I Reads You Review: HAWKEYE #1

"Hawkeye: Year One?"
HAWKEYE #1
MARVEL COMICS

WRITER: Matt Fraction
ARTIST: David Aja
COLORS: Matt Hollingsworth
LETTERS: Chris Eliopoulos
COVER: David Aja with Matt Hollingsworth; variant cover by Adi Granov; Pasqual Ferry with Matt Hollingsworth
28pp, Color, $2.99 U.S.

Hawkeye is a Marvel Comics superhero character and the Marvel Universe’s most prominent archer, marksman, and sharpshooter. Created by Stan Lee and Don Heck, Hawkeye, whose civilian identity is Clint Barton, first appeared in Tales of Suspense #57 (September 1964 cover date). He first appeared as a member of the Avengers in Avengers #16 (May 1965 issue).

Marvel’s The Avengers movie is a shocking worldwide box office success. With the appearance in the film of a spiffy-looking Hawkeye, it was a no-brainer that Marvel Comics would try out the character in his own new comic book series. Hawkeye (2012) is written by Matt Fraction, drawn by David Aja, and colored by Matt Hollingsworth.

Hawkeye #1 opens in New York City and finds Hawkeye/Clint Barton having some serious health issues. After healing, Clint returns to his apartment in Bedford-Stuyvesant (Bed-Stuy), where he finds the real trouble. His Russian landlord is bringing pressure on Clint and the other tenants. When Clint tries to save the day and to make a deal with these Russian heavies, things get bad – for our Avenger and a cute dog.

If Hawkeye #1 seems familiar, it’s the highly-stylized riff on Frank Miller and David Mazzuchelli’s Batman: Year One that plucked your memory. Hawkeye even comes across as being similar to Bullseye from Miller’s famous run on Marvel’s Daredevil comic book series in the early 1980s. That aside, this first issue of Hawkeye is more a Clint Barton story than a Hawkeye comic book, and that’s fine. I like how Fraction depicts Barton as a sort of laconic everyman who only turns on the extra-powers when he has to do so. Here, he does it just to balance the scales for the little guys and gals. Notice, I said, extra-powers, in this story, Clint doesn’t come across as a superhero.

As for Aja’s art, which is a scratchy imitation of Mazzuchelli on Batman: Year One, it’s nice, but not great. The storytelling is good; by drawing so many small panels, Aja creates a pace and rhythm that serves this story quite well. The only problem is that Fraction’s script is non-linear, jumping back and forth as if Fraction were trying to write a Quentin Tarantino movie. Thus, just as Aja’s graphical storytelling is moving briskly on a particular sequence, it moves to another set piece, which is jarring, especially when the previous sequence was going so well.

Still, I like this enough to read future issues. It’s both different and entertaining enough to warrant more attention.

B+

Yaoi Review: AWKWARD SILENCE Volume 1

AWKWARD SILENCE, VOL. 1
SUBLIME

CARTOONIST: Hinako Takanaga
TRANSLATION: Tetsuichiro Miyaki
LETTERING: Deron Bennett
ISBN: 978-1-4215-4347-5; paperback; Rated “M” for “Mature”
202pp, B&W, $12.99 U.S., $14.99 CAN, £8.99 UK

Born in Aichi, Japan, Hinako Takanaga is a female mangaka (creator) known for her yaoi manga work, including such titles as The Devil’s Secret and Liberty Liberty! She has also provided illustrations for light novels.

SuBLime recently published the first volume of her BL/yaoi manga series, Awkward Silence. For those who don’t know, “BL” is boys’ love manga, a comic book that features romance between male characters. “Yaoi manga” is a subset of BL that usually depicts explicit sex. Awkward Silence is about an introverted boy who finally gets the boy of his dreams, but finds himself too overcome to speak to his dream lover.

Awkward Silence Volume 1 introduces Satoru Tono is a shy, introverted, high school boy. He has long had a crush on Keigo Tamiya, a popular boy who plays baseball for their school, Nishikou High. Tamiya shocks Tono by striking up a conversation with him, but Tono is so overcome that he cannot respond to the nice things Tamiya says to him. As their relationship blossoms, Tono and Tamiya find others coming between the two of them.

One is Yukari Machida, a pretty girl who always seems to be next to Tamiya. Tono is shocked to discover that he is jealous of this pretty teen rival. Tono also discovers that Yuji “Yu” Sagara, a former childhood pal, is also a student at Nishikou. Yu wants to be friends again, much closer friends than before (and they were pretty close). Tamiya, however, thinks Yu is trying to get too close to Tono.

I think the most compelling thing about the romance of Tono and Tamiya is that one is such an introvert (Tono) and the other is the typical high school athlete/extrovert (Tamiya). Tono’s inability to give voice to his feelings – literally, he can barely speak when overcome with strong feelings – is a bit overstated. Hinako Takanaga presents this in such a way that it made me want to follow this love story, if for no other reason that to enjoy Tono’s humorous suffering. When he can’t express himself in words, Tono allows others to make assumptions about what he wants, thinks, or feels, and such misunderstanding is a mother of comedy invention.

The supporting characters, Yukari Machida and Yuji Sagara, are just what Awkward Silence needs when the narrative gets bogged down in the speechless boy/aggressive boy dynamic. More pixie than vixen, Ms. Machida is seemingly oblivious to the problems she causes, which makes her good for relationship comedy. Takanaga depicts Sagara as so insistent, especially in the way he pursues Tono, that he comes across as a lead character. Sagara is Awkward Silence’s biggest stimulus of conflict.

Takanaga’s art is not one of the better examples of graphical storytelling you’ll find in a yaoi manga. The art emphasizes facial expression, because this story is all about expressing feeling and depicting the intensity of romantic love and sex via facial expressions. Also, the story is divided into three chapters. Takanaga has Tono and Tamiya make love to close each chapter. And while the silence may be awkward, the bedroom play isn’t.

B+

SuBLimeManga.com

------------------------------------

Short Story Review: “We Can Remember It for You Wholesale”

WE CAN REMEMBER IT FOR YOU WHOLESALE
A short story by Philip K. Dick - Reviewed by Leroy Douresseaux on Patreon.

“We Can Remember It for You Wholesale” is a science fiction short story written by the late author Philip K. Dick and first published in The Magazine of Fantasy & Science Fiction (April 1966 issue). The story has been republished several times in book collections, most recently in Selected Stories of Philip K. Dick (2002), which is where I read it (although I first read this story in another book collection back in the 1990s).

“We Can Remember It for You Wholesale” was loosely adapted into the 1990 Arnold Schwarzenegger film, Total Recall, which was directed by Paul Verhoeven. That film is the subject of a 2012 remake starring Colin Farrell and directed by Len Wiseman.

“We Can Remember It for You Wholesale” takes place sometime in an indeterminate future in which humans have traveled to Mars and colonized the planet. The story hints or suggests that some of the rest of the solar system has also been visited by humans and perhaps colonized.

The story focuses on Douglas Quail, a nobody clerk and salaried employee. Quail yearns to travel to Mars the way other men might yearn to bed a pageant queen. His wife, a harpy-type named Kirsten, is not interested in traveling to Mars, but does agree that her wimpy husband needs adventure. Quail knows that he cannot afford a trip to Mars, which is expensive, not to mention that few people are even allowed to visit the planet.

Quail visits Rekal Incorporated, a company that offers “extra-factual memory implants.” These memories, which are implanted into the customer’s brain, are more real than real memories because implanted memories don’t fade away. Quail’s extra-factual memory package includes an adventure on Mars in which he is an agent for the Interplan Police Agency. However, something goes wrong during the memory implant, when Rekal discovers that there is more to Quail’s memories than they or even he realized.

I’ve found Philip K. Dick to be one of the most imaginative science fiction authors (and one of the most imaginative authors, in general) that I have ever encountered. I think his best work is found in his novels, but in his short stories, Dick presented seemingly countless inventive scenarios.

“We Can Remember It for You Wholesale” presents a familiar theme in Dick’s work: how the human mind struggles with shifting realities. Usually, a lead character will find himself trying to discern which is the real reality or which is his reality. Another familiar theme is man vs. bureaucracy or man vs. man (individual or organized) that act in opposition to the protagonist. In this story, Quail’s desires and yearnings to both visit Mars and to have a more fulfilling life runs up against the reality of a disapproving wife, his finances, Rekal, and Interplan.

I don’t want to spoil this story for anyone who has not yet read it or who have read it and don’t remember the details. However, I must say that the scenes in which the Rekal operatives find themselves confronted by the secrets Quail’s memories hold make this story worth reading. It is classic Philip K. Dick – the little guy fighting and even striking back at the forces gathered against him.

B+

Review: SLAM DUNK Volume 23

 i

SLAM DUNK, VOL. 23
VIZ MEDIA

CARTOONIST: Takehiko Inoue
TRANSLATION: Joe Yamazaki
ENGLISH ADAPTATION: Stan!
LETTERS: James Gaubatz
COVER: Takehiko Inoue with Matt Hinrichs
ISBN: 978-1-4215-3329-2; paperback; Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN

Takehiko Inoue, born in 1967 in Okuchi, Kagoshima, Japan, is an acclaimed manga artist and creator. His most famous work, Slam Dunk, which focuses on a high school basketball team, was serialized in Weekly Shonen Jump in Japan from 1990 to 1996. Slam Dunk was so popular that it apparently helped popularize basketball in Japan and East Asia.

Slam Dunk focuses on the Shohoku Prefecture High School basketball team, which has the dedication and discipline it takes to be the best. Takenori Akagi, team captain and starting center, dreams of making it to the finals of Nationals, but, as a third year (essentially a senior), this is his last shot at a championship. But to win, hotshot freshmen, like superstar Kaede Rukawa and basketball novice, Hanamichi Sakuragi, must learn to play together as a team. If winning isn’t everything, why is second place less desirable than first place?

As Slam Dunk, Vol. 23 (entitled A Rank vs. C Rank) opens, Shohoku High has made it to Nationals. They arrive in Hiroshima City with being champions on their minds. But the team is in for a shock. The magazine, “Weekly Basketball,” has Shohoku High listed as a “C” rank team, while their opening round opponents are “A” rank. Speaking of opponents, their opening round opponent is Toyotama High from the Osaka region. Toyotama is a scoring machine, and Shohoku is about to run right into the buzz saw of a run-and-gun team. Can they keep up or come up with a winning strategy?

Recent volumes of the Slam Dunk manga have focused on the action of individual basketball games between Shohoku and their opponents. Volume 22 was a change of pace, in which creator Takehiko Inoue offered readers character drama These vignettes that opened up windows into the various characters’ pasts as either basketball players or as some other kind of participant in the game.

Volume 23 returns to the hard court. Just as other such volumes have, Vol. 23 reveals Inoue’s love for and knowledge of the sport. As one of the world’s great manga artists and comic book creators, Inoue perfectly captures basketball, a game in motion, in still images that seem to move on the very page on which they appear and sometimes seem to shiver over to the next page. Inoue’s grasp of the figure in motion and his ability to depict and to pose bodies in action is high art.

A

Top Shelf and Knockabout Announce New Alan Moore Tome, "Unearthing"

From Chris Staros of Top Shelf Productions:

Announcing Alan Moore's UNEARTHING exclusive signed & numbered pre-order

Top Shelf Productions and Knockabout Comics are truly pleased to announce a project several years in the making: a sumptuous new book from Alan Moore, serving as a biography of his close friend and mentor Steve Moore (no relation), a history of London, a mystical journey, and a tribute to human imagination. Called by The New York Times a "poetic and densely allusive text," Unearthing has now been transformed by Alan Moore and photographer Mitch Jenkins into a stunning narrative art-book.

And while UNEARTHING will be offered in the upcoming October Diamond Previews in two incredible editions, to help fund the production of this enormous expensive work of art, the creators have graciously agreed to an exclusive third edition incorporating a letterpress bookplate, hand-signed & numbered by Alan Moore and Mitch Jenkins, limited to 300 copies worldwide. These 300 Signed & Numbered “double-sized hardcover” copies are being pre-sold (starting today), as a Top Shelf website exclusive. By pre-ordering one today, you’ll not only be able to secure one of these rare Signed & Numbered editions, but you will also have done your part to help to get this gorgeous project off the ground.

Pre-order one now.

Here’s what people are already saying about UNEARTHING!

“A tribute to a colleague and mentor and a demonstration that Moore has transcended the boundaries of the graphic novel.” -- The New York Times


"Steve Moore, who lives in the same room he was born in 61 years earlier, is a living metaphor for the history, geography and geology of Shooter's Hill and a conduit to the Greek gods and spiritual manifestations... Is it great art? Yes!" -- N.M.E.


“The men of Unearthing are only marginally of this plane of existence, and what they’ve created is positively out of this world.” -- The AV Club

And here are more details on this monumental project!

One of the world’s foremost authors of the fantastic, Alan Moore, joins internationally esteemed photographer Mitch Jenkins for an unprecedented visual and literary experience.

An intensely poetic and innovative work of biography, Unearthing maps the lifetime of author, orientalist and occultist Steve Moore, while simultaneously investigating the extraordinary history of South London with which that life has been intertwined. Integrating text with haunting and exquisite imagery, Unearthing excavates a territory at the margins of a city, of reality, and of human imagination.

Starting life in Iain Sinclair’s seminal anthology LONDON: City of Disappearances, this dazzling and hypnotic piece has evolved through a series of live performances and acclaimed recordings, culminating in this breathtaking full-color volume.

UNEARTHING by Alan Moore & Mitch Jenkins
Three formats will be produced: a deluxe softcover edition, a special double-sized hardcover edition (limited to 1500 copies), and a special signed & numbered double-sized hardcover edition (limited to 300 copies worldwide).

UNEARTHING Signed & Numbered Edition
-- Web Exclusive (Pre-Order Now)
-- Double-Sized Hardcover Edition w/S&N Bookplate
-- Limited to 300 copies worldwide
-- 184 pages • 11.75” x 16.5” (A3 size!) • $99.00
-- ISBN 978-1-60309-150-3 • For mature readers (18+)
-- Scheduled for December 2012

UNEARTHING Double-Sized Hardcover Edition
-- Limited to 1,500 copies worldwide
-- 184 pages • 11.75” x 16.5” (A3 size!) • $74.95
-- ISBN 978-1-60309-150-3 • For mature readers (18+)
-- Scheduled for December 2012
-- Will be featured in the October Diamond Previews

UNEARTHING Deluxe softcover edition with French flaps
-- 184 pages • 8.5” x 11.75” (A4 size) • $29.95
-- ISBN 978-1-60309-151-0 • For mature readers (18+)
-- Scheduled for December 2012
-- Will be featured in the October Diamond Previews

Thanks in advance for all your support of this amazing project!

Your friend thru comics,
Chris Staros

Complete Archives of "The Comics Journal" Now Online

THE COMPLETE COMICS JOURNAL ARCHIVES JOIN THE UNDERGROUND AND INDEPENDENT COMICS ARCHIVE FROM ALEXANDER STREET PRESS

July 31st, 2012 – Seattle, WA — Fantagraphics Books, publisher of The Comics Journal, has announced a partnership with Alexander Street Press to make the complete archive of the The Comics Journal available as part of its Underground and Independent Comics online collection. This is the first-ever scholarly online collection for researchers and students of literary and underground comic books and graphic novels, and the inclusion of more than 25,000 pages of interviews, commentary, theory and criticism from the 35 year history of The Comics Journal marks a significant contribution to the academic study of the comics form.

“Most back issues of The Comics Journal are sold out and unavailable,” says Comics Journal founder and Fantagraphics President Gary Groth. “This will allow academics, critics, and historians access to the magazine that's covered the widest range of cartooning for the longest period of time. We believe Alexander Street Press' project serves an important cultural function and we're very pleased to be part of it.”

The Underground and Independent Comics online collection covers the works that inspired the first underground comix from the 1960s (such as works by Basil Wolverton and Harvey Kurtzman), to the first generation of underground cartoonists (including R. Crumb, Gilbert Shelton, Spain Rodriguez and many others) and encompasses modern sequential artists like Gilbert Hernandez, Jaime Hernandez and Daniel Clowes, with over 75,000 pages of comics from the 1950s to present. With the inclusion of The Comics Journal archives, scholars can now similarly trace the roots of comics criticism and have access to the Journal’s incomparable oral history of the field.

Institutions who have already subscribed or purchased the archive include the Library of Congress, British Library, Harvard, Yale, Columbia, Notre Dame and many others.

Comics have become an increasingly popular area of academic study, and yet the typical library has only a small selection of graphic novels in the catalog. Underground and Independent Comics solves this problem, collecting thousands of comics and related texts in one, easy-to-use online collection. With multiple combinable search fields, users can sort the materials in the collection by type, coloring, publication date, writer, penciler, inker, character, genre, publisher and more. Scholarship never before possible is now just a few keystrokes away.

“The chance to have access to 100,000 pages of underground and new wave comics in ways that were unimaginable a short time ago should change the face of comics research completely.” — James Danky, faculty of the School of Journalism and Mass Communications, University of Wisconsin-Madison

August (2012) Reads You

It is August 2012 so... Welcome to I Reads You!  This is my blog about the things I read: mostly comic books, comics, and related books. Sometimes, I’ll write about or link to other topics: typically books, politics, and entertainment.

I’m Leroy Douresseaux, and I have another blog: www.negromancer.com. I also write for the Comic Book Bin (which also has smart phones apps and comics).

All images and text appearing on this blog are copyright © and/or trademark their respective owners.