#IReadsYou Review: HASS #3

HASS #3
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
PENCILS: Edgard Machiavello
INKS: Victor Moya
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego
COVERS: Cesar Grego
32pp, Color, $9.99 U.S. (2019)

Hass is a racial drama and crime thriller comic book miniseries from Approbation Comics.  Hass is written and created by B. Alex Thompson.  The third issue is drawn by Edgard Machiavello (pencils) and Victor Moya (inks); colored by Alivón Ortiz; and lettered Krugos.

Hass is the story of Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.  This relationship forces Josh to confront violence and racism... and a tattoo.  Before long, Josh is hanging out with Maggie's racist, drug-dealing cousin, Cole, and his gang of misfits: Rocky (or “Shamrock”), Vargas, Gavin, and Sharky.

Hass #3 opens a few months after the events depicted in the first two issues.  Josh is firmly ensconced with Cole's gang, which sees him participating in a little gay bashing.  Josh's Aunt Yvonne, Maggie, and his roommate, Asher, all try to direct Josh's activities in a more positive direction.  But when he experiences racism from the “Black side,” how will Josh react?  And will it pull him deeper into Cole's criminal and racist world.

THE LOWDOWN:  In my review of Hass #2, I noted that the copy on the back cover of the first two issues describes Hass as “William Shakespeare’s Romeo and Juliet” meets American History X” (the 1998 film).  That is accurate... up to a point.  Hass is a powerful work of fiction that defies easy description

B. Alex Thompson, creator of the long-running indie, comedy-horror comic book series, Chaos Campus: Sorority Girls vs. Zombies, has created a scenario that allows him to explore various themes emerging from racism, as well as the violence that racism inspires or to which it directly leads.  Thompson explores the consequences of violence and its aftermath, and he also depicts the myriad ways in which racism, prejudice, and bigotry reveal themselves.

Cover artist Cesar Grego once again delivers cover art that explodes in the readers' faces with bold and unapologetic images and ideas.  Pencil artist Edgard Machiavello is also bold and unapologetic in delivering graphical storytelling that takes Thompson's dangerous ideas and keeps them dangerous.  Inker Victor Moya embellishes, but does not tame Machiavello's pencils.  As usual, Alivón Ortiz's colors accentuate the story by giving the art the heat, and Krugos' lettering captures the subversiveness of this narrative by keeping an even pace that does not let the action move the story too quickly.

I have never read another comic book that has explored American racism and prejudice in such a unique and complex way as Hass does.  Hass is bold and different in ways that other comic books would not dare be.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling and for the very best in comic books will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com

The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Review: GREY Chapter 2

GREY. CHAPTER 2
THE GREY ROOM

[This review was originally posted on Patreon.]

STORY: Kris Hornett
ART: Ardee Arollado
SPECIAL PROJECTS ART: Kenet Guevarra
COVER: InHyuk Lee
EDITOR: Lisa Taylor
28pp, B&W, $10.00 (August 2020)

Chapter 2 “Nimbus”

Grey is a recently-launched. independently published comic book series from writer Kris Hornett and artist Ardee Arollado.  Published by The Grey Room, Grey is a hybrid, a combination of an American comic book format and Japanese manga.  Grey is similar to OEL manga or “original English language” manga, American graphic novels in which the storytelling borrowed or mimicked the aesthetics, styles, attitudes, genres, graphics, pacing, etc. of Japanese manga (comics).

Grey is set in the realm of Ketiyama (apparently an archipelago) and takes place some time after an event known as “the Sonoma Incident.”  This outbreak of the lethal “Moon Virus” on Nacirema, one of Ketiyama's islands, led to chaos, destruction, and division.  As a sign of good faith and as a last attempt to restore order, the ruling Board of Officials allowed the people to elect a team of highly trained tactical agents, known as “the Bureau,” to serve and protect them.  Within the Bureau is an elite unit known as “Nimbus.”  This team of five agents are sworn to maintain moral balance and to enforce the law.  The agents of Nimbus are also able to manipulate their “prana” (“life energy”).

The agents of Nimbus are Samara Asuhara, Kouken Masimuto, Shuyin Hagamuri, Manu Yagyu, and Kale Schaefer.  Belisia Asuhara is their handler and the creator of Nimbus.

As Grey. Chapter 2. (“Nimbus”) opens, the media confronts Renee Dubois, the commissioner of the Bureau, about recent events.  There was the shocking murder at the International Fashion Fest (IFF).  There was an invasion of Bureau headquarters in which nine agents were killed.  The Bureau's evidence room was also infiltrated and an “okami mask,” with a notorious past was stolen.  Belisia Asuhara is pushing her agents of Nimbus to get involved in this case because everything about it is abnormal and beyond the scope of ordinary Bureau agents.

Meanwhile, Samara does some pushing of her own.  She wants Shuyin to accept that Willow, a woman from his past, is connected to their case, but Shuyin really has no idea what Willow is doing.  But first, Shuyin receives a special visitor.

THE LOWDOWN:  As I wrote in my review of the first issue:  Grey is not one of those comic books that you read and toss in the already-read-pile before moving on to the next comic book.  Grey is conceptually well-developed, and the world in which it is set has a complex history.

Grey Chapter 2 begins the deep dive into the narrative, after Chapter 1's teasing nature, in which the creative team of Kris Hornett and Ardee Arollado teased readers through the door and into the world of Grey.  In Grey Chapter 2, Hornett seems to be establishing the independence and the individuality of the characters.  Even the bit players, some of whom might be captives for all I know, come across as persons with their own lives outside of game of which they are part.

Part of that also comes from Arollado's strong art and graphical storytelling.  No character really looks like another.  It is as if Arollado actually approaches each new figure to draw as a new character.  He or she may be a face in the crowd, but it is HIS or HER face in the crowd and it belongs to no one else.  There are no filler characters; instead, there are players with potential.

I think the strongest element in Grey are the characters.  Each and every one has his or her own motivation, and motivation can be a dangerous thing.  Danger is good for drama.  So let's come back for more Grey.  By the way, Grey Chapter 2 has a beautiful cover drawn by Marvel Comics cover artist InHyuk Lee... which would make a gorgeous poster.

I READS YOU RECOMMENDS:  Fans of manga-inspired comic books will want to read Grey.

[This comic book includes additional informative text pieces.]

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://thegreyroom.org/
https://www.instagram.com/thegreyroom_/
https://twitter.com/Hornett_


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: CHAOS CAMPUS: Extra Credit #9

CHAOS CAMPUS: EXTRA CREDIT No. 9
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
EDITOR: B. Alex Thompson
COVER: Ricardo Mendez
BACK COVER: Ricardo Mendez
24pp, Color, $4.99 U.S./$1.99 digital-comic (2018; digital release date – October 24, 2018)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“Connective Tissue”

Chaos Campus: Sorority Girls vs. Zombies is a zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  Chaos Chaos is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Chaos Campus: Extra Credit is a “side series” to the main series.  It offers readers something “extra,” and is also set in the continuity to the main series.  Both series are the creation of B. Alex Thompson and are published by Thompson's company, Approbation Comics.  Chaos Campus: Extra Credit is written by Thompson; drawn by Ricardo Mendez; colored by Alivon Oritz; and lettered by Krugos.

Chaos Campus: Extra Credit #9 finds the girls back on campus thanks to an inter-dimensional portal.  Paige is using her considerable supernatural power in an attempt to bring zombies back to life.  The girls are caught up in a bid to help a doctor, Ian, and his sister, Linz, rid themselves of an infection that has transformed them into something similar to vampires.  The laboratory of Linz and Ian's father could hold help for them, but it is having some nuclear meltdown issues...

Chaos Campus: Extra Credit #9 is not one of B. Alex Thompson's better efforts, but it is still enjoyable.  Why?  As I have written before, Thompson has refined his sexy Chaos Campus trio into the kind of comic book characters that can attract a following.  The story does not always have to be the best, because they are the best.  Obviously, they have caught my interest.

I find myself becoming more attracted to the art by Ricardo Mendez the more I see it.  His graphical storytelling is good, if not stylish, and I like his take on the Chaos Campus girls.  Mendez's art benefits from the strong coloring by Alivon Ortiz.  The colors are pretty and the effects and separations are spectacular; the reds really convey the sense of an impending nuclear disaster.  Letterer Krugo, as usual, gets the most out of his sound effects when they convey the sounds of zombies, gunfire, and action-violence.

So, for those who can't get enough zombie-action from the main series, try Chaos Campus: Extra Credit #9.  You, dear reader, can even get this “Extra Credit” from comiXology.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Buy Chaos Campus: Extra Credit #9 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

#IReadsYou Review: HASS #2

HASS #2
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
ARTIST: Federico Santagati
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego
COVERS: Federico Santagati
32pp, Color, $9.99 U.S. (2019)

Hass is a racial drama and crime thriller comic book miniseries from Approbation Comics.  Hass #1 was first published in 2013, and it went on to earn two 2014 Glyph Comics Award nominations (“Best Cover” and “Best Writer”).

Hass is the story of Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.  He will have to work even harder to confront the racism and the violence that his courtship of Maggie ignites.

Hass is written and created by B. Alex Thompson and is drawn by Federico Santagati.  Colorist Alivón Ortiz and letterer Krugos join the creative team for the second issue.

Hass #2 opens twelve hours after the incident that ended the first issue.  Josh is dealing with the terrible injury visited upon his body.  Neo-Nazi associates of Maggie tattooed a Nazi swastika on the left side of his chest.  Josh, furious with Maggie and no longer trusting her, sends her away.

Now, he plots revenge against his attackers, but what will he do when he meets the Neo-Nazis:  Cole (the leader), Rocky (or “Shamrock”), Vargas, Gavin, and Sharky?  What Josh ends up doing shocks even himself!

THE LOWDOWN:  The back cover copy of Hass #2, like the back cover of the first issue, describes Hass as “William Shakespeare’s Romeo and Juliet meets American History X” (the 1998 film).  I think such a description makes for the kind of cover copy that can sell a comic book to curious readers.

So far, the first two issues of Hass offer some of B. Alex Thompson's (Chaos Campus: Sorority Girls vs. Zombies) best writing.  I prefer to describe Thompson's writing and Hass in general in bold strokes.  It is bold, visionary, daring, ballsy, and shameless.  It is also a pure joy to read.  In comic books like Hass, Thompson goes against the grain in writing a comic books in a manner similar to what British comic book writers like Alan Moore, Garth Ennis, and Warren Ellis did.

I do not want to spoil Hass #2, but I can say that this is the kind of comic book that DC Comics wishes it could publish through it “DC Black Label” imprint.  Hass is the kind of comic book DC's now-castrated Vertigo Comics imprint would have published.  Anyone who reads it will see that it is the kind of “mature readers” comic book that will cause a sensation and an urge to get copies in the way that Garth Ennis and Steve Dillon's Preacher did a quarter-century ago.

Underneath some beautiful cover art, artist Federico Santagati turns Thompson's bold vision into some powerful graphical storytelling.  Santagati's dynamic and unconventional compositions are perfect for this unorthodox comic book.  As usual, Alivón Ortiz's color accentuates the story and captivates the imagination.  Krugos' lettering captures the subversiveness of this narrative and gives the story a rapid fire pace.  Yes, indeed; kudos to this creative team for making Hass #2 a grand winner.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com

The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

---------------------------------

 

#IReadsYou Review: GREY CHAPTER 1

GREY. CHAPTER 1.
THE GREY ROOM

[This review was originally posted on Patreon.]

STORY: Kris Hornett
ART: Kero Beroz
SPECIAL PROJECTS ART: Kenet Guevarra
EDITOR: Lisa Taylor
32pp, B&W, $10.00 (July 2020)

Chapter 1 “Hello Winter”

Grey is a new independently published comic book series from writer Kris Hornett and artist Kero Beroz.  Published by The Grey Room, the series saw its debut issue, Grey. Chapter 1., just recently published.  Grey is a hybrid, a combination of an American comic book format and Japanese manga aesthetics.  Grey is also similar to what was once called OEL manga or “original English language” manga, a genre associated with publisher, TOKYOPOP.

Grey is set in the realm of Ketiyama (apparently an archipelago).  The story takes place an indeterminate time after the occurrence of an event known as “the Sonoma Incident,” which was the outbreak of a lethal virus on Nacirema, one of Ketiyama's islands.  The outbreak left the island in chaos, destruction, and division.  As a sign of good faith and as a last attempt to restore order, the ruling Board of Officials allowed the people to elect a team of highly trained tactical agents, known as “the Bureau,” to serve and protect them.

Within the Bureau is an elite unit known as “Nimbus.”  This is a team of five agents who are sworn to maintain moral balance and to enforce the law.  The agents of Nimbus are also apparently able to manipulate their “prana” (“life energy”).  One of the agents is 20-year-old Shuyin Hagamuri.

As Grey. Chapter 1 (“Hello Winter”) opens, Shuyin is attending the International Fashion Fest (IFF).  After one of the models is attacked, Shuyin receives an unusual warning.  Shortly afterwards, Shuyin in investigating an invasion of Bureau headquarters when he learns that, yes, the shadows of his past have resurfaced.  And they are portending disaster.

THE LOWDOWN:  Grey is not one of those comic books that you read and toss in the already-read-pile before moving on to the next comic book.  Grey is a shockingly well-developed concept and exists in world with a complex history that seems (at least to me) to permeate every panel of the story.

Grey. Chapter 1 teases the readers and offers them a hint at what is to comic, but the story is not hard to follow, as the creators focus much of the action through Shuyin Hagamuri.  Shuyin seems to be one of those steadfast protagonists.  He also seems more of a fidelity-to-vocation professional and less like one of those relentless law dog types.  But, as it is very early in the overall narrative, I certainly am assuming a lot.

I like the art and graphical storytelling, which is composed of big panels, but is intimate instead of being widescreen and epic.  The illustrations are in black and white, but the story has a color vibe.  Or maybe what I am feeling is vibrancy of the story.  I like the matter-of-fact lettering, which is not polished, but is also not obtrusive.

I am curious about Grey, and I want to recommend that readers looking to support independent and DIY comics buy this first issue (which you can do at the publisher's website).  Some of this first chapter is unpolished, and this is obviously because the creators are still feeling their way around the narrative.  Regardless, Grey has the potential to offer a lot of surprises if the creators can keep it going... which involves money... which is where your support comes into play...

I READS YOU RECOMMENDS:  Fans of manga-inspired comic books will want to try Grey. Chapter 1.

[This comic book includes additional informative text and also includes a map of Ketiyama.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://thegreyroom.org/
https://www.instagram.com/thegreyroom_/
https://twitter.com/Hornett_


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: SURFACING #3

SURFACING #3 (OF 3)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER/BACK COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – November 7, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

“A Promise of Home”

Surfacing is a three-issue comic book miniseries published by Approbation Comics.  Surfacing is a horror anthology, with each issue offering a different story based on a similar theme – a violent encounter with mermaid-like creatures (which are the subject of the four-issue miniseries, Surfacing: Depth Perceptions).  Surfacing is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos, with gorgeous cover art drawn by Cesar Grego and Alivon Ortiz.

Surfacing #3 (“A Promise of Home”) opens somewhere in the American West, sometime in the 1800s.  There and then, we meet Bennet Ramirez, Amos Parker, Kit Taylor, Zeke Breen, Elijah Hart, and Jasper Doolin.  They are a roving gang of armed stagecoach robbers.  After their latest... successful campaign they visit a small wild west town to cash in on their loot.

It seems that a traveling circus has also set up in that town, and Kit Taylor, considered a bit sanctimonious by some of his lot, visits the circus.  There, he discovers a wondrous and captivating creature, a being that will decide Kit's fate and that of his fellow thieves.

When I first prepared to read Surfacing #2, I did not know what to expect of it, especially after I had enjoyed Surfacing: Depth Perceptions so very much.  It turned out that I thoroughly enjoyed Surfacing #2, which was and is a truly exceptional single-issue comic book story.

Surfacing reminds me of dark fantasy anthology series like the classic  “The Twilight Zone” (1959 to 1964) and the 1980s “Tales from the Darkside.”  Both series feature stories set in the present, as well as in the past and the future.  Surfacing #3's “A Promise of Home” is set in the “Wild West” that is familiar to audiences via American “Western” films.

However, at its heart is a timeless tale of star-crossed lovers, in which the author somewhat downplays the fantasy and the horror fiction aspects of the story.  B. Alex Thompson, as he has done in some of his other anthology work (like his Amour series), depicts real human emotions and feelings in a fantastic setting and allows the humanity to dominate.

Artist Nenad Cviticanin delivers lovely art and excellent storytelling. Cviticanin's clean, “clear-line” style is evocative and focuses in on the most important aspects of the story.  He depicts the “American West” in a way that is recognizable to readers, but he saves his storytelling prowess for a truly powerful ending, with its love-at-first-sight angle.  The coloring by Santtos captures the strength of the story with subtlety and grace, and Krugos' lettering is gentle and effective.

Of course, I am crazy about the cover illustration by artists Cesar Grego and Alivon Ortiz, and I'd like to see more of their work.  Surfacing #3 makes me wish Thompson would produce more Surfacing, especially with this exceptional group of collaborators.

9 out of 10

Buy Surfacing #3 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: CHAOS CAMPUS: Extra Credit #7

CHAOS CAMPUS: EXTRA CREDIT No. 7
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez (2017 Monterey Comic Con Convention Exclusive cover)
32pp, Color, $9.99 U.S./.99¢ digital-comic (2017; digital release date – April 12, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The NecroMager”

Chaos Campus: Sorority Girls vs. Zombies is a zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  The creation of B. Alex Thompson, Chaos Campus is published by Thompson's company, Approbation Comics.  Chaos Chaos is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Thompson is also producing a Chaos Campus side series, Chaos Campus: Extra Credit, which offers readers something “extra,” but (apparently) in continuity to the main series.  Thompson also releases a “convention exclusive” variant cover edition of Extra Credit.  Thompson recently provided me a copy-for-review of Chaos Campus: Extra Credit #7 – Convention Exclusive 2017 (for the Monterey Comic Con).

Chaos Campus: Extra Credit #7 opens in the middle of Paige's funky dream that finds her in a too-revealing swimsuit, in a situation of submission and humiliation, and in a meeting the mysterious Locus.  Back in the waking world, Paige reunites with Jamie and Paige and also with the ongoing battle against the “Neo-Zombies.”

There are also some new complications.  Jamie makes a shocking announcement.  A killing machine named “Denvey” joins the fray.  Locus is real, and she has friend named “Spook.”  And a friend, Brian, turns out to be a budding magic-baddie and a total frickin' asshole and ass-wipe.

As usual, I enjoy whatever Chaos Campus comic book I read.  Chaos Campus: Extra Credit #7 does not have the dramatic (or humorous) chops of the regular series, but it is wacky, offbeat, and gleefully gruesome.  I enjoyed the guest characters:  Locus, Spook, and Denvey, which are the property of comic book creator, Adam Black.

The art by Ricardo Mendez is quite nice.  What he lacks as an experienced draftsman, Mendez makes up with imaginative illustrations.  To me, Mendez feels like a natural at comic book storytelling.  As usual, Alivon Ortiz delivers strong coloring, this time conveying the chaotic situation of this issue.  Letterer, Krugos, gets the most out of “sound effects,” especially “Budda Budda” for gunfire.

So, for those who can't get enough zombie education from Chaos Campus: Sorority Girls vs. Zombies, you'll get schooled in the ways of necromancy and backstabbing in Chaos Campus: Extra Credit #7.  You, dear reader, can even get this “Extra Credit” from comiXology.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Buy Chaos Campus: Extra Credit #7 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com
Visit Adam Black and Locus Comics at http://locuscomics.com/


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Review: ECTYRON: The Invasion from the Red Star Nebula

ECTYRON: THE INVASION FROM THE RED STAR NEBULA
CANDLE LIGHT PRESS/Warning Comics – @candlelightpres @attila71

[This review was originally posted on Patreon.]

STORY: Carter Allen
SCRIPT: John Ira Thomas
ART: Carter Allen – @attila71
LETTERS: John Ira Thomas
COVER: Carter Allen and Christopher Martinez
BACK COVER: Will Grant
ISBN: 2370009462269; paperback
28pp, Color, $5.00 U.S. (2019)

Ectyron: The Invasion from the Red Star Nebula is a 2019 comic book published by Candle Light Press (CLP).  It is written by CLP stalwarts Carter Allen (story) and John Ira Thomas (script/letters) and drawn by Allen.  This comic book focuses on a group of monster fighters:  Ectyron, a giant-sized chicken; Jake and Iowa of “Sustenatione Stabilitas Base,” and AtoM.I.K.E.

Ectyron: The Invasion from the Red Star Nebula is the third book in the “Ectyron” series.  All three books employ certain elements of particular Japanese science fiction sub-genres.  There is “kaiju,” a term used to describe a genre of Japanese films that feature giant monsters, and the term is also used to describe the giant monsters themselves.  [Godzilla is an example of a kaiju.]  AtoM.I.K.E. is “tokusatsu” which includes the “mecha” or giant robot superheroes.  [The American franchise, “Power Rangers,” is based on tokusatsu.].

Ectyron: The Invasion from the Red Star Nebula opens on Main Street in an unnamed American small town.  The country is in an uproar over America's “kaiju problem,” and American's favorite faux news and reactionary-corporate propaganda network is the most uproarious.  When his power warns him of an impending kaiju attack, AtoM.I.K.E. does more than talk, as he takes to the skies.

Meanwhile, in the Great Basin Desert at the “Sustenatione Stabilitas Base,” a convoy of black SUVs arrives carrying a squad of black-suited men that look like MiB agents.  When the agents try to infiltrate the base, Jake and Iowa try some penetrating of their own with laser pistols and mecha.  With our heroes hands full on two fronts, the question is where is Ectyron?  Guest stars include Maddy Coil, Mectyron, and Ogon' Podsolnukh.

Ectyron: The Invasion from the Red Star Nebula is, thus far, my favorite Ectyron title.  It easily surpasses the previous releases, Ectyron: Rise of Nemehiss (the second) and Ectyron Against Lagaxtu (the first).

Once again, cartoonist, designer, and comic book creator, Carter Allen, fills one of his comic books with Godzilla-sized creations, which includes monsters, beasts, machines, contraptions, and heroes.  It is all pure comic book fun.  This time, however, he draws the story entirely in pencil; with the exception of a few chapter heads slash faux-covers, this comic book is pencil-art glory.  A skilled illustrator, Carter uses his pencils to create shades, textures, and gradations that are finer than a welfare check on Christmas Day.  The underbelly of Mectyron's armor and the peacock-like wonders of Ecytron's feathers are simply beautiful examples of inking and “feathering.”

Writer John Ira Thomas delivers some of his most sparkling dialogue, communicated to us via his classic lettering fonts.  This is truly a funny comic book, but Thomas' script also offers a deft mix of action and adventure that will keep readers glued to the story.

Ectyron: The Invasion from the Red Star Nebula certainly strikes me as something that would make excellent source material for either live-action or animated television and film and also for a novel.  Best of all, this comic book seems to be the perfect realization of Ectyron, so I hope we get more like it.  I heartily recommend Ectyron: The Invasion from the Red Star Nebula to those who read Godzilla and Power Rangers comic books and are in need of some real kaiju and tokusatsu comic book power.  Oh, and I like Will Grant's back cover illustration.

10 out of 10

http://candlelightpress.tumblr.com/
www.warningcomics.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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#IReadsYou Review: MURPHY'S FUBAR

MURPHY'S FUBAR
STRIKE HOLD STUDIO

[This review was originally posted on Patreon.]

STORY: Damon Pellican
PENCILS: Damon Pellican
INKS: Damon Pellican and Tone Rodriguez
LETTERS: Angela Pellican
EDITOR: Angela Pellican with Tone Rodriguez and Kody Chamberlain
COVER ARTIST: Damon Pellican and Tone Rodriguez
8pp, B&W2-tone/Color, $4.99 U.S. (2019)

Murphy's Fubar created by Damon Pellican

“Incoming Fire Has The Right of Way”

Murphy's Fubar is a short comic book that contains the comics short story, “Incoming Fire Has The Right of Way.”  This comic is the work of Damon Pellican, a U.S. Army veteran and fledgling comic book creator.  “Incoming Fire Has The Right of Way” is written and drawn (pencils-inks) by Pellican and Tone Rodriguez (inks), and lettered by Angela Pellican, Damon's wife.

“Incoming Fire Has The Right of Way” comes to life at “Murphy's Fubar,” a bar that acts as an oasis for wayward souls, especially the souls of military veterans who have seen the darkest and bloodiest sides of war and of military combat.  “Murphy's Fubar” seems to be the last stop for lost souls, a place where they can find a way to resolve their physical and/or emotional wounds or die because of them.  The barkeep is Master Sgt. Murphy, whom Pellican describes as “a grizzly, battle-hardened vet.”  Mysterious and perhaps supernatural, Murphy may be connected to all of humanity's wars, from the first and oldest to the most recent conflicts.

“Incoming Fire Has The Right of Way” opens in 1998.  We meet a lost man living as low as a man could when a doorway appears before him.  His life literally leaking from him, he enters a bar where an equally grizzled bartender offers him a story.  Transported back thirty years to Vietnam, 1968, this desperate man will have to choose between the “hard road” or the “easy way out.”

I like the raw, unrefined nature of Damon Pellican's illustrations.  He is at the place where many young comic book artists find themselves, even the great ones, and that is how to grow by leaps and bounds.  A few years of intensive comic book drawing, and 1981 Matt Wagner becomes 1986 Matt Wagner (Mage) – almost two different artists.  Or Jim Lee:  from the end of his run on Alpha Flight (1987-88), through The Punisher War Journal (1989), he emerged on Uncanny X-Men (1990-91) and seemed like a totally different artist.

I see potential in Pellican as an artist, and that shows in this story through the inking of Tone Rodriguez, a longtime comic book artist.  I think the combination of the two makes the art for “Incoming Fire Has The Right of Way” look like Michael Golden's art on Marvel Comics' war comic book series, The 'Nam (issues #1-11, 13).  The cover art also is pretty dynamic.

Drawing skills aside, Pellican does some good graphical storytelling in “Incoming Fire Has The Right of Way.”  This is a powerful, brief, little tale that seems longer in terms of page length and bigger in terms of scope.  Pellican gets more out of eight pages than some of Marvel and DC Comics titles get out of 20 or 30 pages.

So I'm shocked.  I bought this first installment of Murphy's Fubar only to support a local comic book creator.  Frankly, I didn't expect much; instead, I found something I really liked.  With the best creators of American war comics mostly long gone, I look forward to another visit to Murphy's Fubar.

Website: https://www.strikeholdstudio.com/
Facebook: https://www.facebook.com/strikeholdstudio/
Instagram: https://www.instagram.com/damonpellican/
Twitter: https://twitter.com/DamonPellican
ArtStation: https://www.artstation.com/supern_a_ds

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-------------------

#IReadsYou Review: CHAOS CAMPUS #27

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES No. 27
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Anita Zaramella
COLORS: Anita Zaramella
LETTERS: Elisa M. Coletti
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez
24pp, Color, $4.99 U.S. (2015; digital release date – December 14, 2016)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The Road to Salvation, Part 3 of 4”

Chaos Campus: Sorority Girls vs. Zombies is a long-running zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  It is the creation of B. Alex Thompson and is published by his company, Approbation Comics.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

The current story line is “The Road to Salvation,” which finds the Chaos Campus trio in the middle of a squabble involving “Salvation,” a now-divided human sanctuary.  The girls also fend off the fearsome “Neo Zombies” and deal with a Jamie-lookalike.  This third chapter of “The Road to Salvation” is written by B. Alex Thompson; illustrated and colored by Anita Zaramella; and lettered by Elisa M. Coletti.

Chaos Campus: Sorority Girls vs. Zombies #27 opens in the past via Paige's boogie-woogie magic and time traveling.  There, our badass chick heroes learn that Jamie and her lookalike, Princess Aimee of Salvation West, are twin sisters, and that they were separated at birth.  Now, it is time for Jamie to be reunited with her mother, Queen Raimee of Salvation West.

Jamie isn't exactly crazy about her new situation, and she finds further complications with Damien, Salvation West's Storm Shadow (G.I. Joe) lookalike head of security.  When tragedy strikes, however, the dynamics change.

Chaos Campus is currently in the middle of an excellent story line.  I believe that this series has hit its stride since entering the 20s.  I like to remind readers that Chaos Campus is one of my favorite comic books.  It is certainly as good as many and better than most of the nostalgia titles published by Marvel and DC Comics.  B. Alex Thompson offers a winner to readers, one that needs to come out of the shadows of indie comics obscurity.

I am fascinated by “The Road to Salvation” story line, and I think that it could be told as a separate miniseries.  Anita Zaramella does solid work as artist this issue; her imaginative layouts keep the story exciting, but she is also good at the emotional moments.  Her coloring gives the story the feel of animation, and that gives the story a sense of movement and flow.  The lettering by Elisa M. Coletti captures the swings in tone and mood that shape this issue.

9 out of 10

Buy Chaos Campus #27 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

----------------------

#IReadsYou Review: SURFACING #2

SURFACING No. 2 (OF 3)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER/BACK COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – October 31, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

Surfacing: Depth Perceptions is a four-issue science fiction and horror comic book that focuses on the drama and conflict that plays out between two friends and a mermaid at a oceanic research facility.  Before that series, there is an earlier comic book, simply entitled Surfacing, which is also published by Approbation Comics

Surfacing is a three-issue comic book miniseries, and it is written by Approbation Comics' mastermind B. Alex Thompson.  Surfacing is a horror anthology, with each issue apparently offering a different story based on a similar theme – a violent encounter with a mermaid-like creature.  Like Surfacing: Depth Perceptions, Surfacing is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos, with gorgeous cover art drawn by Cesar Grego and Alivon Ortiz.

Surfacing #2 opens on a rural highway in the state of Michigan, circa 1970s.  A young woman named Daisy is hitchhiking when she hops a ride with four friends:  Mary and her boyfriend, Justin, and Mary's best friend, Lisa, and Justin's best friend, Bobby.  The quintet stops at a small gas station and grocery store, where the elderly proprietor warns them against going “upriver,” where these young people plan to enjoy some swimming.  Of course, they ignore him; of course, they suffer dearly for it.

I did not know what to expect of Surfacing, especially after I so enjoyed Surfacing: Depth Perceptions.  It turned out that I thoroughly enjoyed Surfacing #2, which reminds me of dark fantasy anthology series like the classic  “The Twilight Zone” (1959 to 1964) and the 1980s “Tales from the Darkside.”  Damn, once again, B. Alex Thompson, one of my “Top 5” comic book writers, kills it.  I had a blast reading this comic book.  In fact, I think Thompson would have made a better choice than Stephen King's brat, Joe Hill, to write TNT's planned “Tales from the Darkside” reboot, which ultimately went nowhere, of course.

Once again, artist Nenad Cviticanin delivers lovely art and excellent storytelling.  Cviticanin's clean drawing style seamlessly moves from character interplay to kinetic action to horror fully realized.  This is like a teen slasher movie with a sprinkle of the classic film, Jaws.  The coloring by Santtos is equally smooth, but also consistent.  Every page, regardless of the action, has the same color scheme, which helps the transition from the tension of slow boil to blood-letting intensity creep up on the reader.

As they did for Surfacing: Depth Perception, artists Cesar Grego and Alivon Ortiz draw fantastic cover art for Surfacing.  The front cover offers a striking layout design, and the back cover art captures the fun of summer, but drops in the premonition of summer camp doom.

Yes, I'm going there:  Surfacing rises to the top!

9 out of 10

Buy Surfacing #2 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------

#IReadsYou Review: The Adventures of NIKKI HARRIS the Cybermation Witch: Omnibus Vol. 2

THE ADVENTURES OF NIKKI HARRIS THE CYBERMATION WITCH OMNIBUS VOL. 2
CANDLE LIGHT PRESS/Warning Comics – @candlelightpres @attila71

[This review was originally posted on Patreon.]

CARTOONIST: Carter Allen
ISBN:  978-0-9895371-2-4; paperback (May 13, 2019)
24pp, Color, $19.95 U.S.

Carter Allen:  prolific cartoonist, comic book artist, and graphic novelist, presents the second of two trade collections of his comic book series, The Adventures of Nikki Harris the Cybermation Witch.  Nikki Harris is a science fiction comic book character who made annual appearances in her own comic book series for a little over a decade.

The latest (but hopefully not last) Nikki Harris publication is The Adventures of Nikki Harris the Cybermation Witch Omnibus Vol. 2.  This full color paperback book reprints The Adventures of Nikki Harris the Cybermation Witch issues #6-12.  This includes seven stories, several pages of pin-up art, and a character profile.

These seven issues of The Adventures of Nikki Harris the Cybermation Witch find Nikki Harris facing a science fiction rogue’s gallery of diabolical adversaries:

Issue #6 (“Attack of the Hunter”) – Nikki returns to Earth, having just stopped Nautilie's machinations on the planet, Qua (Issue #5).  Now, a mysterious nemesis has sought the services of an assassin to kill Nikki.  Our heroine could use a break and a pick-me-up, but Tile the Hunter strikes hard at Nikki.  And for the first time, Nikki looks like she may not come out on top.

Issue #7 (“Nikki Harris and the Kaninium Mines of Util”) – The Broomstick, a slick space craft, soars into the depths of space.  Aboard this fast and nimble ship is Nikki, called to the mining planet of Util to solve a mystery.  The planet is the only source of the miracle mineral, Kaninium.

Issue #8 (“Fire”) – On the planet Infantino, Nikki awaits the arrival of Ambassador Royks to whom she will act as a bodyguard.  He is attending an important peace summit, and if the summit fails there will be war between many star systems.  The fate of the galaxy seems to be in Nikki's hands, and she must also deal with the pesky, Farrah Heit.

Issue #9 (“Ice”) – On the edge of our solar system is the planet (planetoid), Pluto.  The people of Pluto are up in arms against the government, and the frustration is boiling over, enough to scare the administration in Pluto City, the capitol of the planet.  Now, Governor Plequeq calls Nikki Harris for help, but the threat is bigger and older than our crazy-sexy-cool heroine realizes.

Issue #10 (“Save the Day”) – On Dogura Prime, Nikki Harris makes time to stop a bank robbery.  There is a new superhero team in town, “Justice C,” and its members think Nikki is more trouble than she is worth.  Captain Cyclops, Arma Oculta, Crimson Cload, Lectronik, Burbuja, and Tiger Titan believe they have everything in hand, and that Nikki should learn to play better with others.  The Green Stygma thinks they all suck.

Issue #11 (“In the Grip of Evil”) – Now, on Earth, Nikki is no more; she is now Siste Søster, and she is doing the damn evil thing.  The battle with Green Stygma forced Nikki to turn all bad girl, and Stygma's now her pal and partner.  But can Siste Søster prove to the evil cybermation witches that this ain't no sister act and that she is no longer Nikki Harris?  A sacrifice is needed, while in orbit above Earth, the real power plots.

Issue #12 (“Take the Long Way Home”) – Nikki learns that flying into the maw of the alien deity, Gar-Lahk, does not have the effect she desired.  Nikki, however, is nothing if not resourceful, but her new plan may mean the end of her.  Can Nikki's colleague, Berzing, convince Nikki not risk time and space in order to destroy Gar-Lahk?

I am happy about the recent publication of The Adventures of Nikki Harris the Cybermation Witch Omnibus Vol. 2.  The first reason is because I am a fan of Nikki Harris, and the second reason is that a trade collection, such as an omnibus, is a good way for you to become a Nikki Harris fan, dear readers.  Seriously, this is the best way to read the series, especially since many of the last issues are connected as an overall final story arc.  Besides in this one handy edition, this omnibus captures the graphical, visual, and storytelling elements that make Nikki Harris’ adventures a unique comic book reading experience.

The Adventures of Nikki Harris the Cybermation Witch Omnibus Volume 2 also contains the stories that really defined Nikki has a top sci-fi heroine for me.  From “Dale Arden” to “Princess Leia Organa,” Nikki Harris is in the tradition of the female heroes that have appeared in science fiction serials, film, and TV.  However, Nikki is also a modern superhero.  I find her to be like the rebooted Captain Marvel/Carol Danvers, but with a bit more of a sparkling sense of humor and wit.

The Adventures of Nikki Harris the Cybermation Witch Omnibus Vol. 2 also gives readers a chance to enjoy Carter Allen's sparkling sense of humor and wit.  His imaginative stories always seem fresh; too bad Nikki is over (or seems to be).  Allen's candy-colored art with its radiant colors are eye candy even when reading the graphical storytelling.  This second Nikki Harris omnibus can join the first so that readers can enjoy the evolution of new superhero and sci-fi heroine.

9.5 out of 10

www.candlelightpress.com
www.nikkithewitch.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

---------------------

Review: ECTYRON: Rise of Nemehiss

ECTYRON: RISE OF NEMEHISS
CANDLE LIGHT PRESS/Warning Comics – @candlelightpres @attila71

[This review was originally posted on Patreon.]

STORY: Carter Allen
SCRIPT: John Ira Thomas
ART: Carter Allen – @attila71
LETTERS: John Ira Thomas
COVER: Carter Allen
BACK COVER: Will Grant
28pp, Color, $5.00 U.S. (2018)

Ectyron: Rise of Nemehiss is a 2018 comic book published by Candle Light Press (CLP).  It is written by CLP stalwarts Carter Allen (plot) and John Ira Thomas (script/letters) and drawn by Allen.  This comic book focuses on Ectyron, a giant-sized chicken that battles monsters known as “kaiju.”  This term is used to describe a genre of Japanese films that feature giant monsters, and the term is also used to describe the giant monsters themselves.  [Godzilla is an example of a kaiju.]

Ectyron: Rise of Nemehiss opens in South Chippewa Basin, Lake Michigan.  The USCGS Narcissus, a shallow water submarine, has been chasing a sonar shadow that suddenly changes from shadow to monster.  Meanwhile at “Sustenatione Stabilitas Base” in the Great Basin Desert, kaiju fighter Jake is working on the latest kaiju-fighting vehicle.  “Tonnerre Blue,” a “suborbital hopper” that can transport and fight in the battle against the kaiju.

Jake and his colleague, Iowa, will need this new kaiju-fighting tech when the giant-goose kaiju, known as Nemehiss, terrorizes a small Minnesota town.  The kaiju fighters will also need all the help they can get... from Ectyron!

Ectyron: Rise of Nemehiss, like the previous Ectyron Against Lagaxtu, is the kind of monster comic that writer, artist, cartoonist, designer, and graphic novelist, Carter Allen does so well.  His Gozilla-sized creations, which includes monsters, beasts, machines, contraptions, and heroes, are pure comic book fun.

The Ectyron series offers big monster fun told with big illustrations and graphics.  John Ira Thomas' dry humor adds a nice touch, and his dialogue, as polished as the kind you would find in a screenplay for a big Hollywood event movie, helps the readers take the action seriously.  Ectyron: Rise of Nemehiss is both monster comic book and sci-tech action adventure.

The truth is that readers get a little more than they expect from Ectyron: Rise of Nemehiss.  In fact, they get enough to want more.  Plus, the back cover features another delightful Will Grant full-color illustration.  [Since the publication of Ectyron: Rise of Nemehiss, CLP has published a third Ectyron comic book.]

8.5 out of 10

http://candlelightpress.tumblr.com/
www.warningcomics.com

Reviewed by Leroy Douesseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-------------------

Review: CHAOS CAMPUS #26

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES No. 26
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Jose Henrique and Anita Zaramella
COLORS: Anita Zaramella
LETTERS: Elisa M. Coletti
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez
24pp, Color, $4.99 U.S. (2015; digital release date – September 21, 2016)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The Road to Salvation, Part 2 of 4”

Chaos Campus: Sorority Girls vs. Zombies is a long-running comedy-horror, adventure, and zombie apocalypse comic book series.  It is the creation of B. Alex Thompson and is published by his company, Approbation Comics.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

The current story line is “The Road to Salvation,” which finds the Chaos Campus trio in the middle of a squabble involving a human sanctuary, called “Salvation.”  They also deal with the fearsome “Neo Zombies” and with a Jamie-lookalike.  “The Road to Salvation” is written by B. Alex Thompson; and illustrated by Jose Henrique and Anita Zaramella; and lettered by Elisa M. Coletti.

Chaos Campus: Sorority Girls vs. Zombies #26 opens as Paige and Brittany and Tyler (Paige's brother) and forces from Salvation East meet Jamie's lookalike from Salvation West, Aimee.  Pardon me; that's “Princess Aimee.”  Thanks to this spoiled princess, Jamie is about to learn more about her past... and her parentage.

Meanwhile, in Salvation West, Jamie makes a colorful discovery about one of her captors.  Now, it is time to hear from Princess Aimee's mother, Queen Raimee, the leader of Salvation West, about the origins of the schism of Salvation.  And it involves some mad scientist shiz-nit.

I have mentioned before that I believe that Chaos Campus has hit a stride since the series numbering arrived in the “20s.”  It is one of my favorite comic books, and I like watching everything that has happened so far come together to form a solid block of entertaining that is on par with any comedy slash humor titles published by Diamond Distributors' premiere publishers.

“The Road to Salvation” story line is a standout because it not only offers origin stories of its main cast, but it is also pulls back the curtain on the series' backstory.  This issue features solid graphics from the team of Jose Henrique Anita Zaramella, and Elisa M. Coletti.  As always, Thompson gives his readers an engaging story that has me ready for the rest of this story arc.

8 out of 10

Buy Chaos Campus #26 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

---------------------

Review: HELLBOURNE #1

HELLBOURNE No. 1
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Rowel Roque and Jethro Morales
COLORS: Ronson Edulan
LETTERS: Krugos
EDITORS: John P. Ward and Denise Thompson
COVER: Jethro Morales with Alivón Ortíx
32pp, Color, $4.99 U.S. / $1.99 U.S. comiXology; (2017; digital release date – June 14, 2017)

Rated: “M” for Mature / 17+ Only – comiXology rating

Hellbourne is an action and horror comic book series.  It is created by B. Alex Thompson and is published by his company, Approbation Comics.  The series focuses on the violence and chaos that ensue when demonic creatures emerge from a large hole in the middle of an urban highway.  The first issue is written by B. Alex Thompson; drawn by Rowel Roque and Jethro Morales; colored by Ronson Edulan; and lettered by Krugos.

Hellbourne #1 opens in an unnamed city, where, on a major highway, there is an enormous hole.  No one knows what caused this hole, but city workers investigating the hole become snacks for the creatures that emerge.  It seems that Earth is about to turned into Abaddon, the Tenth Circle of Hell.

Now, an angel and a demon, both leading their respective charges, find that being on Earth gives each of them that familiar feeling.  Even the U.S. Army has difficulty fighting this demonic invasion.  And how do Justin Foster and his younger sister, Amber, fit into all this?

First, I have to say that I really like the art team of Rowel Roque and Jethro Morales.  This duo's Hellbourne work is quite polished, and they could certainly draw for one of Diamond Distributors' premiere publishers.  Their storytelling here is good, and Ronson Edulan's pretty coloring creates shifting moods and changes in atmosphere that heighten the drama of the story.

I am intrigued by the premise B. Alex Thompson offers in Hellbourne.  However, as always, his vibrant character writing makes this worth reading.  Thompson has been writing bold, non-super-powered female characters for two decades, but because Thompson is not a fan-favorite comic book writer, he does not get credit for that.  Still, the proof is in his delicious flavors of Approbation pudding.

Well, Hellbourne is a good place to discover Thompson's engaging characters.  And there looks to be some excellent hell-born hellraisin' fun to be had with this series.

8.5 out of 10

Buy Hellbourne #1 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

----------------------

Review: SURFACING: Depth Perceptions #4

SURFACING: DEPTH PERCEPTIONS No. 4 (OF 4)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITORS: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – October 31, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

Surfacing: Depth Perceptions is a four-issue comic book miniseries published by Approbation Comics.  It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus.  The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity.  Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.

As Surfacing: Depth Perceptions #4 opens, Marcus tells Anton that he is going scuba diving in order to visit “The Gardens.”  These are underwater pods that contain hydroponic gardens.  Anton is against this, as he is increasingly paranoid about “Becca,” the name Marcus has given the mermaid.  Marcus is playing a dangerous game, as Anton and Becca each see a different side of him.  As his friend and the mermaid make their final plays, Marcus himself has to survive his own dangerous game.

The first three issues of Surfacing: Depth Perceptions are some of the prettiest comic books Approbation Comics has published to date, and four does not turn out to be the ugly duckling of the bunch.  Artists Cesar Grego and Alivon Ortiz have produced some pretty cover art for this series, using gorgeous illustrations and shimmering colors.  Their cover for Surfacing: Depth Perceptions takes a dark turn, as beauty gives way to a striking image that encapsulates the violent resolution to this series.

The interior art by Nenad Cviticanin has been consistently good with solid storytelling that keeps the shifting moods of this narrative blending.  Colorist Santtos delivers stellar work the second half of this issue, creating an atmosphere that moves from apocalypse to paradise.  The lettering by Krugos conveys this double-size issue's sudden resolution and its expectations for a hopeful future.

Writer B. Alex Thompson presents an ending that readers of this series would expect, with a twist or two and some back story.  One of the best writers of naturalistic dialogue in American comic books, Thompson lets the characters play out this drama in their own words.  Yes, we do get a killer ending, and it was quite exciting, but this finale is also thoughtful.

Surfacing: Depth Perceptions #4 gives us an excellent ending to an excellent comic book series.  So, dear readers, head over to comiXology to read the entire thing.

9 out of 10

Buy Surfacing: Depth Perceptions #4 at comiXology.
www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Review: CHAOS CAMPUS #25

CHAOS CAMPUS: SORORITY GIRLS VS ZOMBIES No. 25
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Jose Henrique
COLORS: Anita Zaramella
LETTERS: Elisa M. Coletti
POST-SCRIPTING/POLISH: John P. Ward
EDITORS: B. Alex Thompson and John P. Ward
COVER: Jose Henrique
24pp, Color, $4.99 U.S. (2015; digital release date – September 14, 2016)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The Road to Salvation,” Part 1 of 4”

Chaos Campus: Sorority Girls vs. Zombies is a long-running horror-comedy and zombie apocalypse comic book series.  The creation of writer/comics impresario, B. Alex Thompson, Chaos  Campus is published by his company, Approbation Comics.  The series is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

The previous story line, “The Pink,” ended with tragedy.  The new story line is the four-part “The Road to Salvation,” and it finds our heroines caught in a civil war, of sorts.  This story is written by B. Alex Thompson; drawn by Jose Henrique; colored by Anita Zaramella; and lettered by Elisa M. Coletti.

Chaos Campus: Sorority Girls vs. Zombies #25 opens to find Paige and Brittany imprisoned.  Luckily, the people doing the imprisoning surprisingly include Paige's brother, Tyler, and her mother, Morgan.  There is a happy reunion with Jamie, who is suspicious of their new circumstances.  But Jamie's troubles are just beginning.  Plus, meet the “Neo-Zombies.”

“The Road to Salvation” story line looks to be the next most-excellent Chaos Campus adventure arc.  This isn't the first time that an “evolved” zombie has appeared in the series, but this time, dear readers, we have the addition of some kooky family dynamics, via the Pattons, thrown into the mix.

Once, again we get a chance to enjoy creator-writer B. Alex Thompson's superb dialogue writing, especially in the case of Jamie's urban slash hip hop slang.  This “shiz” is not “wack,” and I am always impressed by how much “jive” Thompson can string together.

Jose Henrique's animation-inspired art offers excellent storytelling.  Anita Zaramella's anime-inspired coloring brings some extra zip to the story, a mixture of action, comedy, and action-comedy-horror.  Elisa M. Coletti's lettering and word balloons seem to dance away from intruding on the art, but adds some more zing to this spry episode.

I'll say something else that I have said before.  I don't know why Chaos Campus is not a multi-media franchise, already on our television and handheld device screens.

8 out of 10

Buy Chaos Campus #25 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: ZEITGEIST #1

ZEITGEIST No. 1
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: John River
COLORS: John River
LETTERS: B. Alex Thompson
EDITORS: B. Alex Thompson and John P. Ward
COVER: John River
36pp, Color, $4.99 U.S.

Rated: Teen 13+

Zeitgeist is a comic book series published by Approbation Comics.  It is written and lettered by Approbation boss, B. Alex Thompson, and drawn and colored by John River.  The series, which is told in an episodic style that mimics a Sunday newspaper comic strip, follows the misadventures of on-the-go twenty-somethings.

Zeitgeist #1 presents Strips 001 to 036.  This first issue opens in a large comic book store.  Employee Isabelle Fanning spies a customer handling a graphic novel in an appropriate and damaging manner.  After confronting the young man, she discovers that his name is Max Yeung, and he is a screenwriter.  After some witty repartee, it is decided that Isabelle will read a screenplay Max recently sold and give him feedback.  Truthfully, Isabelle is very attracted to Max, but a chance encounter with Isabelle's friend, Leah Winters, leads to hilarity.

The interior pages of Zeitgeist #1 are printed in the landscape format, so readers will have to read it as if they were flipping through a calendar.  When I first received a review copy of this comic book from Approbation, I was not sure if I was annoyed or not.  I prefer to read comic books the same way I normally do – left to right in the “portrait” layout.

Still, there was something about Zeitgeist that kept bugging me and attracting my attention, so I finally surrendered and read it.  Zeitgeist is good – really good.  It has a situation comedy (sitcom) quality and is somewhat similar to many of the popular television sitcoms of the last three decades that focus on groups of friends, including “Friends,” “How I Met Your Mother,” and Living Single,” to name a few.  B. Alex Thompson has created some especially likable characters; you will not have to read too far into the first issue to feel like you want to hang out with these characters.

Zeitgeist really seems to capture a defining spirit of modern times... or attempting to do so.

The art by John River is clean and expressive.  It is like a combination of the graphic styles found in alt-comix and college newspaper comic strips.  River uses minimal backgrounds, but they are still highly suggestive.  I found my imagination filling in the rest of the environments.  I think many readers will find themselves filling out the story by putting themselves in this comic book.

8 out of 10

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: ZEITGEIST #2

ZEITGEIST No. 2
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: John River
COLORS: John River
LETTERS: B. Alex Thompson
EDITORS: B. Alex Thompson and John P. Ward
COVER: John River
36pp, Color, $4.99 U.S. (2015 / February 17, 2016 – comiXology release date)

Rated: Teen 13+ /12+ comiXology rating

Zeitgeist is a comic book series published by Approbation Comics.  It is written and lettered by Approbation boss, B. Alex Thompson, and drawn and colored by John River.  The series is told in an episodic style that mimics a Sunday newspaper comic strip.  Zeitgeist follows the misadventures of on-the-go twenty-somethings:  Max Yeung, Isabelle Fanning, Leah Winters, and Cassie Washington.

Zeitgeist #2 presents Strips 037 to 072.  This second issue opens in the morning with Isabelle discovering a naked Max in Leah's apartment.  WTF?!  He booty was supposed to belong to Isabelle!  The day gets even worse when Isabelle discovers that the comic book store is closing, which means that she will be out of a job in probably less than two months.  To lighten the mood, Leah suggests dinner with her parents, which leads to revelations about the extent of her and Isabelle's relationship.  Plus, Max is determined to tag along.

The interior pages of Zeitgeist #2 are printed in the landscape format, so readers will have to read it as if they are flipping through a calendar, just as they did for the first issue.  When I first received a review copy of the first two issues of Zeitgeist from Approbation, I was not sure if I was annoyed or not.  I prefer to read comic books the same way I normally do – left to right in the “portrait” layout.

Well, after reading the second issue, I actually like this landscape slash Sunday newspaper comics page format.  I am surprised to find myself not only enjoying Zeitgeist, but also anticipating more of it.  It's like a version of all our favorite sitcoms about groups of friends, from “Seinfeld” and “Living Single” to copycats like “Friends” and “Will & Grace.”

The art by John River is clean and expressive, which serves the narrative's focus on dialogue and character interaction.  River's art has a knack for focusing on facial expression which makes the characters' emotions clear and gives heft to the character drama and comedy.  I think Zeitgeist is deserving of a larger readership, and I hope people head to comiXology to purchase an issue.

8 out of 10

Zeitgeist #2's ComiXology page.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: SURFACING: Depth Perceptions #3

SURFACING: DEPTH PERCEPTIONS No. 3 (OF 4)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITOR: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
24pp, Color, $4.99 U.S. (2017; digital release date – January 10, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

Published by Approbation Comics, Surfacing: Depth Perceptions is a four-issue comic book miniseries.  It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus.  The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity.  Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.

Surfacing: Depth Perceptions #3 opens with Marcus returning to the research room to engage in another extensive conversation with the mermaid, whom he has named “Becca.”  Anton has warned Marcus that “it,” as he calls Becca, has the ability to “mess” with his mind and to manipulate people.

Believing that he is on to Becca's game, Marcus is prepared to interrogate her, but she won't give anything for free.  She reveals information about herself and some about her people, but does Marcus believe her sometimes shocking tale?  Does he even have a reason to believe Anton?

The first two issues of Surfacing: Depth Perceptions are some of the prettiest comic books Approbation Comics has published to date.  The cover art for this series features gorgeous illustrations and shimmering colors by Cesar Grego and Alivon Ortiz; the covers are like eye candy.  The interior art by Nenad Cviticanin continues to get better with each chapter, as does the coloring by Santtos.  Nenad's graphical storytelling also continues to get stronger, thanks to B. Alex Thompson's excellent scripts.  Let's even give a shout-out to Krugos' lettering.

As I have said before, B. Alex Thompson is one of the best writers of naturalistic dialogue in American comic books.  I look forward to reading the conversations between the characters in every issue of Surfacing: Depth Perceptions, but this third issue has some hot talk that suggests a (literally) killer ending.

Thompson usually delivers high-quality genre storytelling, and he certainly delivers in again in Surfacing: Depth Perceptions #3.  This is an excellent comic book, and, dear readers, head over to comiXology to read it.  I hope the final issue does not disappoint, as I have high hopes.

9 out of 10

Buy Surfacing: Depth Perceptions #3 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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