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Monday, July 16, 2018
Comics, Magazines and Books from Diamond Distributors for July 18, 2018
Labels:
AfterShock,
Archie Comics,
Batman,
Black Mask,
Book News,
comics news,
Diamond Distributors,
Disney,
Fantagraphics Books,
Gil Kane,
Jack Kirby,
manga news,
Titan Publishing,
Valiant Comics,
VIZ Media
Thursday, July 12, 2018
Review: MARCH Book Three
MARCH: BOOK THREE
TOP SHELF PRODUCTIONS – @topshelfcomix
[This review was originally posted on Patreon.]
WRITERS: John Lewis and Andrew Aydin
ARTIST: Nate Powell
EDITOR: Leigh Walton
ISBN: 978-1-60309-402-3; paperback with French flaps – 6.7" x 9.7" (August 2, 2016)
256pp, B&W, $19.99 U.S.
Congressman John Lewis is a member of the United States House of Representatives as Georgia’s Fifth Congressional District Representative (GA-5, Democrat). During the 1960s, Lewis was also one of the “Big Six” leaders of the American Civil Rights movement (with the others being Rev. Martin Luther King, Jr., James Farmer, A. Philip Randolph, Roy Wilkins, and Whitney Young). Before such fame and accomplishments, he was born John Robert Lewis in February 1940 to sharecropper parents, Willie Mae (Carter) and Eddie Lewis.
In 2013, Top Shelf Productions began publishing a series of three graphic novels, entitled March, that would chronicle Congressman Lewis' time as a Civil Rights activist. March begins with his childhood and moves onto his time as a college student who is a participant in and organizer of dangerous protests. The story ultimately shits into Lewis' years as a leader in the Civil Rights movement and as someone who shapes and influences change, politically and socially. March is written by Congressman Lewis and Andrew Aydin, one of Lewis' top advisers, and is drawn and lettered by Nate Powell, an award-winning book illustrator and comic book creator.
March: Book Three (August 2016), like March Book One and March Book Two, uses the inauguration of President Barack Obama (January 20, 2009) as a kind of framing sequence from which a 68-year-old Lewis looks back on the events of the past. Book Three opens on September 15, 1963 and depicts the terrorist bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama.
By the fall of 1963, the Civil Rights movement has found its way into the consciousness of the American people. As the chairman of the Student Nonviolent Coordinating Committee (SNCC), John Lewis is one of the people that have made this happen. SNCC continues to force the nation to confront its own blatant injustice, but as the movement grows more successful, its enemies grow bolder and more dangerous. The supporters of segregation and of Jim Crow use everything from courtroom tactics via friendly judges to intimidation via violence. Even more worrying, racists like the Ku Klux Klan and segregationist become more violent and seem to deal out death with impunity.
However, the Civil Rights movement, with Dr. Martin Luther King as its leader and most famous face, decides that in order for black Americans to be truly free and equal, they must be able to vote as freely as any white American. It is time to end the voter suppression that silences so many Americans. The cry becomes “One Man, One Vote!” Lewis and an army of young activists launch their nonviolent revolution with innovative campaigns such the “Freedom Vote” and “Mississippi Freedom Summer,” and with an all-out battle for the soul of the Democratic Party waged live on national television.
There are new struggles, new allies, new opponents, and an unpredictable new president (Lyndon B. Johnson – the 36th) who might be both an ally and an opponent at the same time. Even SNCC begins to fracture. For 25-year-old John Lewis, however, there is no turning back as he and his fellow activists risk everything on a historic march that will begin in the town of Selma, Alabama.
I never doubted that March Book Two could be as powerful as March Book One, but then, I found that Book Two surpasses the first book in terms of intensity. So, would March Book Three be the typical trilogy fail – the week final entry in a storytelling triplet? Never fear, dear readers; there is no failure here. Book One depicts the awakening or the full rising of Civil Rights tide. Book Two took the readers into the trenches and to the front lines of a non-violent war in which one side uses peace and the other employs senseless, ceaseless, and wanton acts of violence.
March Book Three depicts many infamous acts of violence against Civil Rights activists. The Sixteenth Street Baptist Church bombing; the kidnapping and murder of three Civil Rights workers (Mickey Schwerner, Andrew Goodman, and James Chaney), and “Bloody Sunday” are some of the most infamous acts of violence, murder, and mayhem that occur against the movement from the Fall 1963 to Spring 1965.
However, Book Three gets into the details and process of forcing change through politics and political action. The emphasis is the movement's focus on the federal government, particularly on the Presidency of the United States and the U.S. Department of Justice. The narrative of this book focuses more on political wrangling, with violence often as backdrop, and there is a sense that something is coming to an end. Gaining the right to vote for Black people nationwide feels like the end of one story, the close of an iteration of the Civil Rights movement.
Whatever comes next for the movement will be different, but for now, there can be some joy in what is gained by the end of March Book Three. That is the best thing about March Book Three; Lewis, Aydin, and Powell convey the sense of hope, and no matter what happens next, the victory of the 1965 Selma to Montgomery, Alabama voting rights marches offers hope no matter how good or bad things get from that point going forward.
On the last page of March: Book Three, Congress John Lewis and Andrew Aydin give us a depiction of the two of them talking about that “comic book idea.” Lewis says “We'll have to find a great artist – someone who can make the words sing.” Lewis and Aydin's words have the depth and detail of prose and convey the lyrical flow of poetry.
Well, they did find the great artist who could make their words sing in the person of Nate Powell. Comic books are a storytelling medium that uses graphics to convey, communicate, and tell a story, and Powell makes the words sing “Hallelujah!” That boy can sang! In the end, Powell, with pencil, pen, and brush, creates a comic book that lifts him, as well as the readers, to the heights. None of the greats – not Crumb, not Kirby, not Moebius, not Eisner, not Los Bros., not Wood, not Kurtzman; none of them are above him. Now, he is their equal.
Nate Powell has marched on up to the mountaintop, and he sits on high with the masters, old and new. John Lewis, Andrew Aydin, Dr. Martin Luther King, and the named and unnamed of the American Civil Rights movement deserve nothing less in the comic book artist who would tell their story.
10 out of 10
For more information about the March trilogy, visit here or at http://www.topshelfcomix.com/march
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------
TOP SHELF PRODUCTIONS – @topshelfcomix
[This review was originally posted on Patreon.]
WRITERS: John Lewis and Andrew Aydin
ARTIST: Nate Powell
EDITOR: Leigh Walton
ISBN: 978-1-60309-402-3; paperback with French flaps – 6.7" x 9.7" (August 2, 2016)
256pp, B&W, $19.99 U.S.
Congressman John Lewis is a member of the United States House of Representatives as Georgia’s Fifth Congressional District Representative (GA-5, Democrat). During the 1960s, Lewis was also one of the “Big Six” leaders of the American Civil Rights movement (with the others being Rev. Martin Luther King, Jr., James Farmer, A. Philip Randolph, Roy Wilkins, and Whitney Young). Before such fame and accomplishments, he was born John Robert Lewis in February 1940 to sharecropper parents, Willie Mae (Carter) and Eddie Lewis.
In 2013, Top Shelf Productions began publishing a series of three graphic novels, entitled March, that would chronicle Congressman Lewis' time as a Civil Rights activist. March begins with his childhood and moves onto his time as a college student who is a participant in and organizer of dangerous protests. The story ultimately shits into Lewis' years as a leader in the Civil Rights movement and as someone who shapes and influences change, politically and socially. March is written by Congressman Lewis and Andrew Aydin, one of Lewis' top advisers, and is drawn and lettered by Nate Powell, an award-winning book illustrator and comic book creator.
March: Book Three (August 2016), like March Book One and March Book Two, uses the inauguration of President Barack Obama (January 20, 2009) as a kind of framing sequence from which a 68-year-old Lewis looks back on the events of the past. Book Three opens on September 15, 1963 and depicts the terrorist bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama.
By the fall of 1963, the Civil Rights movement has found its way into the consciousness of the American people. As the chairman of the Student Nonviolent Coordinating Committee (SNCC), John Lewis is one of the people that have made this happen. SNCC continues to force the nation to confront its own blatant injustice, but as the movement grows more successful, its enemies grow bolder and more dangerous. The supporters of segregation and of Jim Crow use everything from courtroom tactics via friendly judges to intimidation via violence. Even more worrying, racists like the Ku Klux Klan and segregationist become more violent and seem to deal out death with impunity.
However, the Civil Rights movement, with Dr. Martin Luther King as its leader and most famous face, decides that in order for black Americans to be truly free and equal, they must be able to vote as freely as any white American. It is time to end the voter suppression that silences so many Americans. The cry becomes “One Man, One Vote!” Lewis and an army of young activists launch their nonviolent revolution with innovative campaigns such the “Freedom Vote” and “Mississippi Freedom Summer,” and with an all-out battle for the soul of the Democratic Party waged live on national television.
There are new struggles, new allies, new opponents, and an unpredictable new president (Lyndon B. Johnson – the 36th) who might be both an ally and an opponent at the same time. Even SNCC begins to fracture. For 25-year-old John Lewis, however, there is no turning back as he and his fellow activists risk everything on a historic march that will begin in the town of Selma, Alabama.
I never doubted that March Book Two could be as powerful as March Book One, but then, I found that Book Two surpasses the first book in terms of intensity. So, would March Book Three be the typical trilogy fail – the week final entry in a storytelling triplet? Never fear, dear readers; there is no failure here. Book One depicts the awakening or the full rising of Civil Rights tide. Book Two took the readers into the trenches and to the front lines of a non-violent war in which one side uses peace and the other employs senseless, ceaseless, and wanton acts of violence.
March Book Three depicts many infamous acts of violence against Civil Rights activists. The Sixteenth Street Baptist Church bombing; the kidnapping and murder of three Civil Rights workers (Mickey Schwerner, Andrew Goodman, and James Chaney), and “Bloody Sunday” are some of the most infamous acts of violence, murder, and mayhem that occur against the movement from the Fall 1963 to Spring 1965.
However, Book Three gets into the details and process of forcing change through politics and political action. The emphasis is the movement's focus on the federal government, particularly on the Presidency of the United States and the U.S. Department of Justice. The narrative of this book focuses more on political wrangling, with violence often as backdrop, and there is a sense that something is coming to an end. Gaining the right to vote for Black people nationwide feels like the end of one story, the close of an iteration of the Civil Rights movement.
Whatever comes next for the movement will be different, but for now, there can be some joy in what is gained by the end of March Book Three. That is the best thing about March Book Three; Lewis, Aydin, and Powell convey the sense of hope, and no matter what happens next, the victory of the 1965 Selma to Montgomery, Alabama voting rights marches offers hope no matter how good or bad things get from that point going forward.
On the last page of March: Book Three, Congress John Lewis and Andrew Aydin give us a depiction of the two of them talking about that “comic book idea.” Lewis says “We'll have to find a great artist – someone who can make the words sing.” Lewis and Aydin's words have the depth and detail of prose and convey the lyrical flow of poetry.
Well, they did find the great artist who could make their words sing in the person of Nate Powell. Comic books are a storytelling medium that uses graphics to convey, communicate, and tell a story, and Powell makes the words sing “Hallelujah!” That boy can sang! In the end, Powell, with pencil, pen, and brush, creates a comic book that lifts him, as well as the readers, to the heights. None of the greats – not Crumb, not Kirby, not Moebius, not Eisner, not Los Bros., not Wood, not Kurtzman; none of them are above him. Now, he is their equal.
Nate Powell has marched on up to the mountaintop, and he sits on high with the masters, old and new. John Lewis, Andrew Aydin, Dr. Martin Luther King, and the named and unnamed of the American Civil Rights movement deserve nothing less in the comic book artist who would tell their story.
10 out of 10
For more information about the March trilogy, visit here or at http://www.topshelfcomix.com/march
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------
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About Race,
Andrew Aydin,
Black Comics,
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John Lewis,
Nate Powell,
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Wednesday, July 11, 2018
Review: THE LEAGUE OF EXTRAORDINARY GENTLEMEN Volume 3: Century: 2009
THE LEAGUE OF EXTRAORDINARY GENTLEMEN, VOL. III: CENTURY: 2009
TOP SHELF PRODUCTIONS/Knockabout Comics – @topshelfcomix @KnockaboutComix
[This review was originally posted on Patreon.]
WRITER: Alan Moore
ARTIST: Kevin O’Neill
COLORIST: Ben Dimagmaliw
LETTERER: Todd Klein
ISBN: 978-1-86166-163-3; paperback – 6.625" x 10.125" (June 2012)
80pp, Color, $9.95 U.S., £7.99 GBP
The League of Extraordinary Gentlemen created by Kevin O'Neill
3: Let It Come Down
The League of Extraordinary Gentlemen: Century is the third comic book miniseries starring Alan Moore and Kevin O’Neill’s Victorian superheroes, The League of Extraordinary Gentlemen (LoEG). The series is written by Moore; drawn by O'Neill; colored by Ben Dimagmaliw; and lettered by the extraordinary Todd Klein.
A three-graphic novel set, Century finds the League as a new team in a new century. Century #1 “1910” and Century #2 “1969” focuses on the Leagues attempt to stop occultist Oliver Haddo from realizing his dream of creating an anti-Christ called “the Moonchild,” which would bring about an apocalypse. The League's surviving members, the three immortals: Orlando/Roland (the eternal warrior), Mina Murray (Count Dracula's shorty), and Allan Quatermain (great White B'wana and British adventurer) believe they stopped Haddo's plans after a battle in Hyde Park and in the “Blazing World” during the year 1969...
The League of Extraordinary Gentlemen: Century #3 “2009” (“Let It Come Down”) finds Orlando doing what he does best. He is living eternally and slaughtering eternally, this time in Q'Mar, where a war of attrition drags into a fifth year of blood and devastation. Orlando is back in London when she gets a sudden visit from Prospero, Duke of Milan, who informs her that Haddo's Moonchild has already been born and that the apocalypse is nigh. Now, Orlando must reform the League in time to stop this anti-Christ, but where are the last two surviving members? They may be immortals, but one is a homeless heroin addict and the other is currently a resident of a mental institution.
I like Alan Moore's dark, famous, and acclaimed comics of the 1980s. Watchmen is a legendary comic book to many American comic book creators, fans, and industry types. V for Vendetta is a bold and idiosyncratic vision (misunderstood by many of its readers and admirers).
Still, I prefer Moore’s more surreal and slyly humorous comics, such as The League of Extraordinary Gentlemen. More so, I think that LoEG, like Watchmen and Moore and Eddie Campbell's From Hell, is an extraordinary work because it is the creation of a comic book writing genius and comic book drawing genius. I may be one of the few people who think that Kevin O'Neill is a genius, but his striking graphics and his visual sense of composing a story via a comic book page are matched by only a few comic book artists over the last three or four decades. He can convey pathos, drama, humor, satire, parody, and surrealism within a single page and, on occasion, within a single panel. Also, O'Neill's comics often trade in both the mundane and the scatological.
So that's my review. Moore was first declared a genius over 30 years ago, and I am now officially declaring O'Neill a genius. The League of Extraordinary Gentlemen: Century #3 “2009” is a great comic book because it is the work of genius times two. Everything about it is unconventional, although its structure is conventional comics, and the story is full of convention – by reference and allusion.
The final battle between the League and the Moonchild is neither climatic nor anti-climatic. It is something different, waiting for a different kind of heroine to take it in another direction, even if that direction has been taken before her. I wish there were The League of Extraordinary Gentlemen: Century #4.
9.5 out of 10
www.tppshelfcomix.com
www.knockabout.com
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------------
TOP SHELF PRODUCTIONS/Knockabout Comics – @topshelfcomix @KnockaboutComix
[This review was originally posted on Patreon.]
WRITER: Alan Moore
ARTIST: Kevin O’Neill
COLORIST: Ben Dimagmaliw
LETTERER: Todd Klein
ISBN: 978-1-86166-163-3; paperback – 6.625" x 10.125" (June 2012)
80pp, Color, $9.95 U.S., £7.99 GBP
The League of Extraordinary Gentlemen created by Kevin O'Neill
3: Let It Come Down
The League of Extraordinary Gentlemen: Century is the third comic book miniseries starring Alan Moore and Kevin O’Neill’s Victorian superheroes, The League of Extraordinary Gentlemen (LoEG). The series is written by Moore; drawn by O'Neill; colored by Ben Dimagmaliw; and lettered by the extraordinary Todd Klein.
A three-graphic novel set, Century finds the League as a new team in a new century. Century #1 “1910” and Century #2 “1969” focuses on the Leagues attempt to stop occultist Oliver Haddo from realizing his dream of creating an anti-Christ called “the Moonchild,” which would bring about an apocalypse. The League's surviving members, the three immortals: Orlando/Roland (the eternal warrior), Mina Murray (Count Dracula's shorty), and Allan Quatermain (great White B'wana and British adventurer) believe they stopped Haddo's plans after a battle in Hyde Park and in the “Blazing World” during the year 1969...
The League of Extraordinary Gentlemen: Century #3 “2009” (“Let It Come Down”) finds Orlando doing what he does best. He is living eternally and slaughtering eternally, this time in Q'Mar, where a war of attrition drags into a fifth year of blood and devastation. Orlando is back in London when she gets a sudden visit from Prospero, Duke of Milan, who informs her that Haddo's Moonchild has already been born and that the apocalypse is nigh. Now, Orlando must reform the League in time to stop this anti-Christ, but where are the last two surviving members? They may be immortals, but one is a homeless heroin addict and the other is currently a resident of a mental institution.
I like Alan Moore's dark, famous, and acclaimed comics of the 1980s. Watchmen is a legendary comic book to many American comic book creators, fans, and industry types. V for Vendetta is a bold and idiosyncratic vision (misunderstood by many of its readers and admirers).
Still, I prefer Moore’s more surreal and slyly humorous comics, such as The League of Extraordinary Gentlemen. More so, I think that LoEG, like Watchmen and Moore and Eddie Campbell's From Hell, is an extraordinary work because it is the creation of a comic book writing genius and comic book drawing genius. I may be one of the few people who think that Kevin O'Neill is a genius, but his striking graphics and his visual sense of composing a story via a comic book page are matched by only a few comic book artists over the last three or four decades. He can convey pathos, drama, humor, satire, parody, and surrealism within a single page and, on occasion, within a single panel. Also, O'Neill's comics often trade in both the mundane and the scatological.
So that's my review. Moore was first declared a genius over 30 years ago, and I am now officially declaring O'Neill a genius. The League of Extraordinary Gentlemen: Century #3 “2009” is a great comic book because it is the work of genius times two. Everything about it is unconventional, although its structure is conventional comics, and the story is full of convention – by reference and allusion.
The final battle between the League and the Moonchild is neither climatic nor anti-climatic. It is something different, waiting for a different kind of heroine to take it in another direction, even if that direction has been taken before her. I wish there were The League of Extraordinary Gentlemen: Century #4.
9.5 out of 10
www.tppshelfcomix.com
www.knockabout.com
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-------------------------
Labels:
Alan Moore,
Ben Dimagmaliw,
Kevin O'Neill,
LoEG,
Review,
Todd Klein,
Top Shelf
Tuesday, July 10, 2018
Review: KENKA BANCHO OTOME: Love's Battle Royale Volume 2
KENKA BANCHO OTOME: LOVE'S BATTLE ROYALE, VOL. 2
VIZ MEDIA – @VIZMedia
MANGAKA: Chie Shimada
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-4215-9911-3; paperback (July 2018); Rated “T” for “Teen”
200pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Original concept by Spike Chunsoft; video game developed by Red Entertainment
A series of video games that debuted a decade ago for the Playstation Portable, Kenka Banchou follows the efforts of a male “bancho” (delinquent) to beat up other delinquents. Manga creator, Chie Shimada, created a manga, entitled Kenka Bancho Otome: Girl Beats Boys, based on the game, but it focused on a female character as the lead.
VIZ Media is publishing that manga under the title, Kenka Bancho Otome: Love's Battle Royale, which focuses on Hinako Nakayama, an orphaned girl. She is about to start her first day at the all-girls school, Kotobuki Girls' High School, when she accidentally bumps into a teen boy whose face resembles her face. His name is Hikaru Onigashima, and he is her long-lost twin. Hikaru demands that because Hinako has hurt him, she must disguise herself to look like him and take his place at his new school, Shishiku Academy, an all-boys school of delinquents – who fight all the time!
Kenka Bancho Otome: Love's Battle Royale, Vol. 2 (Chapters 5 to 8) finds Hinako-as-Hikaru the boss of the first and second year classes. However, she is in for a surprise when she meets Houou Onigashima, the real Hikaru's older brother, and that means she also has a big brother.
Meanwhile, Hinako is so happy to finally have friends. She grows closer to Totomaru Minowa, Rintaro Kira, Takayuki Konparu, and Yuta Mirako. Totomaru and Kira are secretly rivals for Hinako's affections, but it may all end when one of her friends is being forced to leave the school
The Kenka Bancho Otome manga has a familiar premise, as it reminds me of the recent shojo manga, So Cute it Hurts!!, from mangaka Go Ikeyamada. Kenka Bancho Otome, however, will not run as long at the latter manga did.
Kenka Bancho Otome: Love's Battle Royale Graphic Novel Volume 2 is the final volume of this series. It is a nice volume as it solidifies the relationship dynamics so that readers can recognize Hinako's immediate circle of friends. I don't know if there will be more of this series, but this second volume makes me think that there is more story to tell. In the meantime, I recommend this to fans of gender-switch manga.
B+
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
------------------------------------
VIZ MEDIA – @VIZMedia
MANGAKA: Chie Shimada
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-4215-9911-3; paperback (July 2018); Rated “T” for “Teen”
200pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Original concept by Spike Chunsoft; video game developed by Red Entertainment
A series of video games that debuted a decade ago for the Playstation Portable, Kenka Banchou follows the efforts of a male “bancho” (delinquent) to beat up other delinquents. Manga creator, Chie Shimada, created a manga, entitled Kenka Bancho Otome: Girl Beats Boys, based on the game, but it focused on a female character as the lead.
VIZ Media is publishing that manga under the title, Kenka Bancho Otome: Love's Battle Royale, which focuses on Hinako Nakayama, an orphaned girl. She is about to start her first day at the all-girls school, Kotobuki Girls' High School, when she accidentally bumps into a teen boy whose face resembles her face. His name is Hikaru Onigashima, and he is her long-lost twin. Hikaru demands that because Hinako has hurt him, she must disguise herself to look like him and take his place at his new school, Shishiku Academy, an all-boys school of delinquents – who fight all the time!
Kenka Bancho Otome: Love's Battle Royale, Vol. 2 (Chapters 5 to 8) finds Hinako-as-Hikaru the boss of the first and second year classes. However, she is in for a surprise when she meets Houou Onigashima, the real Hikaru's older brother, and that means she also has a big brother.
Meanwhile, Hinako is so happy to finally have friends. She grows closer to Totomaru Minowa, Rintaro Kira, Takayuki Konparu, and Yuta Mirako. Totomaru and Kira are secretly rivals for Hinako's affections, but it may all end when one of her friends is being forced to leave the school
The Kenka Bancho Otome manga has a familiar premise, as it reminds me of the recent shojo manga, So Cute it Hurts!!, from mangaka Go Ikeyamada. Kenka Bancho Otome, however, will not run as long at the latter manga did.
Kenka Bancho Otome: Love's Battle Royale Graphic Novel Volume 2 is the final volume of this series. It is a nice volume as it solidifies the relationship dynamics so that readers can recognize Hinako's immediate circle of friends. I don't know if there will be more of this series, but this second volume makes me think that there is more story to tell. In the meantime, I recommend this to fans of gender-switch manga.
B+
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
------------------------------------
Labels:
Chie Shimada,
JN Productions,
Nancy Thislethwaite,
Review,
shojo,
Shojo Beat,
videogame adaptations,
VIZ Media
Monday, July 9, 2018
BOOM! Studios from Diamond Distributors for July 11, 2018
BOOM! STUDIOS
MAY181196 CODA #3 (OF 12) MAIN & MIX $3.99
JAN181349 COMPLETE CRIMSON OMNIBUS HC $125.00
JAN181350 COMPLETE CRIMSON OMNIBUS S&N ED HC $PI
MAY181238 GARFIELD HOMECOMING #2 $3.99
MAR181247 GO GO POWER RANGERS TP VOL 01 $16.99
MAY181195 MECH CADET YU #10 $3.99
MAY181201 ROBOCOP CITIZENS ARREST #4 $3.99
MAY181202 ROBOCOP CITIZENS ARREST #4 SUBSCRIPTION RUBIN VAR $3.99
MAY181180 RUINWORLD #1 (OF 5) CVR A LAUFMAN $3.99
MAY181181 RUINWORLD #1 (OF 5) CVR B GALLOWAY VAR $3.99
MAR181296 RUN WILD HC $24.99
MAY181187 THRILLING ADV HOUR TP VOL 01 SPIRITED ROMANCE DISCOVER NOW ( $14.99
MAY181196 CODA #3 (OF 12) MAIN & MIX $3.99
JAN181349 COMPLETE CRIMSON OMNIBUS HC $125.00
JAN181350 COMPLETE CRIMSON OMNIBUS S&N ED HC $PI
MAY181238 GARFIELD HOMECOMING #2 $3.99
MAR181247 GO GO POWER RANGERS TP VOL 01 $16.99
MAY181195 MECH CADET YU #10 $3.99
MAY181201 ROBOCOP CITIZENS ARREST #4 $3.99
MAY181202 ROBOCOP CITIZENS ARREST #4 SUBSCRIPTION RUBIN VAR $3.99
MAY181180 RUINWORLD #1 (OF 5) CVR A LAUFMAN $3.99
MAY181181 RUINWORLD #1 (OF 5) CVR B GALLOWAY VAR $3.99
MAR181296 RUN WILD HC $24.99
MAY181187 THRILLING ADV HOUR TP VOL 01 SPIRITED ROMANCE DISCOVER NOW ( $14.99
Dark Horse Comics from Diamond Distributors for July 11, 2018
DARK HORSE COMICS
MAR180092 ABE SAPIEN DROWNING & OTHER STORIES HC $34.99
MAR180047 ALIENS DUST TO DUST #2 (OF 4) MAIN CVR (MR) $3.99
MAR180048 ALIENS DUST TO DUST #2 (OF 4) VAR D ANDA CVR (MR) $3.99
MAR180105 BERSERK TP VOL 39 (MR) $14.99
MAY180372 BPRD DEVIL YOU KNOW #8 $3.99
MAY180325 DISNEY PIXAR INCREDIBLES 2 #1 CRISIS MIDLIFE & STORIES CVR A $3.99
MAY180326 DISNEY PIXAR INCREDIBLES 2 #1 CRISIS MIDLIFE & STORIES CVR B $3.99
NOV170067 GAME OF THRONES FIGURE TYRION HAND OF QUEEN $29.99
NOV170049 PILLARS OF ETERNITY II GUIDEBOOK HC DEADFIRE ARCHIPELAGO $24.99
MAY180349 RESIDENT ALIEN #4 (OF 4) ALIEN IN NEW YORK $3.99
MAY180322 SHE COULD FLY #1 (MR) $4.99
MAY180365 TOMB RAIDER INFERNO #2 (OF 4) $3.99
MAR180069 USAGI YOJIMBO LTD ED HC VOL 32 $59.99
MAY180366 WORLD OF TANKS CITADEL #3 (OF 5) (MR) $3.99
MAR180092 ABE SAPIEN DROWNING & OTHER STORIES HC $34.99
MAR180047 ALIENS DUST TO DUST #2 (OF 4) MAIN CVR (MR) $3.99
MAR180048 ALIENS DUST TO DUST #2 (OF 4) VAR D ANDA CVR (MR) $3.99
MAR180105 BERSERK TP VOL 39 (MR) $14.99
MAY180372 BPRD DEVIL YOU KNOW #8 $3.99
MAY180325 DISNEY PIXAR INCREDIBLES 2 #1 CRISIS MIDLIFE & STORIES CVR A $3.99
MAY180326 DISNEY PIXAR INCREDIBLES 2 #1 CRISIS MIDLIFE & STORIES CVR B $3.99
NOV170067 GAME OF THRONES FIGURE TYRION HAND OF QUEEN $29.99
NOV170049 PILLARS OF ETERNITY II GUIDEBOOK HC DEADFIRE ARCHIPELAGO $24.99
MAY180349 RESIDENT ALIEN #4 (OF 4) ALIEN IN NEW YORK $3.99
MAY180322 SHE COULD FLY #1 (MR) $4.99
MAY180365 TOMB RAIDER INFERNO #2 (OF 4) $3.99
MAR180069 USAGI YOJIMBO LTD ED HC VOL 32 $59.99
MAY180366 WORLD OF TANKS CITADEL #3 (OF 5) (MR) $3.99
Labels:
comics news,
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Mike Mignola,
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Stan Sakai
DC Comics from Diamond Distributors for July 11, 2018
DC COMICS
APR180262 BATMAN DEATH AND THE MAIDENS TP NEW ED $19.99
APR180266 BLUE BEETLE TP VOL 03 ROAD TO NOWHERE REBIRTH $16.99
DEC170425 DC COMICS BOMBSHELLS WONDER WOMAN DELUXE STATUE $200.00
DEC170418 DC GALLERY TWO FACE COIN PROP $30.00
MAY180492 DETECTIVE COMICS #984 $2.99
MAY180493 DETECTIVE COMICS #984 VAR ED $2.99
MAY180496 ETERNITY GIRL #5 (OF 6) (MR) $3.99
DEC170409 EX MACHINA THE COMPLETE SERIES OMNIBUS HC (MR) $150.00
MAY180497 FLASH #50 $3.99
MAY180498 FLASH #50 VAR ED $3.99
MAY180509 HAL JORDAN AND THE GREEN LANTERN CORPS #48 $2.99
MAY180510 HAL JORDAN AND THE GREEN LANTERN CORPS #48 VAR ED $2.99
MAY180517 HAWKMAN #2 $3.99
MAY180518 HAWKMAN #2 VAR ED $3.99
MAY180521 IMMORTAL MEN #4 $2.99
APR180273 JUSTICE LEAGUE OF AMERICA THE SILVER AGE TP VOL 04 $24.99
APR180275 ORION BY WALTER SIMONSON TP BOOK 01 $29.99
MAY180536 PLASTIC MAN #2 (OF 6) $3.99
APR180274 RAGMAN TP $16.99
MAY180537 RED HOOD AND THE OUTLAWS #24 $3.99
MAY180538 RED HOOD AND THE OUTLAWS #24 VAR ED $3.99
MAY180539 SCOOBY APOCALYPSE #27 $3.99
MAY180540 SCOOBY APOCALYPSE #27 VAR ED $3.99
MAY180543 SIDEWAYS #6 $2.99
MAY180545 SUICIDE SQUAD #44 $3.99
MAY180546 SUICIDE SQUAD #44 VAR ED $3.99
FEB180309 SUPERBOY AND THE LEGION OF SUPERHEROES HC VOL 02 $49.99
MAY180460 SUPERMAN #1 $3.99
MAY188191 SUPERMAN #1 BLACK AND WHITE VAR ED $3.99
MAY180463 SUPERMAN #1 BLANK VAR ED $3.99
MAY180461 SUPERMAN #1 HUGHES VAR ED $3.99
MAY180462 SUPERMAN #1 MACK VAR ED $3.99
APR180281 SUPERMAN BLUE TP VOL 01 $24.99
MAY180550 TITANS #23 $3.99
MAY188189 TITANS #23 BLACK AND WHITE VAR ED $3.99
MAY180551 TITANS #23 VAR ED $3.99
MAY180555 WILDSTORM MICHAEL CRAY #9 $3.99
MAY180556 WONDER WOMAN #50 $3.99
MAY180557 WONDER WOMAN #50 VAR ED $3.99
APR180287 WONDER WOMAN REBIRTH DLX COLL HC BOOK 02 $34.99
APR180262 BATMAN DEATH AND THE MAIDENS TP NEW ED $19.99
APR180266 BLUE BEETLE TP VOL 03 ROAD TO NOWHERE REBIRTH $16.99
DEC170425 DC COMICS BOMBSHELLS WONDER WOMAN DELUXE STATUE $200.00
DEC170418 DC GALLERY TWO FACE COIN PROP $30.00
MAY180492 DETECTIVE COMICS #984 $2.99
MAY180493 DETECTIVE COMICS #984 VAR ED $2.99
MAY180496 ETERNITY GIRL #5 (OF 6) (MR) $3.99
DEC170409 EX MACHINA THE COMPLETE SERIES OMNIBUS HC (MR) $150.00
MAY180497 FLASH #50 $3.99
MAY180498 FLASH #50 VAR ED $3.99
MAY180509 HAL JORDAN AND THE GREEN LANTERN CORPS #48 $2.99
MAY180510 HAL JORDAN AND THE GREEN LANTERN CORPS #48 VAR ED $2.99
MAY180517 HAWKMAN #2 $3.99
MAY180518 HAWKMAN #2 VAR ED $3.99
MAY180521 IMMORTAL MEN #4 $2.99
APR180273 JUSTICE LEAGUE OF AMERICA THE SILVER AGE TP VOL 04 $24.99
APR180275 ORION BY WALTER SIMONSON TP BOOK 01 $29.99
MAY180536 PLASTIC MAN #2 (OF 6) $3.99
APR180274 RAGMAN TP $16.99
MAY180537 RED HOOD AND THE OUTLAWS #24 $3.99
MAY180538 RED HOOD AND THE OUTLAWS #24 VAR ED $3.99
MAY180539 SCOOBY APOCALYPSE #27 $3.99
MAY180540 SCOOBY APOCALYPSE #27 VAR ED $3.99
MAY180543 SIDEWAYS #6 $2.99
MAY180545 SUICIDE SQUAD #44 $3.99
MAY180546 SUICIDE SQUAD #44 VAR ED $3.99
FEB180309 SUPERBOY AND THE LEGION OF SUPERHEROES HC VOL 02 $49.99
MAY180460 SUPERMAN #1 $3.99
MAY188191 SUPERMAN #1 BLACK AND WHITE VAR ED $3.99
MAY180463 SUPERMAN #1 BLANK VAR ED $3.99
MAY180461 SUPERMAN #1 HUGHES VAR ED $3.99
MAY180462 SUPERMAN #1 MACK VAR ED $3.99
APR180281 SUPERMAN BLUE TP VOL 01 $24.99
MAY180550 TITANS #23 $3.99
MAY188189 TITANS #23 BLACK AND WHITE VAR ED $3.99
MAY180551 TITANS #23 VAR ED $3.99
MAY180555 WILDSTORM MICHAEL CRAY #9 $3.99
MAY180556 WONDER WOMAN #50 $3.99
MAY180557 WONDER WOMAN #50 VAR ED $3.99
APR180287 WONDER WOMAN REBIRTH DLX COLL HC BOOK 02 $34.99
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