Showing posts with label Marvel Comics. Show all posts
Showing posts with label Marvel Comics. Show all posts

Thursday, October 27, 2022

#IReadsYou Review: VOID INDIGO #1

VOID INDIGO #1
MARVEL COMICS

STORY: Steve Gerber
ART: Val Mayerik
COLORS: Val Mayerik
LETTERS: Carrie McCarthy
EDITOR: Archie Goodwin
EDITOR-IN-CHIEF: Jim Shooter
32pp, Color, $1.50 U.S., $1.95 CAN (November 1984)

Void Indigo created by Steve Gerber and Val Mayerik

Book Two: “Spikes and Demons;” Part One: “Killing to Be Clever”


Void Indigo was a short-lived and controversial comic book series written by the late Steve Gerber (1947-2008) and drawn by Val Mayerik. It was published by Epic Comics from 1983 to 1984.  The series began life as Marvel Graphic Novel No. 11: Void Indigo (1983), also from Gerber and Mayerik.

Void Indigo the graphic novel is set 11,000 years in Earth's past.  The story takes place in a kingdom called “Kur,” which is ruled by a quartet of sorcerers known as the “Dark Lords,” whose place of origin is apparently Atlantis.  Their names are Koth, Hemuth, Eeoyd, and Zepharr, and they recently conquered the nine “Citadels” kingdoms that had been at war with one another.

In order to gain even more power, the Dark Lords engage in blood sacrifice in service of their demon lord, “Kaok.”  The sorcerers slaughter great masses of people, but they don't gain the power they expected.  Their focus turns to Ath'Agaar, the fiercest of the barbarian chieftains, and his woman, Ren.  Although they kill Ath'Agaar and Ren, their ritual goes awry, and the Dark Lords, Ath'Agaar, Ren, and the entire kingdom is destroyed.

Over the next 11,000 years, the Dark Lords are reincarnated on Earth at different times.  Ath'Agaar is also reincarnated, but his reemergence occurs 50,000 light years away as the space warrior, “Jhagur,” from the planet, “Gebura.”  “Void Indigo” is the spiritual plane toward which all dead souls gravitate for reincarnation.  The Dark Lords magical activities have upset a delicate balance that must be rectified.  Jhagur returns to Earth in a spacecraft as the agent who will ensure that this balance is restored.  He is a spirit of vengeance from the Void, against the four wizards who had tortured and killed him in his previous life.

Once on Earth, Jhagur rescues a woman named Linette Cumpston, and they travel together to Los Angeles.  There, Jhagur finds the first of the Dark Lords and kills him, now a man who had been reincarnated as the Olympic medalist, David Trepper.

Void Indigo #1 (“Killing to Be Clever”) opens as the Void Indigo continues to call for revenge, and Jhagur commits another murder, this time as a warning to the remaining three Dark Lords.  Jhagur has also disguised himself as a human named “Michael 'Mick' Jagger,” and he works construction.

Meanwhile, other players have entered this game.  One of Mick's coworkers, Pete Mulgrew, found the jeweled spike that had been involved in Ath-Agaar's murder 11,000 years ago.  Now, Pete's daughter, Colleen, discovers that she is sensitive to the spike's mysticism.  Detective Wallerstein of the LAPD is investigating the second homicide that Jhagur committed.  Linette connects with a wild female psychic named “Raka.”  Taro is the leader of the Death Guild, a cult that awaits the reawakening of the Dark Lords, and he has begun to make the movies that will permanently remove any obstacles to his plans.  And the machinations of the Beyond-World emerge.

THE LOWDOWN:  Apparently, Marvel Graphic Novel No. 11: Void Indigo was “Book One” of the Void Indigo saga.  The first issue of the Void Indigo comic book series was the start of the second book.  I originally only read the graphic novel, and although I had planned to, I never got around to reading the comic book series.  Once I heard that it was canceled, I didn't bother to read the two issues that had been published.  Still, I often thought about Void Indigo as the years went by.  Eventually, I heard that Steve Gerber had planned to make the Void Indigo comic book only six-issues in length – only two of which were published.  I think that intrigued me all the more.

Reading Void Indigo #1 and #2, I find it hard to believe that the series was originally only meant to run six issues.  Gerber fills the first two issues with numerous subplots and and introduces a large cast of supporting characters.  Gerber's synopsis for the remaining four issues is available on the Internet, so, yeah, Gerber, did plan a six issue run for the second book.  Would there have been a third book?

I can also see how some people would have been put off by Void Indigo in the mid-1980s.  Murder and death are depicted as sudden, brutal, and savage.  The depictions of sex are frank, explicit, and lack romantic sentiment.  The world of Void Indigo is a hard world, but I think that does one important thing for the narrative.  It tempers Jhagur's power over the narrative.  By making him somewhat vulnerable to the violence that other characters in the narrative experience and by making him not all-powerful, Gerber leaves space in the narrative for the other characters.  The result is a comic book in which the other characters are as interesting and, in some cases, more interesting than the lead.

Val Mayerik, an extremely underrated artist and storyteller, gives Void Indigo a unique graphical look and style.  Mayerik's compositions are gritty and edgy, so the story really seems to take place in the natural world, which makes the emergence of the supernatural that much more jarring.  Mayerik's storytelling corals Gerber's narrative eccentricities, and his coloring makes the magical elements pop and crackle like wild electricity.  Mayerik's covers for this series offer some of the most visually striking cover images published by Epic Comics in the 1980s.

Void Indigo, as Gerber and Mayerik had planned it back in the 1980s, went into the Void long ago.  Still, I believe that there is a new life for that concept, a reincarnation or re-imagining that will both celebrate and re-imagine what once was and could have been, but never was.  Besides, I think those readers curious about a bygone time in Marvel Comics and in the Direct Market of comic books sales would do well to peek into the Void Indigo.

I READS YOU RECOMMENDS:  Fans of 1980s creator-owned comic books will want to try Void Indigo.

A
★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics
http://www.marvunapp.com/Appendix9/kaok-voidindigo.html


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------


Tuesday, August 23, 2022

#IReadsYou Review: STAR WARS: Crimson Reign #1

STAR WARS: CRIMSON REIGN #1 (OF 5)
MARVEL COMICS – @Marvel

STORY: Charles Soule
ART: Steven Cummings
COLORS: Guru-eFX
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Steve Cummings with Guru-eFX; Ario Anindito with Edgar Delgado; Clayton Crain; Valerio Giangiordano with Arif Prianto; David Lopez; Rahzzah; Khoi Pahm with Lee Loughridge
36pp, Color, $4.99 U.S. (February 2022)

Rated T

Part 1: “The Orphans”


Star Wars: War of the Bounty Hunters was a Marvel Comics Star Wars publishing event that was comprised of 34 individual comic books, published from May to October 2021.  The series imagines a series of events that occur between the time bounty hunter, Boba Fett, collects Han Solo frozen in carbonite in 1980s The Empire Strikes Back (Star Wars: Episode V – The Empire Strikes Back) and his appearance in 1983's Return of the Jedi (Star Wars: Episode VI – Return of the Jedi).

Coming out of War of the Bounty Hunters is the comic book miniseries, Star Wars: Crimson Reign.  It is written by Charles Soule; drawn by Steven Cummings; colored by Guru-eFX; and lettered by Travis Lanham.  According to Marvel, Crimson Reign is the second installment of a trilogy that will reshape the history of the Star Wars Galaxy during the “Age of Rebellion.”

Star Wars: Crimson Reign #1 opens in the halls of the group known as “Crimson Dawn.”  Qi'ra of Corellia is now the group's leader.  She has taken on the killers, liars, and thieves that make up this group and has given them a purpose.

Qi'ra has gathered a diverse group:  “The Knights of Ren,” “Chanath Cha and the Orphans,” Deathstick, Ochi of Bestoon, Margo and Trinia, and the Archivist to carry out of her plans, which is to destroy the Sith in order to free the galaxy.  Her main targets, of course, are Emperor Palpatine a.k.a. “Darth Sidious” and his apprentice, Darth Vader.  Qi'ra begins her mission by sending her allies against the galaxy's criminal syndicates, but has doom for herself and her group already been foretold?

THE LOWDOWN:  I have enjoyed the vast majority of the Charles Soule's Star Wars comic book work that I have read.  I have enjoyed Steven Cummings art since I was first exposed to it in some OEL (original English language) manga from Tokyopop, including Pantheon High (2007), Star Trek: The Manga (2007), and CSI: Intern at Your Own Risk (2009).

However, Star Wars: Crimson Reign #1 isn't the kind of first issue that will inspire me to go out of my way to read the rest of the series.  It is professionally written, professionally drawn, professionally colored, and professionally lettered.  This isn't a bad comic book.  I simply have little interest in Qi'ra's conspiracy, which is contrived past the point of being credible.  I find it hard to believe that not one syndicate leader would notice that the troubles begin shortly after Qi'ra and her ilk begin meeting with the syndicates.  Does it take two issues for even one of them to figure this out?

Lucasfilm and Marvel seem determined to retcon the fuck out of the original Star Wars trilogy and the imaginary timeline surrounding it – known as the “Age of Rebellion.”  That is their prerogative, but it is mine to choose to read it.  I choose not to.  I have never been that curious about “what happened” between the films, The Empire Strikes Back (1980) and Return of the Jedi (1983).  But if that is your thing, Crimson Reign is not only a miniseries, but it is an event that will take place in various issues across Marvel's line of Star Wars comic books.

I READS YOU RECOMMENDS:  Fans of Marvel's Star Wars comic books may want to try Star Wars: Crimson Reign.

B
★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Tuesday, August 2, 2022

#IReadsYou Review: HEROES REBORN #1

HEROES REBORN #1 (OF 7)
MARVEL COMICS

STORY: Jason Aaron
PENCILS: Ed McGuiness
INKS: Mark Morales
COLORS: Matthew Wilson
LETTERS: VC's Cory Petit
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Carlos Pacheco and Rafael Ponteriz with Nolan Woodard; Ed McGuiness with Matthew Wilson; George Perez and Al Vey with Morry Hollowell; Iban Coello with Espen Grundetjern; Jeffrey Veregge; John Tyler Christopher; Joshua Cassara with Dean White; Mark Bagley and John Dell with Romulo Fajardo, Jr.; Stanley “Artgerm” Lau
48pp, Color, $5.99 U.S. (July 2021)

Rated “T+”

“Whatever Happened to Earth's Mightiest Heroes?”

Heroes Reborn was a Marvel Comics summer event series and crossover publishing initiative.  It was comprised of the seven-issue comic book miniseries, Heroes Reborn, and eleven tie-in comic books.  The entire thing was scheduled to be published over seven weeks, from May 5, 2021 to June 23, 2021.

Heroes Reborn is set on an Earth in which the Avengers – Earth's Mightiest Heroes – were never formed, and Blade the Vampire Hunter seems to be the only person who remembers that the world should be different – that it has been “reborn.”  The Heroes Reborn miniseries was written by Jason Aaron; drawn by Ed McGuiness (pencils) and Mark Morales (inks); colored by Matthew Wilson; and lettered by Matthew Wilson.

Heroes Reborn #1 (“Whatever Happened to Earth's Mightiest Heroes?”) opens in East Los Angeles.  That is where Blade is looking for answers.  Two weeks earlier, he woke up covered in blood in a flophouse of London's East End.  The first thing he did was try to contact Avengers Mountain, but it was not there.

Blade discovers that he has awakened in a world that is both familiar and wildly different.  In this world the Avengers never existed.  The Squadron Supreme of America has always been “Earth's mightiest heroes.”  They are Hyperion, Nighthawk, Power Princess, Doctor Spectrum, and Blur.

Phil Coulson is currently the President of the United States.  Blade reaches out to the Avengers teammates that he can find, but to no avail.  And the Squadron's Nighthawk does not like the “truth” with which Blade has confronted him.  Now, Blade must travel to the arctic and find the one man – the one legendary hero – who can fix this wrong Earth.

THE LOWDOWN:  First, I must be honest with you, dear readers.  With but a few exceptions, I hate big Marvel and DC Comics crossover events.  They are generally a mess – the closest thing to a cacophony of actual sound and fury signifying nothing that comic books can get.

Heroes Reborn #1 is one of the exceptions.  It is actually a really good first issue; the rest of the miniseries and all the tie-in issues are a mixed bag.  Only the first issue is entirely the work of Aaron and McGuiness, who is essentially the back-up artist on issues #2 to #7.  Jason Aaron is the writer on the lead stories in those issues, each of which focuses on a member of the Squadron Supreme and/or their activities.

I assume that many readers already know that the Squadron Supreme is Marvel's pastiche version of DC Comics Justice League of America.  I don't think that the team has ever been known as the “Squadron Supreme of America,” so it is funny that this is the group's name in Heroes Reborn.

The Heroes Reborn miniseries and its tie-ins are basically an overview of a world in which the Squadron and not the Avengers protects Earth.  Some of the changes are quite intriguing, such as the fact that the Squadron is more like DC Comics/Wildstorm Production's The Authority than the Avengers.  Some changes are not as good, but could be upon further development.  By the end of the one-shot that wraps up this event, Heroes Return #1, I did want to see more of the Heroes Reborn world, even with my reservations.

The series was published a year ago, so I don't believe I should worry about spoilers.  The Squadron replaced the Avengers in a plot hatched by Marvel's satanic villain, Mephisto, using the “Pandemonium Cube” (Cosmic Cube), with Phil Coulson as his wickedly evil and ambitious lackey and front man.

All that said:  I really liked Heroes Reborn #1.  Jason Aaron offers an especially intriguing first issue script with flourishes on conspiracy and mystery.  Ed McGuiness' manages to be both stylish and excellent in his storytelling; Mark Morales' sharp inks bring out McGuiness' sparkling design.  Matthew Wilson's color, as always, are gorgeous.  Letterer Cory Petit is also one of those “of course his work is good” guys, and he is indeed good here.

In general, I like Heroes Reborn, and I feel comfortable recommending it to fans of Marvel event series and to fans of the Squadron Supreme.  I didn't get as much Blade in this series as I would have liked, but sometimes, I have to take what I can get.

I READS YOU RECOMMENDS:  Fans of Marvel event series will want to try Heroes Reborn.

B+
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).


Friday, July 8, 2022

#IReadsYou: Movie Review: THOR: Love and Thunder

Thor: Love and Thunder (2022)

Running time:  119 minutes (1 hour, 59 minutes)
MPAA – PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material and partial nudity
DIRECTOR:  Taika Waititi
WRITERS: Taiki Waititi and Jennifer Kaytin Robinson; from a story by Taika Waititi (based on the Marvel Comics)
PRODUCERS:  Kevin Feige and Brad Winderbaum
CINEMATOGRAPHER:  Barry Idoine (D.o.P.)
EDITORS:  Peter S. Elliot, Tim Roche, Matthew Schmidt, and Jennifer Vecchiarello
COMPOSERS:  Michael Giacchino and Nami Melumad

SUPERHERO/FANTASY/ACTION and COMEDY/DRAMA

Starring:  Chris Hemsworth, Christian Bale, Tessa Thompson, Taika Waititi (voice) Jaimie Alexander, Chris Pratt, Dave Bautista, Karen Gillan, Pom Klementieff, Vin Diesel (voice), Bradley Cooper (voice), Kieron L. Dyer, Idris Elba, Brett Goldstein, and Russell Crowe and Natalie Portman

Thor: Love and Thunder is a 2022 superhero fantasy and action-comedy directed by Taika Waititi and produced by Marvel Studios and distributed by Walt Disney Pictures.  It is the fourth film in Marvel's Thor film series, which began with Thor (2011).  Thor is a Marvel Comics character that first appeared in the comic book, Journey into Mystery #83 (cover dated: August 1962), and is based on the Norse mythological deity of the same name.  In Love and Thunder, Thor reunites with his ex-girlfriend to fight a being who plans to make the gods extinct.

Thor: Love and Thunder finds Thor (Chris Hemsworth), using his second enchanted hammer, “Stormbreaker,” is fighting the bad guys of the galaxy with the Guardians of the Galaxy:  Star-Lord (Chris Pratt), Mantis (Pom Klementieff), Drax the Destroyer (Dave Bautista), Nebula (Karen Gillan), Groot (voice of Vin Diesel), and Rocket (voice of Bradley Cooper).  Thor is at a crossroads in his life and is unsure of what to do next.

Back on Earth, Thor's ex-girlfriend, the astrophysicist Dr. Jane Foster (Natalie Portman), is battling stage four cancer.  Seeking medical treatment, Jane travels to New Asgard.  There, she has a strange encounter with Thor's broken hammer, Mjolnir.

Meanwhile, Thor has answered a distress signal from one of Asgard's warriors, Sif (Jaimie Alexander).  She warns him of Gorr the God Butcher (Christian Bale), a being who possesses the god-killing weapon, “the Necrosword.”  When Gorr attacks New Asgard, Thor returns to join the battle.  Much to his shock, he discovers that Mjolnir has reforged and bonded with Jane Foster, transforming her into another Thor.

Now, Valkyrie (Tessa Thompson), King of Asgard, and Korg (voice of Taika Waititi), the rocky Kronan warrior, join Thor and Thor on a journey to fight Gorr.  But are they enough to fight a being that has already killed many gods?

The last year's worth of Marvel Studios films, five including Thor: Love and Thunder, have been different, even offbeat, much to the chagrin of some critics and fans.  People complained that Marvel's films were too much alike, and now that the studio has given us five films that are quite different from the first 11 years of films, they still aren't happy.

Anyway, I want to make it clear that there is plenty of “thunder” in Thor: Love and Thunder.  Director Taika Waititi offers some action set pieces that are either unusual or have an unusual angle to them.  As Gorr, Christian Bale gives a multi-layered performance full of pathos, humor, and maniacal glee.  It is a seemingly effortless performance from one of the best actors of the last quarter-century.  So, this superhero movie has a great villain, one who can match both Thors and is genuinely vengeful, a vengeance grounded in love.

Still, Waititi wants Thor to be something really different.  The films trades in themes of love, death, and change.  Thor Odinson and Jane Foster-Thor are both in crisis.  The Odinson is having a sort of mid-life crisis.  If he is no longer the rascally young heir to the throne of Asgard or the Avenger's lightning, thunder, and muscle, then, what is he?  Jane Foster is facing an existential crisis; her cancer is really terminal.  Should she quietly accept her fate or should she go out with a bang and some thunder as Thor, fighting their enemy to death, if need be?

Thor: Love and Thunder is a perfect film for this time.  It chooses love over despair.  It is a post-breakup movie in which Thor and Jane Foster find their way back to one another.  Although death is an end, it can also mean change, and that is what can be in store for Thor and Thor and for King Valkyrie, Korg, and a few other characters.

I love what director Taika Waititi has created in his two Thor films, this and the earlier Thor: Ragnarok (2017).  Thor: Love and Thunder finds the humor in every situation, even the dark and dangerous ones, which might put off some of its audience.  However, I like that Thor: Love and Thunder is a film made of joy, color, and wonder that travels across the galaxy and into different realms.  But no matter where it goes, Thor: Love and Thunder full of thunderous sounds and furious love.

[This film as two scenes that occur during the credits, one in the middle and one at the end.]

A
★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

-----------------------


Friday, May 6, 2022

#IReadsYou Movie Review: DOCTOR STRANGE in the Multiverse of Madness

Doctor Strange in the Multiverse of Madness (2022)

Running time:  126 minutes (2 hours, six minutes)
MPA – PG-13 for intense sequences of violence and action, frightening images and some language
DIRECTOR:  Sam Raimi
WRITER:  Michael Waldron (based on the Marvel Comics)
PRODUCER:  Kevin Feige
CINEMATOGRAPHER:  John Mathieson
EDITORS:  Bob Murawski and Tia Nolan
COMPOSER:  Danny Elfman

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez; Rachel McAdams, Michael Stuhlbarg, Julian Hilliard, Jett Klyne, Sheila Atim; Ako Mitchll, John Krasinski, Anson Mount, Hayley Atwell, Lashana Lynch, Charlize Theron, and Patrick Stewart

Doctor Strange in the Multiverse of Madness is a 2022 superhero, action, and horror-fantasy film directed by Sam Raimi and produced by Marvel Studios.  It is the 28th film in the Marvel Cinematic Universe (MCU) and is also a sequel to the 2016 superhero movie, Doctor Strange.  Both films focus on the Marvel Comics character, Doctor Strange, who first appeared in the comic book, Strange Tales #10 (cover dated: July 1963), and who was created by Steve Ditko and Stan Lee.  In the new film, Doctor Strange battles to protect the Multiverse and a young woman who can travel through it.

As Doctor Strange in the Multiverse of Madness opens, Dr. Stephen Strange (Benedict Cumberbatch) is plagued by dreams in which he finds himself involved with a mysterious young woman.  But life goes on.  Wong (Benedict Wong), Strange's friend and mentor, is now Earth's Sorcerer Supreme.  Also, Stephen's former lover, Dr. Christine Palmer (Rachel McAdams), is getting married, and he is attending the wedding.

During the wedding, an octopus demon wreaks havoc in the neighborhood, and Stephen meets the young woman again.  Her name is America Chavez (Xochitl Gomez), and she can travel through the Multiverse by punching doorways through dimensions.  Demonic forces are tracking her, and Strange believes that only the Book of Vishanti can stop these demons.  Dr. Strange turns to an expert for help, the former Avenger, Wanda Maximoff (Elizabeth Olsen).  However, the mastermind behind the attacks on America is quite powerful, and the identity of this attacker is quite surprising.

And things only get worse.  Dr. Strange must face his old adversary, Karl Mordo (Chiwetel Ejiofor) … something called “the Illuminati” … and multiple versions of himself.

I have come across complaints that Marvel Studios' films are formulaic and complaints that the studios' films are not “director-driven” (whatever that means).  Doctor Strange in the Multiverse of Madness is not like other Marvel films, and at least to me, it seems “director-driven.”

The director of Doctor Strange in the Multiverse of Madness is Sam Raimi, who is best known for directing Sony/Columbia Picture's first trilogy of Spider-Man films (2002-07).  Before then, Raimi's best known work was the “Evil Dead” trilogy, comprised of Evil Dead (1981), Evil Dead II (1987), and Army of Darkness (1993).  And Doctor Strange in the Multiverse of Madness seems like a superhero film built on the aesthetic or, at least, the sensibilities of the “Evil Dead” trilogy.  In fact, this Doctor Strange film is like an Evil Dead movie with the budget of a … well, Marvel Studios movie.  Even more than his Spider-Man films, Doctor Strange in the Multiverse of Madness is the truest Sam Raimi superhero movie to date.

I don't want to spoil much more than I already have, but I can say that the VFX in Doctor Strange in the Multiverse of Madness is not only superb, but also inventive and imaginative.  Of course, the productions values are quite good; once again, I must say that everything looks like it would in a Raimi Evil Dead movie with mega-event, tent-pole film's budget.  Also, Benedict Cumberbatch and Elizabeth Olsen give superb performances, especially Olsen.

In spite of what Marvel Studios and Disney may say, however, I am not sure what the impact of Doctor Strange in the Multiverse of Madness actually is.  I really like this movie because it really IS a Sam Raimi movie, and I love his movies.  But, is this Doctor Strange film as consequential to the Marvel Cinematic Universe as Spider-Man: No Way Home seems to be...?

Doctor Strange in the Multiverse of Madness seems most important because of what it promises – new tomorrows, new worlds, new heroes, new movies … and hopefully more Sam Raimi Marvel movies.  I am thankful that Marvel Studios allowed him to make this movie.  Doctor Strange in the Multiverse of Madness is better than the original film, and it is Marvel's weirdest movie to date – a thrill ride of delightful and inspired wackiness.  Plus, it gives some of us what we hoped that the original would – a true dark fantasy/horror Doctor Strange movie.

[Doctor Strange in the Multiverse of Madness has one mid-credit scene and one end-credit scene.]

A
★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------


Friday, April 1, 2022

#IReadsYou Movie Review: MORBIUS

Morbius (2022)

Running time:  104 minutes (1 hour, 44 minutes)
MPAA – PG-13 for intense sequences of violence, some frightening images, and brief strong language
DIRECTOR:  Daniel Espinosa
WRITERS:  Matt Sazama and Burk Sharpless; from a story by Matt Sazama and Burk Sharpless (based on the Marvel Comics)
PRODUCERS:  Avi Arad, Matt Tolmach, and Lucas Foster
CINEMATOGRAPHER:  Oliver Wood
EDITOR:  Pietro Scalia
COMPOSER:  Joe Ekstrand

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  Jared Leto, Adria Arjona, Jared Harris, Matt Smith, Al Madrigal, Charlie Shotwell, Joseph Esson, and Tyrese Harris and Michael Keaton

Morbius is a 2022 superhero fantasy-horror and action film directed by Daniel Espinosa.  The movie is based on the Marvel Comics character, “Morbius, the Living Vampire”/Dr. Michael Morbius, which was created by writer Roy Thomas and artist Gil Kane and first appeared in The Amazing Spider-Man #101 (cover dated: October 1971).  This is also the third film in “Sony's Spider-Man Universe” (SSU) series.  Morbius the film focuses on a scientist who tries to cure himself of a rare blood disease but instead turns himself into a new kind of vampire.

Morbius introduces Dr. Michael Morbius (Jared Leto).  He is a genius, a scientist, and has a talent for fabricating technology.  He is also suffering from a rare blood disease and has spent his adult life looking for a cure to that disease which often kills those afflicted with it at a young age.  Michael is 35-years-old, and he recently refused a Nobel Prize.

Michael is currently engaged in illegal experiments involving vampire bats that he stole from a cave in Costa Rica.  Although she is critical of him for these experiments, Martine Bancroft (Adria Arjona), Michael's fellow scientist and girlfriend, works with him.  Once he believes that he has finally created the cure for his rare blood disease, Michael injects himself with the formula.  Michael's body is transformed into that of an Olympic-level athlete, but the cure also turns him into a vampire – one with a powerful blood lust.  Now, the bodies of people with the blood drained from their bodies are being found all over the city.  Is Morbius the killer … or is Morbius responsible?

Morbius is about Morbius.  The only other character that this film allows any traction is Martine Bancroft.  It isn't that the screenplay is shallow; I find that it attempts a serious contemplation of both Dr. Michael Morbius' character and Morbius the vampire's dilemma.  I wish the film's story had taken more time with the two FBI agents hunting Morbius, comic relief Alberto “Al” Rodriguez (Al Madrigal) and the really serious Black man, Simon Stroud (Tyrese Gibson).

Morbius may be Jared Leto's best performance in a film in years.  I prefer Leto's Dr. Michael Morbius to “Rayon,” the drug addicted, HIV-positive trans woman he played in the 2013 film, Dallas Buyers Club.  Leto won a “Best Supporting Actor” Oscar for playing Rayon, a character I found shallow.  In Morbius, Leto's good looks, his vanity, his obvious acting talent, and his imaginative approach to fashioning characters and performances serve both him and film, quite well.  I found both Dr. Michael Morbius and Morbius the vampire to be endlessly fascinating characters and not at all shallow.

It feels weird for me to recommend this film for Jared Leto's performance, but I am.  Morbius is officially part of a superhero film universe.  Adrian Toomes/Vulture (Michael Keaton) from the 2017 film, Spider-Man: Homecoming, even makes an appearance in Morbius in order to solidify some connections between Sony's Spider-Man Universe (SSU) and the Marvel Cinematic Universe (MCU).  That connection thrills the fanboy in me.  I like Morbius, and I am giving it a higher grade than I probably would.  And that is because of Jared Leto's outstanding work in Morbius

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------


Friday, March 25, 2022

#IReadsYou Review: THE ULTIMATES #1

THE ULTIMATES #1
MARVEL

STORY: Mark Millar
PENCILS: Bryan Hitch
INKS: Andrew Currie
COLORS: Paul Mounts with Bongotone
LETTERS: Chris Eliopoulos
EDITOR: Ralph Macchio
EiC: Joe Quesada
COVER: Bryan Hitch
32pp, Color, $2.25 U.S., $3.50 CAN (March 2002)

 

The Ultimates created by Mark Millar and Bryan Hitch; Avengers created by Jack Kirby and Stan Lee

“Super Human”

The Ultimates was a superhero comic book series published by Marvel Comics as part of its “Ultimate Marvel” imprint.  The series ran for thirteen issues, cover date: March 2002 to April 2004.  Created by writer Mark Millar and artist Bryan Hitch, The Ultimates were both a modernization and re-imagining of Marvel's Avengers comic-book franchise.  Organized by the United States government, the “Ultimates” were an elite military task-force of super-humans and special agents.

The regular creative team of The Ultimates was comprised of writer Mark Millar; artists Bryan Hitch (pencils) and Andrew Currie (inks); colorists Paul Mounts and Bongotone; and letterer Chris Eliopoulos. The Ultimates' mission was to combat the growing threats – human and non-human – to the United States and also to the Earth in general.

The Ultimates #1 (“Super Human”) opens over the North Atlantic, 1945, where the 101st Airborne division streaks towards Iceland.  There, inside a seemingly impregnable fortress, the Nazis are building their “super weapon,” which could end the war in days.  Aboard one of the troop transports is America's own super weapon, the “super-soldier” known as “Captain America.”  With him is an entire division of American soldiers … and his friend, Bucky Barnes, a war photographer.  What neither Rogers nor Barnes realizes is that this mission is so dangerous that it might be his last.

THE LOWDOWN:  It has been two decades since I first read The Ultimates #1, and reading it again for the first time since then, I find it to be about eighty percent different from how I remember it.

Except for the last three pages, The Ultimates #1 is entirely about Captain America's final World War II mission.  So, I must admit that I find this first issue to be one of the best Captain American comic books that I have read in years – although it was published twenty years ago.

Millar's storytelling is slick, but brings the grit one would expect of a “real war story” type comic book.  It is dark and sad, mostly because Millar makes it clear that a lot of American servicemen are going to die on this mission.  Bryan Hitch's photo-realistic pencil art gets a smooth finishing from Andrew Currie's lush inks.  The colors are beautiful, but are a tad too dark for my tastes.  Luckily, Chris Eliopoulos' quirky lettering work stands out and helps to establish and reinforce Millar's moody tale.

Over the course of this series' thirteen issues, it is clear that Mark Millar made Steve Rogers/Captain America the centerpiece.  The Ultimates #1 isn't a prologue; it is the foundation of the series, and that is a good thing.  Millar's Captain America is the most human, the most heroic, and the most idealistic of the Ultimates.  He is the standard that his teammates cannot achieve, if for no other reason than that they are too broken to match Steve Rogers.  Captain America brings color to this dark re-interpretation of the Avengers.  He is the one holdover from the early Marvel Comics' sense of wonder and fantasy in this series that is dark and edgy, though not cynical.

The Ultimates #1 was the kind of first issue that encourages readers to come back for more, which they indeed did for this series.  I originally did come back for a few more issues, but, back then, I never finished The Ultimates.  I didn't even bother with its follow up, The Ultimates 2.  I rectified that this year and read the entire first series over a few days.

I READS YOU RECOMMENDS:  Fans of the team of Mark Millar and Bryan Hitch will want to read The Ultimates.

A
9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Tuesday, March 15, 2022

#IReadsYou Revew: THE DEATH OF DOCTOR STRANGE: Blade #1

DEATH OF DOCTOR STRANGE: BLADE #1
MARVEL COMICS

STORY: Danny Lore
ART: Dylan Burnett
COLORS: Mike Spicer
LETTERS: VC's Travis Lanham
EDITOR: Darren Shan
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Boss Logic
VARIANT COVER ARTISTS: David Baldeon with Israel Sukva
36pp, Color, $4.99 U.S. (February 2022)

Rated “Teen+”

Blade created by Marv Wolfman and Gene Colan


Blade is a Marvel Comics character created by writer Marv Wolfman and artist Gene Colan.  He first appeared in the comic book, The Tomb of Dracula #10 (cover dated:  July 1973), as a supporting character.  Blade is Eric Brooks, who was born a half-vampire and half-human, after a vampire attacked and killed his mother.  Possessing a vampire's speed, strength, and healing, Eric became Blade the vampire hunter and killer.

“The Death of Doctor Strange” is a 12-issue comic book event published by Marvel Comics from September 2021 to January 2022.  I don't give a crap about it, but I do give a crap about Blade.  One of the twelves titles is Death of Doctor Strange: Blade #1.

Death of Doctor Strange: Blade #1 is written by Danny Lore; drawn by Dylan Burnett; colored by Mike Spicer; and lettered by Travis Lanham.  This one-shot finds Blade, the Sheriff of the Vampire Nation, dealing with invaders from another dimension

Death of Doctor Strange: Blade #1 opens in the Vampire Nation.  Once upon a time, Doctor Strange destroyed every vampire in the world with one spell, the “Montesi Formula” (as seen in Doctor Strange  #59-62; cover-dated June to December 1983).  Strange also preserved a magical barrier around the Earth to ward off attacks from other dimensions.

Now, Doctor Strange is dead, as seen in Death of Doctor Strange #1(cover date: November 2021).  And the Vampire Nation celebrates.  That does not sit too well with Strange's old friend, Blade the Vampire Hunter, who is the new Vampire Nation sheriff … at the behest of his old adversary, Count Dracula, the Lord of the Vampire Nation.

What happens, however, when interlopers from another dimension invade vampire territory and put all the bloodsuckers' lives at risk?  Will Blade do his duty to protect them?  Or will he let the vampires get wiped out again?  Can he truly be a partner with Dracula, someone he neither likes nor trusts? And what exactly are these creatures from another dimension.

THE LOWDOWN:  My summary of Death of Doctor Strange: Blade #1 does not do it justice.  There is a subplot involving a group within the Vampire Nation that is spoiling for a fight with Blade.  The other-dimensional invaders are not what they seem, and Blade is not sure the invaders are all invaders, which he may or may not be wrong about.

My summary is inadequate because writer Danny Lore makes use of every page of this one-shot.  Lore offers multiple points of view, red herrings, conflicting subplots, and more.  In addition, Lore presents a Blade tale that captures the off-beat nature of the 1970s Blade stories written by Marv Wolfman and Chris Claremont for the old black and white comics magazines, Vampire Tales and Marvel Preview.  They were some of the best Blade comics ever.  I often thought of them while reading what Lore weaves in this comic book.

Dylan Burnett is the perfect artist for Death of Doctor Strange: Blade #1.  His art has an animation quality and, in some ways, resembles the work of Bruce Timm.  From a graphic and visual perspective, Burnett's work here recalls the visual style of the the 1998 Blade film, the first in a trilogy starring actor Wesley Snipes as Blade.  Burnett also captures the shifting and shifty nature of Lore's tale.

Mike Spicer's colors are perfectly garish, hinting at a neon, nightmare world of vampires.  The always reliable Travis Lanham letters this story in a way that reflects the multiple layers of the plot and its subplots.  I would love to see this creative team on another Blade comic book.  I don't know if the current Direct Market can support an ongoing Blade comic book, but certainly it could support another one-shot, if not a miniseries like this.  This is a good beginning.

I READS YOU RECOMMENDS:  Fans of Blade and readers of the “Death of Doctor Strange” event will want to read Death of Doctor Strange: Blade #1.

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

 

Wednesday, December 29, 2021

#IReadsYou Review: Star Wars: War of the Bounty Hunters – IG-88 #1

STAR WARS: WAR OF THE BOUNTY HUNTERS – IG-88 #1
MARVEL COMICS

STORY: Rodney Barnes
ART: Guiu Vilanova
COLORS: Antonio Fabela
LETTERS: VC's Ariana Maher
EDITOR: Tom Groneman
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Mahmud Asrar with Matthew Wilson
VARIANT COVER ARTISTS: Ron Frenz and Tom Palmer with Nolan Woodard; Caspar Wijngaard; Ray-Anthony Height with Guru-eFX
40pp, Color, $4.99 U.S. (December 2021)

Rated T

“Born to Kill”

Star Wars: War of the Bounty Hunters is a Marvel Comics Star Wars publishing event that is comprised of 34 individual comic books, published from May to October 2021.  The series invents a series of events that occur between the time bounty hunter, Boba Fett, collects Han Solo frozen in carbonite in 1980s The Empire Strikes Back (Star Wars: Episode V – The Empire Strikes Back) and Fett's appearance in 1983's Return of the Jedi (Star Wars: Episode VI – Return of the Jedi).

Star Wars: War of the Bounty Hunters – IG-88 #1 is the fourth of four “War of the Bounty Hunters” one-shot tie-ins that focus on the most notorious hunters and scoundrels of the Star Wars criminal underworld.  This comic book is written by Rodney Barnes; drawn by Guiu Vilanova; colored by Antonio Fabela; and lettered by Ariana Maher.

As Star Wars: War of the Bounty Hunters – IG-88 #1 (“Born to Kill”) opens, the droid, IG-88, who calls himself “the greatest bounty hunter in the galaxy,” lies in the pieces.  [The reasons for this are shown in Darth Vader (2020) #17-18.]  Enter the cyborg, RB-919, who is a master at recommissioning droids.  He has been hired by Deva Lompop, the bounty hunter and member of the galactic criminal syndicate, Crimson Dawn, to restore IG-88.

Once IG-88 is back online he returns to being an advanced droid designed for death, destruction, and mayhem, flawless in design and possessing unparalleled weapons systems.  Lompop has a mission for the revived bounty hunter – find Boba Fett and steal Han Solo (frozen in carbonite) from him.  Can IG-88 find a strategy to overcome his old foe?  And what motivates him to come back from destruction time and again?

THE LOWDOWN:  Until I read Star Wars: War of the Bounty Hunters - IG-88 #1, I had not read a single issue of “War of the Bounty Hunters,” although I had initially planned to do so.  I am a fan of writer Rodney Barnes, so when I found out (via Twitter) that he'd written this tie-in comic book, I purchased a digital copy via comiXology.

Barnes doesn't disappoint.  I wondered if anyone could write a single-issue story that ties into “War of the Bounty Hunters” and that either illuminates IG-88's character or offers something new.  Barnes offers a credible tie-in and also a story that presents IG-88 as an intriguing character outside the main story.  Honestly, he seems more humanoid than droid, and he is an attractive character because he is both clever and homicidal.

I hugely enjoyed the art by Guiu Vilanova, which reminds me of 1990s Matt Wagner.  While stylish, Vilanova's art here conveys the edgy, violent nature of Barnes' story, while establishing a gritty sci-fi setting that recalls the original Star Wars film's Wild West vibes.  Antonio Fabela's colors light the story as if to bring together the sensibilities of Blade Runner and Star Wars.  Ariana Maher's lettering delineates this story's shifts and twists in a seamless fashion.

I will be a greedy fanboy and say that I wish there was more Star Wars: War of the Bounty Hunters - IG-88 #1.  I think Rodney Barnes and Guiu Vilanova could at least offer an enticing IG-88 miniseries.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books will want Star Wars: War of the Bounty Hunters - IG-88 #1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.starwars.com/the-high-republic
https://twitter.com/Marvel
https://twitter.com/starwars
https://www.starwars.com/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Monday, December 27, 2021

Marvel Comics from Diamond Distributors for December 29, 2021

MARVEL COMICS

OCT210806 AMAZING SPIDER-MAN #83 $3.99
OCT210807 AMAZING SPIDER-MAN #83 BALDEON DEVILS REIGN VILLAIN VAR $3.99
OCT210808 AMAZING SPIDER-MAN #83 GLEASON VAR $3.99
SEP211075 AMAZING SPIDER-MAN EPIC COLL TP SPIDER-MAN NO MORE NEW PTG $39.99
SEP211078 ATLANTIS ATTACKS TP ORIGINAL EPIC $44.99
SEP211063 CHAMPIONS TP VOL 02 KILLER APP $15.99
MAR210685 DAREDEVIL BY CHARLES SOULE OMNIBUS HC NOTO CVR $125.00
AUG211303 DAREDEVIL EPIC COLLECTION DEAD MANS HAND TP $44.99
OCT210870 DEATH OF DOCTOR STRANGE #4 (OF 5) $3.99
OCT210872 DEATH OF DOCTOR STRANGE #4 (OF 5) WU DEVILS REIGN VILLAIN VA $3.99
OCT210769 DEVILS REIGN #2 (OF 6) $4.99
OCT210770 DEVILS REIGN #2 (OF 6) BAGLEY CONNECTING VAR $4.99
OCT210771 DEVILS REIGN #2 (OF 6) INHYUK LEE VAR $4.99
MAY210703 SPIDER-MAN HC LIFE STORY $34.99
OCT210960 STAR WARS BOUNTY HUNTERS #19 $3.99
OCT210961 STAR WARS BOUNTY HUNTERS #19 SPROUSE LUCASFILM 50TH VAR $3.99
OCT210962 STAR WARS BOUNTY HUNTERS #19 YU VAR WOBH $3.99
AUG211293 STAR WARS TP VOL 03 WAR OF BOUNTY HUNTERS $19.99
OCT210773 TIMELESS #1 $5.99
OCT210775 TIMELESS #1 BUSTOS STORMBREAKERS VAR $5.99
OCT210776 TIMELESS #1 CABAL STORMBREAKERS VAR $5.99
OCT210777 TIMELESS #1 CARNERO STORMBREAKERS VAR $5.99
OCT210778 TIMELESS #1 CASSARA STORMBREAKERS VAR $5.99
OCT210779 TIMELESS #1 COELLO STORMBREAKERS VAR $5.99
OCT210780 TIMELESS #1 GLEASON STORMBREAKERS VAR $5.99
OCT210781 TIMELESS #1 MOMOKO STORMBREAKERS VAR $5.99
OCT210782 TIMELESS #1 SILVA STORMBREAKERS VAR $5.99
JUL210802 TOMB OF DRACULA COMPLETE COLLECTION TP VOL 05 $44.99
OCT210857 WASTELANDERS STAR-LORD #1 $3.99
OCT210858 WASTELANDERS STAR-LORD #1 SLINEY VAR $3.99
SEP211076 X-STATIX COMPLETE COLLECTION TP VOL 02 $44.99

-------------


Tuesday, December 7, 2021

#IReadsYou Review: MARVEL GRAPHIC NOVEL No. 9: The Futurians


MARVEL GRAPHIC NOVEL NO. 9: THE FUTURIANS
MARVEL COMICS


STORY: Dave Cockrum
ART: Dave Cockrum
COLORS: Paty
LETTERS: Jim Novack
EDITOR: Al Milgrom
EDITOR-IN-CHIEF: Jim Shooter
80pp, Color, $6.95 U.S., $7.95 CAN (1983)

The Futurians created by Dave Cockrum

“Marvel Graphic Novel” (MGN) was a line of paperback original graphic novels published from 1982 to 1993 by Marvel Comics.  The books were published in an oversize format, 8.5" x 11", similar to French comic book “albums,” which generally had cardboard covers, full-color interiors, and slick pages.  [In response, DC Comics would also establish a competitor line known as “DC Graphic Novel.”]

Dave Cockrum (1943-2006) was an American comic book artist, who made significant contributions to both Marvel and DC Comics.  Cockrum is best known as the artist who helped Marvel Comics and writer, the late Len Wein (1948-2017), relaunch the X-Men comic book series with a new team of X-Men, first in Giant-Size X-Men #1 (cover dated: May 1975) and then, in X-Men #94 (cover dated: August 1975).  Cockrum co-created and designed the new X-Men:  Storm, Colossus, and Nightcrawler.  Cockrum was also known as one of the best designers of comic book character costumes in the 1970s and 1980s.  He updated the costumes for DC's Legion of Super-Heroes when he began drawing the series in 1972.

Dave Cockrum entered the realm of creator-owned comic books with his unusual superhero team, “The Futurians.”  The team made its debut as the ninth entry in the Marvel Graphic Novel line.  Cockrum wrote and drew the debut story of the Futurians.  His wife, Paty Cockrum, colored the story, and the great Jim Novak lettered the story, with Al Milgrom editing.

Marvel Graphic Novel No. 9: The Futurians opens in the distant future of the planet Earth.  Hundreds of empires have risen and fallen, and at its zenith, human civilization was a melange of human, alien, and robotic cultures.  Mankind conquered and colonized the stars dozens of times before finally returning to Earth and forgetting the stars.

As the story opens, Earth is dominated by two city-states, Terminus and Ghron.  Terminus is a city-state of “scientist-generals,” and Ghron is ruled by the “Inheritors” and their mutant army.  After nearly destroying the entire Earth, the Inheritors travel into Earth's past in a bid to conquer the Earth.

In response, the “Terminus Grand Council” sends “genetic time bombs” into the past.  These “bombs” will increase human potential in select bloodlines.  Scientist-General Callistrax, via “discorporeal transmission,” sends his mind three million years into the past to the year 1940 AD.  Callistrax's mind takes over the body of a homeless man known only as “Vandervecken” or “The Dutchman.”

By 1962, Vandervecken has built an advanced technology corporation called “Future Dynamics,” and its motto is “Tomorrow is Now.”  Vandervecken then begins gathering up those who have been empowered by the genetic time bombs.  They are the seven humans that he begins to prepare for a series of historic battles against the Inheritors and their leader, Lord Temujin.  Vandervecken activates these seven humans' powers with the help of Sunswift.  She is an immortal fire elemental who lives in the sun and travels back in time as an ally of Vandervecken.

The first of the seven is Avatar, an immortal (unbeknownst to Vandervecken) who gains the powers of flight, super strength, and invulnerability.  African-American geologist Harry Robins becomes “Terrayne” a living mud-man who can manipulate rock and earth.  Marine biologist Tracy Winters becomes “Silkie,” a green-skinned amphibian with the ability to breathe underwater at great depths, fire bio-electrical blasts, control and shape water, and transform into a humanoid manta ray-like form, which allows her to fly or swim at great speeds.

Matthew Blackfeather, an Native American of the Dakota tribe, becomes “Werehawk,” a clawed, flying hawk-like humanoid.  Former spy Jonathan Darknyte becomes “Silver Shadow,” a living shadow that can merge with, animate, or teleport through shadows and darkness.  Dana Morgan becomes “Mosquito,” who can fly and generate ultrasonic energy.  Walter Bonner becomes the lion-like “Blackmane,” who has razor-sharp talons and superhuman strength and agility.

The Futurians are immediately sent into action when the Inheritors strike four locations in a bid to obtain the technology that Lord Temujin will use to complete a doomsday device.  However, the Futurians cannot stop the Inheritors if they cannot learn to work together.  Plus, only two of the Futurians realize that Vandervecken has a strange power over them.

THE LOWDOWN:  One thing that Marvel Graphic Novel No. 9: The Futurians certainly confirms is that Dave Cockrum was perhaps the most inventive and imaginative designer of comic book superheroes of his time.  The Futurians are a beautiful collection of superheroes, and it is a shame that these characters have largely been kept dormant in the nearly four decades since their debuted.

Here, as a writer, Cockrum did not have the smooth storytelling chops of the elite writers of superhero comic books of that time, such as Chris Claremont, John Byrne, Frank Miller, Marv Wolfman, Gerry Conway, and Jim Starlin, to name a few.  Still, in The Futurians, Cockrum created an intriguing universe that was as much science fiction as it was superhero, and what his script lacked in “mature audience” theatrics, it made up for in imagination and pure, old-fashioned superhero fun.  This story is dialogue and exposition heavy, but every bit of it serves the story by establishing the setting, defining the characters, or advancing the plot.  I have to admit that I really enjoyed reading Cockrum's dialogue, which gets even better in The Futurians, the short-lived ongoing comic book series that followed the graphic novel.

The Futurians actually reads like a comic book from the 1960s.  It is filled with a sense of mystery, a touch of magic, and a streak of cosmic wonder and imagination.  The Futurians is like a crazy blend of elements from the X-Men, the T.H.U.N.D.E.R. Agents, and the Fantastic Four.  The Earth of the Futurians has a complex “future-history,” and Cockrum also teased an intriguing deep history that recalls the kind of science fiction to which Cockrum may have been exposed as a teenager and as a young man.

In retrospect, Dave Cockrum made an unfortunate decision in moving The Futurians from Marvel Comics to Lodestone Publishing, Inc., an independent publisher that ultimately could maintain neither its promises nor its business model.  Lodestone published three issues of The Futurians ongoing series from 1985 to 1986.  Cockrum produced a fourth issue that Lodestone could not publish, so it was later included in the collection, The Futurians Volume 2.  Published by Eternity, this trade paperback also collected the Lodestone published, The Futurians #1 to #3.  That unpublished fourth issue was published again, this time as The Futurians #0, which also included a character profile section and a new Futurians story drawn by Cockrum and written by his associate, Clifford Meth.

In 2010, writer-artist David Miller published a three-issue miniseries, Avatar of the Futurians, which Miller wrote and drew, through his company, David Miller Studios.  In 2011, Miller collected the miniseries in the trade paperback, Dave Cockrum's Futurians: Avatar.

What could have been?  How long could Dave Cockrum have produced an ongoing comic book featuring The Futurians?  How long would Marvel have published it?  Would Cockrum and his characters been welcomed into the fold by Image Comics?  It's all speculation, but we have Marvel Graphic Novel No. 9: The Futurians, and it was part of a line that, for a few years, delivered some very interesting and memorable comics.  Here is to hoping that The Futurians indeed have a future.

I READS YOU RECOMMENDS:  Fans of Dave Cockrum will want to read Marvel Graphic Novel No. 9: The Futurians.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Tuesday, October 19, 2021

#IReadsYou Review: Marvel Comics' ALIEN #1

ALIEN #1
MARVEL

STORY: Phillip Kennedy Johnson
ART: Salvador Larroca
COLORS: Guru-eFX
LETTERS: VC's Clayton Cowles
EDITOR: Jake Thomas
EiC: Akira Yoshida a.k.a. C.B. Cebulski
COVER: InHyuk Lee
VARIANT COVER ARTISTS: Steve McNiven with Laura Martin; Peach Momoko; Ron Lim with Israel Silva; Todd Nauck with Rachelle Rosenberg; Patrick Gleason; Skottie Young; David Finch with Frank D'Armata; Salvador Larroca with Guru-eFX
40pp, Color, $4.99 U.S. (May 2021)

Parental Advisory

Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story that O'Bannon wrote with Ronald Shusett.  The film depicts a battle for survival between the crew of the commercial towing vehicle,  the space ship named “the Nostromo” and an aggressive deadline extraterrestrial creature, the “Alien” of the title, that is now known as a “Xenomorph.”

Alien, which went on to win an Academy Award, spawned a film franchise, beginning with writer-director James Cameron's 1986 science fiction action film, Aliens.  Alien also begat a media franchise, which included a comic book adaptation and also a novelization of the original film.  In 1988, Dark Horse Comics launched its first Alien comic book series, a 1988-89, six-issue comic book miniseries, entitled Aliens.  Dark Horse had the license to produce comic books based on the Alien franchise from 1988 to 1999 and again from 2009 to 2020.

Marvel Comics announced in 2020 that it had obtained the license to produce comic books based on the Alien film franchise.  Marvel Comics recently launched the first comic book series, Alien.  It is written by Phillip Kennedy Johnson; drawn by Salvador Larroca; colored by Guru-eFX, and lettered by Clayton Cowles.  This new Alien comic book focuses on a recently retired security agent who once faced the Xenomorphs and may have to again.

Alien #1 opens in January of the year 2200 on the Epsilon Orbital Research and Development Station.  It introduces Gabriel Cruz, a man who has given his life to Weyland-Yutani as a defense agent.  He is retiring as the security agent for Weyland-Yutani's Epsilon Station.  With the help of his friend, a Bishop-model android, Cruz hopes to reconnect and patch things up with Danny, his estranged son.  However, Danny has dangerous and ulterior motives for reuniting with his father.

Once upon a time, Gabriel barely survived an alien attack.  And now, it seems that his encounters are far from over.

THE LOWDOWN:  I am a big fan of the Alien film franchise, and I have lost count of how many times I have watched James Cameron's Aliens, including a few times just recently.  I have seen both Alien vs. Predator films numerous times and will watch them many times more.

Early in Dark Horse Comics' run of Alien comic books, I was devoted to the company's output, but lost interest after several years.  I thought the new Marvel Comics' title would be a good time to start reading Alien comic book again, and I was right.

Writer Phillip Kennedy Johnson whets the appetite with the promise of thrills to come while offering tasty teases of back story involving Gabriel Cruz.  Books about writing will always say that the writer should create strong characters and that the plot will develop from the characters.  Basically, the characters should act as the spine of the story.  I find the spine of this story, Gabriel and Danny, to be dull, and I have no interest in their crappy relationship.  On the other hand, the plot is quite strong.  Johnson makes Alien #1 a fun read when he focuses on the threat of the “Aliens” and on the looming disaster that will fully bring them into the story.

I would not call the art and graphical storytelling in Alien #1 peak Salvador Larroca.  For one thing, all the characters have faces that look like they underwent bad plastic surgery.  The compositions have a generic, Larroca clip art quality, but Guru-eFX's power-coloring and super-hues cover up the blemishes as well as any coloring can.

Still, Marvel's Alien #1 intrigues, especially if you, dear readers, are fans of the Xenomorphs.  I think I should keep reading … at least for the first story arc.

I READS YOU RECOMMENDS:  Fans of the Alien/Aliens film and comic book franchises will certainly want to try Marvel's Alien.

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Wednesday, September 8, 2021

#IReadsYou Review: STAR WARS: The High Republic #1

STAR WARS: THE HIGH REPUBLIC No. 1
MARVEL COMICS

[This review was originally posted on Patreon.]

STORY: Cavan Scott
PENCILS: Ario Anindito
INKS: Mark Morales
COLORS: Annalisa Leoni
LETTERS: VC's Ariana Maher
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Phil Noto
VARIANT COVER ARTISTS: Ario Anindito with Rain Beredo; Joshua “Sway” Swaby; Stephanie Hans; Pascal Blanche and Gonzalo Kenny
28pp, Color, $3.99 U.S. (January 6, 2021)

Rated T

“There is No Fear” Chapter One: “Trial by Ordeal”

Star Wars: The High Republic is a new publishing initiative that includes novels (adult, young adult, middle-grade, and young readers), comic books (including all-ages, graphic novels, and manga), and other prose and multimedia releases.  Lucasfilm, the bosses of all things Star Wars, announced The High Republic in February 2020, with the first publication to be released in August 2020.  Delayed by the COVID-19 pandemic, January 2021 sees the release of the first novels and comic books.

Star Wars: The High Republic is set 200 years before the film, Star Wars: Episode 1 – The Phantom Menace.   The Jedi Knights are at the height of their power, but they must face a deadly serious threat to the Republic, the antagonistic “Nihil,” a race of “space Vikings.”

The first comic book release is the ongoing comic book series, Star Wars: The High Republic, from Marvel Comics.  It is written by Cavan Scott; drawn by Ario Anindito (pencils) and Mark Morales (inks); colored by Annalisa Leoni; and lettered by Ariana MaherThe High Republic comic book is set directly after the events depicted in the first High Republic novel, Star Wars: The High Republic – Light of the Jedi (released January 5th).

Star Wars: The High Republic #1 (“Trial by Ordeal”) opens on Shuraden, on the Republic frontier.  Padawan Keeve Trennis, under the direction of her Master Sskeer, prepares to complete her “Jedi Trials.”  It would help if one of the planet's inhabitants, a “Ximbi” named Kanri, would stop pestering her.  However, she will face a bigger challenge when she must protect the innocents from  the “Redadi” – a species of star-locust, but is the problem really what she thinks it is.

Meanwhile, the Frontier prepares for the dedication of the majestic “Starlight Beacon,” which will help Republic pioneers as they push into new territories in the Outer Rim.  Now, Master Avar Kriss faces two legendary JediGrandmasters” who have arrived with a momentous announcement for her.

THE LOWDOWN:  I had not heard anything about the rumored “Project Luminous,” which was revealed in February 2020 to be the Star Wars: The High Republic publishing initiative.  I am a longtime Star Wars fan, but I don't dedicate much time to following Star Wars news.

So what do I think of Star Wars: The High Republic #1?  It is good, but not great.  I have enjoyed writer Cavan Scott's work on IDW's young readers Star Wars comic book, Star Wars Adventures.  His writing on Star Wars: The High Republic #1 is a little more intense than his IDW work.  Right from the beginning, Scott makes Keeve Trennis a strong character that is very likable, and he seems to have a handle on Master Avar Kriss, another strong and engaging female character.

Ario Anindito's art looks like it was drawn for a young adult graphic novel.  It seems closer to the sensibilities of animation than it does to the work of other Star Wars comic book artists like Jesus Saiz, Will Sliney, John Cassidy, and Salvado Larroca, to name a few.  If anything, Anindito's art here reminds me of artist Denys Cowan's work on the 2017-18 miniseries, Star Wars: Mace Windu.  I think Anindito's art will make Star Wars: The High Republic appeal to young readers who don't go to comic book shops, but will find the eventual trade paperback or graphic novel collection of this first High Republic story arc, “There is No Fear,” in bookstores.

Star Wars: The High Republic #1 makes me curious about where this comic book is going, and I plan to read more.  I do recommend that Star Wars readers check it out.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books will want to sample Star Wars: The High Republic.

[This issue includes afterwords by Cavan Scott and Ario Anindito.]

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.starwars.com/the-high-republic
https://twitter.com/Marvel
https://twitter.com/starwars
https://www.starwars.com/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------


Tuesday, August 31, 2021

#IReadsYou Review: THE ETERNALS #1

THE ETERNALS #1 (2021)
MARVEL COMICS

[This review was originally posted on Patreon.]

STORY: Kieron Gillen
ART: Esad Ribić
COLORS: Matthew Wilson
LETTERS: VC's Clayton Cowles
EDITOR: Darren Shan
COVER ARTIST: Esad Ribic
VARIANT COVER ARTISTS: Jen Bartel; Russell Dauterman with Matthew Wilson; Arthur Adams with Jason Keith; Alan Davis with Nolan Woodard; Mike Del Mundo; Inhyuk Lee; Peach Momoko; Jenny Frison; Rian Gonzales; Greg Land with Frank D'armata; Leinil Franics Yu with Sunny Gho; Otto Schmidt; Takeshi Okazaki with Edgar Delgado; Khary Randolph with Emilio Lopez
[The following artists are not credited as variant cover artists in the comic book, but Diamond Comics Distributors is offering issues with their cover art for sale: Alex Ross; Mahmud Asrar; Dave Johnson; Frank Cho; Jeff Johnson; J. Scott Campbell; Todd Nauck; Dan Panosian; Joe Quesada; Ron Lim; Walter Simonson; Superlog; Skottie Young]
32pp, Color, $4.99 U.S. (Jan. 6, 2021)

The Eternals created by Jack Kirby

“Only Death is Eternal,” Part 1

The Eternals are a race of humanoids in the Marvel Comics universe.  They were created by legendary writer-artist and comics creator, Jack Kirby, and first appeared in The Eternals #1 (cover dated: July 1976).  The Eternals are described as an offshoot of the evolutionary process that created sentient life on Earth.  They were created by the immensely powerful alien race, the Celestials, along with the Eternals' destructive counterparts, the Deviants.

The Eternals first comic book series ran for 19 issues from 1976 to 1977, with issue #19 having a January 1978 cover date.  In addition to Jack Kirby's original series, there have been miniseries starring The Eternals in 1985-86, 2006-07, and 2008-09.  In the 2018-launched Avengers comic book series (written by Jason Aaron), the Eternals discovered that their creators, the Celestials, preferred humans over them, which lead to the mass suicide and death of the Eternals (as seen in the Avengers story arc, “The Final Host”).

Now, the Eternals return in a new comic book series.  The Eternals (2021) is written by Kieron Gillen; drawn by Esad Ribić; colored by Matthew Wilson; and lettered by Clayton Cowles.  In the new series, the Eternals face something new to them – change.

The Eternals #1 opens in “the Exclusion,” one of a system of sub-dimensional threads in “The Machine” (apparently the Earth-side system by which the Eternals teleport).  The Machine also narrates the story, which opens with the resurrection of Ikaris, the last Eternal to die.  However, the “Eternal Prime,” Zuras, has a surprise for the ever-direct Ikaris.  Ikaris must awaken and take charge of Sprite, the murderous prankster Eternal.

Arriving in New York, Ikaris and Sprite meet Iron Man.  Then, it is time to do their job, protect humans from “the Deviants,” especially those that become monsters.  While the mismatched duo is away, however, new death in a familiar guise comes for the Eternals.

THE LOWDOWN:  I recently read the original The Eternals #1, from 1976, which was written and drawn by series creator Jack Kirby.  I did this in preparation for the new series and for the (eventually) upcoming film, The Eternals, from Walt Disney Pictures and Marvel Studios.

First, let me speak to the beauty of The Eternals 2021.  I first discovered artist Esad Ribic when he drew the final two issues of the X-Men miniseries, X-Men: Children of the Atom (1999-2000), that was begun by writer Joe Casey and artist Steve Rude.  I was not crazy about Ribic's art in that series, but it was clear to me that this artist had huge potential as a comic book illustrator.

I must say that he has developed way beyond what I expected.  Here, Ribic's beautiful illustrations and Matthew Wilson's supernatural coloring combine to create gorgeous art that recalls the work of the late master, Moebius.  The graphical storytelling reads and feels like superhero comics as real science fiction comics.

Kieron Gillen's story is intriguing and the script is straightforward and clean.  His dialogue and The Machine's exposition made it easy for me to follow the story, setting, and plot/concept.  Gillen is going to make me spend some money on this comic book series.  So, if you don't want to spend more money on comics, dear readers, avoid The Eternals #1 2021.  If you are just looking for a really good first issue, spend it on this one … which has a killer last story page.

I READS YOU RECOMMENDS:  Fans of the Eternals and of good Marvel comic books will want The Eternals 2021.

9 out of 10

[This comic book includes a one-page tribute to former Marvel Comics publisher, Mike Hobson, who died in November 2020.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

---------------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Wednesday, July 14, 2021

#IReadsYou Review: THE SECRET SERVICE #1

THE SECRET SERVICE #1
MARVEL COMICS/Icon – @Marvel

[This review was originally posted on Patreon.]

STORY: Mark Millar and Matthew Vaughn
WRITER: Mark Millar – @mrmarkmillar
ARTIST: Dave Gibbons
COLORS: Angus McKie
COVER: Dave Gibbons
VARIANT COVERS: Leinil Francis Yu with Sunny Gho
32pp, Color, $2.99 U.S. (June 2012)

Mature Content

The Secret Service created by Mark Miller, Dave Gibbons, and Matthew Vaughn


The Secret Service was a six issue comic book miniseries written by Mark Millar; drawn by Dave Gibbons; and colored by Angus McKie.  The series was created by Millar, Gibbons, and writer/director/ producer Matthew Vaughn (X-Men: First Class) and was published in 2012 by Icon, a pseudo-creator owned imprint of Marvel Comics.  Vaughn directed a film loosely adapted from this comic book and entitled Kingsman: The Secret Service.  [The Secret Service has since been re-branded as Kingsman: The Secret Service to tie-in closer to the film.]

The Secret Service is apparently inspired by “classic” James Bond films and the spy thriller genre in general.  [I must note, dear readers, that I consider the James Bond films from Dr. No to A View to a Kill to be the “classic Bond films.”]  The story focuses on a super-spy and his young and wayward nephew whom he recruits into “the secret service.”

The Secret Service #1 opens in Zermatt, Switzerland where we find Mark Hamill of Star Wars fame in the clutches of mysterious, “middle-Eastern” types.  Later, in Peckham, South London, Gary “Eggsy” London is dealing with another awful night of home life with his mother, Sharon, and her English-white trash husband, Darren, and his rowdy pals.  So Gary decides to have a night of bad behavior with his own pals, but that will land him in trouble.  Once again, it's Gary's Uncle Jack to the rescue, but Jack London is secretly an MI6 agent, and he is ready to redirect his troubled nephew.

I saw Kingsman: The Secret Service on DVD not long after its home media release.  I thought some of it was really good, but most of it was mediocre slash OK.  I got a kick out of Samuel L. Jackson, Sofia Boutella, (that sexy-M.F.) Mark Strong, and Michael Caine (cause there is never enough Michael Caine).  I liked Taron Egerton, but he does not totally sell me on the idea of him being an action hero.  I put up with Colin Firth's character because he is played by Colin Firth.  Did I mention Mark Strong?

Reading The Secret Service comic book for the first time, what surprises me is how matter-of-fact the first issue seems.  It is unassuming and so lacks glamour (unlike the film) that after a few pages I thought The Secret Service was going to be a disaster.  However, I soon picked up on the steady pace, solemn pace.  There is something real and earthy about the interaction between Jack London and his sister, Sharon.  Reading it, I felt like I was eavesdropping on some real-world, old sibling melodrama.

By the end, I wanted to read more.  I'll see the new movie, Kingsman: The Golden Circle, but I hope the new comic book, Kingsman: The Red Diamond, is more like this comic book.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).