#IReadsYou Review: USAGI YOJIMBO #1

USAGI YOJIMBO No. 1 (2019)
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

CARTOONIST: Stan Sakai
COLORS: Tom Luth
LETTERS: Stan Sakai
EDITOR: Bobby Curnow
COVER: Stan Sakai
VARIANT COVER ARTISTS: Daniel Warren Johnson with Mike Spicer; Walter Simonson with Laura Martin; Kevin Eastman with Tomi Varga; Maria Caligari; Chris Johnson; Mike Choi; J. Scott Campbell with Nei Ruffino; J. Scott Campbell; Alex Kotkin with Ivan Nunes; Mike Vasquez; Charles Vess; Tessa Rose; Buzz with Brittany Peer; Ian Nichols; Stan Sakai and Tom Luth; Stan Sakai with Tom Luth; Stan Sakai and Tom Luth with Emi Fujii and Matt Enterline; Linh Nguyen
28pp, Color, $3.99 U.S. (June 2019)

Usagi Yojimbo created by Stan Sakai

“Bunraku” Part One

Usagi Yojimbo, which means “rabbit bodyguard,” is an anthropomorphic rabbit ronin who is sometimes hired as a bodyguard.  His adventures take place in Edo-era Japan (specifically the 17th century).  Created by Stan Sakai, Miyamoto Usagi first appeared in the small press comic book, Albedo Anthropomorphics #2.  He is the star of a long-running comic book series, Usagi Yojimbo, which has previously been published by Fantagraphics Books (1987-1993), by Mirage Publishing (1993-1995), and by Dark Horse Comics (1996-2018).

Now, Usagi Yojimbo has a new publisher, IDW Publishing.  This 2019 iteration of the venerable creator-owned comic book title is also the first ongoing Usagi Yojimbo comic book series to be published in full-color.  Once again the series is written, drawn, and lettered by creator Stan Sakai, and is colored by Tom Luth.

Usagi Yojimbo #1 opens with Sasuke, the fox who is a demon hunter, swordsman, and archer.  He is in the middle of a battle against “the demons of Mount Funai.”  Then, Lord Shoki the Demon Queller (the ghost who is also Sasuke's mentor) appears and sends Sasuke to the town of Kuroyama Mura.  Meanwhile, Usagi (“Usagi Yojimbo”) is already in town and is enjoying a “Bunraku” (a classical form of Japanese puppet theater), unaware of how close he is to the evil that Sasuke seeks.

Every single time I have read a Usagi Yojimbo comic book or story, I have enjoyed it – sometimes immensely.  Yet I cannot explain why I have read Usagi Yojimbo so little over the past three decades.  So I thought that this series relaunch at IDW was the perfect time to reengage this beloved samurai rabbit.  So how is the new comic book?

It's good, of course.  I am quite intrigued by this opening chapter in what will be an introductory three-issue arc, apparently before a longer story arc begins.  I don't think I'm telling people who have previously read Usagi Yojimbo something they don't already know.  Stan Sakai is an accomplished comic book creator, artist, and illustrator, and his comic books have always shown that.  Tom Luth, himself and accomplished comic book illustrator and colorist, also does good work here, of course.

What I can say is that readers unfamiliar with Usagi Yojimbo will find, in this new series, high-quality and delightful comic book storytelling.  Usagi Yojimbo often has the timeless quality that classic fantasy literature has.  If you are only interested in superhero comic books, dear reader, you may find that Stan Sakai and his samurai rabbit can still capture your imagination.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: EXTRAORDINARY X-MEN #1

EXTRAORDINARY X-MEN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Jeff Lemire
PENCILS: Humberto Ramos
INKS: Victor Olazaba
COLORS: Edgar Delgado
LETTERS: VC's Joe Caramagna
COVER: Humberto Ramos with Edgard Delgado
VARIANT COVERS: J. Scott Campbell with Nei Ruffino; Pascal Campion; Todd Nauck with Andy Troy; Sanford Greene (Hip Hop Variant); Amanda Lynne Shafter photographed by Judy Stephens (cosplay variant)
36pp, Color, $4.99 U.S. (January 2016)

Rated T+

X-Men created by Stan Lee and Jack Kirby

Uncanny X-Men has been the flagship X-Men comic book for most of the past five decades, but it recently came to an end (for now?) with the publication of Uncanny X-Men #600.  The status changes as a result of the All-New, All-Different Marvel re-branding of Marvel Comics.  Now, the flagship X-Men title is Extraordinary X-Men.

This new series is written by Jeff Lemire; drawn by Humberto Ramos (pencils) and Victor Olazaba (inks); colored by Edgar Delgado; and lettered by Joe Caramagna.  The series finds the X-Men fighting to escape the threat of the Terrigen Mists which gives Inhumans their powers, but harms mutants.

Extraordinary X-Men #1 opens with Storm struggling with the weight of the task she finds before her.  She must fight to save mutantkind, which may be facing extinction because of the mass release of the Terrigen Mists.  Now, with her lieutenants, Iceman and Magik, at her side, Storm must gather a new team of X-Men to help the mutants now living in a place called “X-Haven.”  Not everyone, however, wants to join Storm's mission, even if they believe in it.

Upon first seeing a teaser about Extraordinary X-Men, I was dismissive of it.  Now, I cannot wait to read the second issue.  Marvel has found a way to make the X-Men interesting – by marking them destruction.  Their numbers are shrinking, and they may not be able to reproduce, which means extinction.  Having a streamlined X-team will give writer Jeff Lemire a chance to build the characters into this new paradigm of peril.  Lemire will also be able to tell fresh stories using classic or familiar personalities, but from a different point of setting or perspective.  Lemire's take on Storm reminds me of the boss-lady of Chris Claremont's run on Uncanny X-Men, and for me, that is a good thing.

In the meantime, Humberto Ramos' run as penciller on the 2014 relaunch of The Amazing Spider-Man reinvigorated my interest in Ramos (and Spider-Man, for that matter).  For a few years in the 1990s, Ramos was one of my favorite comic book artists.  Hey, in a way, these are the same old X-Men, but Ramos, both in terms of drawing style and graphical storytelling, makes everything seem fresh and new.  I think the possibilities are endless for Extraordinary X-Men, even if corporate demands mean the X-Men comic books won't stray too far from the familiar.

Still, I am excited, so I will recommend Extraordinary X-Men #1.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: THE AMAZING SPIDER-MAN #1

THE AMAZING SPIDER-MAN (2015) No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Dan Slott
PENCILS: Giuseppe Camuncoli
INKS: Cam Smith
COLORS: Marte Gracia
LETTERS: VC's Joe Caramagna
COVER: Alex Ross
VARIANT COVERS: Mark Bagley; Giuseppe Camuncoli with Marte Gracia; J. Scott Campbell with Nei Ruffino; Andrew Hennessy with Nolan Woodard; Mike Del Mundo; Humberto Ramos with Edgar Delgado; Ryan Sook; Gameloft with Trevor Cook; Aaron Rivin photographed by Judy Stephens
68pp, Color, $5.99 U.S. (December 2015)

Rated  “T”

Spider-Man created by Stan Lee and Steve Ditko

There have been at least three prior series to start with the title, The Amazing Spider-Man, to say nothing of all the comics published as Spider-Man #1.  In fact, there was The Amazing Spider-Man #1 launched by writer Dan Slott and artist Humberto Ramos just last year.

With the arrival of the “All-New All-Different Marvel,” The Amazing Spider-Man starts over, again with writer Dan Slott; artists Giuseppe Camuncoli (pencils) and Cam Smith (inks); colorist Marte Gracia; letterer Joe Caramagna; and cover artist Alex Ross.

The Amazing Spider-Man #1 opens in Shanghia.  Why?  Because Spider-Man has gone global, that's why.  Spider-Man and Mockingbird are trying to receive the secure servers of Parker Industries (P.I.), which contain critical data concerning P.I.'s “Webware” Internet app/browser/provider.  An adversarial entity calling “The Zodiac” is the culprit, but another, far more dangerous villain is lurking in the shadows.

I totally dug The Amazing Spider-Man 2014, mainly when Dan Slott and Humberto Ramos were the creative team.  Yes, it is only one issue, but I am not as excited by The Amazing Spider-Man 2015.  Still, the last page will make sure I come back, and I must say that, in general, I find Dan Slott to be one of the best Spider-Man comic book writers that I have had the pleasure of reading.

B+

[This comic book includes previews of Spider-Man 2099 #1; Silk #1; Spider-Woman #1; Webwarriors #1; and Spider-Man #1]

[This comic book includes the bonus comic “The Spider's Corner with Petey P” by Anthony Holden with Jordie Bellaire.]

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

I Reads You Review: THE MULTIVERSITY #1

THE MULTIVERSITY #1
DC COMICS – @DCComics

WRITER: Grant Morrison
PENCILS: Ivan Reis
INKS: Joe Prado
COLORS: Nei Ruffino
LETTERS: Todd Klein
COVER: Ivan Reis and Joe Prado with Nei Ruffino
VARIANT COVERS: Chris Burnham with Nathan Fairbairn (after Joe Shuster); Bryan Hitch with Alex Sinclair; Grant Morrison
48pp, Color, $4.99 U.S. (October 2014)

Rated “T” for “Teen”

“House of Heroes”

The Multiversity is the latest comic book event series from DC Comics.  It is also a long-awaited event series, as this project was first announced several years ago.  The Multiversity is a limited series consisting of interrelated one-shot comic books set in the “DC Multiverse.”  Specifically, this is the Multiverse as it exists after The New 52, the re-launch of the DC Comics Universe that occurred in 2011.

If I understand correctly, the series will be comprised of eight comics.  Grant Morrison will write all eight, but each comic book will be drawn by a different artist.  The first issue, The Multiversity #1, is written by Morrison, drawn by Ivan Reis and Joe Prado, colored by Nei Ruffino, and lettered by the great Todd Klein.

The Multiversity #1 (“Hall of Heroes”) opens in a college dorm room, where a young African-American man is trying to understand what may be a haunted comic book.  The story moves to Earth-7, where Nix Uotan, the Superjudge and last of the Multiversal Monitors, saves a superhero, Thunderer, from certain doom at the hands of five demonic invaders:  Dame Merciless, Hellmachine, Lord Broken, Demogorounn, and Intellectron.

Meanwhile, Superman of Earth-23 finds himself spirited away to the Monitor Watchstation, also known as Valla-hal the “House of Heroes.”  Here, the greatest heroes of Fifty-Two worlds have been summoned to protect the Multiverse.  None of them have any idea of what they face.

If I had to guess (and I have to since I'm trying to communicate with you, dear readers, through this review), I would guess that The Multiversity is influenced by DC Comics' now-legendary comic book crossover event, Crisis on Infinite Earths.  I think the JLA/JSA crossover events that occurred in the original Justice League of America comic book series, every year from 1963 to 1985, also inspires The Multiversity.  In fact, I have read a few of those annual crossover stories, and The Multiversity #1, in terms of storytelling and in Ivan Reis' art, reminds me of them.

Basically,  The Multiversity #1 is old-school DC Comics (pre-Crisis on Infinite Earths) mixed with Grant Morrison's penchant for weirdness and mythology, and his... taste... for Alan Moore and Michael Moorcock.  It's a fun read.  I don't know if this event is meant to be world(s)-shattering, but it sure doesn't seem like it.  It's more goofy fun than anything else.

I won't lie to you.  This is far from a great comic book, but it is, for the most part, good.  You know, there are enough Black and African-American superheroes in The Multiversity #1 to make a Tarzan movie or at least, a Milestone Media comic book, so I can't help but like it.  I am going to follow this series in its entirety because of this first issue, although I had planned on not reading past the first issue.

B

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: SPIDER MAN 2099 #1

SPIDER-MAN 2099 (2014) #1
MARVEL COMICS – @Marvel

WRITER:  Peter David
ARTIST: Will Sliney
COLORS: Antonio Fabela
LETTERS: VC's Joe Caramagna
COVER: Simone Bianchi
VARIANT COVERS:  Rick Leonardi and Dan Green with Antonio Fabela; J. Scott Campbell with Nei Ruffino; J.G. Jones; and Skottie Young
28pp, Color, $3.99 U.S. (September 2014)

Spider-Man 2099 is a Marvel Comics superhero created by writer Peter David and art Rick Leonardi that first appeared in The Amazing Spider-Man #365 (cover dated: August 1992).  This character is, of course, based on the original Spider-Man created by Stan Lee and Steve Ditko.  This alternate Spider-Man character was created for Marvel Comics' “Marvel 2099” line of comic books.

Spider-Man of 2099 is Miguel O'Hara (the first Latino Spider-Man), a brilliant geneticist living in New York in the year 2099 A.D.  He was attempting to recreate the abilities of the original Spider-Man in other people, which led to the accident that caused half his DNA to be re-written with a spider's genetic code.  Miguel gained amazing powers and became Spider-Man of the year 2099.

He received his own series, Spider-Man 2099, which was set in a future dystopian America that was governed by corrupt mega-corporations.  Now, there is a new Spider-Man 2099 series, written by Peter David, drawn by Will Sliney; colored by Antonio Fabela, and lettered by Joe Caramagna.

Spider-Man 2099 #1 opens with some backstory, which tells readers that Miguel O'Hara.  Employed by mega-corp, Alchemax, he is the young genetics genius whose experiments turned him into the Spider-Man of the year 2099.  Miguel travels back to the present to save his father, Tyler Stone, the head of Alchemax in 2099, by saving the life of his grandfather, Tiberius Stone, in the present.

O'Hara finds himself stranded in 2014.  To protect his identity in the future, while living in the present, Miguel uses the name Mike O'Mara.  He sets about establishing his new life in the present, but something from the future has followed him.  Why does T.O.T.E.M. want to destroy Spider-Man 2099?

I had not planned on reviewing Spider-Man 2099 #1.  It was just another Marvel Comics, “All-New Marvel NOW!,” number-one issue that I was going to give a try.  I had the comic book for several weeks before I decided (as an afterthought) to read it.

I had forgotten how often I have enjoyed Peter David-written comic books, but Spider-Man 2099 #1 reminded me.  The story is simple and straight-forward in this first issue, but David wonderfully sets it up to launch a quality ongoing series.  While Will Sliney is not a spectacular artist, his compositions and storytelling capture the humor and action in David's script.  This looks to be a solid comic book, and not just another “acceptable” Spider-Man title.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: ROCKET RACCOON #1 (2014)

ROCKET RACCOON (2014) #1
MARVEL COMICS – @Marvel

WRITER/ARTIST: Skottie Young
COLORS: Jean-Francois Beaulieu
LETTERS: Jeff Eckleberry
COVER: Skottie Young
VARIANT COVERS: Skottie Young; Leonel Castellani; David Peterson; J. Scott Campbell with Nei Ruffino; Sara Pichelli with Justin Ponsor; Jeff Smith with Tom Gaadt; and Dale Keown with Jason Keith
28pp, Color, $3.99 (September 2014)

Rocket Raccoon created by Bill Mantlo and Keith Giffen

Rated T

“A Chasing Tale” Part 1

Rocket Raccoon, the space-based Marvel Comics superhero created by writer Bill Mantlo and artist Keith Giffen (first appearing in Marvel Preview #7 – cover dated: Summer 1976), received a snazzy makeover in 2008.  He's verbose, proactive, and doesn't mind popping a cap in sentient ass.  He even recently received his first ongoing comic book series, Rocket Raccoon, written and drawn by Skottie Young and colored by Jean-Francois Beaulieu.  This is also the first ongoing comic book series both written and drawn by Young.

Rocket Raccoon #1 (“A Chasing Tale” Part 1) opens three years in the past, showing how Rocket rescued Amalya, who would apparently become his girlfriend.  Moving to the present, Rocket is on Planet Nivlent, where Rocket's Guardians of the Galaxy teammate, Groot (a sentient tree-like creature), is fighting in a wrestling match.  It is there that Rocket discovers that he is a wanted man... err... raccoon... hmm... being.  In fact, Rocket is wanted for committing several murderers, which he doesn't remember committing.

I really didn't care for Rocket Raccoon #1 after reading the first 11 pages.  When the story brings in Rocket's Guardians teammate, Star-Lord, the story changes into something fun and exciting.  The energy in the story simply explodes.  I can say that the art for the entire issue is fantastic.  Skottie Young and Jean-Francois Beaulieu are a match made in comic book heaven.

There is a Saturday morning cartoon quality to the art that really takes off in the second half.  From a graphical standpoint, Rocket Raccoon #1 doesn't really look like a Marvel comic book.  In fact, Skottie Young doesn't seem like a Marvel Comics artist, which makes this Rocket Raccoon comic book look like an indie book put out by Oni Press or Top Shelf Productions.  For Marvel Comics fans, however, Rocket Raccoon looks like it will be something different, and the Marvel Universe could use a little different – something that does not look standardized.

B+

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: JUSTICE LEAGUE #5

JUSTICE LEAGUE #5
DC COMICS

WRITER: Geoff Johns
PENCILS: Jim Lee
INKS: Scott Williams
COLORS: Alex Sinclair with Gabe Eltaeb
LETTERS: Patrick Brosseau
COVER: Jim Lee and Scott Williams, with Alex Sinclair
VARIANT COVER: Eric Basaldua with Nei Ruffino
40pp, Color, $3.99 U.S.

The subject of this comic book review is Justice League, the flagship title of “The New 52,” DC Comics’ re-launch of its superhero comic book line, which began August 2011. As I’ve done in previous reviews of this new Justice League series, I come in praise of it.

In the previous issue, Darkseid was revealed as the villain behind the worldwide invasion of earth by alien/extra-dimensional forces. As Justice League #5 (“Part Five”) opens, Superman and Flash are taking their shots at Darkseid – to no avail. Batman and Green Lantern agree to a truce in their petty rivalry as The Dark Knight hatches a plan for a rescue mission. Meanwhile, Green Lantern leads the charge of the heroes still standing.

As I learn to enjoy Geoff Johns, at least while I’m reading Justice League, I also realize that he has stretched this story beyond reason. After five issues, Johns has written what would have been about a single issue’s worth of story for Stan Lee back in the 1960s. Of course, Lee’s frequent collaborator, artist Jack Kirby, would have squeezed the action into smaller panels than the ones drawn by Johns’ Justice League collaborator, artist Jim Lee.

Honestly, I would not still be reading this if not for Jim Lee. (I love you, Jim Lee!) As long as he is drawing it, I’m down. Well, I didn’t read his Superman arc with writer Brian Azzarello, because reading it bored me severely.

For extras, there are two pages of Wonder Woman sketches by Cliff Chiang, two of Aquaman by Ivan Reis, and two pages of Cyborg by Jim Lee. There is also a two-page sneak peek of Suicide Squad #6-7, with art by Clayton Henry.

B+

The New 52 Review: GREEN LANTERN: NEW GUARDIANS #1

"Lord of the Rings"

GREEN LANTERN: NEW GUARDIANS #1
DC COMICS

WRITER: Tony Bedard
PENCILS: Tyler Kirkham
INKS: Batt
COLORS: Nei Ruffino
LETTERS: Dave Sharpe
COVER: Tyler Kirkham, Batt, and Rod Reis
32pp, Color, $2.99 U.S.

Kyle Rayner first appeared in Green Lantern (Vol. 3) #48 (cover date January 1994). He replaced Hal Jordan as the Green Lantern (of Sector 2814) and held that position until the events of the miniseries, Green Lantern: Rebirth. Now, Rayner returns to Green Lantern status – Green Lantern of Sector 2814.4. With “The New 52,” DC Comics’ re-launch of its superhero line, Rayner headlines Green Lantern: New Guardians.

As Green Lantern: New Guardians #1 (“Part One”) opens, something bad has happened on Oa, and the Guardian, Ganthet, plans on making something good come of it. He chooses down-on-his-luck commercial artist, Kyle Rayner, as the latest member of the Green Lantern Corps. Meanwhile, power rings that tap into different portions of the emotional spectrum are decommissioning and abandoning their owner/wearers. So who is the replacement wearer for all these rings?

Apparently, Green Lantern: New Guardians is a team book starring Kyle Rayner (the Green Lantern of Sector 2814.4?) and representatives of each of the Corps that tap into a particular portion of the emotional spectrum. I can see this becoming my favorite Green Lantern series, even as much as I (thus far) like Green Lantern Corps. Series writer Tony Bedard injects humor, giving the portion of the Green Lantern mythos that he will direct a tweak without tearing it down to build something new.

Unlike the artists of Green Lantern and Green Lantern Corps, New Guardians artist Tyler Kirkham is not trying to emulate Brian Bolland. Kirkham honed his skill in a Michael Turner mini-factory, and while his style still shows the influence of the late Mr. Turner, Kirkham can draw and has an imaginative sense of composition. There are a few very nice splash pages and double-page spreads, and also a way-cool body shot of the Star Sapphire known as Fatality.

Green Lantern: New Guardians essentially says that when it comes to Green Lantern comic books, three’s company – not a crowd.

B+

September 28th
AQUAMAN #1
http://ireadsyou.blogspot.com/2011/10/aquaman-1.html
BATMAN THE DARK KNIGHT #1
http://ireadsyou.blogspot.com/2011/10/batman-dark-knight-1.html
BLACKHAWKS #1
http://ireadsyou.blogspot.com/2011/10/blackhawks-1.html
FLASH #1
http://ireadsyou.blogspot.com/2011/10/flash-1.html
I VAMPIRE #1
http://ireadsyou.blogspot.com/2011/10/i-vampire-1.html
JUSTICE LEAGUE DARK #1
http://ireadsyou.blogspot.com/2011/10/justice-league-dark-1.html
SUPERMAN #1
http://ireadsyou.blogspot.com/2011/10/superman-1.html
TEEN TITANS #1
http://ireadsyou.blogspot.com/2011/10/teen-titans-1.html
VOODOO #1
http://ireadsyou.blogspot.com/2011/10/voodoo-1.html

The New 52 Review: BIRDS OF PREY #1

"The Bad Girls Club - Gotham"

BIRDS OF PREY #1
DC COMICS

WRITER: Duane Swierczynski
ARTIST: Jesus Saiz
COLORS: Nei Ruffino
LETTERS: Carlos M. Mangual
32pp, Color, 2.99 U.S.

Birds of Prey began as a 1995 one-shot comic book entitled Black Canary/Oracle: Birds of Prey. The series followed the adventures of Oracle, the former Batgirl Barbara Gordon who was wheelchair bound and Dinah Lance AKA Black Canary. With the re-launch of DC Comics superhero line, “The New 52,” Birds of Prey returns in a new series with Black Canary in the lead and Ev Crawford AKA Starling her partner.

Birds of Prey #1 (“Let Us Prey”) opens in Gotham City. Gotham Gazette reporter, Charlie Keen, has been tracking Black Canary for two weeks, and the “source” for his info on Black Canary has led him to church. However, this wild-goose chase has also led him into a trap, or perhaps Charlie’s just bait to lure Canary and Starling into a trap. Or maybe they’re the bait.

Birds of Prey scribe Duane Swierczynski has fashioned a brisk crime thriller filled with snappy dialogue, crisp flashbacks, and slick action set pieces. It feels more like 100 Bullets than a superhero comic book, at least for this debut issue. Artist Jesus Saiz does his best Steve Dillon, which may be why this also feels like Garth Ennis-lite, which isn’t a bad thing.

I like to give a superhero comic book credit for being clever. The Birds of Prey creators may also deserve credit for giving superheroes a Vertigo spin that won’t alienate Birds of Prey from the rest of The New 52.

B+

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
BLUE BEETLE #1
http://ireadsyou.blogspot.com/2011/10/blue-beetle-1.html
CATWOMAN #1
http://ireadsyou.blogspot.com/2011/09/catwoman-1.html
DC UNIVERSE PRESENTS #1
http://ireadsyou.blogspot.com/2011/10/dc-comics-presents-1.html
GREEN LANTERN CORPS #1
http://ireadsyou.blogspot.com/2011/10/green-lantern-corps-1.html
LEGION OF SUPER HEROES #1
http://ireadsyou.blogspot.com/2011/10/legion-of-super-heroes-1.html
NIGHTWING #1
http://ireadsyou.blogspot.com/2011/09/nightwing-1.html
RED HOOD AND THE OUTLAWS #1
http://ireadsyou.blogspot.com/2011/09/red-hood-and-outlaws-1.html
SUPERGIRL #1
http://ireadsyou.blogspot.com/2011/10/supergirl-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html