Review EMPRESS #1

EMPRESS No. 1
MARVEL COMICS/Icon – @Marvel

[This review was originally posted on Patreon.]

WRITER: Mark Millar – @mrmarkmillar
PENCILS: Stuart Immonen
INKS: Wade von Grawbadger
COLORS: Ive Svorcina
LETTERS: Peter Doherty
COVER: Stuart Immonen and Wade von Grawbadger with Dave McCaig
VARIANT COVERS: Stuart Immonen; Stuart Immonen with Dave McCaig; Skottie Young; Steve McNiven with Ive Scorvina; Sean Gordon Murphy with Marte Gracia
28pp, Color, $3.99 U.S. (June 2016)

Rated T+

Empress is a new comic book series created by writer Mark Millar and artist Stuart Immonen.  The series focuses on the wife of a ruthless galactic conqueror and her bid to escape with their children.  Empress will apparently be comprised of three six-issue story arcs.  Empress is written by Millar, drawn by Immonen (pencils) and Wade von Grawbadger (inks); colored by Ive Svorcina; and lettered by Peter Doherty.

Empress #1 opens on Earth 65 million years ago during the time of Earth's first rulers.  This is a civilization lost to us when people lived in gleaming cities at the same time dinosaurs still existed.  King Morax is the merciless ruler who executes his citizens with impunity.  His wife, Queen Emporia, has seen enough of her husband's monstrous ways.  She plots to take her three children:  a brash teenage daughter, Aine; a bookish 'tween son, Adam; and an infant son, Puck.  Loyal Captain Dane Havelock will pilot their escape ship, but even his skills may not be enough to keep them from the reach of King Morax.

In press interviews to promote Empress, Mark Millar said that he wanted to do a sci-fi comic book that was fun.  He wanted Empress to be more in line with the original Star Wars (1977) and not like Ridley Scott's Alien (1979), a dark and edgy tale that has been influential on modern science fiction films.  And yes, Empress is fun – very fun.

With its dinosaurs, gleaming cities, a merciless ruler, and interstellar travel, Empress recalls Alex Raymond's comic strip, Flash Gordon, and Edgar Rice Burroughs' seminal planetary romance, the Barsoom series (also known as John Carter of Mars).  Both Flash Gordon and John Carter were obviously influential on the space opera, Star Wars, which informs Empress to some extent.

At this early point in the narrative, the characters are largely unknown, but Millar gives us a clear, basic explanation of the lead characters' motivations.  What really thrills at this point is the sparkly art by Immonen, von Grawbadger, and Svorcina.  The graphical storytelling is clean, spectacular though not complex, and, quite frankly, pretty.

So, yeah, I'm recommending Empress.  I enjoyed this first issue more than I did the first issues of other recent Millar comics, Chrononauts and Huck.

A-

http://www.millarworld.tv/

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Marvel Comics from Diamond Distributors for July 15, 2015

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I Reads You Review: SECRET WARS #1

SECRET WARS #1 (OF 8)
MARVEL COMICS – @Marvel

WRITER: Jonathan Hickman
ARTIST: Esad Ribic
COLORS: Ive Svorcina
LETTERS: Chris Eliopoulos
COVER: Alex Ross
VARIANT COVERS: Simone Bianchi with Simone Peruzzi; Jim Cheung with Justin Ponsor; John Tyler Christopher; Amanda Conner with Paul Mounts; Butch Guice with Andy Troy; Esad Ribic; Skottie Young; Chip Zdarsky
56pp, Color, $4.99 U.S. (July 2015)

Part 1: “End Times”

Almost four years ago, DC Comics re-launched its comic books line, an event called “The New 52.”  That's over, already.  Marvel Comics did semi-relaunches, under the banner “All-New.”  Well, now Marvel is going all in this fall when every comic book restarts with a #1 issue, in addition to the apparent debut of some new titles.

DC Comics heralded “The New 52,” with a five-issue miniseries and publishing event entitled “Flashpoint.”  Marvel's event herald is “Secret Wars.”  Yes, indeed, everything old is remade again, and Marvel's notorious 1984 twelve-issue comic book miniseries, Marvel Super Heroes Secret Wars get a portion of its title re-purposed.  Worlds, universes, and even characters die in the eight-issue miniseries, Secret Wars, written by Jonathan Hickman, drawn by Esad Ribic, colored by Ive Svorcina, and lettered by Chris Eliopoulos, with painted covers by Alex Ross.

Secret Wars #1 (“End Times”) opens with Doctor Doom, Doctor Strange, and Molecule Man facing... “Beyond.”  The multiverse is dying, and there are only two universes left.  One is the universe of Earth-1610 (the Ultimate Universe), and the other is the universe of Earth-616 (the Marvel Universe).  One is invading the other; super-powered types will battle.  Super-powered types will die, and so will a universe... or two.

Reading Secret Wars #1 is only half as painful as reading Avengers & X-Men: Axis #1 was for me.  Secret Wars does have its moments in which I genuinely cared about the peril faced by the characters, at least some of them.  What I genuinely love about Secret Wars #1 is the beautiful art by Esad Ribic and Ive Svorcina.

I have always admired Ribic, even when he replaced my beloved Steve Rude on X-Men: Children of the Atom (way back in the 1990s).  Here, Ribic and Svorcina deliver some potent, striking images, and it is their storytelling that really makes this graphic narrative work, more so than Hickman's script.  Hickman puts a snide remark in Rocket Raccoon's mouth about those comic book from decades ago that had a one-dollar cover price.  Yeah, some did suck, but you usually got a complete story in a single issue.  Let's see current comics superstar Jonathan Hickman pull that off.

B+

[This book includes a preview of The Uncanny Inhumans #0” by Charles Soule, Steve McNiven, Jay Leisten, Justin Ponsor, and VC's Clayton Cowles.]

Reviewed by Leroy Douresseaux; support on Patreon.


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Review: "The Uncanny Inhumans #0" Has Soule Power

THE UNCANNY INHUMANS #0

WRITER: Charles Soule
PENCILER: Steve McNiven
INKER: Jay Leisten
COLORIST: Justin Ponsor
LETTERER: VC's Clayton Cowles
COVER: Steven McNiven with  Justin Ponsor
VARIANT COVERS: Simone Bianchi; Jim Cheung; Jerome Opena; Siya Oum; Mike Perkins with Christian Ward

“Things to Come” Double-Page Spread by Brandon Peterson

“End Times”

Marvel has been pumping up the Inhumans for a while.  They have been popping up all over the Marvel Universe.  Inhumans and Ms. Marvel have been two good additions to the Marvel line-up of series.  Now, they give us The Uncanny Inhumans.  Everybody is “uncanny” these days.  I can't wait until the Uncanny Power Pack hits the stands.

Back to the reason for this review:  As an appetizer for the main course, The Uncanny Inhumans #0 left my mouth watering.  Charles Soule subtly foreshadows future conflicts that Black Bolt and the Inhumans will be facing.  Just in this issue, we get to see some street level crime, some royal family drama, father-son conflict, and an evil master of time.  Soule piqued my interest with each of these story lines.

With Black Bolt, a writer has to use other characters and events to direct us through the story line.  Even then, we can only assume what Black Bolt's intentions are in relation to the true direction of the story.  Medusa claims that she knows what Black Bolt is thinking, but who really knows.  Black Bolt is the biggest mystery in his own stories.  Soule uses this aspect of the character to build our anticipation of coming events.  Oh, yeah!  Black Bolt is an awesome “insert your own slang.”  Mine included a lot of profanity and bureaucrat was not one.

As a “0” issue, this has been one of the best reads in awhile, and Soule was effective in his use of what is basically a preview of things to come.  Most of the time, “0” issues are epic fails, and I don't like to waste energy on them.

“Evolution”
Writer: Ryan Stegman; Artist: Ryan Lee; Colors: James Campbell

Marvel was so kind as to give us a bonus feature in The Uncanny Inhumans #0.  Like we are willing to give $5 for anything they deem worthy.  This was a cool back-up featuring Iso and Flint.  We get good action, and the characters reach turning points in their lives.  This story added a different flavor to the issue.  The issue just keeps drawing you into the Inhuman universe.

This is the book for all comic book art aficionados.  Give all the artists who worked on this issue their credit.  You go through page after page of beautiful Steve McNiven art; then, BAM! you get hit with the Brandon Peterson spread.  This is the kind of art that makes you feel like you owe Marvel some money.  I wonder if Peterson saw McNiven's art before he did his spread and knew he had to turn up.  Wait.  I'm going back and look at this book again.

I rate this issue “Buy Your Own Copy” (#2 on the Al-o-Meter), and the art alone is worth every penny!

Reviewed by Albert Avilla

The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: S.H.I.E.L.D. #1

S.H.I.E.L.D #1
MARVEL COMICS – @Marvel

WRITER: Mark Waid
PENCILS: Carlos Pacheco
INKS: Mariano Taibo with Jason Pax
COLORS: Dono Almara
LETTERS: VC's Joe Caramagna
COVER: Julian Totino Tedesco
VARIANT COVERS: Mahmud Asrar with Dono Almara; John Tyler Christopher; Mike Deodato with Edgar Delgado; David Marquez with Laura Martin; Steve McNiven with Marte Gracia; Sara Pichelli with Dono Almara; Valerio Schiti with Laura Martin; Ryan Stegman with Rom Fajardo; Skottie Young
36pp, Color, $4.99 U.S. (January 2015)

Rated “T+”

S.H.I.E.L.D created by Stan Lee and Jack Kirby

“Perfect Bullets”

S.H.I.E.L.D. is a fictional espionage, law-enforcement, and counter-terrorism agency that appears in Marvel Comics titles.  The agency often deals with paranormal and super-human threats.  This agency was created by Stan Lee and Jack Kirby and first appeared in Strange Tales #135 (cover dated: August 1965).  The acronym, S.H.I.E.L.D., originally stood for “Supreme Headquarters, International Espionage, Law-Enforcement Division,” but  changed in 1991 to “Strategic Hazard Intervention Espionage Logistics Directorate.”

S.H.I.E.L.D. plays a prominent role in the films and television series (live-action and animated) that are part of the “Marvel Cinematic Universe.”  Currently, the S.H.I.E.L.D. acronym stands for “Strategic Homeland Intervention, Enforcement and Logistics Division.”

S.H.I.E.L.D. is the star of an ABC television series, “Marvel's Agents of S.H.I.E.L.D.”  On the last week of the 2014, Marvel Comics launched a new S.H.I.E.L.D. comic book series.  Mark Waid will write the series with the art provided by a rotating roster of popular comic book artists, beginning with the first issue's penciller, Carlos Pacheco.

S.H.I.E.L.D. #1 (“Perfect Bullets”) introduces Phil Coulson, the star of the ABC series.  This is his first day on the job as S.H.I.E.L.D. Special Ops Supreme Commander, and waiting for him is a full-on invasion of Earth.  It seems that the hordes of the “Norse World” (Thor's stomping grounds) have arrived on Earth to unleash some destruction.

Captain America, Iron Man, The Hulk, Black Knight, Blue Marvel, Hercules, Hyperion, Nova, Sunfire, Valkyrie, and The Vision have their hands full.  So it's up to Coulson to head to Sharzhad, a country beset by terrorists, and one of those terrorists may be the reason for the invasion.  Now, Coulson will need to align the “perfect bullets” to save the day.

I picked up a copy of S.H.I.E.L.D. #1 because I knew a friend of mine would like to read it.  After reading it, he didn't seem impressed.  I'm not, either.

S.H.I.E.L.D. #1 isn't a bad read.  It's just nothing special or even worthy of much notice.  I have said this in other reviews I've written:  when Mark Waid is good, he's really good, but when he is not, he is mediocre.  I won't call him mediocre on S.H.I.E.L.D. #1, but he is in the sub-par zone.

S.H.I.E.L.D. is up to the third issue, as of the last time I looked.  I might try another issue, especially as characters from the ABC series will appear in the comic book.

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

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Marvel Comics from Diamond Distributors for November 19, 2014

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Marvel Comics from Diamond Distributors for October 29, 2014

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Marvel Comics from Diamond Distributors for October 8, 2014

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AUG140718     AVENGERS AND X-MEN AXIS #1     $4.99
AUG140850     CAPTAIN MARVEL #8     $3.99
JUL140729     CAPTAIN MARVEL TP VOL 01 HIGHER FURTHER FASTER MORE     $17.99
JUL148456     DARK TOWER DRAWING THREE PRISONER #1 2ND PTG VAR     $3.99
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MAY140930     HAWKEYE TP VOL 03 LA WOMAN     $15.99
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AUG140865     MARVEL UNIVERSE AVENGERS ASSEMBLE #13 SYU     $2.99
JUL140738     MARVELS COMPANION TP     $39.99
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AUG140878     X-FORCE #10     $3.99
JUL140732     X-MEN TP VOL 03 BLOODLINE     $17.99

I Reads You Review: DEATH OF WOLVERINE #1

DEATH OF WOLVERINE #1 (OF 4)
MARVEL COMICS – @Marvel

WRITER:  Charles Soule
PENCILS:  Steve McNiven
INKS:  Jay Leisten
COLORS:  Justin Ponsor
LETTERS: Chris Eliopoulos
COVER:  Steve McNiven and Jay Leisten with Justin Ponsor
56pp, Color, $4.99 U.S. (November 2014)

Rated T+

Part One: “The End”

Marvel Comics is killing Wolverine.  How long will he remain dead?  I guess that is not really the point.  I'm just supposed to enjoy the event miniseries in which Wolverine dies.  Entitled Death of Wolverine, it is written by Charles Soule, pencilled by Steve McNiven, inked by Jay Leisten, colored by Justin Ponsor, and lettered by Chris Eliopoulos.

Death of Wolverine #1 (“The End”) opens in the backwoods of British Columbia; the time is now.  Logan/Wolverine is dying because he has lost his healing factor.  Now, he cannot heal supernaturally fast after being injured in his frequent battles, fights, duels, etc., so it has taken a toll on his body.  Mr. Fantastic (Reed Richards of the Fantastic Four, of course) has told Logan that he can find a way to reactivate his healing factor, but it will take time.

Logan does not have that time.  People are coming after Wolverine to kill him.  In fact, here come some guys now.

I wanted to be cynical.  Killing Wolverine?  Ha!  He'll be back real soon.  Still, one look at that card stock cover for Death of Wolverine #1, with its snazzy graphic design and beautiful (of course) Steve McNiven art, and I was sold on this miniseries.  The story, by the impressive Charles Soule, is downbeat and downright depressing.  The wonderfully detailed line work and texture by McNiven, the precise and artful inking by Leisten, and the glorious hues of colorist Justice Ponsor make the story even more heartbreaking.  There is a real sense of finality to this tale... thus far.

Hey, the extras are cool!  I love the generous helping of McNiven sketchbook material.  Len Wein uses his interview to give props to the late Dave Cockrum.  Gotta love that.  Yeah... I didn't think that I would end up looking forward to the Death of Wolverine miniseries, but I am, even as I (surprisingly) dread the death of Wolverine.

A-

Death of Wolverine includes bonus material:

• sketches and other preliminary art for the series by Steve McNiven
• commentary by McNiven
• an interview with Wolverine co-creator Len Wein that includes art from The Incredible Hulk #181 (Wolverine's first full appearance)
• Death of Wolverine #1 – Director's Cut, which includes pages from the script for issue #1 with pencil, ink, and color versions of art from the first issue

----------------------------
Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Marvel Comics from Diamond Distributors for September 3, 2014

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JUN140707     ALL NEW DOOP #5     $3.99
JUL140702     ALL NEW X-FACTOR #13     $3.99
JUL140626     AVENGERS WORLD #12     $3.99
JUL140654     BLACK WIDOW #10     $3.99
JUL140611     CAPTAIN AMERICA #24 MTAX     $3.99
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Albert Avilla Reviews: Avengers #1

Avengers #1
Marvel Comics

Reviewed by Albert Avilla

Writer: Jonathan Hickman
Artist: Jerome Opena
Cover: Dustin Weaver and Justin Ponsor
Variant Covers: Steve McNiven and Justin Ponsor; Esad Ribic

“Avenger’s World” (Spoilers!)
Now, I know why the #1 on the cover is so big. Sometimes you like something, but you don’t know why. This is one of those times for me. I can’t say that the action was on a grand scale; The Avengers got their butts beat down.

The villains do seem to be interesting, but they are not beyond what we have come to expect. They are very powerful, and they took the Avengers out in a minute; they will be a challenge for the Avengers to defeat. They are new and fresh, and they are the worst kind of villains, beings who think that humans are primitives and that they are working for the good of mankind.

The dialogue is good stuff, but it’s just basic characters interacting with each other. Jonathan Hickman gives the events of this story a sense of historic significance. We get the feel that this is a major turning point in the history of the Universe. The Avengers are presented as legendary heroes whose myths go beyond their actual deeds. These are modern day George Washingtons and Geronimos whose legends have outgrown the real people. This is the beginning of an epic story. Hickman has set the stage for greatness; I hope that he is able to deliver.

Jerome Opena’s art is signature. It stands out in the crowd. Iconic characters and iconic scenes are found throughout the book. The art adds to the grandiose quality of the story.

I rate Avenger # 1 Buy Your Own Copy. #2 (of 5) on the Al-O-Meter Ranking.

I Reads You Review: AVX: VERSUS #2

AVX: VERSUS #2 (OF 6)
MARVEL COMICS

WRITERS: Steve McNiven, Kieron Gillen
PENCILS: Steve McNiven, Salvador Larroca
INKS: John Dell, Salvador Larroca
COLORS: Morry Hollowell, Jim Charalampidis
LETTERS: VC’s Joe Caramagna
COVER: Salvador Larroca
32pp, Color, $3.99 U.S.

Rated: T+

Avengers Vs. X-Men was Marvel Comics’ most recent, big event, crossover series. The final issue was just released, but I mostly ignored the entire thing except for reading the #0 and #1 issues. However, I was recently going through a box of comic books given to me by fellow comics aficionado and comic book reviewer, Albert Avilla, when I came across AVX: VS #2.

I was confused by the title. Was this Avengers Vs. X-Men? But the first page of this comic book explains it all. This is Avengers versus the X-Men, but instead of big, sprawling team brawls, AVX: VS features one-on-one battles between individual members of the Avengers and the X-Men. To paraphrase the introduction: it’s not about plot, but about two superheroes pounding the snot out of each other. AVX: VS is a six-issue, tie-in miniseries to the main event, but even more than the main series, AVX: VS is pure fight comics.

AVX: VS #2 has two heavyweight bouts – Match 3 and 4 of this series. First, Avenger Captain America takes on X-Man, Gambit, in a story written and penciled by Steve McNiven with inks by John Dell. Then, Avenger, the Amazing Spider-Man, takes on a Juggernaut-enhanced Colossus of the X-Men in a story written by Kieron Gillen and drawn by Salvador Larroca.

I thought that Steven McNiven’s delicate line work and intricate cross-hatching would not work when trying to depict a fight between two superheroes that seem to be in constant motion. However, refined lines and precise cross-hatching are perfect for capturing combatants in static images with grace and beauty. When the panels are connected in the way that comics are read, this gracefully rendered artwork creates the illusion that these two characters are in motion and are fighting.

Salvador Larroca is quite good at drawing the exaggerated anatomy that has practically been the standard over the better part of the last three decades. It’s usually a mixed bag with Larroca. Sometimes, his superhero figure drawing looks ugly or even anal in its delineation of every nook and cranny of bulging muscles. Other times, Larroca gets it just right, as he does here.

He captures the inherent gangly nature of Spider-Man’s physique while giving him the grace of a dancer and the precise skill of an acrobat. Larroca turns Colossus into a body-building mass of destruction and transforms his body into a force of nature driven by muscle power. The second and third pages of the Spider-Man/Colossus bout form a double-page spread that encapsulates how fittingly Larroca depicts the two characters.

Story? Who needs story with fight comic book art like this?

B

Reviewed by Leroy Douresseaux

I Reads You Review: Millar & McNiven's NEMESIS

MILLAR & MCNIVEN’S NEMESIS
MARVEL COMICS/ICON

WRITER: Mark Millar
ARTIST: Steve McNiven
COLORS: Dave McCaig
LETTERS: Chris Eliopoulos
EXTRA ART: Leinil Francis Yu, John Cassaday, and Mark Millar
ISBN: 978-0-7851-4865-4; hardcover
112pp, Color, $19.99 U.S., $22.50 CAN

Nemesis is a four-issue comic book miniseries from the team of writer Mark Millar and artist Steve McNiven. Millar and McNiven produced two hugely popular Marvel event projects: Civil War, a six-issue series that was the impetus for a line-wide event, and the graphic novel, Wolverine: Old Man Logan (originally serialized in Wolverine Vol. 3 #66-72 and Wolverine Giant-Size Old Man Logan).

Nemesis is a creator-owned title that Marvel Comics published in 2010 under its Icon imprint. The four issues are collected in a hardcover volume entitled, Millar & McNiven’s Nemesis. This book has a dust jacket and includes Millar’s afterword from Nemesis #1, the variant covers from all four issues (including a cool one by Millar), a script-to-art comparison, and advertisements for two other Millar comic book projects (Superior and Kick-Ass 2).

The series focuses on two characters. The first is a Batman-like character, called “Nemesis,” who uses his skills, resources, wealth, and whatever super powers and abilities he has for evil rather than for good. Nemesis is very much like the Heath Ledger Joker in Christopher Nolan’s Batman movie, The Dark Knight (2008). What if a cool billionaire with all those planes, cars and gadgets, put on a mask and waged war on the forces of law and order, Millar asks.

The second character is Nemesis’ target and opponent, Chief Blake Morrow, the Chief of Police of Washington D.C. He is like Clint Eastwood’s “Dirty Harry” Callahan and Bruce Willis’ John McClane (from the Die Hard movies) blended into Commissioner James Gordon from the Batman comics. Plus, he is a staunch, conservative (pro-life, anti-gay) Catholic.

The story depicts Nemesis’ campaign against D.C. as part of a bid to be the winner in a small war he is waging against Morrow. Nemesis’ reign of terror leaves untold numbers of civilians dead and creates collateral damage (mostly among Morrow’s family, friends, and coworkers). Morrow believes Nemesis is seeking revenge against him because the villain claims to be Matthew Anderson, the only child of a couple whose depraved crimes where revealed by Morrow. As he gets closer to Nemesis, however, Morrow wonders what is true and what is just gamesmanship when it comes to Nemesis, the world’s only super-criminal.

I love a great villain – from Iago to Hannibal Lector: the conniving, brilliant, and/or genius types. I rooted for Heath Ledger’s Joker in The Dark Knight, and it is hard not to love the X-Men’s Magneto.

Nemesis features a criminal genius and super-villain whose arrogance is as alluring as it is hilarious. In a series that offers some pretty deranged scenes, Nemesis’ best moments have the villain killing cops and other law enforcement and authority types. I don’t see Nemesis as a guilty pleasure or sinful delight because I don’t feel guilty about loving it so much, although if I am honest, perhaps it is a sin to take such delight in the depiction of cops getting killed by the dozens.

Millar paints the characters in broad strokes throughout the series, but the sharp dialogue makes them likeable, nonetheless. Steve McNiven’s art, from the standpoint of style, is acceptable, though it makes me wonder why he is so acclaimed. However, McNiven’s storytelling and page design are why this story is an action-packed page-turner that is tense even where there isn’t brutal action splashed across the page.

I read Millar & McNiven’s Nemesis in one sitting, flipping pages as if my life depended upon it. My life doesn’t depend on a sequel, but my life would be better in those moments when I’m reading a sequel.

A

Marvel Comics from Diamond Distributors for June 22 2011

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CLiNT #1 Goes Back to Press with New Cover

MARK MILLAR’S CLiNT #1 SELLS OUT, SECOND PRINTING ANNOUNCED BY TITAN!

 

The first issue of Mark Millar's brand new comic anthology, CLiNT, has sold out! To meet retailer demand, Titan publishing has announced a second printing with a fabulous new Kick-Ass cover, that is sure to become a collector’s item.

CLiNT is the brand new 100-page monthly magazine from Kick-Ass creator Mark Millar and leading entertainment publisher Titan, showcasing brand new comics alongside news, features and interviews, with a mix of celebrity contributors and hot new talent.

CLiNT #1, which launched early September, boasting the first-look at Mark Millar and John Romita Jr.'s Kick-Ass 2, has flown off shelves. This first hit issue also includes the start of Nemesis, by Millar and Steve McNiven, and sees two of the UK’s most outspoken TV personalities present their comic debuts.

Turf, by Jonathan Ross and acclaimed artist Tommy Lee Edwards, mixes vampires, aliens and gangsters in a slick period thriller. While Rex Royd, by comedian Frankie Boyle, introduces “The Renaissance Man of Madness” in a spectacular supervillain strip.

Retailers will be able to order copies of the second printing of CLiNT #1 with this fabulous new Kick-Ass cover from this weeks PREVIEWS Plus and December’s Diamond PREVIEWS. For more information visit www.previewsworld.com.

Orders for CLiNT issue #6, which includes the latest installment of Kick-Ass 2 is also listed in December’s Diamond PREVIEWS and retailers are advised to increase their orders to meet the anticipated demand.

For more information on CLiNT, visit: http://www.clintmag.com/

CLiNT #1 trailer: http://www.youtube.com/watch?v=KCRL5PLM7Yo

Connect with CLiNT: http://www.twitter.com/CLiNTmag and http://www.facebook.com/CLiNTmag

Promotional Trailer for Mark Millar's CLiNT on YouTube

The following is a press release about Mark Millar's upcoming anthology magazine, entitled CLiNT:

PROMO TRAILER FOR MARK MILLAR'S NEW COMIC BOOK, CLiNT!


CLiNT is a new comic book from the creator of Kick-Ass, Mark Millar!

A 100-page monthly magazine featuring comic strips from Mark Millar, John Romita JR, Steve McNiven, Tommy Lee Edwards, Jonathan Ross, Frankie Boyle and exclusive stories from the best new comic talent! Plus, interviews & features from movies, games, TV and more!

Click here to view the trailer:
http://www.youtube.com/watch?v=KCRL5PLM7Yo

CLiNT #1
On-sale September 2, 2010. Available from all good retailers and specialist comic stores.

For future exclusive information on CLiNT, join:
http://www.twitter.com/CLiNTmag
http://www.facebook.com/clintmag

I Reads You Review: Nemesis #1

NEMESIS #1

MARVEL COMICS/ICON

WRITER: Mark Millar

ARTIST: Steve McNiven

COLORS: Dave McCaig

LETTERS: Chris Eliopoulos

COVERS: Steve McNiven and Leinil Francis Yu

Nemesis is the new comic book miniseries from the team of writer Mark Millar and artist Steve McNiven. The duo produced the hugely popular Marvel event series, Civil War, and the graphic novel, Wolverine: Old Man Logan (originally serialized in Wolverine 66-72). Nemesis is a planned four-issue series that is being published under Marvel Comics’ Icon imprint.

As Millar has stated in press coverage for this comic book, Nemesis #1 introduces a Batman-like character, called “Nemesis,” who uses his skill, resources, and whatever super powers and abilities he has for evil rather than for good. What if this cool billionaire with all those planes, cars and gadgets, put on a mask and waged war on the forces of law and order, Millar asks. The story begins with Nemesis dispatching a famous police chief in Tokyo. Afterwards, Nemesis heads to Washington D.C. to engage his next opponent, Chief Blake Morrow, the Chief of Police of the nation’s capitol.

The cover of Nemesis #1 carries a large caption that reads “MAKES KICK-ASS LOOK LIKE $#IT.” I don’t know about that. Kick-Ass, Mark Millar’s previous Icon comic book which recently concluded, is some pretty deranged $#it AND very entertaining, but I am already a fan of this new comic book. I rooted for Heath Ledger’s Joker in The Dark Knight and I love a great villain, especially one who has the pigs… I mean, law enforcement quaking in their boots.

It’s a fun read. Millar paints the characters in broad strokes, and in police Chief Blake Morrow, Millar has created a Clint Eastwood-Dirty Harry type who deserves to be taken down a peg or two or ten. Steve McNiven’s art is acceptable, though it makes me wonder why he is so acclaimed. Dave McCaig’s coloring is horrid. Still, I really like this comic book and can’t wait for the next issue.

B+