#IReadsYou Review: HEROES REBORN #1

HEROES REBORN #1 (OF 7)
MARVEL COMICS

STORY: Jason Aaron
PENCILS: Ed McGuiness
INKS: Mark Morales
COLORS: Matthew Wilson
LETTERS: VC's Cory Petit
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Carlos Pacheco and Rafael Ponteriz with Nolan Woodard; Ed McGuiness with Matthew Wilson; George Perez and Al Vey with Morry Hollowell; Iban Coello with Espen Grundetjern; Jeffrey Veregge; John Tyler Christopher; Joshua Cassara with Dean White; Mark Bagley and John Dell with Romulo Fajardo, Jr.; Stanley “Artgerm” Lau
48pp, Color, $5.99 U.S. (July 2021)

Rated “T+”

“Whatever Happened to Earth's Mightiest Heroes?”

Heroes Reborn was a Marvel Comics summer event series and crossover publishing initiative.  It was comprised of the seven-issue comic book miniseries, Heroes Reborn, and eleven tie-in comic books.  The entire thing was scheduled to be published over seven weeks, from May 5, 2021 to June 23, 2021.

Heroes Reborn is set on an Earth in which the Avengers – Earth's Mightiest Heroes – were never formed, and Blade the Vampire Hunter seems to be the only person who remembers that the world should be different – that it has been “reborn.”  The Heroes Reborn miniseries was written by Jason Aaron; drawn by Ed McGuiness (pencils) and Mark Morales (inks); colored by Matthew Wilson; and lettered by Matthew Wilson.

Heroes Reborn #1 (“Whatever Happened to Earth's Mightiest Heroes?”) opens in East Los Angeles.  That is where Blade is looking for answers.  Two weeks earlier, he woke up covered in blood in a flophouse of London's East End.  The first thing he did was try to contact Avengers Mountain, but it was not there.

Blade discovers that he has awakened in a world that is both familiar and wildly different.  In this world the Avengers never existed.  The Squadron Supreme of America has always been “Earth's mightiest heroes.”  They are Hyperion, Nighthawk, Power Princess, Doctor Spectrum, and Blur.

Phil Coulson is currently the President of the United States.  Blade reaches out to the Avengers teammates that he can find, but to no avail.  And the Squadron's Nighthawk does not like the “truth” with which Blade has confronted him.  Now, Blade must travel to the arctic and find the one man – the one legendary hero – who can fix this wrong Earth.

THE LOWDOWN:  First, I must be honest with you, dear readers.  With but a few exceptions, I hate big Marvel and DC Comics crossover events.  They are generally a mess – the closest thing to a cacophony of actual sound and fury signifying nothing that comic books can get.

Heroes Reborn #1 is one of the exceptions.  It is actually a really good first issue; the rest of the miniseries and all the tie-in issues are a mixed bag.  Only the first issue is entirely the work of Aaron and McGuiness, who is essentially the back-up artist on issues #2 to #7.  Jason Aaron is the writer on the lead stories in those issues, each of which focuses on a member of the Squadron Supreme and/or their activities.

I assume that many readers already know that the Squadron Supreme is Marvel's pastiche version of DC Comics Justice League of America.  I don't think that the team has ever been known as the “Squadron Supreme of America,” so it is funny that this is the group's name in Heroes Reborn.

The Heroes Reborn miniseries and its tie-ins are basically an overview of a world in which the Squadron and not the Avengers protects Earth.  Some of the changes are quite intriguing, such as the fact that the Squadron is more like DC Comics/Wildstorm Production's The Authority than the Avengers.  Some changes are not as good, but could be upon further development.  By the end of the one-shot that wraps up this event, Heroes Return #1, I did want to see more of the Heroes Reborn world, even with my reservations.

The series was published a year ago, so I don't believe I should worry about spoilers.  The Squadron replaced the Avengers in a plot hatched by Marvel's satanic villain, Mephisto, using the “Pandemonium Cube” (Cosmic Cube), with Phil Coulson as his wickedly evil and ambitious lackey and front man.

All that said:  I really liked Heroes Reborn #1.  Jason Aaron offers an especially intriguing first issue script with flourishes on conspiracy and mystery.  Ed McGuiness' manages to be both stylish and excellent in his storytelling; Mark Morales' sharp inks bring out McGuiness' sparkling design.  Matthew Wilson's color, as always, are gorgeous.  Letterer Cory Petit is also one of those “of course his work is good” guys, and he is indeed good here.

In general, I like Heroes Reborn, and I feel comfortable recommending it to fans of Marvel event series and to fans of the Squadron Supreme.  I didn't get as much Blade in this series as I would have liked, but sometimes, I have to take what I can get.

I READS YOU RECOMMENDS:  Fans of Marvel event series will want to try Heroes Reborn.

B+
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: STAR WARS: The High Republic #1

STAR WARS: THE HIGH REPUBLIC No. 1
MARVEL COMICS

[This review was originally posted on Patreon.]

STORY: Cavan Scott
PENCILS: Ario Anindito
INKS: Mark Morales
COLORS: Annalisa Leoni
LETTERS: VC's Ariana Maher
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Phil Noto
VARIANT COVER ARTISTS: Ario Anindito with Rain Beredo; Joshua “Sway” Swaby; Stephanie Hans; Pascal Blanche and Gonzalo Kenny
28pp, Color, $3.99 U.S. (January 6, 2021)

Rated T

“There is No Fear” Chapter One: “Trial by Ordeal”

Star Wars: The High Republic is a new publishing initiative that includes novels (adult, young adult, middle-grade, and young readers), comic books (including all-ages, graphic novels, and manga), and other prose and multimedia releases.  Lucasfilm, the bosses of all things Star Wars, announced The High Republic in February 2020, with the first publication to be released in August 2020.  Delayed by the COVID-19 pandemic, January 2021 sees the release of the first novels and comic books.

Star Wars: The High Republic is set 200 years before the film, Star Wars: Episode 1 – The Phantom Menace.   The Jedi Knights are at the height of their power, but they must face a deadly serious threat to the Republic, the antagonistic “Nihil,” a race of “space Vikings.”

The first comic book release is the ongoing comic book series, Star Wars: The High Republic, from Marvel Comics.  It is written by Cavan Scott; drawn by Ario Anindito (pencils) and Mark Morales (inks); colored by Annalisa Leoni; and lettered by Ariana Maher.  The High Republic comic book is set directly after the events depicted in the first High Republic novel, Star Wars: The High Republic – Light of the Jedi (released January 5th).

Star Wars: The High Republic #1 (“Trial by Ordeal”) opens on Shuraden, on the Republic frontier.  Padawan Keeve Trennis, under the direction of her Master Sskeer, prepares to complete her “Jedi Trials.”  It would help if one of the planet's inhabitants, a “Ximbi” named Kanri, would stop pestering her.  However, she will face a bigger challenge when she must protect the innocents from  the “Redadi” – a species of star-locust, but is the problem really what she thinks it is.

Meanwhile, the Frontier prepares for the dedication of the majestic “Starlight Beacon,” which will help Republic pioneers as they push into new territories in the Outer Rim.  Now, Master Avar Kriss faces two legendary Jedi “Grandmasters” who have arrived with a momentous announcement for her.

THE LOWDOWN:  I had not heard anything about the rumored “Project Luminous,” which was revealed in February 2020 to be the Star Wars: The High Republic publishing initiative.  I am a longtime Star Wars fan, but I don't dedicate much time to following Star Wars news.

So what do I think of Star Wars: The High Republic #1?  It is good, but not great.  I have enjoyed writer Cavan Scott's work on IDW's young readers Star Wars comic book, Star Wars Adventures.  His writing on Star Wars: The High Republic #1 is a little more intense than his IDW work.  Right from the beginning, Scott makes Keeve Trennis a strong character that is very likable, and he seems to have a handle on Master Avar Kriss, another strong and engaging female character.

Ario Anindito's art looks like it was drawn for a young adult graphic novel.  It seems closer to the sensibilities of animation than it does to the work of other Star Wars comic book artists like Jesus Saiz, Will Sliney, John Cassidy, and Salvado Larroca, to name a few.  If anything, Anindito's art here reminds me of artist Denys Cowan's work on the 2017-18 miniseries, Star Wars: Mace Windu.  I think Anindito's art will make Star Wars: The High Republic appeal to young readers who don't go to comic book shops, but will find the eventual trade paperback or graphic novel collection of this first High Republic story arc, “There is No Fear,” in bookstores.

Star Wars: The High Republic #1 makes me curious about where this comic book is going, and I plan to read more.  I do recommend that Star Wars readers check it out.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books will want to sample Star Wars: The High Republic.

[This issue includes afterwords by Cavan Scott and Ario Anindito.]

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.starwars.com/the-high-republic
https://twitter.com/Marvel
https://twitter.com/starwars
https://www.starwars.com/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: KILLMONGER #1

KILLMONGER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Bryan Hill
ART: Juan Ferreyra
COLORS: Juan Ferreyra
LETTERS: VC's Joe Sabino
EDITOR: Wil Moss
EDITOR-IN-CHIEF: Akira Yoshida
COVER: Juan Ferreyra
VARIANT COVERS: Jason Pearson; Larry Stroman and Mark Morales with Jason Keith
36pp, Color, $4.99 U.S. (February 2019)

Black Panther created by Stan Lee and Jack Kirby; Killmonger created by Don McGregor and Rich Buckler

Parental Advisory

“By Any Means” Part One of Five

Erik Killmonger is a Marvel Comics supervillian and an enemy of Marvel's Black Panther.  Born N'Jadaka, the son of N'Jobu, Killmonger was created by writer Don McGregor and artist Rich Buckler and first appeared in Jungle Action (Vol. 2) #6 (cover dated:  September 1973).  Killmonger, with an altered origin story, appeared in Marvel Studios film, Black Panther (2018), and was portrayed by actor Michael B. Jordan.

Killmonger is the star of his first comic book series, a five-issue miniseries also entitled Killmonger.  It is written by Bryan Hill; drawn and colored by Juan Ferreyra; and lettered by Joe Sabino.  The series will explore how and why Killmonger dedicated his life to revenge.

Killmonger #1 begins with an overview of the epic battle between Erik Killmonger and Black Panther/T'Challa (presumably the one depicted in the Black Panther film).  The series then moves to the past, on the day that N'Jadaka leaves the Massachusetts Institute of Technology (M.I.T.) and spurns all the many incredible job offers he has received.  Instead, N'Jadaka heads to New York City to kill Ulysses Klaue a.k.a. “Klaw.”  However, his plans go awry, and he meets the NYC crime boss who may change the course of his life... if Killmonger lets that happen!

I am somewhat intrigued by this Killmonger miniseries.  I like Bryan Hill's story, and Juan Ferreyra's illustrations have a painterly quality that plays up Hill's story with its atmosphere of tragedy and tragic destiny.  However, I must say that I feel as if Killmonger is the Black Panther-related title that I don't have to have.

Killmonger is nice, but I am not passionate about it the way I was about Black Panther spin-off titles like Black Panther: World of Wakanda and Black Panther and the Crew.  I can and will recommend Killmonger to Black Panther completists, even if I don't immediately claw my way back to it.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: AVENGERS #1 (2018)

AVENGERS No. 1 (2018)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jason Aaron
PENCILS: Ed McGuinness
INKS: Mark Morales
COLORS: David Curiel
LETTERS: VC's Cory Petit
EDITOR: Tom Brevoort
COVER: Ed McGuinness and Mark Morales with Justin Ponsor
VARIANT COVER ARTISTS: Aaron Kuder with Jason Keith; Greg Land and Jay Leisten with Frank D'Armata; Esad Ribic
40pp, Color, $4.99 U.S. (July 2018)

Rated “T+”

Avengers created by Stan Lee and Jack Kirby

“The Final Host”

In the 1970s and 1980s, Marvel Comics published comic book adaptations of popular and cult science fiction and fantasy films, from the Stars Wars films to movies like Dune (1984) and The Adventures of Buckaroo Banzai Across the 8th Dimension (1984).  Some of them had beautiful art (Al Williamson's killer work on Marvel's The Empire Strikes Back adaptation), but the script adaptations were often weak.  Reading these film to comic book adaptations was like reading storyboards for a film with some of the boards were missing.  That is when you realize the “motion” in motion pictures makes the medium of film not all that related to the medium of comic books with its static or still graphics.

The Avengers #1 that arrived on Wednesday, May 2, 2018 got me to thinking about comic books that try to capture the sound and vision of films.  We see comic book writers trying to write for comic books the kind of big, loud, special-effects driven stories that only films can tell.  Once upon a time, people said that comic book stories that were written like other comic books were bad things.  Now, we have comic books trying too hard to be like films and television.  That is the real problem, and brother, Avengers #1 2018 has many problems.

Marvel Comics is just beginning another relaunch of its comic book line, something called “Fresh Start.”  The venerable publisher is returning to its “Legacy” characters after publishing new versions of those classic characters – new versions that some retards described as “black, homo, and freaking female.”  So enter Avengers #1 2018 (Legacy #691).  It is written by Jason Aaron; drawn by Ed McGuinness (pencils) and Mark Morales (inks); colored by David Curiel; and lettered by Cory Petit.  At the core of this old-is-new Avengers are classic (white male) Tony Stark/Iron Man, classic (white male) Thor, and classic (white male) Steve Rogers/Captain America.

Avengers #1 (Legacy #691) opens on Earth, one million years ago and depicts the Avengers of 1,000,000 BC.  Then it moves to present day Earth, where Thor and Steve Rogers are trying to convince a reluctant Tony Stark that the world needs the Avengers to return, and the Avengers can only return the right way with them – the original Thor, Captain America, and Iron Man.  It may no longer be a matter of choice when cosmic beings start falling to Earth.

It is clear to me that Marvel is trying to make the Avengers 2018 comic book series be as close to Marvel Studios' Avengers movies as possible.  Writer Jason Aaron tries to make it seem like there is a story here and not just action scenes, but there is not much of a story here.  This is the Avengers comic book as a Michael Bay movie – if Bay did a mash-up of his Transformers films and the Avengers films.  Avengers #1 is big, loud silent scream, and Aaron squeezes in a few quiet, faux-character scenes, mostly featuring the She-Hulk and the Ghost Rider, in a failed bid at adding substance.

Marvel Comics' problems are not “diversity characters.”  The main problem is the embrace of event comic books and other publishing stunts that are flash instead of story.  DC Comics got the message, and its 2016 “Rebirth” initiative was a return to an emphasis on story, even when those stories may be average at best.  At least, DC and its creative teams are working at giving readers substance in story, plot, and character.

Maybe another problem is that many of Marvel's best writers have moved on from Marvel.  Most of the really good comic book writers that wrote for Marvel over the last two decades (Mark Millar and Ed Brubaker, for example) are now in Hollywood, at Amazon or Netflix, or are producing comic books for Image Comics.  Marvel is left with writers like Jason Aaron and Cullen Bunn who are inconsistent, writing comic books that are surprisingly good or woefully average.  And in his bid to make an Avengers comic book act like an Avengers movie, Aaron delivers woeful with Avengers #1 2018.

Marvel is also constantly recycling pencil artist Ed McGuinness, but as usual, his drawing style is pleasing to the eye, although McGuinness' art looks like a chibi slash lolicon version of the art of flaky comic book creator, Arthur Adams.  David Curiel's colors over McGuinness and Mark Morales' (inker) illustrations are gorgeous, though.  Of Avengers #1 2018's creative team, Curiel delivers the best work.

In about a year or so, the sales of Avengers 2018 will be less than half of what Avengers #1 2018 is now.  Who will get the blame, then?  Marvel Comics' editorial policy?  Marvel's recycled creative teams?  Scapegoat “diversity characters?”

This is an Avengers comic book trying to be event entertainment, when being a good comic book is all that is necessary to please most comic book readers.  And no, Avengers #1 is not worth its $4.99 cover price.

4 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: JUSTICE LEAGUE #1

JUSTICE LEAGUE No. 1 (2018)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: Jim Cheung
INKS: Mark Morales
COLORS: Tomeu Morey
LETTERS: Tom Napolitano
EDITOR: Rebecca Taylor
COVER: Jim Cheung with Laura Martin
VARIANT COVER: Jim Lee and Scott Williams with Alex Sinclair
32pp, Color, $3.99 U.S. (Early August 2018)

Rated “T+” for “Teen Plus”

“The Totality” Part One

The Justice League (also known as Justice League of America or JLA) is DC Comics' premiere superhero group.  Conceived by writer Gardner Fox and first drawn by artist Mike Sekowsky, the Justice League first appeared as a team in The Brave and the Bold #28 (cover dated:  March 1960).  The seven original members were Superman, Aquaman, Batman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman.  The team received its own book with the debut of Justice League of America #1 (cover dated: October 1960).

For the third time in seven years, Justice League debuts with a new first issue.  This new Justice League 2018 is written by Scott Snyder.  This debut issue is drawn by Jim Cheung (pencils) and Mark Morales (inks); colored by Tomeu Morey; and lettered by Tom Napolitano.

Justice League #1 opens with a comet of golden light streaking across space... and across several periods of time.  Next, there is a glimpse of the Justice League's “Hall of Justice.”  Then, we find Superman, Wonder Woman, Batman, Flash, Aquaman, and Hawkgirl lead fellow superheroes, including Cyborg and Mr. Terrific, into a fight against bands of Neanderthals that have been biologically and technologically advanced by Justice League supervillain, Vandal Savage.  However, the arrival of some familiar supervillains and arch-nemesis and of something wicked/mysterious this way comes makes a League victory seem Pyrrhic.

Since 1985, DC Comics turns to a cosmic event to either save itself financially or to simply increase sales with a high-profile publishing event.  And quite frankly, I am not interested in another Scott Snyder, time-spanning, multi-universal conspiracy.

But I enjoyed the art in Justice League #1.  I will read any comic book story drawn by Jim Cheung, whose pencils are nicely inked by Mark Morales in this issue.  Tomeu Morey, as usual, colors with the power of Shaka Zulu, turning in such beauty that I was willing to wade through a story in which I had no interest.  Letterer Tom Napolitano, for the umpteenth time, makes the unreadable quite readable.

I have to admit this:  I will keep reading Justice League (2018), if future art teams are as good as the one in Justice League #1.

5.5 out of 10

[This comic book includes a preview of Teen Titans #20 by Adam Glass, Bernard Chang, Marcelo Maiolo, and Rob Leigh.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Marvel Comics from Diamond Distributors for June 6, 2018

MARVEL COMICS

APR180707    ANT-MAN AND THE WASP #1 (OF 5)    $3.99
APR180710    ANT-MAN AND THE WASP #1 (OF 5) BLANK VAR    $3.99
APR180882    ANT-MAN AND WASP #1 BY NAKAYAMA POSTER    $8.99
MAR180989    ANT-MAN AND WASP ADVENTURES DIGEST TP    $9.99
APR180786    ANT-MAN AND WASP LIVING LEGENDS #1    $3.99
APR180787    ANT-MAN AND WASP LIVING LEGENDS #1 NAUCK VAR    $3.99
MAR180987    ANT-MAN ASTONISHING ORIGINS TP    $17.99
APR180826    ASTONISHING X-MEN #12    $3.99
MAR188682    AVENGERS #1 2ND PTG MCGUINNESS VAR    $4.99
APR180773    BEN REILLY SCARLET SPIDER #19    $3.99
MAR180999    BLACK BOLT TP VOL 02 HOME FREE    $17.99
APR180885    CAPTAIN AMERICA #1 BY ROSS POSTER    $8.99
APR180756    CAPTAIN AMERICA #703    $3.99
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MAR180991    CAPTAIN AMERICA BY WAID AND SAMNEE TP VOL 01 HOME OF BRAVE    $17.99
APR180789    DAZZLER X SONG #1    $3.99
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APR180698    DEADPOOL #1    $4.99
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DEC170941    DEADPOOL WORLDS GREATEST HC VOL 04    $34.99
APR180726    DOCTOR STRANGE #1    $3.99
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MAR188683    HUNT FOR WOLVERINE WEAPON LOST #1 (OF 4) BUFFAGNI 2ND PTG VA    $3.99
APR180738    HUNT FOR WOLVERINE WEAPON LOST #2 (OF 4)    $3.99
APR180739    HUNT FOR WOLVERINE WEAPON LOST #2 (OF 4) KOBLISH VAR    $3.99
APR180691    IMMORTAL HULK #1    $4.99
APR180740    INFINITY COUNTDOWN #4 (OF 5)    $4.99
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APR180741    INFINITY COUNTDOWN #4 (OF 5) LIM VAR    $4.99
APR180743    INFINITY COUNTDOWN #4 (OF 5) TURK HOLDS INFINITY VAR    $4.99
FEB180923    MARVELS ANT-MAN AND WASP PRELUDE TP    $14.99
DEC170940    MILES MORALES ULTIMATE SPIDER-MAN OMNIBUS HC    $125.00
MAR180899    MOON GIRL AND DEVIL DINOSAUR #31 LEG    $3.99
MAR188496    MSH ADVENTURES SPIDER-MAN VIBRANIUM #1 NEW PTG    $3.99
MAR188611    OLD MAN HAWKEYE #4 (OF 12) 2ND PTG CHECCHETTO VAR    $3.99
APR180794    RISE OF BLACK PANTHER #6 (OF 6)    $3.99
APR180795    RISE OF BLACK PANTHER #6 (OF 6) ADAMS VAR    $3.99
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DEC170944    RUNAWAYS BY BRIAN K VAUGHAN & ADRIAN ALPHONA OMNIBUS HC    $125.00
APR180883    SENTRY BY HITCH POSTER    $8.99
APR180829    STAR WARS #49    $3.99
APR180833    STAR WARS LAST JEDI ADAPTATION #3 (OF 6)    $3.99
MAR180990    TALES OF SUSPENSE HAWKEYE AND WINTER SOLDIER TP    $15.99
MAR188612    THANOS ANNUAL #1 2ND PTG VAR    $4.99
APR180779    TRUE BELIEVERS ANT-MAN & WASP BIRTH GIANT-MAN #1    $1.00
APR180816    WEAPON X #19    $3.99
APR180809    X-MEN GOLD #29    $3.99
APR180805    X-MEN RED #5    $3.99

Review: NICK FURY #1

NICK FURY No. 1 (2017)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: James Robinson
PENCILS: ACO
INKS: Hugh Petrus
COLORS: Rachelle Rosenberg
LETTERS: Travis Lanham
COVER: ACO
VARIANT COVERS: John Tyler Christopher; Greg Land with Frank D'Armata; Mark Morales with Jason Keith; Bill Sienkiewicz
28pp, Color, $3.99 U.S. (June 2017)

Rated “T+”

“The Sky High Caper”

Nick Fury (Colonel Nicholas Joseph "Nick" Fury) is a Marvel Comics character.  Created by writer/artist Jack Kirby and writer Stan Lee, Fury first appeared in Sgt. Fury and his Howling Commandos #1 (cover dated:  May 1963), a World War II combat comic book series, in which Fury was depicted as a cigar-chomping, leader of an elite United States Army unit.

Marvel Comics introduced the modern Nick Fury in Fantastic Four #21 (cover dated:  December 1963), making him a CIA agent.  In Strange Tales #135 (cover dated:  August 1965), the character again transformed, this time from a spy into the leading agent of the fictional espionage agency, S.H.I.E.L.D.  In 2002, Nick Fury became a Black man that resembled actor Samuel L. Jackson in The Ultimates #1.  Jackson would portray Fury in the Marvel Studios movies based on Marvel Comics, and the Jackson-lookalike Fury would replace the original white Fury in the main Marvel Universe.

That Sam Jackson Fury is the star of the new comic book series, Nick Fury.  It is written by James Robinson; drawn by ACO (pencils) and Hugh Petrus (inks); colored by Rachelle Rosenberg; and lettered by Travis Lanham.

Nick Fury #1 (“The Sky High Caper”) opens with Nick Fury arriving in the French Riviera, where he must infiltrate the most secure parts of a imposing casino.  Fury's target is a hidden data-stash belonging to Auric Goodfellow, a Hydra moneyman.  Fury will likely be successful in getting what he wants, but Frankie Noble, Agent of Hydra plans on standing in his way.

I love the art in Nick Fury #1.  Drawn by the artist known as ACO, the art recalls the Pop-Art infused comic book art that legendary comic book artist Jim Steranko produced during his run of Nick Fury comics in the late 1960.  ACO's layout and design also recall Steve Rude's layout and design on his long-running comic book series, Nexus.  ACO's art for Nick Fury combined with Rachelle Rosenberg's pastel-lite coloring sure is pretty.

However, the storytelling is shallow when it isn't confusing and confusing when it isn't shallow.  As graphical storytelling, ACO's art is just too busy.  Yeah, it is eye-candy to look at, but is a busy mess as storytelling.  Honestly, if writer James Robinson had even attempted to tell a more complex story, there is no telling how crowded ACO would have made his art.

I think James Robinson offers in Nick Fury what Chris Samnee did in the first issue of his recent Black Widow comic book – an introductory issue that reads like a two-minute-egg version of an action sequence from a James Bond or Jason Bourne movie.

Honestly, I'll try the second issue of Nick Fury, although I never tried the second issue of Samnee's Black Widow.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Marvel Comics from Diamond Distributors for August 16, 2017

MARVEL COMICS

JUN170974    ALL NEW GUARDIANS OF GALAXY #8    $3.99
JUN170941    AMAZING SPIDER-MAN RENEW YOUR VOWS #10    $3.99
JUN170983    ASTONISHING X-MEN #2    $3.99
MAY170981    AVENGERS INITIATIVE COMPLETE COLLECTION TP VOL 02    $34.99
JUN170966    BLACK PANTHER CREW #5    $3.99
MAY170969    DEADPOOL 2099 TP    $14.99
MAY178718    EDGE OF VENOMVERSE #1 (OF 5) 2ND PTG MATTINA VAR    $3.99
JUN170994    GENERATION X #5    $3.99
JUN170857    GENERATIONS WOLVERINE & ALL-NEW WOLVERINE #1    $4.99
JUN170858    GENERATIONS WOLVERINE & ALL-NEW WOLVERINE #1 COIPEL VAR    $4.99
JUN170965    GWENPOOL #19    $3.99
MAY170976    HEROES FOR HIRE ABNETT AND LANNING COMP COLL TP    $34.99
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#IReadsYou Review: PREZ #1

PREZ #1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: Mark Russell
PENCILS: Ben Caldwell
INKS: Mark Morales
COLORS: Jeremy Lawson
LETTERS: Travis Lanham
COVER: Ben Caldwell
VARIANT COVER: Bret Blevins
32pp, Color, $2.99 U.S. (August 2015)

Rated “T” for “Teen”

“Corndog in Chief”

Prez was a comic book series created by writer Joe Simon and artist Jerry Grandenetti.  The series, which debuted in 1973, focused on Prez Rickard, the first teenage president of the United States of America.  Prez ran for four issues before being canceled in 1974, and what was to be issue #5 was eventually published in Cancelled Comic Cavalcade #2.

Like DC Comic's relaunch of its comics line, The New 52, the “DCYou” publishing initiative brings back some obscure, cult, short-lived, and long-canceled comic book series and characters.  Thus, we have a new Prez comic book series, which is written by Mark Russell, drawn by Ben Caldwell (pencils) and Mark Morales (inks), colored by Jeremy Lawson, and lettered by Travis Lanham.

Prez #1 (“Corndog in Chief”) opens in Washington D.C. in the year 2036.  In Conference Room 104A of the U.S. Senate building, a powerful group of senators, known as “The Colonels,” have gathered for an emergency meeting called by one of their own, Senator Thorn.  A week before the presidential election, the incumbent U.S. president has ceased seeking reelection because of a tawdry scandal.  Now, The Colonels must decide whom their hand-picked replacement candidate will be.

Meanwhile, in Eugene, Oregon, at “Li'l Doggies House of Corndogs,” Beth Ross is having an embarrassing time in a workplace video.  Around the same time Beth is having trouble, presidential candidate, Senator Tom Downey, is suffering the indignity of shilling on a popular “videocast” for votes.  Senator Gary Farmer is a candidate, but is nowhere to be seen.  Twitter is going to make one of these three people the next President of the United States.

In my review of another new “DCYou” title, Harley Quinn and Power Girl, I basically said that all the people involved with that comic should be ashamed for putting out such an overwhelmingly mediocre comic book.  In the case of Prez #1, all involved should take a bow.  Part of me is surprised that DC Comics, a subsidiary of a giant media conglomerate, would publish a comic book that savagely lampoons not only American politics, but also corporate media and corporate interests.

Hell, DC Comics just left their historic home of New York City to move to Burbank, California so that it could be closer to its corporate parent's film-making operations.  That way, it would be easier for Warner Bros. Pictures' film and television divisions to exploit DC Comics' copyrights and trademarks.

Part of me doesn't want to buy what Prez is selling.  DC Comics is not a comic book publisher so much as it is a maintainer of copyrights and trademarks and also a lowbrow research and development division for a media corporation's film production and distribution unit.  This comic book reeks of hypocrisy, and the publisher is what its comic book, Prez, is making fun of.  Am I being a hypocrite?  I would totally believe that Prez is genuine if Fantagraphics Books or Rip Off Press published it (or especially defunct Kitchen Sink Press).

Anyway, the future that Prez reveals is now.  We are sick in our messy age.  If Prez is the real deal, then, it should be DC Comics' most popular comic book, especially outside of the usual circles of American comic books.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

I Reads You RE-VIEWED: UNCANNY X-MEN Annual (Volume 2) #1

UNCANNY X-MEN ANNUAL (VOL. 2) #1
MARVEL COMICS – @Marvel

STORY: Chris Claremont and Tony Bedard
PENCILS: Clayton Henry
INKS: Mark Morales
COLORS: Christina Strain
LETTERS: VC’s Joe Caramagna
COVER: Leinil Francis Yu with Dave McCaig
48pp, Color, $3.99 U.S. (August 2006)

I Dream of Africa: A Special Prelude to the Wedding of the Century

You may know that classic X-Men character, Storm (Ororo Munroe), and The Black Panther (T’Challa) were once married.  The wedding took place in the Black Panther comic book series that launched in 2005.  Black Panther later informed Storm that he had annulled the marriage (in Avengers vs. X-Men #9).

Leading up to the wedding (depicted in Black Panther #15), there were several “prelude” stories.  One of them appeared in Uncanny X-Men Annual (Vol. 2) #1 in a story entitled, “I Dream of Africa: A Special Prelude to the Wedding of the Century.”  This story was written by Chris Claremont and Tony Bedard and drawn by Clayton Henry (pencils) and Mark Morales (inks).

Uncanny X-Men Annual (Vol. 2) #1 followed events depicted in Uncanny X-Men #471.  Storm was in Africa to help her people.  In the city of Turkana, she discovers a military leader, Colonel Shetani, who is scouring the African countryside looking for mutants.  In addition to his men, Shetani uses child soldiers, called the Little Simbas, to terrorize locals.  Storm summons her friends, the X-Men for help.

Now, Storm is injured, and as she drifts in and out of consciousness, she is confronted by Black Panther’s proposal of marriage.  In dreams or perhaps in some other altered state, Storm meets her ex-lover, Forge, and she debates versions of Marvel Girl/Jean Grey and Kitty Pryde.  Meanwhile, the X-Men who came to her aid:  Bishop, Cannonball, Nightcrawler, Psylocke, and Rachel Summers, find themselves facing Shetani’s forces.  And these guys seem specifically equipped to kill mutants.

While digging through a pile of comic books a friend gave me, I found Uncanny X-Men Annual (Vol. 2) #1.  I initially planned on giving it away, but when I noticed that it was tied to the Black Panther-Storm wedding, I decided to read it.  I am glad I did because I enjoyed it.  I won’t act like this is a classic, but it does feature a number of X-Men elements of which I am a big fan.

First, it focuses on Storm and delves into her past (although in a broad way), and I love me some Storm.  I once wanted to be Storm (Gasp! Choke!).  Secondly, the story features the X-Men in combat, fighting for their lives, against opponents that are genuine threats to their continued existence.  In fact, this story is classic Chris Claremont Uncanny X-Men, but without the Claremont’s unique dialogue.  So readers get Claremont, just without the grandiosity (pomposity?) and soap opera affectation.

Once again, this isn’t great stuff, but it is a good X-Men comic book.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Albert Avilla Reviews: X-Men #1 (2013)

X-Men #1
Marvel Comics

Reviewed by Albert Avilla

Writer: Brian Wood
Pencils: Olivier Coipel
Inks: Mark Morales and Olivier Coipel
Cover: Olivier Coipel and Laura Martin

Primer (Spoilers!)

They had me at the cover. They hit on all the important B’s: brawn, brains, beauty, boobs, and booty. Who else can put together a better all-female team? Even the villain in this piece is female. Girls just want to wreck it. Don’t let the good looks fool you; this is a band of thieves, ninjas, and former mutant-hunters who will kick some ass. If they did a survey of the top ten favorite female comic characters, where would most of these women place?

Mr. Wood doesn’t waste our time with origins; he hits the ground running. He gives a quick background of what the X-Men will be facing. Then, we have Jubilee with a baby running from a mysterious foe. She calls the X-Men, and they go running to save her. John Sublime goes to the Jean Grey School to ask for help against his sister who has an affinity for technology. Back on the train, the X-Men reunite with Jubilee. The baby is causing havoc with the electronics on the train. The X-Men jump into action to save the passengers. They take Jubilee and the baby back to the Grey School, where Sublime’s sister proceeds to take control of Karima Shapandar’s body. Yeah, that’s right; a being that has a biological imperative to dominant the earth has the powers of the Omega Sentinel. That’s the way you kick off a series.

Wood hits us with a fast-paced story and leaves us anticipating the story to come. With a team of characters with dynamic personalities and rich histories, Mr. Wood has a source of inspiration that should lead to a multitude of great stories.

The art is great. All of the different aspects of the art accentuate each other, which make for visual pleasure. Coipel has a great hand with faces and expressions. The costume design is also good.

I rate X-Men #1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter.

I Reads You Review: X-Men #1

X-MEN #1
MARVEL COMICS

WRITER: Brian Wood
PENCILS: Olivier Coipel
INKS: Olivier Coipel and Mark Morales
COLORS: Laura Martin
LETTERS: VC’s Joe Caramagna
COVER: Olivier Coipel with Laura Martin
28pp, Colors, $3.99 U.S. (July 2013)

Rated T+

Marvel Comics’ Marvel NOW initiative (which began in Fall 2012) is the major re-launch of the publisher’s comics line. Within that major re-launch have been several re-launches, and one of the big unveilings is a new comic book entitled, X-Men.

The new X-Men is written by Brian Wood and drawn by Olivier Coipel. That is a major creative team, but the really big news about this new X-Men title is that it features a female-only lineup. This new X-Men comic book stars Storm, Kitty Pryde, Psylocke, Rachel, Rogue, and Jubilee.

X-Men #1 (2013) begins with Jubilation Lee (Jubilee, of course) on the run, and in possession of an infant. Someone is following her, and she calls for the X-cavalry. Meanwhile, John Sublime shows up at The Jean Grey School for Higher Learning in Westchester, New York. He has a tale of impending doom to tell.

Writing the X-Men means recycling the ideas of other writers, ideas that were first published decades ago. What Stan Lee, Roy Thomas, Len Wein, and Chris Claremont wrote can be and has been rehashed, re-imagined, remade, and re-jiggered into countless new comic book stories. This has gone on for decades and can go on for many, many more decades.

Along comes Brian Wood. He is one of those writers that can take someone else’s concept and write new stories that are as fresh and as innovative as the original idea. See him do it on Dark Horse’s new eponymous Star Wars comic book with artist Carlos D’Anda. Wood’s new X-Men is the freshest take on the franchise since Grant Morrison shocked us with New X-Men 13 years ago.

One of the elements that made Morrison’s New X-Men so bracing was the art by Frank Quitely. Wood has an artist collaborator who is still ascending. Olivier Coipel, the French comic book artist, has not yet reached his creative peak, but he is a good storyteller. His pretty, eye-candy style is made even prettier by Laura Martin’s dazzling colors.

Coipel is making X-Men a stimulating, refreshing read. Also, amazing is that he is the first “artist of color” (or how about “Black guy”) to be the series artist (and not a guest artist) on a main or “flagship” X-Men title in the 50-year history of the franchise. When you consider that people associated with Marvel have evoked Dr. Martin Luther King and Malcolm X to describe the X-Men, it is ridiculous that it took this long.

By the way, no African-American or Black writer has been the series writer for Uncanny X-Men or X-Men. Is this an accident or is it because the powers-that-be over the years just wanted it that way? Well, I guess Brian Wood and Olivier Coipel are as bold as it’s ever going to get.

Any way, I like X-Men #1. This is just the first issue, but I already think that the 2013-launched X-Men is a fabulous comic book.

A

Reviewed by Leroy Douresseaux

Albert Avilla Reviews: Avengers Vs. X-Men Round 12

Avengers Vs. X-Men Round 12
Marvel Comics

Reviewed by Albert Avilla

Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Matt Fraction, Jonathan Hickman
Script: Jason Aaron
Pencils: Adam Kubert
Inks: John Dell, Mark Morales, Adam Kubert

(Possible spoilers)
There is no title to this story; it's Round 12. This is the battle of the year. If you read one comic this year, then you need to get a better job, get better friends, or hang around the comic shop a little longer. This is definitely the best one that I've read this month. A great balance of action and drama; I'm more of an aficionado of the action. We get the good old fisticuffs that we enjoy along with the heroic saving of human lives. The heroes use every ounce of their intestinal fortitude to defeat a powerful enemy. Finally, the Scarlet Witch and Hope knock the Phoenix out of Cyclops.

Interspersed with this beautiful action, we get the drama. A warrior who has fought for the light since his days as an adolescent is seduced by the darkness into believing that destruction is the path to his most lofty goals. Fighting to stop him: the mutant messiah and the destroyer of the mutant race. We have the fall of a great hero and the rise of another. Hope Summers just wants what we all want – to be our best self. She takes the Phoenix force and saves the Earth and the mutant race. The road we have traveled; Cyclops is a prisoner and Wolverine is the headmaster of his own school. Cap decides to take up the mutant cause. This event will have repercussions that will be felt across the Marvel Universe. The House of Ideas is still alive and flexing its muscles.

The series has been a showcase for Marvel's artists, and this round continues to give us the best of Marvel. Kubert and the crew are fantastic. From the temples of K'un Lun to every corner of the globe we get a celebration for the eyes.

You guessed it I rate Round 12 Recommend It To A Friend.

Albert Avilla Reviews: Avengers Vs. X-Men Round 11

Avengers Vs. X-Men Round 11 (Avengers vs. X-Men #11)
Marvel Comics

Reviewed by Albert Avilla

Writer: Brian Michael Bendis with Ed Brubaker, Jonathan Hickman, Matt Fraction
Pencils: Olivier Coipel
Inks: Mark Morales
Colors: Laura DePuy
Letters: Chris Eliopoulos
Covers: Jim Cheung, Sara Pichelli, Justin Ponsor

It's not issue 11. It's round 11, because a real Marvel throw-down is about to start. If you're going to have about a million characters in a story, then you better deliver the action. This was accomplished big time. Xavier was cool hands in his pockets while holy hell was being unleashed around him. This was an intervention on the cosmic level, and Cyclops wasn't having any of it. The moral compass of the mutant race has become a power mad tyrant willing to do whatever it takes to remake the world in his own image. He's saving the mutant race if he has to kill every one of them to do it. Does he remember that Jean sacrificed herself to stop the Phoenix Force? He basks in the power that he has fought to prevent. He's doing a great job of getting mutants and humans to work together. Olay, I'm going off on a tangent. This has been the best round in the match so far.

Just the art in this round was worth the $3.99. Majestic is the word that comes to mind. The landscapes add to the immensity of the story. The pages are not large enough to contain the action; you can feel the power exploding from the pages. My copy is nowhere near mint, because I've thumbed through it so many times enjoying the art.

I rate this round Recommend It to a Friend.