nicely atmospheric.  Too bad it's wasted on a wack-ass story.

“Shingo” by Dini & Langford, McCrea, Spicer, and Brosseau:
As the story opens, Sandy Clark is angry, determined, and desperate to find a party entertainer for her daughter, Fiona's birthday party.  It looks as if Fiona's dad, Tom Clark, has also come up short.  Enter Shingo; he (or it) is the party entertainer with the appetite to make any party unforgettable.

After the fumble of “Take One,” I didn't expect much from “Shingo.”  I know that many consider Paul Dini a “legend” for his work on the 1990s animated TV series, “Batman” a.k.a. “Batman: The Animated Series.”  However, I find his comic book work to be hit or miss or miss or mediocre.  I don't know how the collaboration between Dini and Langford worked, but “Shingo” is brilliant.

It is everything that comic horror or horror comedy should be.  It's crazy, wacky, satirical, farcical, droll, and witty and also have an batty monster.  The title boogey is “Shingo,” who is like a gleefully mean-spirited blend of PBS's “Barney,” the purple dinosaur from PBS' long-running “Barney & Friends” TV series, and a mangy “Teletubby” (from the British PBS import TV series, “The Teletubbies”).  The ending and the final-girl-heroes are the double cherries on top.

Artist John McCrea, a master of blending the comic, the violent, and the horrifying, makes this story sing.  Other artists could make this story work, but not as well as McCrea, who also gets some perfect coloring from Mike Spicer.

“Shingo” saves Creepshow #1, and my grade for this issue reflects “Shingo” and not so much “Take One.”  I think “Shingo” has the potential to be a good horror movie in the vein of director Michael Dougherty's 2015 film, Krampus.  And I would be remiss if I didn't say that Pat Brosseau's lettering throughout this issue is outstanding.

I READS YOU RECOMMENDS:  Fans of classic horror comic book anthologies will want to read Creepshow.

[This comic book includes an afterword by Greg Nicotero, the executive producer of Shudder's “Creepshow.”]

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review CYBORG #1

CYBORG #1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: David F. Walker
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Adriano Lucas
LETTERS: Rob Leigh
COVER: Ivan Reis and Joe Prado with Adriano Lucas
VARIANT COVER: Tony Harris
32pp, Color, $2.99 U.S. (September 2015)

Rated “T” for “Teen”

“Unplugged”

Cyborg created by Marv Wolfman and George Perez

Cyborg a.k.a. Victor Stone is a DC Comics superhero, part-man and part-machine. The character was created by writer Marv Wolfman and artist George Pérez, and first appeared in a special insert in DC Comics Presents #26 (cover dated:  October 1980). Cyborg is best known as a member of the young superhero team, the Teen Titans.  However, in September 2011, DC Comics re-launched the DC Universe, rebooting its continuity.  Cyborg was reestablished as a founding member of the superhero team, the Justice League.

Although he was featured in a few Teen Titans spin offs, Cyborg never had his own comic book title.  With the launch of the “DCYou” initiative, he has one, aptly titled, Cyborg.  It is written by David F. Walker; drawn by Ivan Reis (pencils) and Joe Prado (inks); colored by Adriano Lucas; and lettered by Rob Leigh.

Cyborg #1 (“Unplugged”) opens “somewhere in another galaxy.”  This is the scene of a battle between the bestial “Technosapien” and the armor-wearing “Tekbreakers.”  The scene switches back to Earth, specifically S.T.A.R. Labs in Detroit, Michigan.  Outside, it is a scene of protests; inside, Victor Stone has returned to meet his father, Silas Stone, who is a noted scientist.

Victor hopes that his father can help him understand why the machine that gives him his Cyborg powers is evolving.  The problem is that this machine is also his body, and he needs to know what is causing these changes.

Cyborg #1 is intriguing.  Writer David F. Walker isn't offering anything groundbreaking here.  I expect that Walker will occasionally delve into the toxic relationship of the Family Stone.  There is also Sarah, a woman obviously in love with Victor, and she has spent too much time on the sidelines.  Of course, an alien threat looms on the horizon.

I'm reading Cyborg for a number of reasons.  First, I have been a fan of the character since I started reading New Teen Titans back in the day.  Secondly, he is one of the coolest African-American characters in comics, and one of the few who is both original and very powerful.  Thirdly, this new Cyborg comic book is thus far the only “DCYou” title written by an African-American writer.  In fact, it is the only DC Comics title currently written by a Black man.  So I got to support – good or bad, I want to support this comic book, although I think it will be good.  By the way, so much for the diversity of the “DCYou.”

Also, the art team of Ivan Reis and Joe Prado has once again delivered stellar work.  I think I would buy this comic book just for their art.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: RED SONJA Volume 2 #1

RED SONJA, VOL. 2 #1
DYNAMITE ENTERTAINMENT – @dynamitecomics

WRITER: Gail Simone – @GailSimone
ARTIST: Walter Geovani
COLORS: Adriano Lucas
LETTERS: Simon Bowland
COVER: Nicola Scott
VARIANT COVERS: Amanda Conner, Fiona Staples, Jenny Frison, Colleen Doran; Stephanie Buscema (subscription cover)
28pp, Color, $3.99 U.S.

Rated T+

Based on the character created Robert E. Howard and Roy Thomas and Barry Windsor-Smith

For Conan the Barbarian #23 (cover dated February 1973), writer Roy Thomas and artist Barry Windsor-Smith created a high fantasy sword and sorcery heroine.  She was named Red Sonja and was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the short story, “The Shadow of the Vulture,” written by Robert E. Howard, creator of Conan the Cimmerian.

Red Sonja has appeared in comic books for forty years, with the character spending the last decade at Dynamite Entertainment.  Dynamite Entertainment is re-launching their ongoing Red Sonja comic book series with Gail Simone as writer and Walter Geovani as artist on a new title, Red Sonja, Volume 2.

Red Sonja, Volume 2 #1 opens with a brief look into Red Sonja’s past.  Three years later, she is sleeping off a drunk, which is interrupted by thieves and by Nias and Ayla – her self-appointed bodyguards.  Now, a former benefactor (so to speak), King Dimath needs Sonja’s help.  Sonja agrees, and her reward is a ghost from her past.

In interviews she has given for Red Sonja, Volume 2, writer Gail Simone has spoken of taking the character in a direction that is different from past interpretations.  Simone is one of the few female writers who have broken into the white boys’ club that is comic book writing for Marvel and DC Comics in a way that has allowed her to be prolific and influential.  And she is not really like her male colleagues.

Simone’s Red Sonja is fiery and aggressive, not icy and reserved – as the character has been in the past.  She is not really an alpha female.  It’s like this: because it is a penis or royal penis does not mean Sonja has to submit or bow to it.  Simone’s Red Sonja is truly liberated from having her life defined by men being in control.  Simone’s presentation of the character makes this book worth a look, because the plot is merely standard sword and sorcery material.

Fans of Red Sonja and of Gail Simone will want to try Red Sonja, Volume 2.

B

Reviewed by Leroy Douresseaux