Review: SUPERMAN #1

SUPERMAN No. 1 (2018)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Brian Michael Bendis
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Alex Sinclair
LETTERS: Josh Reed
COVER: Ivan Reis and Joe Prado with Alex Sinclair
VARIANT COVERS: Adam Hughes; David Mack
32pp, Color, $3.99 U.S. (September 2018)

Rated “T” for “Teen”

Superman created by Jerry Siegel and Joe Shuster

“The Unity Saga”

Superman the comic book series enters a new era with a new writer and a new #1 issue (the third in seven years).  Superman is the most famous DC Comics superhero character.  Created by writer Jerry Siegel and artist Joe Shuster, Superman first appeared in Action Comics #1 (cover dated: June 1938).  Superman was first a baby named “Kal-El” from the doomed planet Krypton.  Brought to Earth on a rocket ship (or space craft), Baby Kal was adopted by Martha and Thomas Kent, who named him “Clark Kent.”

Clark would grow up to be the superhero, Superman, and his activities and adventures were first chronicled in Action Comics.  A year later, Superman would get his own eponymous title when the comic book entitled Superman #1 debuted.  Now, comes a new Superman series.  It is written by the new primary Superman comic book writer, Brian Michael Bendis.  It is drawn by artists Ivan Reis (pencils) and Joe Prado (inks); colored by Alex Sinclair; and lettered by Josh Reed.

Superman #1 (2018) finds The Man of Steel stopping an invasion of Earth by the “Dominators” dead in its tracks.  [The Dominators a.k.a. “Dominion” were first seen in Adventures Comics #361 (October 1967), but are probably best known for being the villains in the 1988-89 comic book miniseries and crossover event, Invasion!].  Then, it is time to build a new “Fortress of Solitude,” have two separate meetings with fellow Justice League teammates, save the day several times, and discover something shocking about our planet.

I really want to like Brian Michael Bendis' Superman comic books, and for the most part, I enjoyed his debut series, The Man of Steel, a six-issue miniseries.  It could never live up to my ridiculously high expectations, but I actually wanted more of The Man of Steel.  Well, Superman #1 starts the process of meeting my Bendis Superman needs and expectations.

Bendis fills this first issue with wonderful surprises and sub-plots.  Ivan Reis' pencil art and compositions are lushly illustrated, and have a sparkling quality thanks to Joe Prado's intricate and detailed inks.  Colorist supreme Alex Sinclair delivers hues that have an opulent quality.  Josh Reed does some heavy lifting finding the right spots in the art to place word balloons and boxes.  This is a very well put together graphics package

I get the feeling that Bendis is going to portray Superman/Clark Kent as having to confront, deal with, and manage all his persona and all aspects of his personal, private, secret, and super lives.  I really like Superman #1 (2018), and I think my ridiculously high expectations might be met.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------

Review: THE MAN OF STEEL #1

THE MAN OF STEEL No. 1 (2018)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

SCRIPT: Brian Michael Bendis
PENCILS: Ivan Reis; Jason Fabok (pp. 21-22)
INKS: Joe Prado; Jason Fabok (pp. 21-22)
COLORS: Alex Sinclair
LETTERS: Cory Petit
EDITOR: Michael Cotton
COVER: Ivan Reis and Joe Prado with Alex Sinclair
32pp, Color, $3.99 U.S. (July 2018)

Superman created by Jerry Siegel and Joe Shuster

“Man of Steel “ Part 1

In November 2017, Marvel Comics' best writer of the last two decades, Brian Michael Bendis, ended his tenure with Marvel and signed an exclusive deal with Marvel's rival, DC Comics.  It was not long before rumors of Bendis focusing on the character Superman were burning up the e-grapevine.

After serving up a Superman tale in the anthology and milestone comic book, Action Comics #1000, Brian Michael Bendis officially begins his tenure as the lead writer of the Superman comic book line with the six-issue, weekly miniseries, The Man of Steel.  Each issue will feature a different art team, and the artists for the first issue are Ivan Reis (pencils) and Joe Prado (inks), with Jason Fabok drawing the story's last two pages (pp. 21-22).  Alex Sinclair colors, and Cory Petit letters.

The Man of Steel #1 opens sometime in the past when a being named “Rogol Zaar” declares that Krypton must destroyed.  Kryptonians mean to destroy the rest of the galaxy, according to Rogol, so they must be destroyed first.  Rogol believes he is just the being who can and should do the destroying.  Back in the present, Superman believes that he has discovered that arson is plaguing a particular section of Metropolis.  Meanwhile, Clark Kent deals with work and family, not realizing that a new threat to destroy him is emerging.

In late 1986, DC Comics published a special, event miniseries, entitled The Man of Steel.  Written and drawn by John Byrne, then one of the most popular and powerful comic book writer-artists, The Man of Steel re-imagined, rebooted, and modernized Superman.  After decades of stagnation up to the mid-1980s (according to some), the Superman comic book line needed a course correction.  Byrne's The Man of Steel was a seismic shift in terms of what a Superman comic book could and should be.

Brian Michael Bendis' The Man of Steel 2018 is quieter because it does not need to modernize Superman.  John Byrne already did that, beginning with The Man of Steel during his subsequent two-year run as writer-artist and writer on Superman, Action Comics, and The Adventures of Superman titles.  Since he does not have to modernize Superman, Bendis can focus on the character and personality of the Man of Steel.

Bendis presents Superman/Clark Kent as stoic and stalwart, but with a generous sense of humor.  I think that this Bendis Superman of the comic books is so like the cinematic Superman portrayed by beloved actor, the late Christopher Reeve.  Bendis's Superman is not so different from Patrick J. Tomasi and Patrick Gleason's Man of Steel, as seen during their recent run on the flagship comic book, Superman, except the emotional component of Bendis' Superman/Clark Kent is a bit edgier, even with the humor present.

Apparently, from what I have read, Bendis is rewriting Superman's origins.  Still, 2018 The Man of Steel does not seem like a sea change in terms of Superman's world and fictional mythology the way the 1986 Byrne miniseries was and still is.  However, from a character and emotional point of view, Bendis may adding or changing something rather than fashioning a new Man of Steel

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------

Review: SWAMP THING Winter Special

SWAMP THING: WINTER SPECIAL #1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Tom King; Len Wein
ART: Jason Fabok; Kelley Jones
COLORS: Brad Anderson; Michelle Madsen
LETTERS: Deron Bennett
COVER: Jason Fabok
MISC. ART: José Luis García-López; José Luis García-López and Joe Prado; José Luis García-López and Joe Prado with Mark Chiarello
80pp, Color, $7.99 U.S. (March 2018)

Rated “T” for Teen

Swamp Thing created by Len Wein and Bernie Wrightson

Editor's Note by Rebecca Taylor

Swamp Thing is a horror comic book character from DC Comics.  While there have been different versions of the character, Swamp Thing is a plant elemental and a sentient, walking mass of plant matter.  Created by writer Len Wein and artist Bernie Wrightson, Swamp Thing first appeared in House of Secrets #92 (cover dated July 1971).

In 2017, both Wein and Wrightson died.  In 2016, DC Comics published a six-issue Swamp Thing comic book miniseries written by Wein and collected in a trade paperback, Swamp Thing: The Dead Don't Sleep.  Before he died, Wein was working on a new Swamp Thing series with artist Kelley Jones, who drew The Dead Don't Sleep.  This new series would have also been a continuation of the miniseries, and the first issue would have been published as Swamp Thing #7.

Wein produced a detailed plot for the first issue/chapter (“Spring Awakening!”), but died before he could produce a “lettering script” for the first issue of this new Swamp Thing series.  The art for the new comic, drawn by Kelley Jones and colored by Michelle Madsen, is printed in a recently published square-bound, one-shot, comic book, Swamp Thing: Winter Special.  In a two-page editor's note, Rebecca Taylor explains the situation around this still-born project.  Swamp Thing: Winter Special also includes Wein's plot for Swamp Thing #7, which runs six pages (for a 20 page story).

“Spring Awakening” depicts long-time villain, Solomon Grundy, kidnapping an infant girl, and, later, Batman visiting Swamp Thing.  I don't know what to make of the story other than I would have loved to have read a finished version.  I am a longtime fan of Kelley Jones, and I love the way Michelle Madsen colors Jones' comic book art.  I am not a big fan of Swamp Thing unless the stories are produced by particular creators, and, of course, Wein was one of them, so...

The Wein tribute is the opening story of Swamp Thing: Winter Special.  Entitled “The Talk of the Saints,” it is written by Tom King; drawn by Jason Fabok; colored by Brad Anderson; and lettered by Deron Bennett.

“The Talk of the Saints” finds Swamp Thing shepherding a lost boy through a blinding snow storm.  As the two navigate a strange, frozen tundra, they face countless threats, especially an unseen bloodthirsty snow monster that is constantly stalking them.  Stripped of his powers and disconnected from “the Green,” Swamp Thing must uncover the true identity of the snow monster that hunts them.

Tom King's story does offers some genuinely scary and creepy moments, but, at the same time, it comes across as awkward poetry and metaphor.  The art by illustrator Jason Fabok and colorist Brad Anderson is gorgeous and, outside of Kelley Jones and Michelle Madsen's work, is some of the most beautiful Swamp Thing comic book art that I have see in years, especially the last five pages of this story.

Letterer Deron Bennett presents lettering that really heightens the chills and thrills.  For me, Bennett unites what is good about Tom King's story and the prettiness of the art into a striking graphical package.

Swamp Thing: Winter Special is not great, but it is an essential publication for Swamp Thing fans, if only for the Len Wein tributes and story material. But a Swamp Thing comic book full of pretty art is a good reason to have this one-shot comic book.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------

Review: THE TERRIFICS #1

THE TERRIFICS No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Jeff Lemire
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Marcelo Maiolo
LETTERS: Tom Napolitano
32pp, Color, $2.99 U.S. (April 2018)

Rated “T” for Teen

The Terrifics created by Ivan Reis and Jeff Lemire

“Meet The Terrifics”

DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  The Curse of Brimstone, Damage, The Immortal Men, New Challengers, Sideways, The Silencer, The Unexpected, and the subject of this review, The Terrifics.

The Terrifics is written by co-creator Jeff Lemire; drawn by co-creator Ivan Reis (pencils) and Joe Prado (inks); colored by Marcelo Maiolo; and lettered by Tom Napolitano.  Mister Terrific, Phantom Girl, Metamorpho, and Plastic Man are The Terrifics, a team of superheroes exploring the stranger aspects of space-time in order to find a way home.

The Terrifics #1 opens with Mr. Terrific barging into the lab of wacky scientist Simon Stagg... where he finds Metamorpho in a state of stress.  Stagg has created such a crisis situation that Mr. Terrific summons Plastic Man.  When this conflagration sends Mr. Terrific, Metamorpho, and Plastic Man to the Dark Multiverse, they find more mystery and Phantom Girl.

Since it was announced, comic book readers have declared that The Terrifics is DC Comics' version of Marvel Comics' venerable (but currently canceled) comic book series, Fantastic Four (FF).  Even if that were true, there is nothing in The Terrifics #1 that matches the imagination and epic storytelling of any issue of Fantastic Four produced by the FF creators, Stan Lee and Jack Kirby, nor any of the issues produced by beloved FF writer-artists, John Byrne or Walter Simonson.  Basically, if The Terrifics is DC's FF, then, DC Comics and its creators have decided to produce a tepid, dishwater version of the Fantastic Four.

That said, The Terrifics #1 has some potential to be a by-the-book superhero comic book that trades in inter-dimensional adventures and weird fiction.  I figure that it could run as long as Jeff Lemire's previous weirdo superhero comic book for DC, Frankenstein, Agent of S.H.A.D.E. (16 issues).

I do like the art team of Ivan Reis and Joe Prado, and I am intrigued by the surprise appearance of an Alan Moore-created character at the end of this first issue.  So I might return for some more.

5 out of 10

[This comic book contains a preview of The Curse of Brimstone #1 by Philip Tan, Justin Jordan, Rain Beredo, and Wes Abbott.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

Review: THE KAMANDI CHALLENGE #12

THE KAMANDI CHALLENGE No. 12 (OF 12)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Gail Simone
ART: Jill Thompson; Ryan Sook
COLORS: Trish Mulvihill; Laura Martin; Andrew Crossley
LETTERS: Clem Robins
MISC ART: Jose Luis Garcia-Lopez and Joe Prado with Mark Chiarello; Adam Kubert
COVER: Frank Miller with Alex Sinclair
VARIANT COVERS: Ryan Sook; Jose Luis Garcia-Lopez and Joe Prado with Trish Mulvihill
40pp, Color, $4.99 U.S. (February 2018)

Rated “T” for Teen

Kamandi created by Jack Kirby

[Afterword by Paul Levitz]

“The Boundless Realm”

Created by Jack Kirby, Kamandi, The Last Boy on Earth was a comic book series published by DC Comics in the 1970s.  Running from 1972 to 1978, the series starred Kamandi, a teenaged boy in a post-apocalyptic future.  In this time, humans have been reduced back to savagery in a world ruled by intelligent, highly evolved animals.

Kamandi, The Last Boy on Earth #1 (cover dated: October 1972) opens some time after a huge event called “The Great Disaster,” which wiped out human civilization.  In “Earth A.D.” (After Disaster), many animals have become humanoid, bipedal, and sentient, and also possess the power of speech. These newly intelligent animal species have equipped themselves with weapons and technology salvaged from the ruins of human civilization and are constantly at war in a struggle for territory.

The world of Kamandi returned in the DC Comics miniseries, The Kamandi Challenge.  Ostensibly a tribute to the 100th anniversary of Jack Kirby's birth (1917), The Kamandi Challenge brought together 14 teams of writers and artists.  Each team produced a single issue (or worked on a single issue) of The Kamandi Challenge, which ended in an cliffhanger.  The following issue's creative team would resolve that cliffhanger left behind by the previous creative team however it wanted.  That team would craft its own story, which also ended in a cliffhanger, which the next creative team would have to resolve... and so on.

The Kamandi Challenge came to an end with the recently published twelfth issue, featuring two creative teams.  The first team is writer Gail Simone; artists Jill Thompson and Ryan Sook; colorists Trish Mulvihill; Laura Martin; and Andrew Crossley; and letterer Clem Robins.  The second creative team is comprised of writer Paul Levitz; artist José Luis García-López (pencils) and Joe Prado (inks); colorist Trish Mulvihill; and letterer Clem Robins.

The Kamandi Challenge #12 opens with the story “The Boundless Realm” (by the Simone-Thompson/Sook team), which introduces “Kamanda: The Last Girl on Earth.”  Who is she and what does she have to tell Kamandi: The Last Boy on Earth as he enters his final battle with “The Misfit?”

The second story is “Epilogue the First: The Answers” by Levitz- García-López.  Kamandi meets his creator Jack Kirby and gets some answers.  But what kind of answers are they?

Let us make no mistake, Jack Kirby is a great artist, worthy of being a comic book icon (or the comic book icon) and being in the hallowed halls of museums and academia.  The problem with tributes to great artist is that those tributes are sometimes offered by people who, while they are influenced by great artists, are not themselves great artists.  In fact, sometimes the people who offer tributes are hacks, in spite of the greatness they admire.

And The Kamandi Challenge is the creation of some who are middling talents, some who are hacks, some exceptional talents that produced middling work in this series.  In this final issue, from the ugly Frank Miller front cover to the “it was all a dream” type ending, The Kamandi Challenge #12, like the earlier issues, is a tribute in name only to Jack Kirby.  Yes, there are some good moments and good issues in this twelve issue maxi-series, but The Kamandi Challenge is a cynical attempt to make money using Jack Kirby's name and legacy.

The best thing about The Kamandi Challenge #12 is Paul Levitz's afterword, which is a true and loving tribute to someone who was obviously a friend, the truly talented and late Len Wein.

5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-----------------

Review CYBORG #1

CYBORG #1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: David F. Walker
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Adriano Lucas
LETTERS: Rob Leigh
COVER: Ivan Reis and Joe Prado with Adriano Lucas
VARIANT COVER: Tony Harris
32pp, Color, $2.99 U.S. (September 2015)

Rated “T” for “Teen”

“Unplugged”

Cyborg created by Marv Wolfman and George Perez

Cyborg a.k.a. Victor Stone is a DC Comics superhero, part-man and part-machine. The character was created by writer Marv Wolfman and artist George Pérez, and first appeared in a special insert in DC Comics Presents #26 (cover dated:  October 1980). Cyborg is best known as a member of the young superhero team, the Teen Titans.  However, in September 2011, DC Comics re-launched the DC Universe, rebooting its continuity.  Cyborg was reestablished as a founding member of the superhero team, the Justice League.

Although he was featured in a few Teen Titans spin offs, Cyborg never had his own comic book title.  With the launch of the “DCYou” initiative, he has one, aptly titled, Cyborg.  It is written by David F. Walker; drawn by Ivan Reis (pencils) and Joe Prado (inks); colored by Adriano Lucas; and lettered by Rob Leigh.

Cyborg #1 (“Unplugged”) opens “somewhere in another galaxy.”  This is the scene of a battle between the bestial “Technosapien” and the armor-wearing “Tekbreakers.”  The scene switches back to Earth, specifically S.T.A.R. Labs in Detroit, Michigan.  Outside, it is a scene of protests; inside, Victor Stone has returned to meet his father, Silas Stone, who is a noted scientist.

Victor hopes that his father can help him understand why the machine that gives him his Cyborg powers is evolving.  The problem is that this machine is also his body, and he needs to know what is causing these changes.

Cyborg #1 is intriguing.  Writer David F. Walker isn't offering anything groundbreaking here.  I expect that Walker will occasionally delve into the toxic relationship of the Family Stone.  There is also Sarah, a woman obviously in love with Victor, and she has spent too much time on the sidelines.  Of course, an alien threat looms on the horizon.

I'm reading Cyborg for a number of reasons.  First, I have been a fan of the character since I started reading New Teen Titans back in the day.  Secondly, he is one of the coolest African-American characters in comics, and one of the few who is both original and very powerful.  Thirdly, this new Cyborg comic book is thus far the only “DCYou” title written by an African-American writer.  In fact, it is the only DC Comics title currently written by a Black man.  So I got to support – good or bad, I want to support this comic book, although I think it will be good.  By the way, so much for the diversity of the “DCYou.”

Also, the art team of Ivan Reis and Joe Prado has once again delivered stellar work.  I think I would buy this comic book just for their art.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

I Reads You Review: THE MULTIVERSITY #1

THE MULTIVERSITY #1
DC COMICS – @DCComics

WRITER: Grant Morrison
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Nei Ruffino
LETTERS: Todd Klein
COVER: Ivan Reis and Joe Prado with Nei Ruffino
VARIANT COVERS: Chris Burnham with Nathan Fairbairn (after Joe Shuster); Bryan Hitch with Alex Sinclair; Grant Morrison
48pp, Color, $4.99 U.S. (October 2014)

Rated “T” for “Teen”

“House of Heroes”

The Multiversity is the latest comic book event series from DC Comics.  It is also a long-awaited event series, as this project was first announced several years ago.  The Multiversity is a limited series consisting of interrelated one-shot comic books set in the “DC Multiverse.”  Specifically, this is the Multiverse as it exists after The New 52, the re-launch of the DC Comics Universe that occurred in 2011.

If I understand correctly, the series will be comprised of eight comics.  Grant Morrison will write all eight, but each comic book will be drawn by a different artist.  The first issue, The Multiversity #1, is written by Morrison, drawn by Ivan Reis and Joe Prado, colored by Nei Ruffino, and lettered by the great Todd Klein.

The Multiversity #1 (“Hall of Heroes”) opens in a college dorm room, where a young African-American man is trying to understand what may be a haunted comic book.  The story moves to Earth-7, where Nix Uotan, the Superjudge and last of the Multiversal Monitors, saves a superhero, Thunderer, from certain doom at the hands of five demonic invaders:  Dame Merciless, Hellmachine, Lord Broken, Demogorounn, and Intellectron.

Meanwhile, Superman of Earth-23 finds himself spirited away to the Monitor Watchstation, also known as Valla-hal the “House of Heroes.”  Here, the greatest heroes of Fifty-Two worlds have been summoned to protect the Multiverse.  None of them have any idea of what they face.

If I had to guess (and I have to since I'm trying to communicate with you, dear readers, through this review), I would guess that The Multiversity is influenced by DC Comics' now-legendary comic book crossover event, Crisis on Infinite Earths.  I think the JLA/JSA crossover events that occurred in the original Justice League of America comic book series, every year from 1963 to 1985, also inspires The Multiversity.  In fact, I have read a few of those annual crossover stories, and The Multiversity #1, in terms of storytelling and in Ivan Reis' art, reminds me of them.

Basically,  The Multiversity #1 is old-school DC Comics (pre-Crisis on Infinite Earths) mixed with Grant Morrison's penchant for weirdness and mythology, and his... taste... for Alan Moore and Michael Moorcock.  It's a fun read.  I don't know if this event is meant to be world(s)-shattering, but it sure doesn't seem like it.  It's more goofy fun than anything else.

I won't lie to you.  This is far from a great comic book, but it is, for the most part, good.  You know, there are enough Black and African-American superheroes in The Multiversity #1 to make a Tarzan movie or at least, a Milestone Media comic book, so I can't help but like it.  I am going to follow this series in its entirety because of this first issue, although I had planned on not reading past the first issue.

B

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

DC Comics from Diamond Distributors for August 20, 2014

DC COMICS

JUN140219     BATMAN AND ROBIN #34 (ROBIN RISES)     $2.99
APR140275     BATMAN ARKHAM UNHINGED HC VOL 04     $24.99
MAY140377     BATMAN ARKHAM UNHINGED TP VOL 03     $16.99
JUN140209     BATMAN ETERNAL #20     $2.99
MAY140369     BATMAN INCORPORATED TP VOL 02 GOTHAMS MOST WANTED (N52)     $16.99
JUN140227     BATWOMAN #34     $2.99
APR140272     BRIGHTEST DAY OMNIBUS HC     $75.00
JUN140303     FABLES #143 (MR)     $2.99
JUN140243     GREEN LANTERN NEW GUARDIANS #34     $2.99
JUN148151     HARLEY QUINN #0 DIRECTORS CUT 2ND PTG     $4.99
JUN140255     INFINITE CRISIS FIGHT FOR THE MULTIVERSE #2     $3.99
JUN140181     INFINITY MAN AND THE FOREVER PEOPLE #3     $2.99
MAY140365     JUSTICE LEAGUE DARK TP VOL 04 THE REBIRTH OF EVIL (N52)     $16.99
MAY140368     KATANA TP VOL 01 SOULTAKER (N52)     $19.99
MAY140408     LUCIFER TP VOL 04 (MR)     $29.99
JUN140145     MULTIVERSITY #1     $4.99
JUN140162     NEW 52 FUTURES END #16 (WEEKLY)     $2.99
JUN148150     NEW SUICIDE SQUAD #1 2ND PTG     $2.99
JUN140236     RED HOOD AND THE OUTLAWS #34     $2.99
JUN140260     SCRIBBLENAUTS UNMASKED CRISIS OF IMAGINATION #8     $2.99
JUN140247     SENSATION COMICS FEATURING WONDER WOMAN #1     $3.99
JUN140206     SUPERGIRL #34 (DOOMED)     $2.99
JUN140178     TEEN TITANS #2     $2.99
JUN140291     TEEN TITANS GO #5     $2.99
JUN140184     TRINITY OF SIN PANDORA #14     $2.99
JUN140311     UNWRITTEN VOL 2 APOCALYPSE #8 (MR)     $3.99

DC COMICS/DC COLLECTIBLES

FEB140310     BATMAN ARKHAM ASYLUM HARLEY QUINN STATUE     $124.95
FEB140312     BATMAN BLACK & WHITE STATUE BY JAE LEE     $79.95

DC Comics from Diamond Distributors for July 9, 2014

DC COMICS
APR140289    AMERICAN VAMPIRE SECOND CYCLE #4 (MR)    $2.99
APR140292    ANIMAL MAN TP VOL 06 FLESH AND BLOOD (MR)    $24.99
MAY140249    BATGIRL #33    $2.99
APR140276    BATMAN BRUCE WAYNE FUGITIVE TP NEW ED    $29.99
MAY140226    BATMAN ETERNAL #14    $2.99
MAY140253    BIRDS OF PREY #33    $2.99
MAY140399    COFFIN HILL #9 (MR)    $2.99
MAY140202    CONSTANTINE #16    $2.99
MAY140240    DETECTIVE COMICS #33    $3.99
MAY140243    DETECTIVE COMICS #33 COMBO PACK    $4.99
MAY140404    FBP FEDERAL BUREAU OF PHYSICS #12 (MR)    $2.99
MAY140156    GRAYSON #1    $2.99
MAY140261    GREEN LANTERN CORPS #33 (UPRISING)    $2.99
MAY140197    INFINITY MAN AND THE FOREVER PEOPLE #2    $2.99
MAY140355    INJUSTICE GODS AMONG US YEAR TWO #7    $2.99
APR140266    JUSTICE LEAGUE OF AMERICA TP VOL 01 DANGEROUS (N52)    $16.99
MAY140169    JUSTICE LEAGUE UNITED #3    $3.99
MAY140172    JUSTICE LEAGUE UNITED #3 COMBO PACK    $4.99
MAY140182    NEW 52 FUTURES END #10 (WEEKLY)    $2.99
MAY140162    NEW SUICIDE SQUAD #1    $2.99
APR140258    NIGHTWING TP VOL 04 SECOND CITY (N52)    $14.99
MAY140406    ROYALS MASTERS OF WAR #6 (MR)    $2.99
MAY140390    SCOOBY DOO WHERE ARE YOU #47    $2.99
MAY140360    SMALLVILLE SEASON 11 LANTERN #4    $3.99
MAY140223    SUPERBOY #33    $2.99
MAY140216    SUPERMAN WONDER WOMAN #10    $3.99
MAY140218    SUPERMAN WONDER WOMAN #10 COMBO PACK    $4.99
APR140261    TALON TP VOL 02 THE FALL OF THE OWLS (N52)    $19.99
MAY140203    WORLDS FINEST #25    $2.99

DC COMICS/DC COLLECTIBLES

DEC130367    DC COMICS SUPER HEROES GREEN ARROW BUST    $49.95

The New 52 Review: Constantine #1

CONSTANTINE #1
DC COMICS – @DCComics

WRITERS: Ray Fawkes and Jeff Lemire
ARTIST: Renato Guedes
COLORS: Marcelo Mailolo
LETTERER: Sal Cipriano
COVER: Ivan Reis and Joe Prado with Rod Reis
VARIANT COVER: Renato Guedes
32pp, Color, $2.99 U.S. (May 2013)

Rated T+ (Teen Plus)

The Spark and the Flame Part 1: “The Price We Pay”

John Constantine: Hellblazer is dead? Long live Constantine?

After first appearing, in full, as a supporting character in The Saga of the Swamp Thing #37 (June 1985), John Constantine starred in his own comic book, Hellblazer. Twenty-six odd years later, that series came to an end with Hellblazer #300 (April 2013 cover date).

With Constantine #1 (May 2013 cover date), John Constantine is headed in a new direction. Once tempted by magic to the point of his near-destruction, Constantine seeks to “maintain balance and prevent anyone from becoming too powerful.” That is a direct quote taken from Constantine #1. The maintainer of balance: that’s John Constantine’s place in The New 52.

Constantine #1 opens in New York City where Constantine lives in a pet story, Dotty’s Pets. He already has a new mission – get Croydon’s Compass before his rivals, a group called “Cold Flame,” obtain it. You’d be surprised at the membership of Cold Flame, but I’ll say that Zatara is/was one of them. Dragging along a reluctant acquaintance, Chris, Constantine heads to Norway for a battle in which someone does pay a rather high price.

Same old John: knowing him always costs someone his or her life. What can I say about the new Constantine comic book? Well, the first issue lacks the occult detective, London-noir, street hustler, Richard Stark-vibe of Hellblazer. Constantine the comic book is colorful and slick, like the 2005 film, Constantine, but without Keanu Reeves’ sincere-thespian stiffness. Magic explodes as if it were a mutant power, with crackling bursts of energy. It’s a bit like Harry Potter without the wands.

Constantine is interesting. If you’re looking for the old thing – the way Hellblazer was – that’s gone. I like this new thing. I’m not in love with it, but I like it.

B+

Reviewed by Leroy Douresseaux

Albert Avilla Reviews: Aquaman #0

Aquaman #0
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Art: Ivan Reis and Joe Prado

(Spoiler Alert)
The formula for success is team Geoff Johns with a good artist and let them do that thing. This story is a prime example of this formula. This story is a prime example of this.

Aquaman has been revealed to be an Atlantean. Before he dies, Thomas Curry gives his son a message to give to his mother. Then, Aquaman escapes a group of reporters into the sea. Then, Johns lets the artist do their thing. They take us on a fabulous journey through the oceans depths that National Geographic would envy. He battles a Great White Shark using his ability to control ocean animals to end the battle. Aquaman surfaces in a storm in time to save a yacht from crashing on a rocky coast. The man he saves tells Aquaman of another Atlantean named Vulko. Aquaman finds Vulko, who tells him that he is the rightful king of Atlantis. Vulko takes Aquaman to Atlantis.

Johns does one of the things that he is excellent at doing. He lets the artist shine. This is a great collaboration between writer and artists. A large part of the story was told through the art. The splash page with the shark, the panel where Aquaman saves the yacht, and the final two pages were masterpieces among masterpieces. I could go on about other scenes, but you should enjoy this on your own. The story reads quickly, but the joy of the story comes from the visual story telling.

I rate Aquaman #0 Buy Your Own Copy.

Albert Avilla Reviews: Justice League #12

Justice League #12
DC Comics

Reviewed by Albert Avilla

Writer: Geoff Johns
Pencils: Jim Lee, Ivan Reis, Joe Prado, David Finch
Inks: Scott Williams, Sandra Hope, Jonathan Glapion, Mark Irwin, Matthew Banning, Rob Hunter, Joe Weems, Alex Garner, Trevor Scott

The Graves storyline comes to a conclusion. We learn that the spirits of the League's loved ones are really spiritual parasites called Pretas, and with their help, Graves starts to take the League down. Steve Trevor frees himself despite being on the edge of death to help the most powerful heroes on Earth. Once Trevor shows up the League realizes that they are not fighting the spirits of their loved ones. The League uses teamwork to defeat Graves; they are becoming the team that we expected.

This is a very eventful story. Green Lantern decides to quit the team as a sacrifice to protect the team's image. It is a sign of the times when you risk your life to save the world, and you have to consider how you are perceived by others while doing it. Green Lantern plays it off like it’s not a major concern, but we know how important the League is to him.

The major bombshell dropped on us is The Kiss. I glad the cover wasn't just sales hype. Superman kisses Wonder Woman in a moment of shared loneliness and understanding of how much they have in common. There will be debate about who kissed whom, but that is not the purpose of this review. Is it a moment of weakness or the beginning of the affair that will rock comicdom? I hope it is not a hook up; I couldn't live with the drama of Wonder Woman being Superman's baby mama. They are both young people, and everyone should have that passionate relationship that burns hot and quickly. It would be shocking if this actually leads to something meaningful. There is definitely story potential here. The New 52, what are you going to do? Blow the roof off the mother or shoot blanks?

All that needs to be said about the art is Jim Lee.

I rate Justice League #12 Buy Your Own Copy.

I Reads You Review: JUSTICE LEAGUE #6

"The Jim Lee Project"
JUSTICE LEAGUE #6
DC COMICS

WRITER: Geoff Johns
PENCILS: Jim Lee
INKS: Scott Williams with Sandra Hope, Batt, and Mark Irwin
COLORS: Alex Sinclair with Tony Avina and Hi-Fi
LETTERS: Patrick Brosseau
COVER: Jim Lee and Scott Williams, with Alex Sinclair
VARIANT COVER: Ivan Reis and Joe Prado with Rod Reis
40pp, Color, $3.99 U.S.

So two months after I read the fifth issue, I finally read Justice League #6 (entitled “Part Six” or Justice League Part Six”). This new Justice League comic book series, launched the last week of August 2011, is essentially the flagship title of “The New 52,” DC Comics’ re-launch of its superhero comic book line, which also began the last week of August 2011.

As the issue begins, seven superheroes: Superman, Wonder Woman, Batman, Aquaman, Green Lantern, The Flash, and Cyborg, who are not part of a team and who are not all friends, have gathered to stop an alien invasion of Earth. Wonder Woman, Aquaman, Green Lantern, The Flash, and Cyborg, in a united front, try to takedown the leader of this invasion, Darkseid. Meanwhile, on Darkseid’s world, Batman attempts to rescue Superman, who is being tortured by Desaad.

For this opening story arc of the new Justice League, writer Geoff John’s offers what is simply just one big battle that allows him to introduce his new version of the Justice League team lineup. It’s a fairly good story, but, it is also really a single-issue (at most, two-issue) story stretched to six issues i.e. trade paperback size.

To be honest with you, dear reader, I am following this series for Jim Lee’s art. When I review issues not drawn by Lee, you better believe that I got those as freebies. Back to Lee’s art: what glorious art it is! Lee summons his inner Jack Kirby by delivering pencil art full of super powers on display and super-beings in motion. Lee brings out the Kirby bat on such delicious splash pages and spreads as the one featuring Wonder Woman stabbing Darkseid in the eye, Superman flying into Darkseid’s midsection, and the Cyborg boom tube explosion. Ahhh, I think I need a cigarette.

A-

There is a Pandora back-up by Geoff Johns (writer), Carlos D’Anda (artist), Gabe Eltaeb (colors), and Sal Cipriano (letters).

The New 52 Review: AQUAMAN #1

"Aquatease"

AQUAMAN #1
DC COMICS

WRITER: Geoff Johns
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Rod Reis
LETTERS: Nick J. Napolitano
32pp, Color, $2.99

Aquaman is a DC Comics superhero created by Paul Norris and Mort Weisinger. Aquaman debuted in More Fun Comics #73 (cover date November 1941) and, for the better part of two decades, was the star of backup features in DC’s anthology titles. Beginning in Adventure Comics #260 (cover date May 1959), the character was given an origin story, new powers, and a supporting cast.

With the re-launch of DC Comics’ superhero line, “The New 52,” Aquaman returns in a new self-titled comic book series. In Aquaman #1 (“The Trench” Part One), Aquaman returns to the public eye, but people still consider him a joke and/or are very curious about him. Meanwhile, trouble rises from the ocean depths.

What can I say about Aquaman #1? It’s all tease and setup. The art is nice, although the coloring is a bit garish. Writer Geoff Johns spends most of this issue dealing with how fans perceive Aquaman, addressing that through peripheral characters who mock (cops, restaurant patrons) or question (the self-appointed journalist blogger) Aquaman. How Aquaman’s powers work or his status in Atlantis is really fanboy stuff. The real conflict and dramatic tension will come from the invasion, and that’s pushed off for another issue. Of course, that’s how it works in padded, write-for-the-trades land.  This is not a first issue; it's a "#0" issue.

C+

The New 52 Review: RESURRECTION MAN #1

RESURRECTION MAN #1
DC COMICS

WRITERS: Dan Abnett and Andy Lanning
ART; Fernando Dagnino
COLORS: Santi Arcas
LETTERS: Rob Leigh
COVER: Ivan Reis, Joe Prado, and Rod Reis

Resurrection Man is a DC Comics superhero created by Andy Lanning, Dan Abnett and Jackson Guice. The character had a comic book series that ran for 27 issues from 1997 to 1999. Resurrection Man is attorney Mitchell “Mitch” Shelley, who became the unwilling test subject in a nanotechnology experiment. The result rendered him immortal in an unusual way. Mitchell could still be killed, but the death would last only a few seconds or a few minutes. Then, Mitchell would be reborn with a superpower influenced by the way he was last killed.

The character returns in Resurrection Man #1, part of DC Comics’ re-launch of its superhero comics line, “The New 52.” As the story (entitled “Pronounced Dead”) opens, Mitch has just come back to life, tasting everything metal in the morgue. Then, he’s off to Portland, Oregon on a flight where he meets Sue, who is not what she appears to be. Who are the Phantoms of the Afterlife, and why is Mitch’s soul so attractive to every entity from above and from below?

I remember Resurrection Man; I remember ignoring it. Now, the more I read about it the more it sounds like a really interesting concept, so I might go back-issue hunting. Meanwhile, this first issue of the new series is a very nice read. It seems more like a Vertigo title than a mainline DC Comics title, but DC’s superhero line really needs a horror comics side, so this will do.

I’m not familiar with the work of writers Dan Abnett and Andy Lanning, but if first impressions are important, I’m impressed. Of course, artist Fernando Dagnino, whose style does much to make this look like a Vertigo comic book, contributes dark compositions which create the dark fantasy vibe that Resurrection Man #1 does so well.

B+

September 14th
BATMAN AND ROBIN #1
http://ireadsyou.blogspot.com/2011/09/batman-and-robin-1.html
BATWOMAN #1 2.99
http://ireadsyou.blogspot.com/2011/09/batwoman-1.html
DEMON KNIGHTS #1
http://ireadsyou.blogspot.com/2011/09/demon-knights-1.html
FRANKENSTEIN AGENT OF SHADE #1
http://ireadsyou.blogspot.com/2011/09/frankenstein-agent-of-shade-1.html
GREEN LANTERN #1
http://ireadsyou.blogspot.com/2011/09/green-lantern-1.html
LEGION LOST #1
http://ireadsyou.blogspot.com/2011/09/legion-lost-1.html
MISTER TERRIFIC #1
http://ireadsyou.blogspot.com/2011/09/mister-terrific-1.html
RED LANTERNS #1
http://ireadsyou.blogspot.com/2011/09/red-lanterns-1.html
SUPERBOY #1
http://ireadsyou.blogspot.com/2011/09/superboy-1.html

The New 52 Review: GREEN LANTERN #1

GREEN LANTERN #1
DC COMICS

WRITER: Geoff Johns
PENCILS: Doug Mahnke
INKS: Christian Alamy with Tom Nguyen
COLORS: David Baron
LETTERS: Sal Cipriano
COVER: Ivan Reis and Joe Prado with Rod Reis (Variant cover by Greg Capullo)
32pp, Color, $2.99

The best known Green Lantern, Hal Jordan, first appeared in Showcase #22 (September-October 1959). Like other Green Lanterns, Hal Jordan, the Green Lantern of Sector 2814 (which includes Earth), wields a power ring, one of the most powerful weapons in universe. But times have changed.

There have been other Green Lanterns of 2814, and with the re-launch of DC Comics’ superhero line, “The New 52,” there is a new Green Lantern. Now, Hal Jordan’s nemesis, Thaal Sinestro, who first appeared in Green Lantern #7 (July-August 1961), replaces Jordan. Sinestro shares the spotlight with Jordan and apparently takes the lead in the new version of the flagship Green Lantern title.

As Green Lantern #1 opens, Thaal Sinestro faces the Guardians of the Universe on his way to being the new Green Lantern (of Sector 2814). Sinestro’s first stop is his home world, Korugar, which is besieged by Sinestro’s own Yellow Lanterns. Meanwhile, Hal Jordan seems to be having every kind of life crisis he can have but then, help is offered…

Once upon a time, in a rural home far, far away, I was a Green Lantern fan, but the character mostly bores me now. I didn’t read anything in this new Green Lantern to make me become a big fan again, but this is a good comic book, for the most part. The juxtaposition of Sinestro’s ascendance and Hal Jordan’s collapse gives the book some dramatic tension. The Yellow Lanterns and Guardians sequences did not appeal to me, so I see them as problems in an otherwise good comic book.

I must also commend penciller Doug Mahnke and inker Christian Alamy for creating some of the best Brian Bolland-clone art I’ve seen in a long time. I might come back for more that.

B

September 14th

BATMAN AND ROBIN #1
http://ireadsyou.blogspot.com/2011/09/batman-and-robin-1.html
FRANKENSTEIN AGENT OF SHADE #1
http://ireadsyou.blogspot.com/2011/09/frankenstein-agent-of-shade-1.html
SUPERBOY #1
http://ireadsyou.blogspot.com/2011/09/superboy-1.html