Showing posts with label Adam Kubert. Show all posts
Showing posts with label Adam Kubert. Show all posts

Tuesday, November 17, 2020

#IReadsYou Review: Wolverine #1

WOLVERINE #1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Benjamin Percy
ART: Adam Kubert; Viktor Bogdanovic
COLORS: Frank Martin; Matthew Wilson
LETTERS: VC's Cory Petit
EDITOR: Jordan D. White
COVER: Adam Kubert with Frank Martin
VARIANT COVER ARTISTS: Alex Ross; Chip Kidd; Jeehyung Lee; Jim Lee with Jason Keith; Rahzzah; R.B. Silva with Marte Gracia; Skottie Young; Gabriele Dell'Otto
72pp, Color, $7.99 U.S. (April 2020)

Parental advisory

Wolverine created by Roy Thomas, Len Wein, and John Romita, Sr.

“The Flower Cartel” and “Catacombs”

Wolverine is a Marvel Comics character, a member of the superhero team, the X-Men, and one of Marvel's all-time most popular characters.  Wolverine first appeared in the last panel of The Incredible Hulk #180, but his first full appearance was in The Incredible Hulk #181 (cover-dated: Nov. 1974).  Wolverine was created by then Marvel Editor-in-Chief Roy Thomas, writer Len Wein, and then Marvel art director John Romita (Sr.)  Romita designed Wolverine, but the late artist Herb Trimpe drew Wolverine's earliest comic book appearances.

Wolverine first starred in his own solo comic book in the four-issue miniseries simply entitled Wolverine (cover-dated:  September to December 1982), which was famously written by Chris Claremont and drawn by Frank Miller.  Claremont and the late comic book artist, John Buscema, launched Wolverine's first ongoing comic book series with Wolverine #1 (cover-dated: November 1988), the first of many Wolverine ongoing comic book series.

Summer 2019, writer Jonathan Hickman revamped, rebooted, and re-imagined the X-Men comic book franchise via a pair of six-issue comic book miniseries, House of X and Powers of X (pronounced “Powers of Ten”).  October 2019 welcomed “Dawn of X,” the launch of six new X-Men titles.  The new series are Excalibur, Fallen Angels, Marauders, New Mutants, X-Force, and X-Men.

The seventh Wolverine ongoing comic book series headed the “second wave” of “Dawn of X” titles.  Wolverine (2020) is written by Benjamin Percy; drawn by Adam Kubert; colored by Frank Martin; and lettered by Cory Petit.  The first issue of the new series also includes a second story written by Percy; drawn by Viktor Bogdanovic; colored by Matthew Wilson; and lettered by Petit.

Wolverine #1 (“The Flower Cartel”) opens to find Wolverine and his cohorts:  Marvel Girl, Domino, and Kid Omega, in a sorry state.  The story turns to a flashback from several days earlier, with Wolverine on Krakoa, the living island and mutant nation-state that is the home to all mutants on Earth (if those so choose).  At the behest of Kitty Pryde, Wolverine begins an investigation/mission to discover who is selling narcotics based on a Krakoan flower from which medicine is derived.  Wolverine will come across many players in this narcotics trade before finding himself tangling with an entity known as “The Pale Girl.”

In the second story, Wolverine begins another investigation/mission, this time to discover why the homicidal mutant, Omega Red, suddenly showed up on Krakoa in a grievously wounded condition.  Who whipped that ass?  Wolverine vehemently opposes Red being given sanctuary on Krakoa, but he does want to know what happened to him.  Wolverine heads to Paris where he discovers that blood flows freely in the “Catacombs” beneath Paris.

If I had to give a grade only to the opening story, “The Flower Cartel,” I might give it a “B.”  Ten of the 30 story pages simply meander, but when the action kicks into gear, it has quite a kick.  There is nothing here by the creative team that stands out as any of its members' best work, and I am disappointed to say that because I always expect a lot of Adam Kubert.

The real treat in this issue is the second story, “The Catacombs.”  For a grade, I will give it a solid “A.”  I don't want spoil anything, but Benjamin Percy's story reads like a slickly, produced dark fantasy, mystery-thriller.  Viktor Bogdanovic's illustrations and storytelling recall some Marvel stalwarts, like John Romita Jr. and Art Adams, 1980s work.  Matthew Wilson's color is pitch perfect for the tale, and Cory Petit's lettering creates an edgy, but alluring rhythm.

I am inclined to seek out the second issue of this new series to see if the plot of the second story plays out in the next issue.  Beyond that, the fact that Adam Kubert is drawing a Wolverine comic book will keep me curious about it.  The truth is, however, the main story of Wolverine 2020 simply does not stand out as exceptional material.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Monday, November 2, 2020

Marvel Comics from Diamond Distributors for November 4, 2020

MARVEL COMICS

AUG200647    AMAZING SPIDER-MAN #51.LR    $3.99
AUG200648    AMAZING SPIDER-MAN #51.LR COELLO VAR    $3.99
AUG200754    AMAZING SPIDER-MAN BY NICK SPENCER TP VOL 09 SINS RISING    $17.99
FEB200974    ATLANTIS ATTACKS #4 (OF 5)    $3.99
SEP200649    AVENGERS #38    $3.99
SEP200650    AVENGERS #38 KUDER BLACK PANTHER PHOENIX VAR    $3.99
SEP200651    AVENGERS #38 VEREGGE BLACK PANTHER VAR    $3.99
SEP200647    AVENGERS #57 FACSIMILE EDITION    $3.99
FEB201038    BLACK PANTHER HC VOL 03 INTERGALACTIC EMPIRE WAKANDA PART ON    $34.99
APR200951    BLACK WIDOW #3    $3.99
SEP200641    BLACK WIDOW #3 BARTEL MCU VAR    $3.99
SEP200759    CAPTAIN AMERICA #25 BY ALEX ROSS POSTER    $8.99
SEP200687    CAPTAIN MARVEL #23    $3.99
SEP200688    CAPTAIN MARVEL #23 DAUTERMAN VAR    $3.99
APR201040    DEADPOOL #8    $3.99
JUL200705    DISNEY KINGDOMS GN TP HAUNTED MANSION    $15.99
AUG200743    EMPYRE X-MEN TP    $17.99
MAR201124    ETERNALS CLASSIC POSTER    $8.99
SEP200693    GUARDIANS OF THE GALAXY #8    $3.99
MAR201016    HELLSTROM MARVEL TALES #1    $7.99
APR201113    HEROES REBORN TP IRON MAN NEW PTG    $44.99
AUG209096    IMMORTAL SHE-HULK #1 2ND PTG DAVIS HUNT VAR    $4.99
AUG200758    IRON MAN 2020 ROBOT REVOLUTION TP IWOLVERINE    $17.99
AUG209102    JUGGERNAUT #1 (OF 5) 2ND PTG GARNEY VAR DX    $3.99
SEP200758    KING IN BLACK DARKNESS REIGNS BY STEGMAN POSTER    $8.99
AUG209097    MAESTRO #2 (OF 5) 2ND PTG PERALTA VAR    $3.99
SEP200538    MARAUDERS #14 HAMNER VAR XOS    $3.99
SEP200537    MARAUDERS #14 XOS    $3.99
MAR201077    MARVEL ART OF ADAM KUBERT HC    $50.00
MAR201126    MARVEL TALES HELLSTROM #1 POSTER    $8.99
AUG200760    MARVEL-VERSE DEADPOOL AND WOLVERINE GN TP    $9.99
SEP200630    MILES MORALES SPIDER-MAN #20    $3.99
SEP200631    MILES MORALES SPIDER-MAN #20 CLARKE VAR    $3.99
SEP200757    NATIVE AMERICAN HERITAGE TRIBUTE BY VEREGGE POSTER    $8.99
SEP200760    POWER PACK #1 BY STEGMAN POSTER    $8.99
AUG209095    RISE OF ULTRAMAN #1 (OF 5) 2ND PTG MCGUINNESS VAR    $5.99
SEP200636    RISE OF ULTRAMAN #3 (OF 5)    $3.99
SEP200638    RISE OF ULTRAMAN #3 (OF 5) PHOTO VAR    $3.99
AUG209093    SHANG-CHI #1 (OF 5) 2ND PTG SU VAR    $3.99
APR201088    STAR TP BIRTH OF A DRAGON    $15.99
SEP200696    STAR WARS #8    $3.99
SEP200698    STAR WARS #8 CHRISTOPHER ACTION FGURE VAR    $3.99
SEP200699    STAR WARS #8 SPROUSE EMPIRE STRIKES BACK VAR    $3.99
AUG209105    STAR WARS BOUNTY HUNTERS #5 2ND PTG VILLANELLI VAR    $3.99
AUG209098    THOR #2 6TH PTG COIPEL VAR    $3.99
SEP200658    THOR #9    $3.99
SEP200660    THOR #9 FRISON VALKYRIE PHOENIX VAR    $3.99
SEP200659    THOR #9 HILDEBRANDT VAR    $3.99
AUG208112    THOR #9 LARROCA FORTNITE VAR    $3.99
SEP200661    THOR #9 VEREGGE THOR VAR    $3.99
APR201086    THOR BY DONNY CATES TP VOL 01 DEVOURER KING    $17.99
SEP200675    TRUE BELIEVERS KING IN BLACK BLACK KNIGHT #1    $1.00
SEP200674    TRUE BELIEVERS KING IN BLACK GAMMA FLIGHTS DOC SAMSON #1    $1.00
SEP200626    US AGENT #1 (OF 5)    $3.99
SEP200627    US AGENT #1 (OF 5) INFANTE VAR    $3.99
SEP200629    US AGENT #1 (OF 5) ZIRCHER VAR    $3.99
AUG209099    VENOM #25 5TH PTG BAGLEY VAR    $5.99
AUG209100    VENOM #26 4TH PTG COELLO VAR    $3.99
AUG209101    VENOM #28 2ND PTG GEDEON VAR    $3.99
AUG200757    VENOM EPIC COLLECTION TP SYMBIOSIS    $39.99
MAR201085    VENOMNIBUS HC VOL 03 DEODATO JR DM VAR    $125.00
MAR201084    VENOMNIBUS HC VOL 03 KIETH CVR    $125.00
AUG200704    WEB OF VENOM EMPYRES END #1    $4.99
AUG200706    WEB OF VENOM EMPYRES END #1 KNULL IS COMING VAR    $4.99
SEP200530    WOLVERINE BLACK WHITE BLOOD #1 (OF 4)    $4.99
SEP200532    WOLVERINE BLACK WHITE BLOOD #1 (OF 4) GARNEY VAR    $4.99
AUG209104    X OF SWORDS CREATION #1 2ND PTG LARRAZ VAR    $6.99
AUG209103    X-FACTOR #4 2ND PTG SHAVRIN VAR XOS    $4.99
SEP200536    X-MEN #14 LOZANO VAR XOS    $3.99
SEP200535    X-MEN #14 XOS    $3.99
JUL200698    X-MEN SWORD TP NO TIME TO BREATHE NEW PTG    $15.99


Tuesday, January 29, 2019

Review: THE KAMANDI CHALLENGE #12

THE KAMANDI CHALLENGE No. 12 (OF 12)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Gail Simone
ART: Jill Thompson; Ryan Sook
COLORS: Trish Mulvihill; Laura Martin; Andrew Crossley
LETTERS: Clem Robins
MISC ART: Jose Luis Garcia-Lopez and Joe Prado with Mark Chiarello; Adam Kubert
COVER: Frank Miller with Alex Sinclair
VARIANT COVERS: Ryan Sook; Jose Luis Garcia-Lopez and Joe Prado with Trish Mulvihill
40pp, Color, $4.99 U.S. (February 2018)

Rated “T” for Teen

Kamandi created by Jack Kirby

[Afterword by Paul Levitz]

“The Boundless Realm”

Created by Jack Kirby, Kamandi, The Last Boy on Earth was a comic book series published by DC Comics in the 1970s.  Running from 1972 to 1978, the series starred Kamandi, a teenaged boy in a post-apocalyptic future.  In this time, humans have been reduced back to savagery in a world ruled by intelligent, highly evolved animals.

Kamandi, The Last Boy on Earth #1 (cover dated: October 1972) opens some time after a huge event called “The Great Disaster,” which wiped out human civilization.  In “Earth A.D.” (After Disaster), many animals have become humanoid, bipedal, and sentient, and also possess the power of speech. These newly intelligent animal species have equipped themselves with weapons and technology salvaged from the ruins of human civilization and are constantly at war in a struggle for territory.

The world of Kamandi returned in the DC Comics miniseries, The Kamandi Challenge.  Ostensibly a tribute to the 100th anniversary of Jack Kirby's birth (1917), The Kamandi Challenge brought together 14 teams of writers and artists.  Each team produced a single issue (or worked on a single issue) of The Kamandi Challenge, which ended in an cliffhanger.  The following issue's creative team would resolve that cliffhanger left behind by the previous creative team however it wanted.  That team would craft its own story, which also ended in a cliffhanger, which the next creative team would have to resolve... and so on.

The Kamandi Challenge came to an end with the recently published twelfth issue, featuring two creative teams.  The first team is writer Gail Simone; artists Jill Thompson and Ryan Sook; colorists Trish Mulvihill; Laura Martin; and Andrew Crossley; and letterer Clem Robins.  The second creative team is comprised of writer Paul Levitz; artist José Luis García-López (pencils) and Joe Prado (inks); colorist Trish Mulvihill; and letterer Clem Robins.

The Kamandi Challenge #12 opens with the story “The Boundless Realm” (by the Simone-Thompson/Sook team), which introduces “Kamanda: The Last Girl on Earth.”  Who is she and what does she have to tell Kamandi: The Last Boy on Earth as he enters his final battle with “The Misfit?”

The second story is “Epilogue the First: The Answers” by Levitz- García-López.  Kamandi meets his creator Jack Kirby and gets some answers.  But what kind of answers are they?

Let us make no mistake, Jack Kirby is a great artist, worthy of being a comic book icon (or the comic book icon) and being in the hallowed halls of museums and academia.  The problem with tributes to great artist is that those tributes are sometimes offered by people who, while they are influenced by great artists, are not themselves great artists.  In fact, sometimes the people who offer tributes are hacks, in spite of the greatness they admire.

And The Kamandi Challenge is the creation of some who are middling talents, some who are hacks, some exceptional talents that produced middling work in this series.  In this final issue, from the ugly Frank Miller front cover to the “it was all a dream” type ending, The Kamandi Challenge #12, like the earlier issues, is a tribute in name only to Jack Kirby.  Yes, there are some good moments and good issues in this twelve issue maxi-series, but The Kamandi Challenge is a cynical attempt to make money using Jack Kirby's name and legacy.

The best thing about The Kamandi Challenge #12 is Paul Levitz's afterword, which is a true and loving tribute to someone who was obviously a friend, the truly talented and late Len Wein.

5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Saturday, November 15, 2014

I Reads You Review: AVENGERS & X-MEN: Axis #1

AVENGERS & X-MEN: AXIS #1
MARVEL COMICS – @Marvel

WRITER: Rick Remender
ART: Adam Kubert
COLORS: Laura Martin and Matt Milla
LETTERS: Chris Eliopoulos
COVER: Jim Cheung with Justin Ponsor
VARIANT COVERS:  Gabriele Dell'otto; Adam Kubert with Edgar Delgado; Mike Mayhew; Mico Suayan; Skottie Young; Chip Zdarsky; and The Young Guns with Mike Deodato with Frank Martin
44pp, Color, $4.99 U.S. (December 2014)

Rated “T+”

The Red Supremacy: Chapter 1

About three years ago, I read the first two issues of Avengers vs. X-Men (#0 and #1), and I didn't find anything that made me want to keep reading the much-anticipated and much-talked about event “maxi-series.”  So I don't know why I'm reading the new Avengers/X-Men crossover event miniseries, Avengers & X-Men: Axis.  Maybe, I'm curious?

Avengers & X-Men: Axis #1 (The Red Supremacy: Chapter 1) opens with a brief recap/overview of what has happened since the shocking end of Avengers vs. X-Men, in which the X-Man, Cyclops, killed his mentor and founder of the X-Men, Professor Charles Xavier.  The result was the branding of Cyclops as a criminal and also the founding of the Uncanny Avengers, a unity squad of Avengers and X-Men.  Of course, a new team wouldn't make them better for long.

Fast forward:  Magneto kills Captain America's arch-nemesis, the Red Skull, which leads to his resurrection as “The Red Onslaught.”  Now, there is a wave of psychic energy and hate, initiated by Red Onslaught, because he possesses Prof. X's brain and psychic powers.  This psychic wave, or onslaught, if you will, has the world in turmoil, so the Avengers and X-Men have to come together to stop Red Onslaught.

Wow.  It has been an unknown number of years (but it is many) since I have read an issue of a comic book event series in which superheroes and super-villains engage in a slug fest.  Part of me enjoys seeing so many of the superheroes that I've known most of my life together, even the new versions.  I enjoyed the Scarlet Witch angle of this story, as well as the Scarlet Witch-Rogue subplot.  I think this Red Onslaught character is ridiculous, however.  I did not plan on reading any more of this, even while wondering why I was reading Avengers & X-Men: Axis #1 to begin with.

Then, I saw Sentinels at the end of the first issue, and then, I decided to read more.  I think that is how these superhero crossover events work.  The writers, artists, and editors throw so much into the event (something we can compare to a pot full of ingredients), and the readers are bound to find something to appeal to them.  So there you have it.  I thought I was out, but they dragged me back in.

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.



Sunday, October 14, 2012

Albert Avilla Reviews: Avengers Vs. X-Men Round 12

Avengers Vs. X-Men Round 12
Marvel Comics

Reviewed by Albert Avilla

Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman
Script: Jason Aaron
Pencils: Adam Kubert
Inks: John Dell, Mark Morales, Adam Kubert

(Possible spoilers)
There is no title to this story; it's Round 12. This is the battle of the year. If you read one comic this year, then you need to get a better job, get better friends, or hang around the comic shop a little longer. This is definitely the best one that I've read this month. A great balance of action and drama; I'm more of an aficionado of the action. We get the good old fisticuffs that we enjoy along with the heroic saving of human lives. The heroes use every ounce of their intestinal fortitude to defeat a powerful enemy. Finally, the Scarlet Witch and Hope knock the Phoenix out of Cyclops.

Interspersed with this beautiful action, we get the drama. A warrior who has fought for the light since his days as an adolescent is seduced by the darkness into believing that destruction is the path to his most lofty goals. Fighting to stop him: the mutant messiah and the destroyer of the mutant race. We have the fall of a great hero and the rise of another. Hope Summers just wants what we all want – to be our best self. She takes the Phoenix force and saves the Earth and the mutant race. The road we have traveled; Cyclops is a prisoner and Wolverine is the headmaster of his own school. Cap decides to take up the mutant cause. This event will have repercussions that will be felt across the Marvel Universe. The House of Ideas is still alive and flexing its muscles.

The series has been a showcase for Marvel's artists, and this round continues to give us the best of Marvel. Kubert and the crew are fantastic. From the temples of K'un Lun to every corner of the globe we get a celebration for the eyes.

You guessed it I rate Round 12 Recommend It To A Friend.

Thursday, October 20, 2011

I Reads You Review: ULTIMATE COMICS SPIDER-MAN #2

"Part Two"

ULTIMATE SPIDER-MAN #2
MARVEL COMICS

WRITER: Brian Michael Bendis
ARTIST: Sara Pichelli
COLORS: Justin Ponsor
LETTERS: VC’s Cory Petit
COVER: Kaare Andrews
32pp, Color, $3.99 U.S.
Rated T+

The result of the “Death of Spider-Man” Ultimate Comics storyline was that Peter Parker was killed. Miles Morales, a teenager of African-American and Latino heritage, is the new Spider-Man (or Ultimate Spider-Man II).

As Ultimate Spider-Man #2 (AKA Ultimate Comics: Spider-Man #2) begins, Miles is testing his new powers, but he needs answers. What is happening to him? Can his pal Ganke help him? Meanwhile, Miles’ father reveals his and his brother’s (Miles’ uncle) troubled past.

Perhaps, I over-praised writer Brian Michael Bendis in my review of the first issue of Ultimate Spider-Man #1, and did so at the expense of artist Sara Pichelli. Bendis is good in this series, but so is Pichelli. First of all, she draws some of the most convincing looking Black people I’ve ever seen in American comic books. Secondly, she is perfect for Bendis’ character-heavy stories with their sometimes exceeding sense verisimilitude and realism.

Pichelli is also a master of drawing facial expressions and subtle gestures. The way she can shift, from panel to panel, the emotion or tone via a look, expression, or gesture from a character is uncanny. During Miles’ conversation with his father, the reader will understand exactly when Miles is shocked, confused, hurt, or when he wants to exclaim, “Say what?!” to his father.

Sara Pichelli is as important as Bendis in making Ultimate Spider-Man one of the top five superhero comic books currently being published (in my estimation, of course).

A

Ultimate Spider-Man #1 includes a backup feature that reprints pages from “A Moment of Silence” and “Heroes,” two of Marvel Comics’ 9/11 publications. These are pin-ups from Sam Keith, Richard Corben, Adam Kubert with Richard Isanove, Michael Avon Oeming, and Tom Raney and Scott Hanna with Hi-Fi

Tuesday, July 5, 2011

Marvel Comics from Diamond Distributors for July 6 2011

MARVEL COMICS

APR110727 ANITA BLAKE VAMPIRE HUNT CIRCUS DAMNED TP BOOK 01 (MR) $16.99

MAY110638 ASTONISHING THOR #5 $3.99

MAY110640 CAP AND THOR AVENGERS #1 $4.99

APR110681 CAPTAIN AMERICA FIRST VENGEANCE TP $14.99

MAY110726 CAPTAIN AMERICA HAIL HYDRA TP $14.99

MAY110607 CARS 2 #2 $3.99

MAY110771 DAREDEVIL BY PAOLO RIVERA POSTER $8.99

MAY110606 DARK TOWER GUNSLINGER BATTLE OF TULL #2 $3.99

MAY110768 ESSENTIAL PUNISHER TP VOL 01 NEW ED $19.99

APR118215 FEAR ITSELF #3 2ND PTG MCNIVEN VAR $3.99

MAY110572 FEAR ITSELF #4 FEAR $3.99

MAY110581 FEAR ITSELF UNCANNY X-FORCE #1 FEAR $2.99

MAY110596 FEAR ITSELF WOLVERINE #1 FEAR $2.99

MAY110601 FEAR ITSELF YOUTH IN REVOLT #3 FEAR $2.99

MAY110773 GHOST RIDER BY ADAM KUBERT POSTER $8.99

APR110734 HALO TP BLOOD LINE (MR) $19.99

MAY110580 HEROES FOR HIRE #9 FEAR $2.99

MAY110751 HEROES FOR HIRE TP CONTROL $15.99

MAY110645 HULK #36 $2.99

APR110670 KICK-ASS TP (RES) (MR) $19.99

APR110671 KICK-ASS TP DM VAR ED (RES) (MR) $19.99

APR110685 MARVEL ADVENTURES AVENGERS TP CAPTAIN AMERICA DIGEST $9.99

MAY110650 MARVEL SUPER STARS MAGAZINE #5 $7.99

MAY110670 MOON KNIGHT #3 $3.99

MAY110605 OZMA OF OZ #8 $3.99

MAY110626 RED SKULL #1 $2.99

APR110666 SCARLET PREM HC BOOK ONE (MR) $24.99

APR110598 SPIDER-GIRL #8 $2.99

APR118210 SPIDER-ISLAND DAILY BUGLE (BUNDLE OF 25) $10.00

MAY110635 SPIDER-MAN POWER COMES RESPONSIBILITY #4 $3.99

MAY110649 SUPER HERO SQUAD MMO MAGAZINE #1 $9.99

MAY110705 SUPREME POWER #2 (MR) $3.99

MAY110594 THUNDERBOLTS #160 FEAR $2.99

APR118174 ULT COMICS UNIV REBORN POSTCARDS (BUNDLE OF 100) $5.00

MAY110592 UNCANNY X-MEN #540 FEAR $3.99

MAY110651 VENGEANCE #1 $3.99

MAY110681 WOLVERINE AND BLACK CAT CLAWS 2 #1 $3.99

MAY110685 X-23 #12 $2.99

MAY110694 X-MEN #14 $3.99

Tuesday, December 7, 2010

Leroy Douresseaux on Legion of Super-Heroes The Great Darkness Saga The Deluxe Edition




DC COMICS
WRITER: Paul Levitz
PENCILS: Keith Giffen with Pat Broderick, Howard Bender, Carmine Infantino
INKS: Larry Mahlstedt with Bruce D. Patterson, Rodin Rodriguez, Dave Hunt
COLORS: Carl Gafford, Gene D’Angelo
LETTERS: John Costanza, Bruce D. Patterson, Ben Oda, Adam Kubert, Annette Kawecki, Todd Klein, Janice Chiang
COVER: Keith Giffen and Al Milgrom with Drew R. Moore
ISBN: 978-14012-2961-0; hardcover
416pp, Color, $39.99 U.S., $47.99

If there are superhero comic book stories that deserve to be called legendary, then, The Great Darkness Saga is legendary. It may be the most famous Legion of Super-Heroes comic book storyline, and DC Comics is bringing The Great Darkness Saga, first published in the early 1980s, back to print.

No, make that DC Comics is celebrating The Great Darkness Saga with a new book, Legion of Super-Heroes: The Great Darkness Saga The Deluxe Edition. This 416-page (7.25in x 11in) hardcover reprints Legion of Super-Heroes #284-296 and Legion of Super-Heroes Annual 1. The Great Darkness Saga started in #290 and ended in the double-sized #294, but the event was foreshadowed before it actually began in a half-year’s worth of Legion of Super-Heroes comic books. After the end of the epic, the series continued to deal with the repercussions on the Legionnaires.

Written by Paul Levitz and largely drawn by penciller Keith Giffen and inker Larry Mahlstedt, The Great Darkness Saga is basically about the Legion of Super-Heroes war against the forces of Darkseid. The New God quietly reawakens in the 30th century and hatches a complicated, but ingenious plan to both revive his powers and to finally conquer the universe and subvert it to darkness.

Unaware, the Legion of Super-Heroes is in a state of flux with retirements and resignations, and also with Legionnaires moving to reserve status. Older members find themselves feeling replaced by newer members and also dealing with their own adult issues and midlife-like problems. Personal problems become team problems, and personal and professional failings take a toll on the team. When Darkseid’s minions attack, the Legion basically wakes up with their lives like a house on fire.

The Great Darkness Saga was of its time and ahead of its time. The character drama and storylines captured the best elements of two of the most popular comic book series of the time, Chris Claremont’s soap operatic Uncanny X-Men and Marv Wolfman’s emerging New Teen Titans. As the story gets deeper into the conflict with Darkseid, the Legion of Super-Heroes basically establishes the template for series-wide and company-wide crossover events that are common today.

In a more compact manner and with fewer characters (although there are lots of Legionnaires) than most crossover events, Paul Levitz takes readers across the 30th century version of the DC Universe to experience a super powers fight club, in which the superheroes try to stop their existence-as-they-know-it from blinking out in favor of eternal darkness. Levitz deftly balances sustained battles with electrifying, fleeting glimpses at other clashes. This epic is the stencil for Crisis on Infinite Earths and its children; one might even recognize Marvel Comics Secret Invasion in this.

One also cannot help but be impressed by how Keith Giffen and Larry Mahlstedt drew this without the art ever looking hurried or rushed. There is a consistency to the storytelling, and the compositions, also stunningly consistent, are impeccable in their professionalism.

What would a grand hardcover collection of classic comics be without some extras? Legion of Super-Heroes: The Great Darkness Saga The Deluxe Edition offers the standard sketchbook material and bonus cover art, but by far the best extra – the one that really makes this collection – is the inclusion of Levitz’s plot for issue #290, the opening chapter of Darkness. This detailed plot breakdown (one paragraph for each page) will be a treat for Legion fans and of importance for those who want to write superhero comic books.

The Great Darkness Saga was popular at the time of its publication, but because it was so ahead of its time that it seems of this time; so it deserves the deluxe treatment. Legion of Super-Heroes: The Great Darkness Saga The Deluxe Edition is one of those pricey books that should have place in the home of every reader of superhero comic books.

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